15 Killer Facts About Kill Bill: Vol. 1

Andrew Cooper, Miramax Films
Andrew Cooper, Miramax Films

Even by Quentin Tarantino’s standards, Kill Bill was a surprise. He’d made a name for himself with a slew of curse words, violence toward ears, and riffs on sleazy genres, but the story of The Bride seeking revenge on the Deadly Viper Assassination Squad was an epic. A movie that couldn’t be contained in one easy piece, it had to be split up into two still-large parts that paid homage to a fistful of genres.

It’s been 15 years since we met The Bride in the first installment. Looking back, there’s an elegant simplicity to how Uma Thurman crafted a character dead-set on killing everyone who left her to die in a creaky church in El Paso, Texas. She had a goal, and she went after it. No sweeping life lessons about the corruption of vengeance—just a question of whether she had the grit and skill to carry it out. To celebrate the film's 15th anniversary, here are 15 things you might not know about Kill Bill: Vol 1.

1. THEY REALLY SLICED A BASEBALL IN HALF.

During the scene where The Bride gets the sword from Hattori Hanzo, he throws a baseball at her which she cuts in two. They didn’t fake it—though it was Thurman’s stunt double, Zoë Bell, who actually did it.

2. O-REN ISHII’S GENERIC THREAT CAME TRUE.

Before O-Ren Ishii fights The Bride, she mocks her in Japanese by saying, “Hope you’ve saved your energy. If you haven’t, you might not last five minutes.” Four minutes and 59 seconds after O-Ren steps forward to start the fight, she gets part of her head cut off. Turns out The Bride didn’t need to last that long.

3. THE BRIDE’S NAME IS HIDDEN IN PLAIN SIGHT.

If you look fast or pause the movie, you don't need to wait until the movie's second installment to learn The Bride's name. Thurman’s character goes by a series of code names throughout the first installment, and her real name is bleeped to keep us from knowing it, but it’s printed clearly on her plane ticket to Tokyo (and Bill calls her “Kiddo,” which turns out not to be a nickname).

4. THE BRIDE’S YELLOW JUMPSUIT IS AN HOMAGE TO BRUCE LEE.

Uma Thurman in 'Kill Bill: Vol. 1' (2003)
Andrew Cooper, Miramax Films

As a nice sartorial tribute, The Bride wears a killer outfit meant to mimic the iconic ensemble Bruce Lee wore in Game of Death. Tarantino also copied a short headlock sequence from Game of Death during The Bride’s fight with Vernita Green (Vivica A. Fox).

5. QUENTIN TARANTINO PUT THE MOVIE ON HOLD WHEN UMA THURMAN GOT PREGNANT.

Tarantino and Thurman conceived of The Bride together while shooting Pulp Fiction, so there was only ever one actress to play the role. Then, Thurman got pregnant, so the long-gestating idea got put on hold again. “She got pregnant, and I was like, 'Okay, do I wait or do I not?' But I can honestly tell you that I didn’t have a choice,” Tarantino told the BBC. “Yes, this is my samurai movie; yes, this is my badass chick movie; yes, this is my spaghetti western and my comic book movie. But it’s also my Josef Von Sternberg movie, and if Josef Von Sternberg is getting ready to make Morocco and Marlene Dietrich gets pregnant, he waits for Dietrich!”

6. USING BLACK AND WHITE FOR THE CRAZY 88 FIGHT WAS A PRACTICAL HOMAGE.

The film shifts from color to black and white when The Bride battles the Yakuza in the House of Blue Leaves, which is a nod toward kung fu movies shown on TV in the 1970s, but it wasn’t just an artistic choice. Those movies were broadcast in black and white to get around the censors, and that’s exactly what Tarantino did, too. To avoid an NC-17 rating, and to avoid cutting out any of the over-the-top violence of the scene, he shot it in black and white.

7. THERE’S NO BLOOD IN THE TRAILER.

As the bastion of general audience innocence, the MPAA won’t allow “blood or open wounds” in green band trailers, so Kill Bill: Vol. 1’s advertisements make it look like The Bride was stabbing a barrel of motor oil with a samurai sword and got some on her jumpsuit. I’m pretty sure the people most excited about fictional bloodshed got the message.

8. THERE’S A REASON HANZO SET UP SHOP IN OKINAWA.

Hattori Hanzo leaving his life as a swordsmith behind and opening up a sushi bar specifically in Okinawa is a bit of an inside joke. Okinawa has a reputation in Japan for not having great sushi (they love pork, though) so it’s suggested in the film that an Okinawan sushi bar is the perfect place for Hanzo to hide from his old life. Not to mention the shared love of perfection, craftsmanship, and knives.

9. THEY USED CONDOMS FOR THE BLOOD EFFECTS.

Just like many Chinese action flicks of the 1970s, Tarantino and company used fake-blood-filled condoms to create the bursts of blood you see on screen. He was also particular about the blood recipe. “You can’t pour this raspberry pancake syrup on a sword and have it look good,” he said.

10. TARANTINO ASKED THURMAN TO WATCH THREE MOVIES TO PREPARE.

Those three movies were: John Woo’s The Killer; Jack Hill's Coffy, starring future Jackie Brown star Pam Grier; and Sergio Leone's timeless western A Fistful of Dollars. That blend also captures the exact balance of the genres Tarantino celebrated in the script. He and Thurman also first crafted The Bride after talking about Coffy on the set of Pulp Fiction.

11. THURMAN GOT SERIOUSLY INJURED DOING A CAR STUNT.

It only came out recently that Tarantino coerced Thurman into driving a rickety blue Karmann Ghia for a pivotal scene that he demanded be done without green screen or CGI. The production knew the car was unsafe and required a stunt professional, but Thurman eventually relented, crashed the car into a tree, and injured her back and knees. Tarantino apologized publicly, and she’s since forgiven him.

12. O-REN WAS ORIGINALLY MEANT TO GET BEHEADED.

The Bride fatally wounds O-Ren during their fight by slicing off part of her head, but she was originally supposed to cut her head off completely. The problem with that? With her head gone, O-Ren wouldn’t have recognized that The Bride wasn’t lying about having a genuine Hattori Hanzo sword.

13. O-REN IS THE ONLY ONE WHO DIES BY THE SWORD.

The movie places a great deal of importance on The Bride getting the Hattori Hanzo sword to use it in her revenge, but O-Ren is the only one who sees the wrong end of the blade. In the second installment of the movie, The Bride plucks Elle’s eye out and uses the Five Point Palm Exploding Heart Technique on Bill.

14. THE BRIDE WASN’T SUPPOSED TO SPARE ANY OF THE CRAZY 88.

Tarantino is meticulous about his scripts, but he’s also wide open to changing things during shoots. That includes the character played by 17-year-old Hu Xiaokui, whose innocent face spared his life, turning him into a witness and figure of The Bride’s (limited) sympathy.

“I thought, ‘There’s no way she’d off a kid with a mug like this,'" Tarantino told TIME Magazine. So, she leaves one alive after the blood bath.

15. BUCK’S CAR IS UNCENSORED ON TV.

Buck the hospital orderly’s infamous “P*ssy Wagon” gets changed to “Party Wagon” in dialogue when the movie plays on network TV (how much of it can even be on TV?), but the networks either didn’t see a need or didn’t want to pay to have the car’s license plate changed digitally. It still reads “PSY WGN.”

15 Creepy Facts About Carrie

Scream Factory
Scream Factory

Brian De Palma has never met a genre he can’t tackle. Throughout his near-50-year career in Hollywood, he has famously dabbled in action films (Mission: Impossible, Snake Eyes), crime dramas (Carlito’s Way, The Untouchables), psychological thrillers (Raising Cain, Body Double), film noirs (Black Dahlia, Femme Fatale), and expletive-filled gangster movies (Scarface). But to this day, Carrie—his 1976 adaptation of Stephen King’s first novel—remains one of his most impressive achievements. And not just because it still manages to scare the bejesus out of audiences, even if they know what’s coming next. Here are 15 things you might not have known about the Oscar-nominated horror film.

1. IT WAS STEPHEN KING’S FIRST BIG-SCREEN ADAPTATION.

Author Stephen King poses at the premiere of IT in Bangor, Maine
Scott Eisen, Getty Images for Warner Bros.

Carrie marked a number of firsts for the soon-to-be bestselling author: In addition to being his first published novel, it was also the first of his stories to be made into a film. In the more than 40 years since the book’s release, King’s work has formed the basis for more than 100 movies, television movies, series, and episodes.

2. KING WAS PAID $2500 FOR THE FILM RIGHTS.

While speaking at a book event in Fort Myers, Florida in 2010, King recalled that he was paid just $2500 for the movie rights to Carrie—which may seem like a pittance, but he has no regrets. “I was fortunate to have that happen to my first book,” King said.

3. KING THOUGHT DE PALMA HANDLED THE MATERIAL IN A “MORE ARTISTIC” WAY THAN HE HAD.

Five years after the film’s release, King praised De Palma’s adaptation, noting that:

"De Palma's approach to the material was lighter and more deft than my own—and a good deal more artistic ... The book seems clear enough and truthful enough in terms of the characters and their actions, but it lacks the style of De Palma's film. The book attempts to look at the ant farm of high school society dead on; De Palma's examination of this 'High School Confidential' world is more oblique ... and more cutting.”

More than a quarter-century later, in a 2007 interview with Nightline, King seemed slightly less enthusiastic when he said that, "Carrie is a good movie. It hasn't aged as well as some of the other ones. But it's still pretty good."

4. KING’S NAME WAS MISSPELLED IN THE TRAILER.

King was such a newcomer at the time of Carrie's release his first name was actually misspelled in the movie's trailer (it was written as Steven, not Stephen).

5. THE STARS OF CARRIE COULD HAVE BEEN THE STARS OF STAR WARS.

Brian De Palma ended up casting for Carrie at the same time his good friend George Lucas was doing the same for a little sci-fi film he was making called Star Wars. So the two made the rather unorthodox decision to hold joint auditions, which ended up becoming a bit confusing. De Palma liked Amy Irving for the lead in Carrie, but she was also considered for Princess Leia in Star Wars. William Katt also auditioned for Star Wars, alongside Kurt Russell.

6. AMY IRVING AND WILLIAM KATT HAD DATED IN REAL LIFE.

Before being cast as Sue Snell and Tommy Ross, Bates High School’s golden couple, Irving and Katt had actually dated. “It was like a year before we tested for Carrie," Irving explained. "We were only together for a short time and then we became friends. Suddenly, we were tested for this film together. We tested with a scene that wasn't in the film, one of our big scenes that was cut out. It was in the back seat of a car and it was very physical. We were lucky because we'd been through that; we were very comfortable with each other, it was easy. We didn't end up having much together in the final print."

There was another personal connection within the film for Irving: her character’s mother in the film was played by her actual mom, Priscilla Pointer.

7. BRIAN DE PALMA DIDN’T SEE SISSY SPACEK AS CARRIE.

Though De Palma was a fan of Spacek’s work, he was convinced that he had already found his Carrie in another actress. His decision to let Spacek audition at all was mostly out of courtesy to her husband, Jack Fisk, the film’s art director. "He told me that if I wanted to, I could try out for the part of Carrie White,” Spacek recounted to Rolling Stone. "There was another girl that he was set on and unless he was really surprised, she was the one. I hung up and decided to go for it."

Spacek showed up at her audition in an old dress she hadn’t worn since grade school and with her hair slicked back with Vaseline. When she was done, she waited in the parking lot while her husband reviewed her audition with the rest of the production team. After Fisk came out to tell her that the part was hers, “We sped off before anybody could change his mind,” Spacek said.

8. IT WAS JOHN TRAVOLTA’S FIRST FILM.

John Travolta in 'Carrie' (1976)
Scream Factory

Travolta’s star was on the rise because of his role in Welcome Back, Kotter, but Carrie marked his big-screen debut.

9. PIPER LAURIE THOUGHT SHE WAS MAKING A SATIRE.

Piper Laurie, who earned an Oscar nomination for her role as Carrie’s fanatical mother, was all but retired when she agreed to play Margaret White (her last feature had been The Hustler in 1961). But her interpretation of the script was quite different than De Palma’s intention—which she didn’t realize until filming began.

"Once De Palma revealed that he didn’t want a satirical approach and said, ‘You’re going to get a laugh if you do that,’ I realized that he didn’t want laughs, at least not in our conscious performing,” Laurie told HollywoodChicago.com in 2011. "I just fully embraced the reality of what I was playing. I must say that I enjoyed having the childlike freedom to play act and be the evil witch. It was very freeing and fun to do."

Nancy Allen, who played mean girl Chris Hargensen, also believed that she and Travolta were there as a sort of comic relief; it wasn’t until she saw the final cut that she realized they were actually the villains.

10. SISSY SPACEK KEPT IN CHARACTER BY KEEPING TO HERSELF.

In order to fully embrace the alienation her character faces, Spacek spent most of the production isolated from the rest of the cast. In a 2013 interview with Vulture, co-star P.J. Soles recalled how on "the first or second day, Sissy came over to a group of us, maybe at lunch, I don’t remember, and said, ‘I love you guys, we’re going to have a great shoot, I’m very excited to be working on this. But I just want to let you guys know, I’m going to alienate myself from you. I want to feel that alienation. But I really like you and afterwards we’ll party and we’ll have a great time. But don’t take it personally. I just want to let you know I’m doing it on purpose because I want to get into the part.’ We all really respected her for that, and that made us even more eager and able to be as mean as we could to her, because we knew it was going to help her."

11. SISSY SPACEK WAS A HIGH SCHOOL HOMECOMING QUEEN.

Sissy Spacek in Carrie (1976)
Scream Factory

Okay, so maybe “Prom Queen” holds more clout. But somewhere in Spacek’s teenage possessions is the glitzy headgear she sported when she was crowned homecoming queen at Quitman High School in Texas.

12. SPACEK WAS ADAMANT THAT HER OWN HAND APPEAR IN THE FINAL SCENE.

Though De Palma wanted to get a stunt person for the final scene, where Sue Snell visits Carrie’s grave, Spacek insisted that it needed to be her hand that was shown, which required her to be buried in the ground. “I laughed about that,” Spacek told NPR. "I do all my own foot and hand work, and always have."

13. SPACEK LOVED TO WITNESS MOVIEGOERS’ REACTIONS TO THE ENDING.

“When I was in New York, and Carrie came out, I would go to theaters just for the last five minutes of the film to watch everyone jump out of their chairs,” Spacek recalled. “People are all relaxed. The music is really beautiful and relaxing, and all of a sudden that comes up, and people just go crazy.”

14. THERE ARE NODS TO PSYCHO.

Though De Palma had hoped to convince Bernard Herrmann to score the film, the legendary composer—who was best known for his collaborations with Orson Welles and Alfred Hitchcock—passed away in 1975, before Carrie went into production. But his influence is still felt throughout the film.

"When we originally put temporary music tracks on the film, we used a lot of Herrmann's music,” De Palma told Cinefantastique. "In the end, we used a very famous Italian piece of music for the processional walk to the grave—Albinoni I think it was … The flexing sound is very Psycho. I put in a temporary track and for all the flexes I put in a Psycho violin. We couldn't find the right sound, but anyway, it worked. Bernard came up with it, and Bernard, I'm glad we used it again!"

Carrie’s school, Bates High School, is yet another nod to Hitchock’s 1960 classic.

15. STEPHEN KING WOULD HAVE LOVED TO SEE LINDSAY LOHAN IN THE ROLE.

When word first spread in 2011 that a remake of Carrie was in the works, King was surprised: “Why, when the original was so good? I mean, not Casablanca, or anything, but a really good horror-suspense film, much better than the book.” But when it came to recasting the lead and choosing a new director, King had some ideas—specifically, “Lindsay Lohan as Carrie White… hmmm. It would certainly be fun to cast. I guess I could get behind it if they turned the project over to one of the Davids: Lynch or Cronenberg."

Harry Potter Cast Remembers the Late Alan Rickman

© 2009 - Warner Bros.
© 2009 - Warner Bros.

The world lost some of its most iconic celebrities in 2016, including ​Carrie Fisher and David Bowie. For ​Harry Potterfans, the January 14, 2016 death of ​Alan Rickman hit hard. Unsurprisingly, his castmates were also deeply impacted by the actor's death and have spoken out several times over the years about the magic he brought to the set.

"Alan Rickman is undoubtedly one of the greatest actors I will ever work with," ​Daniel Radcliffe wrote about Rickman a couple months after his death. "He is also, one of the loyalest and most supportive people I've ever met in the film industry."

Over two years later, the cast of Harry Potter is ​remembering Rickman to Entertainment Weekly.

Both ​Evanna Lynch, who played Luna Lovegood, and director Chris Columbus remember Rickman for being stoic on the outside, but very sweet on the inside.

"You’re thinking, it’s the guy from Die Hard and going, 'Oh my god.' If he’s in a serious mood, he’s intimidating as hell. But suddenly I had dinner with him ... and when he smiled, he just became the warmest, nicest human being in the world," Columbus said.

"Alan Rickman, pretty much every day of filming, he had a whole troop of little children [visiting]," Lynch remembered. "It was the most bizarre scene to see Snape in this black robe ... surrounded by all these happy little children who were just chatting away to him.”

Oliver Phelps and Warwick Davis recalled Rickman's affinity for iPods.

“I remember once he’d come back from an awards show ... and in the gift box was an iPod, when they’d first come about," Phelps said. "I remember being next to him ... and I ended up showing Alan how to work an iPod, which was not what I thought I’d ever do in my life. He was a very approachable guy once you saw past Snape’s wig."

"I started to wonder, what does Alan Rickman as Professor Snape listen to on his iPod?" Davis stated. "An audiobook? Some Shakespeare? Some classical music? Some techno beats? I don’t know. I never did ask
him, and I wish I had. I’d love to have known.”

​​Rickman's final role was in Alice Through the Looking Glass.

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