12 Surprising Facts About Riverdale

The CW
The CW

Based on the classic Archie Comics, the CW’s Riverdale takes a darker, Twin Peaks-like twist on characters Archie Andrews, Veronica Lodge, Betty Cooper, and Jughead Jones. For one, this show has a whole lot of murder.

Trying to figure out who the unknown “Black Hood” murderer is has been an addicting draw for fans since the series first aired in 2016. And while the real lives of Riverdale's stars and the production of the show isn’t nearly as dramatic as the series, that doesn't make them any less fascinating. Just ahead of the series' return, we've gathered up some things you might not know about Riverdale.

Warning: Spoilers for all aired episodes ahead.

1. RIVERDALE WAS ORIGINALLY PITCHED AS A TIME-TRAVELING MOVIE.

Before Riverdale came to its current iteration, there were a few other out-there ideas for what it could be. One pitch from someone at Warner Bros. saw Archie as a time-traveler, in a movie where the redhead protagonist would be played by Louis CK. (Yep, this happened.)

"We spent about a month trying to figure out how to do a high-concept Archie movie and that’s kind of the exact opposite of what we wanted to do,” showrunner Roberto Aguirre-Sacasa explained during the CW’s 2017 Winter Television Critics Association panel. Eventually, they went against what was pitched and decided Riverdale would be a TV show … minus any time travel.

2. JUGHEAD ONLY HAS ONE BEANIE.

Cole Sprouse and Lili Reinhart in 'Riverdale'
The CW

Jughead Jones’ beanie in Riverdale is extremely important to the character, similar to his iconic crown in the comics. Given this, it’s surprising to learn Cole Sprouse only has one beanie that he wears every single day during filming. Apart from the obvious fact that it probably smells, it’s a little peculiar to only have one copy of a staple piece of costume.

While appearing on The Tonight Show With Jimmy Fallon, Sprouse allowed Fallon to try on the beanie, but warned him not to smell it. "Same one, still smells like Mane and Tail," Sprouse explained. "We did get another one at the end of last season, but it was stolen when I placed it on a lunch table in the scene where Cheryl slapped Jughead."

3. THE POP’S DINER SET LOOKS SO REAL, PEOPLE THOUGHT IT WAS.

Not only is Pop’s Diner the place to go for the characters on Riverdale, people in real life have actually been enamored by it and tried to eat there, as they thought the set was real. While doing a Reddit AMA, Sprouse revealed that because their onset location is near an “industrial thoroughfare,” it isn’t uncommon for “hungry 18-wheelers” to pull into the filming lot thinking they could get a quick bite to eat at Pop’s.

However, the Pop’s used in the Riverdale pilot actually is a real restaurant, called Rocko’s Diner in Mission, British Columbia.

4. KJ APA BROKE HIS HAND DURING THE SEASON ONE FINALE.

Cole Sprouse and K.J. Apa in 'Riverdale'
The CW

In the season one finale of Riverdale, Archie Andrews heroically saves Cheryl Blossom from drowning in a frozen lake, and in real life, KJ Apa might’ve gone a bit too far with the Method acting. In the scene, Archie smashes through thick ice with his bare hand, and although Apa wasn’t actually punching real ice, he did do some real damage.

"That was a gnarly day of shooting, I'll tell you that much," Apa told TV Line. "I wasn't really punching the ice, but I got a little bit too excited. I was punching a foam mat … [that was] sitting on the ice … It was cold, so I didn't really feel it. It wasn't until 20 minutes after that I realized I broke my hand. I didn't tell anyone."

5. COLE SPROUSE AND CAMILA MENDES WENT TO COLLEGE TOGETHER.

Though they weren’t as close in circles as Jughead and Veronica, Riverdale co-stars Cole Sprouse and Camila Mendes attended New York University together. Though Mendes told Office Magazine that the two were not friends while at school, she did say that the actor was a familiar face on campus.

"There was a time when we had class in the same building so I would always see him outside, Mendes shared, before calling Sprouse a “weirdo” then. They’ve clearly come a long way since their NYU days.

6. EVERY RIVERDALE EPISODE IS BASED ON A MOVIE.

Cole Sprouse, Ashleigh Murray, Lili Reinhart, Asha Bromfield, K.J. Apa, and Hayley Law in 'Riverdale'
The CW

While it might be obvious to some die-hard fans, many viewers may not realize the significance of every episode title of Riverdale. All the episodes are the names of, or a variation of the names of, old movies. And it’s not just for aesthetic purposes, as they literally tell fans what the episode will be about.

Aguirre-Sacasa explained to Teen Vogue how much the episode titles reveal: "We usually work on the episode, and then, as we're going to the end of the breaking of the story, we're like, 'What's the title of this episode?'" he shared. "And then we have a list of provocative titles. Often the stories guide us."

If you’re keen on spoilers, just check out the upcoming episode titles for Riverdale, and you’ll probably figure quite a few things out.

7. SHOWRUNNERS WANTED SPROUSE TO PLAY ARCHIE.

Unlike most of the Riverdale stars, when Sprouse was initially approached about a role in the series, he wasn't interested. "At first ... I was immediately turned off," he told WWD. "But in more recent years, Archie comics have tried to stray away from the 'golly, shucks Arch, let’s go to the sock hop' thing."

When he agreed to audition, Sprouse was first asked to read for the role of Archie. However, the actor fell in love with Jughead and almost immediately knew he wanted that part. “He’s very much an outsider," Sprouse told WWD. "He has a pretty unique perspective because he’s seeing the town and the friendship and the friendships that are forming from a more objective point of view."

8. MADELAINE PETSCH’S FEAR OF WATER MADE FILMING DIFFICULT.

K.J. Apa and Madelaine Petsch in 'Riverdale'
The CW

In season one of Riverdale, Cheryl Blossom has many scenes by a large body of water. While viewers probably didn’t think twice about it, the actress behind the redheaded River Vixen had a seriously tough time shooting the parts.

"I'm afraid of open bodies of water. I was in a glass-bottomed boat that broke a long time ago, so I've always been kind of freaked out," Madelaine Petsch told Glamour. The actress originally thought she could have a stunt double for her opening boat scene, and had a panic attack prior to having to do it herself. However, she confirmed that the fear was only temporary. "Once we started shooting, I was fine," Petsch said.

9. COLE SPROUSE FOUGHT FOR JUGHEAD TO BE ASEXUAL.

Fans of the Archie Comics might find it weird that in Riverdale, Jughead has a love interest. Fans of just the show, and not the comics, probably have no idea why that would be strange. In the more recent comic book versions, Jughead is actually asexual, something that was revealed once Riverdale had already started production. "The day I was cast was actually the same day he was announced as canonically asexual," Sprouse told Glamour. "It wasn't in the Digest—it was in [Chip] Zdarsky's universe, so it was in one of the newer comics that was written."

“I think, in this show, he’s not a romantic and not asexual,” Sprouse continued. “I argued in the beginning, creatively, that he should be both, but in this show, he’s kind of a tortured youth that ends up finding a comfort and a resonance with another person who’s going through a lot of trauma.”

Though Jughead has been in an on-again, off-again relationship with Betty, Sprouse is still open to the representation of asexuality. “If it ends up finding a place in Riverdale and in future seasons, then hopefully we'll do it with tact and in a way that respects what it is and how it resonates,” Sprouse said.

10. VANESSA MORGAN GOT DEATH THREATS WHEN SHE JOINED THE SHOW.

Vanessa Morgan in 'Riverdale'
The CW

Before Jughead and Toni Topaz kissed or began their mini-fling, viewers were already enraged about the possibility of the character breaking up Jughead and Betty (a.k.a. Bughead). In the end, Vanessa Morgan—the actress who plays Toni—was put on the receiving end of much of this fan anger.

Morgan revealed to Glamour that fans were sending her some pretty awful messages upon her introduction. "She's a Southside Serpent, a gang member, and Jughead's first friend," Morgan teased at the time. "So I might stir up the pot a bit with the Bughead relationship. There might be a little love triangle."

"I’ve already had some death threats," Morgan added. "But the thing is, it's half death threats because they don't want that [actually] happening, and there's half that's just all love.” Luckily, the actress didn’t take the fandom to heart.

11. SPROUSE IS IN TALKS TO WRITE RIVERDALE COMIC SPIN-OFFS.

Not only is Sprouse a fan of Riverdale and the Archie Comics the show is based on, but he actually wants to try writing comics based on the world, and seemingly will do so sometime in the future.

When asked if he’s ever reached out to the comic book writers about collaborating, Sprouse told Vulture: “Not so much with the comics creators. Now there’s a Riverdale universe that’s gonna take off in print form now, too. Roberto [Aguirre-Sacasa] has talked to me about writing a couple of those, which would be awesome. I’d love to try my hand at that.”

12. 13 REASONS WHY STAR KATHERINE LANGFORD AUDITIONED FOR BETTY COOPER.

Katherine Langford in '13 Reasons Why'
Beth Dubber, Netflix

The leading lady in another favorite teen series had her shot at playing Betty Cooper, according to Camila Mendes. While speaking to Entertainment Weekly, Mendes revealed she auditioned with Katherine Langford, before Langford was cast in Netflix’s 13 Reasons Why. “I remember we went out and we got falafel with a guy who was auditioning for Archie,” Mendes said of the day.

The role of Betty eventually went to Lili Reinhart, which clearly worked out for the best. Although Langford is done with the Netflix series, she gained major attention from her role as Hannah Baker, and Reinhart fits the Riverdale role perfectly.

15 Facts About Bill & Ted’s Excellent Adventure on Its 30th Anniversary

MGM
MGM

In 1989, a couple of slackers from San Dimas, California hopped inside a time-traveling phone booth and gathered a gaggle of key figures from the past so they wouldn’t fail their high school history class. In 1991, they were at it again. Now, 30 years after Keanu Reeves and Alex Winter first cemented their place in sci-fi history as the lovable duo, the long-awaited threequel—Bill & Ted Face the Music—has been officially confirmed. Here are 15 things you might not know about the most excellent original film.

1. Bill and Ted were born in an improv class.

The idea for the characters of Bill and Ted came about in 1983, when UCLA classmates Ed Solomon and Chris Matheson formed a student improv workshop with a few of their peers. “One day, we decided to do a couple of guys who knew nothing about history, talking about history,” Solomon recalled to Cinemafantastique in a 1991 interview. “The initial improv was them studying history, while Ted’s father kept coming up to ask them to turn their music down.” (Solomon played Ted, Matheson was Bill.)

2. Originally, it was Bill & Ted & Bob.

When the skit originated, there was a third character, Bob. But “Bob” wasn’t as into it as Solomon and Matheson, so the trio became a duo.

3. Bill wanted to be Ted and Ted wanted to be Bill.

It’s hard to imagine anyone but Keanu Reeves playing Ted Logan, or another actor besides Alex Winter in the role of Bill S. Preston, Esq., but each actor actually auditioned for the opposite role. But when Solomon and Matheson saw their audition tapes, they thought the opposite would work better. In an online chat with Moviefone, Reeves claimed that he didn’t even know their roles had been switched until after he had been cast. “I got a call saying that I got the part,” Reeves recalled. “So I went to the wardrobe fitting… assuming I was playing Bill, and I get there and Alex Winter, who eventually played Bill, went to the wardrobe fitting thinking he was playing Ted. Then we were informed that that wasn't the case.”

4. Pauly Shore also wanted to be Ted.


Getty Images

Pauly Shore was among the hundreds of actors who auditioned for the role of Ted. In 1991, Shore hosted an MTV special, Bill & Ted’s Bogus Premiere Party, in which Shore corners Reeves in a back room to talk about his failed audition. Lucky for America, Shore did go on to find fame apart from Bill & Ted, and bring the phrase, “Hey, Bu-ddy!” into the popular lexicon.

5. No, Bio-Dome is not Bill & Ted's threequel.

Speaking of Pauly Shore ... For years, rumors circulated that the script for 1996’s Bio-Dome—starring Shore and Stephen Baldwin—was actually written as the third film in the Bill & Ted franchise. In 2011, Winter laid this rumor to rest when he told /Film that the story is “total urban legend as far as I know. No one involved in that movie had anything to do with Bill & Ted. So unless they were just going to try and reboot the franchise with that concept and different actors, I can’t see a connection.”

6. Keanu Reeves and Alex Winter weren't quite nerdy enough.

The casting of Reeves and Winter posed a problem for the script. “Bill and Ted were conceived in our minds as these 14-year-old skinny guys, with low-rider bellbottoms and heavy metal T-shirts,” Solomon told Cinefantastique. “We actually had a scene that was even shot, with Bill and Ted walking past a group of popular kids who hate them. But once you cast Alex and Keanu, who look like pretty cool guys, that was hard to believe.”

7. George Carlin was a happy accident.


Getty Images

In a 2013 Reddit AMA, Alex Winter called the casting of George Carlin (as Rufus, Bill and Ted’s mentor) “a very happy accident. They were going after serious people first. Like Sean Connery. And someone had the idea, way after we started shooting, of George. That whole movie was a happy accident. No one thought it would ever see the light of day.”

8. The time machine was originally a van.

In Solomon and Matheson’s original script, it was a 1969 Chevy van that served as Bill and Ted’s time machine. But in the course of rewriting the script for Warner Bros., who showed early interest in producing the project, there was concern that a motor vehicle as time machine would ring too closely as a rip-off of Back to the Future, which arrived in theaters in 1985. It was director Stephen Herek who suggested a phone booth, as he thought it could lend itself to something akin to a roller coaster in the visuals. (The phone booth’s similarity to Doctor Who’s TARDIS was apparently not a big concern to the studio.)

9. Some Nintendo lover has that phone booth.

As part of a promotion for 1991’s Bill & Ted's Excellent Video Game Adventure, Nintendo Power magazine gave away Bill & Ted’s phone booth as a contest prize. The lucky winner was one Kenneth Grayson, who Reddit tracked down for an AMA in 2011. Grayson spent much of the chat answering questions about whether or not any X-rated activities had ever taken place in the phone booth.

10. The script was written in four days. By hand.

In 1984, Solomon and Matheson wrote the script over the course of just four days. They wrote it by hand, on note paper, during a series of meetings at a couple of local coffee shops. The 2005 box set, Bill & Ted’s Most Excellent Collection, features some of their handwritten notes.

11. Sci-fi wasn't part of the plan.

Keanu Reeves, Dan Shor, and Alex Winter in Bill & Ted's Excellent Adventure (1989)
MGM

Though Matheson is the son of legendary sci-fi writer Richard Matheson, author of I Am Legend, he didn’t intend for Bill & Ted to be a science-fiction movie. “I try to consciously fight it, out of a desire to break away, but maybe I have a predilection toward that because of my dad,” Matheson told Starlog Magazine of the inevitable fantasy elements that emerged. “He’s a great writer and craftsman, and always has suggestions.” In fact, it was the elder Matheson’s idea that the time travel story be its own movie. “We were going to write a sketch film, with this as one of the skits, but my dad said, ‘That sounds like a whole movie,’” Matheson recalled, “And he was right!”

12. Bill and Ted almost traveled straight to television.

Shortly after principal photography on the film was completed in 1987, the film’s financiers, De Laurentiis Entertainment Group, went bankrupt. A straight-to-cable release was the most likely path for the time-traveling comedy until Orion Pictures and Nelson Entertainment bought the rights in 1988 for a 1989 release. Because of the delay to theaters, references to the year—which had been filmed as “1987”—had to be dubbed for 1988, resulting in a few scenes where the actors’ lips don’t quite match the sound.

13. Their journeys continued in a variety of media.

In addition to the 1991 sequel, Bill & Ted’s Bogus Journey, the Bill & Ted franchise includes 1990’s Bill & Ted’s Excellent Adventures, an animated series for which Reeves, Winter, and Carlin provided the voices. It lasted for one season. The title was revived as a live-action series in 1992, which included none of the original cast and ran for just seven episodes. In 1991, Marvel Comics launched Bill and Ted’s Excellent Comic Book, written by Evan Dorkin.

14. Back in the late 1980s, you could eat Bill and Ted.

As a tie-in to the animated series, you could—for a short while—actually start your morning with a bowl of Bill & Ted’s Excellent Cereal, which was touted as “A Most Awesome Breakfast Adventure.”

15. Bill and Ted will ride again.

Over the past several years there has been a lot of buzz about a third Bill & Ted movie coming to theaters. In 2011, Winter tweeted that the script had been completed and that he was getting ready to read it. When asked about the possibility of a threequel in 2013, Reeves told the Today Show, “I'm open to the idea of that. I think it’s pretty surreal, playing Bill and Ted at 50. But we have a good story in that. You can see the life and joy in those characters, and I think the world can always use some life and joy.” Several references to the possible project have been made since then, and it's now been confirmed that the third film, Bill and Ted Face the Music, is currently in pre-production.

According to The Hollywood Reporter, via a report from the Cannes Film Festival, Matheson and Solomon co-wrote the script and Dean Parisot (Galaxy Quest) is attached to direct. Reeves and Winter will, of course, be reprising their roles, which "will see the duo long past their days as time-traveling teenagers and now weighed down by middle age and the responsibilities of family. They’ve written thousands of tunes, but they have yet to write a good one, much less the greatest song ever written." Excellent!

6 Times There Were Ties at the Oscars

getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards's more than 90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. Best Actor // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde, and Beery won for The Champ (writer Frances Marion won Best Screenplay for the film), which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. Best Documentary Short Subject // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. Best Actress // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. Best Documentary Feature // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. Best Short Film (Live Action) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars current Oscar nominee Richard E. Grant as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. Best Sound Editing // 2013

The latest Oscar tie happened in 2013, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg told the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

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