25 Things You Might Not Know About The Shining

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Stanley Kubrick's The Shining is widely considered to be among the best big-screen adaptations of a Stephen King story—and with good reason. (Even though King himself isn't much of a fan.) Even if you've seen the movie 100 times, there's still probably a lot you don't know about what went on behind the scenes.

1. STANLEY KUBRICK HAD AN INTEREST IN HORROR LONG BEFORE HE MADE THE SHINING.


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Stanley Kubrick is known for his forays into different genres—and horror was a genre that piqued his interest. In the early '70s, he was in consideration to direct The Exorcist. But he ended up not getting the job because he only wanted to direct the film if he could also produce it. Kubrick later told a friend that he wanted “to make the world’s scariest movie, involving a series of episodes that would play upon the nightmare fears of the audience.”

2. THE FILM WAS INSPIRED BY AN EPISODE OF OMNIBUS.

In 1952, Kubrick worked as the second unit director on one episode of the television series Omnibus. But it was a different episode, about poker players getting into a fight, that inspired parts of The Shining.

According to Kubrick, “You think the point of the story is that his death was inevitable because a paranoid poker player would ultimately get involved in a fatal gunfight. But, in the end, you find out that the man he accused was actually cheating him. I think The Shining uses a similar kind of psychological misdirection to forestall the realization that the supernatural events are actually happening.”

3. KUBRICK DIDN'T EVEN READ THE SCREENPLAY THAT STEPHEN KING WROTE.

 Horror writer Stephen King attends a signing session for his new novel 'Lisey's Story' at Borders bookstore on Oxford Street on November 7, 2006 in London, England
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According to one of Kubrick’s biographers, David Hughes, King wrote an entire draft of a screenplay for The Shining. Kubrick didn’t even deem it worth a glance, which makes sense as he once called King’s writing “weak.” Instead, Kubrick worked with Diane Johnson on the screenplay because he was a fan of her book, The Shadow Knows. The two ended up spending eleven weeks working on the script.

4. BUT KUBRICK STILL HAD QUESTIONS FOR KING.

This is a legendary story that King apparently still tells at some book readings. Stanley Kubrick called him at seven in the morning to ask, “I think stories of the supernatural are fundamentally optimistic, don’t you? If there are ghosts then that means we survive death.” When King responded with the question of how hell fit into that picture, Kubrick simply responded, “I don’t believe in hell.”

5. KUBRICK WAS SURROUNDED BY FAMILY.

The executive producer of the film was Kubrick’s brother-in-law, Jan Harlan. Christiane Kubrick and Vivian Kubrick—his wife and daughter, respectively—helped with both the design and the music, though Vivian might be more well-known for the on-set documentary that she made titled, The Making Of The Shining. The 30-minute film, which aired on the BBC, was a very rare look into Kubrick’s directing styles. (You can watch it above.)

6. KING WAS "DISAPPOINTED" IN KUBRICK'S ADAPTATION.

In 1983, King told Playboy, “I’d admired Kubrick for a long time and had great expectations for the project, but I was deeply disappointed in the end result. Parts of the film are chilling, charged with a relentlessly claustrophobic terror, but others fell flat.”

He didn’t like the casting of Jack Nicholson either, claiming, “Jack Nicholson, though a fine actor, was all wrong for the part. His last big role had been in One Flew Over the Cuckoo’s Nest, and between that and the manic grin, the audience automatically identified him as a loony from the first scene. But the book is about Jack Torrance’s gradual descent into madness through the malign influence of the Overlook—if the guy is nuts to begin with, then the entire tragedy of his downfall is wasted.”

7. KUBRICK WASN'T THERE FOR LOCATION SHOOTS.

Kubrick hated to fly and refused to leave England toward the end of his life, so he was not in attendance when the opening credits of The Shining were shot. A second unit crew headed to Glacier National Park in Montana, where they filmed from a helicopter.

8. ROOM 217 WAS SWITCHED TO ROOM 237 AT THE REQUEST OF THE TIMBERLINE LODGE.

In the book, the spooky events are set in Room 217, not Room 237. Oregon's Timberline Lodge, which was used as the hotel’s exterior for some shots, is to blame for this swap. The Lodge’s management asked for the room number to be changed so that guests wouldn’t avoid Room 217. There is no Room 237 in the hotel, so that number was chosen. The website of The Timberline Lodge notes, “Curiously and somewhat ironically, room #217 is requested more often than any other room at Timberline.”

9. "ALL WORK AND NO PLAY MAKES JACK A DULL BOY" HAS MANY DIFFERENT TRANSLATIONS.

The iconic sentence actually changes meaning for foreign translations of the film, at Kubrick’s request. In German versions, the phrase translates to: “Don’t put off till tomorrow what you can do today.” The Spanish translation is: “Although one will rise early, it won’t dawn sooner.” In Italian: “He who wakes up early meets a golden day.”

10. RUMORS ABOUND THAT KUBRICK ACTUALLY TYPED ALL OF THOSE "ALL WORK" PAGES.

No one is quite sure whether Kubrick typed 500 pages of “All work and no play makes Jack a dull boy.” Kubrick didn’t go to the prop department with this task, using his own typewriter to make the pages. It was a typewriter that had built-in memory, so it could have turned out the pages without an actual person. But the individual pages in the film contain different layouts and mistakes. Some claim that it would have been characteristic of the director to individually prepare each page. Alas, we’ll never know—Kubrick never addressed this question before he died.

11. THERE'S A HIDDEN PLAYGIRL MAGAZINE IN THE FILM.


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Kubrick is famous for being a particularly detail-oriented director. So when Jack Torrance is seen reading a Playgirl in the lobby of the Overlook before he gets hired, it’s probably not meaningless. There is an article in the issue about incest, so the most common theory is that Kubrick was subtly implying that Danny may have experienced sexual abuse. Another article advertised on the cover is “Interview: The Selling of (Starsky & Hutch’s) David Soul.” Perhaps Kubrick was throwing in some extra foreshadowing. Regardless, no normal hotel leaves copies of Playgirl lying around, so the magazine serves as an immediate red flag in the film.

12. IT WAS DANNY LLOYD'S ONLY MOVIE.

The Shining seemed to introduce a promising child star in Dan Lloyd. He ended up having a role in a TV film two years later, but that was the extent of his acting career. “We kept trying for several years ... until I was in high school and I stopped at about 14 with almost no success," he told the New York Daily News.

13. LLOYD DIDN'T KNOW HE WAS MAKING A HORROR MOVIE.

Danny Lloyd in 'The Shining' (1980)
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To protect Dan, who was 5 when he made the film, Kubrick told him that they were filming a drama. He didn’t even see the actual film until he was 16. He said later, “I just personally don’t find it scary because I saw it behind the scenes. I know it might be kind of ironic, but I like funny films and documentaries.”

14. JACK NICHOLSON IMPROVISED THE "HEEERE'S JOHNNY" LINE.

Jack Nicholson is responsible for the only line from The Shining to make it onto AFI’s Top 100 Movie Quotes. While filming the scene in which Jack breaks down a bathroom door with an axe, Nicholson shouted out the famous Ed McMahon line from The Tonight Show Starring Johnny Carson. The catch phrase worked and stayed in the film. Some behind-the-scenes footage (which can be seen above) shows Nicholson’s method acting before filming the iconic scene.

15. NICHOLSON WROTE A SCENE.

In addition to improvising one of the most famous lines of the film, Nicholson actually wrote an entire scene. He felt a particularly deep understanding of Jack Torrance's berating of his wife while he’s trying to write.

In an interview with The New York Times, Nicholson explained, “That’s what I was like when I got my divorce. I was under the pressure of being a family man with a daughter and one day I accepted a job to act in a movie in the daytime and I was writing a movie at night and I’m back in my little corner and my beloved wife Sandra, walked in on what was unbeknownst to her, this maniac—and I told Stanley about it and we wrote it into the scene.”

16. KUBRICK AND SHELLEY DUVALL DID NOT GET ALONG.

Jack Nicholson, Shelley Duvall, and Danny Lloyd in The Shining (1980)
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Though he had a good relationship with Nicholson, Kubrick was notoriously brutal on Shelley Duvall during filming. In her words, “From May until October I was really in and out of ill health because the stress of the role was so great. Stanley pushed me and prodded me further than I’ve ever been pushed before. It’s the most difficult role I’ve ever had to play.” The scene in which Wendy is swinging a bat at Jack is an example of this pushing. The scene actually made it into The Guinness Book of Records because it took 127 takes, the most for a scene with spoken dialogue.

17. SLIM PICKENS WAS OFFERED THE ROLE OF DICK HALLORANN.

Slim Pickens had already worked with Kubrick before. He played Major T. J. King Kong in Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb. Regardless, he was a particularly strange pick for the role of Dick Hallorann because the character is black in the book. Pickens chose to not work with Kubrick again, as he did not like the strenuous Dr. Strangelove shoots. The role then went to Scatman Crothers.

18. THE OVERLOOK HOTEL DOESN'T MAKE SENSE FROM A SPATIAL PERSPECTIVE.

Rob Ager, an observant fan of The Shining, noticed that there are many aspects to the set of The Overlook Hotel that make no sense. For example, Ullman’s office has a window to the outside, but there are rooms surrounding the office, making that window impossible. This is the case for many of the windows in the film—they don’t work in context. There is also a hallway in the Colorado Lounge that essentially appears out of nowhere. Ager created a video (which you can watch above) in which he maps out the nonsensical visuals.

The executive producer of The Shining, Jan Harlan, has stated that this was intentional. “The interiors don’t make sense," he said in 2012. "Those huge corridors and ballrooms couldn’t fit inside. In fact, nothing makes sense.”

19. MUCH OF THE SET BURNED DOWN.

Toward the end of shooting, a fire broke out and destroyed multiple sets. According to the set still photographer, “It was a huge fire in there one night, massive fire, we never really discovered what caused that fire and it burned down two soundstages and threatened a third at Elstree Studios. It was an eleven alarm fire call, it was huge.” The rebuild of one of these soundstages cost an estimated $2.5 million.

There’s a famous picture of Kubrick laughing in front of this wreckage. Perhaps he’s laughing because he knows the novel ends with The Overlook Hotel burning down.

20. THE FILM REQUIRED 900 TONS OF SALT.

And that was just for the final scene! At the end of The Shining, Jack chases young Danny through a snow-covered hedge maze before finally dying. To create the elaborate, wintery maze, it took a lot of salt and crushed Styrofoam.

21. THE FILM TOOK FIVE YEARS TO MAKE.

Kubrick is notorious for his lengthy film productions. Sources differ on how long shooting itself lasted, but it probably went on for almost a year. Around the time he was making the film, Kubrick said, “There is a wonderful suggestive timeliness [that the structure] of making a movie imposes on your life. I’m doing exactly the same as I was doing when I was 18 and making my first movie. It frees you from any other sense of time.”

22. THERE IS AN ORIGINAL, DIFFERENT ENDING.

Jack Nicholson in The Shining (1980)
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It’s not uncommon for a film’s ending to change in post-production, but Kubrick changed the ending of the film after it had been playing in theaters for a weekend. The film version is lost, but pages from the screenplay do exist. The scene takes place after Jack dies in the snow. Ullman visits Wendy in the hospital. He tells her, “About the things you saw at the hotel. [A lieutenant] told me they’ve really gone over the place with a fine tooth comb and they didn’t find the slightest evidence of anything at all out of the ordinary.” He also encourages Wendy and Danny to stay with him for a while. The film ends with text over black, “The Overlook Hotel would survive this tragedy, as it had so many others. It is still open each year from May 20th to September 20th. It is closed for the winter.”

Roger Ebert deemed the cut a good decision. According to him, “Kubrick was wise to remove that epilogue ... it pulled one rug too many out from under the story.”

23. IT WAS THE FOLLOW-UP TO BARRY LYNDON, KUBRICK'S WORST-RECEIVED FILM.

Things weren’t looking good for Kubrick after Barry Lyndon was released in 1975. Film reviewer Tim Robey noted, “It was not the commercial success Warner Bros. had been hoping for.” The film cost $11 million to make and earned $9.5 million in the United States, though it did have a good life in foreign box offices. According to Hughes, the film would have had to earn $30 million to be profitable.

The Shining did a lot better financially. The film cost $19 million to make and it went on to earn $47 million in the United States. It was one the top 10 highest-grossing films of 1980.

24. IT HAS INSPIRED MANY CONSPIRACY THEORIES.

So many film theorists have their own takes on The Shining that these conspiracies star in their own film: the documentary Room 237. One theory is that Kubrick helped to fake the moon landing and The Shining is his confession. Another claims that the film is truly about the genocide of Native Americans. Yet another theory reads the film as a story about the Holocaust and concentration camps.

Leon Vitali, Kubrick’s personal assistant during filming, has since denied these theories. “I was falling about laughing most of the time," he said of the documentary. "There are ideas espoused in the movie that I know to be total balderdash.”

25. ITS MOST FAMOUS FAN SITE IS RUN BY THE DIRECTOR OF TOY STORY 3.

Lee Unkrich runs The Overlook Hotel, which contains tons of pictures and behind-the-scenes information about the film. “I started the site purely for selfish reasons," Unkrich told Vulture in 2013. "I’ve been collecting stuff from The Shining over the years, and I just wanted to have one place where they could be organized.” Unkrich was also one of the people who helped fund the Room 237 documentary.

But, undeniably the most fun part about Unkrich's obsession with The Shining is finding the hidden references in various Pixar films, including Toy Story 3: Sid’s carpet is very similar to a carpet in the Overlook Hotel. A garbage truck’s license plate reads “RM237.” And Trixie chats online with a dinosaur toy down the street who happens to have the screen name “Velocistar237.”

9 Surprising Facts About James McAvoy

Chris Jackson, Getty Images
Chris Jackson, Getty Images

Whether you know James McAvoy from the X-Men movies or have been a fan since his early gigs on British television, there's no denying that 2019 has already been a very good year for the Scottish actor. In addition to his starring role in M. Night Shyamalan's Glass, McAvoy is set to star in June's Dark Phoenix, will be taking on the role of an adult Bill Denbrough in It: Chapter 2 in October, and will appear in the upcoming TV version of His Dark Materials later this year. And to top it all off, he’s turning 40 on April 21.

In celebration of McAvoy's big day—and even bigger year—here are some things you might not know about the Golden Globe-nominated actor.

1. He was raised by his grandparents.

James McAvoy was born in Glasgow, Scotland, to a psychiatric nurse and a builder. However, his parents split when he was seven, and because his mother was in poor health, McAvoy and his sister went to live with their maternal grandparents. While his mother lived with them on and off throughout his childhood, McAvoy hasn’t spoken to his father since he was a kid.

2. He considered becoming a priest.

McAvoy was brought up in the Roman Catholic church, but that wasn’t the reason he considered becoming a priest. Long before he decided to go the drama school route, he considered entering the priesthood because he thought it would give him an excuse to travel the world.

"I wanted to be a missionary, but it was only because I wanted a free ticket to go and explore the world," McAvoy told The Telegraph in 2006. "I realized I was using God and religion to get my kicks so I knocked that on the head."

3. He married his on-screen love interest.

Anne-Marie Duff and James McAvoy attends the Suffragette Premiere during the Opening Night Gala during the BFI London Film Festival at Leicester Square on October 7, 2015 in London, England
John Phillips, Getty Images for BFI

While working on the UK version of Shameless in the early 2000s, McAvoy met his on-screen love interest and future wife, Anne-Marie Duff. The pair started a relationship that they kept very private, and married in 2006. They went on to also star in 2009’s The Last Station together, but McAvoy later announced he would no longer be working with his then-wife.

"You have to weigh it up against how much of a headache it would be. It exposes you to a lot of questions," he told USA Today in 2011. "I'm very big in saying that I don't agree that if you put yourself in the spotlight, you have to accept it. I do think that if you work together as husband and wife, you're kind of asking for it." Ultimately, the couple split in 2016.

4. Acting was never his plan.

In addition to the priesthood, McAvoy considered a few others careers before he settled on acting. In fact, acting kind of happened by accident. While speaking to The Guardian in 2006, McAvoy explained that it wasn’t until director David Hayman came to his school to speak about the entertainment business that he knew he wanted to give it a go. He was so sure, in fact, that he reportedly approached Hayman after the talk and asked him for some work. (McAvoy's first credited role was in 1995's The Near Room, which Hayman directed.)

“I always believed that I never wanted to be an actor; I only did it because I was allowed to do it and I had to do something,” McAvoy explained. “I felt as if my career just happened to me. I hadn't actually engaged in it. I suppose I felt totally disempowered, just by this fate thing.”

5. Band of Brothers was his big break.

McAvoy’s big break came in HBO’s 2001 miniseries Band of Brothers, produced by Steven Spielberg and Tom Hanks. The actor played character James W. Miller in just one episode, but that’s all it took for his phone to start ringing; shortly thereafter, McAvoy scored notable roles on BBC’s Shameless (2004), The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005), and The Last King of Scotland (2006). He wasn't the only up-and-comer who made a name for himself with Band of Brothers: Michael Fassbender, Tom Hardy, and Dominic Cooper were among his co-stars.

6. He’s a Golden Globe nominee.

In 2007, McAvoy played Keira Knightley's love interest in Joe Wright’s period drama Atonement, based on the Ian McEwan novel. The role was one of the actor’s most moving performances to date, and scored him a Golden Globe nomination. Although he has wowed audiences in numerous parts since, such as the man with 23 different personalities in 2016’s Split (and 2019’s Glass), his role in Atonement has earned him the most critical acclaim. McAvoy, too, is a fan.

"[T]o find a film that was so epic, sweeping and romantic, yet be intelligent, was nice to me," McAvoy said. "Also the fact that it’s a very classic story, but it’s told in a very contemporary and modern way."

7. He was slightly tipsy the first time he met M. Night Shyamalan.

M. Night Shyamalan and James McAvoy attend the “Glass” Paris Gala Screening at la Cinematheque Francaise on January 07, 2019 in Paris, France
Kristy Sparow, Getty Images for Disney Studios

Speaking of Split and Glass: McAvoy was definitely in the right place at the right time—and in the right frame of mind—when he first met director M. Night Shyamalan. In a 2017 interview with The Guardian, McAvoy shared how he and Shyamalan just happened to cross paths at San Diego Comic-Con in 2015. "There was a big party, you couldn’t turn around without bumping into somebody off the telly," he said. "My mate Jesse was playing miniature golf in the middle of it. We were getting particularly drunk, and then I saw M. Night Shyamalan. He goes: ‘You’re James McAvoy!’ And I said: ‘You’re M Night Shyamalan! What do I call you?’ I was very drunk.”

Inebriated or not, Shyamalan saw something he liked. One month later, he was on the set of Split (in a role that Joaquin Phoenix was originally set to play, but dropped out of at the last minute).

8. He admires Samuel L. Jackson's no-nonsense attitude.

While promoting Glass, McAvoy participated in a lot of press events with Samuel L. Jackson, and was impressed by what he saw. "I saw examples of what I might be able to do when I got the balls he’s got,” McAvoy said. "That guy does not suffer fools, which is a positive quality. If he gets any kind of question that is in any way not thought out properly, he just drops the F-bomb and is like, ‘What are you talking about? What? What?’ He calls out [the journalist] so hard, and it’s the funniest thing."

9. He credits his success to a lot of luck.

When asked about the secret to his success, McAvoy doesn't mince words: "I got lucky," he told The Talks. "I got so f***ing lucky that I fell into the lap of a director when I was 16 and he gave me a part in a film and my horizons immediately exploded wide with all the weird people in it and all these crazy f***ing actors and directors and artistic people who were from all over the world. Through that one job I met people from England, I met people from America, and I met people from all over the place with challenging points of view and sympathetic points of view to mine. And then I went to a youth theater for six months as well, and that expanded my mind massively. It gave me so much more confidence to find out who I was and not be afraid of who I was simply because I’m in a scenario that I don’t understand ... I got really lucky. I got really, really lucky. It’s been a good ride for me."

Game of Thrones Star Sophie Turner Opened Up About Her Struggles With Depression

Helen Sloan, HBO
Helen Sloan, HBO

Playing one of the main characters on the most popular show currently on television isn't always as glamorous as it seems. Sometimes, the pressures of fame can be too much. Sophie Turner realized this while playing Sansa Stark on Game of Thrones, and has recently revealed how being in the public eye took a toll on her mental health.

Turner took on the role of Sansa Stark in 2011, when she was just a teenager, and she quickly became a household name. Now, at 23, she's come forward to Dr. Phil on his podcast Phil in the Blanks to explain how negative comments on social media affected her self-image and mental health.

"I would just believe it. I would say, ‘Yeah, I am spotty. I am fat. I am a bad actress.' I would just believe it," Turned explained. "I would get [the costume department] to tighten my corset a lot. I just got very, very self-conscious."

Later on, these feelings led to major depression. Turner developed a sense of isolation after she realized that all of her friends and family were going off to colleege while she was pursuing a sometimes-lonely acting career.

"I had no motivation to do anything or go out. Even with my best friends, I wouldn't want to see them, I wouldn't want to go out and eat with them," Turner explained. "I just would cry and cry and cry over just getting changed and putting on clothes and be like, 'I can't do this. I can't go outside. I have nothing that I want to do.'"

The feelings of depression stayed with Turner for most of the time she was filming Game of Thrones, and it's a battle she's still fighting. "I've suffered with my depression for five or six years now. The biggest challenge for me is getting out of bed and getting out of the house. Learning to love yourself is the biggest challenge," she continued.

The actress shared that she goes to a therapist and takes medication for her depression—two things that have helped her feel better.

Between Game of Thrones ending and planning her wedding to fiancé Joe Jonas, Turner may not have the time to take on many new acting roles in the near future. However, we'll continue to see her as Sansa Stark in the final season of Game of Thrones, and as Jean Grey in Dark Phoenix, which hits theaters on June 7.

[h/t: E! News]

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