17 Facts About Charles Dickens

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It was the best of times, it was the worst of times, and Charles Dickens wrote it all down—the gruesome truths about Victorian England and the perils of Britain’s social class system. His unprecedented celebrity made him the most popular novelist of his century, and since then Charles Dickens's books have never been out of print. But the author of Great Expectations, Bleak House, and dozens of other works was more than just a writer. Here are 17 facts about Charles Dickens on his 207th birthday.

1. Charles Dickens was forced to work at a young age. 

The eldest son of Elizabeth and John Dickens was born in February 1812 on Portsea Island in the British city of Portsmouth, and moved around with his family in his younger years to Yorkshire and then London. He was, admittedly, a “very small and not over-particularly-taken-care-of boy."

When his father was called to London again to be a clerk in the Naval Pay Office, the elder Dickens amassed so much debt that the entire family—except for Charles and his older sister Fanny—were sent to Marshalsea debtors’ prison (later the setting of Dickens’s novel Little Dorrit).

Left to fend for himself at only 12 years old, Dickens had to drop out of private school and work at Warren’s Blacking Warehouse along the River Thames, earning six shillings a week pasting labels onto blacking pots used for shoe polish.

2. Another job taught Charles Dickens how to write.

In 1827 and 1828, the 15-year-old Dickens found work as a junior clerk at the law office of Ellis and Blackmore—but instead of brushing up on legal work to eventually become a lawyer, he voraciously studied the shorthand method of writing developed by Thomas Gurney. The skill allowed him to begin working as a reporter in the 1830s covering Parliament and British elections for outlets like the Morning Chronicle.

3. Charles Dickens published works under a pseudonym. 

Dickens’s first published works appeared in 1833 and 1834 without his author's byline. In August 1834, his short story "The Boarding-House," published in the Monthly Magazine, featured his chosen pseudonym, “Boz.”

The single-syllable name came from a childhood rendering of the character Moses from Irish writer Oliver Goldsmith’s 1766 novel The Vicar of Wakefield, later mentioned in Dickens’s own A Tale of Two Cities.

Dickens called his brother Augustus “Moses,” but later explained it was “facetiously pronounced through the nose, [and] became Boses, and being shortened, became Boz. Boz was a very familiar household word to me, long before I was an author, and so I came to adopt it.”

The nom de plume became so popular that he published a compilation of his essays and short fiction called Sketches by Boz in 1839.

4. Charles Dickens's fame kept a certain idiom alive.

The phrase “what the dickens,” first mentioned in Shakespeare’s The Merry Wives of Windsor, was a euphemism for conjuring the devil. In his book Other Dickens: Pickwick to Chuzzlewit, author John Bowen explained the name “was a substitute for ‘the devil,’ or the deuce (a card or a dice with two spots), the doubling of the devil in short.”

Dickens allegedly used the pseudonym Boz to deflect any unseemly comparisons to Satan, but once his real name was revealed and the public became familiar with his work, Dickens ended up keeping the then-200-year-old phrase en vogue.

5. Charles Dickens might have had epilepsy.

Though any indication he might have suffered from epilepsy isn’t corroborated by contemporary medical records, he did return to the neurological disorder enough times in his work that some speculate that he might have drawn from his own experiences with seizures.

Characters such as Guster from Bleak House, Monks from Oliver Twist, and Bradley Headstone from Our Mutual Friend all suffered from epilepsy.

6. America was not Charles Dickens's favorite place.

By the time he first journeyed to America in 1842 on a lecture tour—later chronicled in his travelogue American Notes for General Circulation—Dickens was an international celebrity because of his writing, and he was received as such when he toured east coast cities like Boston and New York.

“I can do nothing that I want to do, go nowhere where I want to go, and see nothing that I want to see,” he complained in a letter about his U.S. travels. “If I turn into the street, I am followed by a multitude.”

Though he loved the fast-growing cities and was awed by a trip west to the American prairie, Dickens didn’t necessarily have the best time on the whole. Especially in the country's capital: “As Washington may be called the headquarters of tobacco-tinctured saliva,” he wrote, “the time is come when I must confess, without any disguise, that the prevalence of those two odious practices of chewing and expectorating began about this time to be anything but agreeable, and soon became most offensive and sickening.”

7. Charles Dickens helped the search for the lost Sir John Franklin expedition.

The author used his influence to help Lady Jane Franklin search for her husband, Sir John Franklin, who disappeared in the Arctic along with 128 crew on the HMS Erebus and HMS Terror while searching for the Northwest Passage in 1845. He wrote a two-part analysis of the ill-fated voyage called "The Lost Arctic Voyagers," and even lectured across Britain hoping to raise money for a rescue mission.

In the end the missing vessels weren’t found until 2014 and 2016, respectively, and various explanations for the crew’s fate have been suggested. But at the time, Dickens gave in to racist sentiment and blamed the Inuit, writing, "No man can, with any show of reason, undertake to affirm that this sad remnant of Franklin's gallant band were not set upon and slain by the Esquimaux themselves … We believe every savage to be in his heart covetous, treacherous, and cruel." Inuit oral histories and other evidence show that Franklin’s men actually died from starvation, disease, or exposure.

8. Charles Dickens perfected the cliffhanger ending.

Most of Dickens's novels—including classics like David Copperfield and Oliver Twist—were initially written in monthly, weekly, or infrequent installments on a subscription basis or in magazines, only to be republished in complete book form later. In doing so, Dickens employed cliffhangers from chapter to chapter to get eager readers to buy subsequent episodes.

In one 1841 incident, American readers were so anxious to know what happened in Dickens’s The Old Curiosity Shop that they flocked to docks in New York harbor, hoping to ask passengers arriving from Europe whether they’d read the ending of the story and if the character of Nell had died. (Spoiler alert: She did.)

9. Charles Dickens had pet ravens and kept them around even after they died.

Dickens owned a beloved raven he named Grip, and it even appears as a character in his novel Barnaby Rudge. In an 1841 letter to a friend named George Cattermole, Dickens said he wanted the titular character of the book “always in company with a pet raven, who is immeasurably more knowing than himself. To this end I have been studying my bird, and think I could make a very queer character of him.”

Following the bird’s death from eating lead paint chips later that year, Dickens replaced it with another raven, also called Grip, which was allegedly the inspiration behind Edgar Allan Poe’s poem "The Raven.” When the second Grip met his demise, Dickens had a taxidermist stuff and mount the bird in an elaborate wooden and glass case, which is now in the Free Library of Philadelphia’s collection.

10. Charles Dickens also kept his pet cat around for a while. 

Not to be outdone by birds, companions of the feline variety also accompanied Dickens throughout his life, with the author once declaring, “What greater gift than the love of a cat?”

When his cat Bob died in 1862, he had its paw stuffed and mounted to an ivory letter opener and engraved with “C.D., In memory of Bob, 1862.” The letter opener is now on display at the Berg Collection of English and American Literature at the New York Public Library.

11. Charles Dickens revealed that his earliest inspiration was Little Red Riding Hood.

In 1850, Dickens began editing a weekly magazine, Household Words, to which he also contributed short fiction and serialized novels. In one of his first stories for the magazine, “A Christmas Tree,” Dickens described his earliest muse as the main character in the fairytale Little Red Riding Hood—perhaps as a way of dealing with his own childhood innocence devoured by unexpected evils. “She was my first love,” he wrote. “I felt that if I could have married Little Red Riding-Hood, I should have known perfect bliss. But, it was not to be.”

12. Charles Dickens wasn't afraid to speak his mind.

In an 1860 letter written to Florence Marryat, the daughter of his friend Captain Frederick Marryat, Dickens berated her after she asked him for writing advice and submitted a short story for a literary journal he was editing called All the Year Round.

“To read professed contributions honestly, and communicate a perfectly unprejudiced decision respecting every one of them to its author or authoress, is a task, of the magnitude of which you evidently have no conception,” Dickens told her. “I cannot […] alter what seems to me to be the fact regarding this story (for instance), any more than I can alter my eyesight or my hearing. I do not deem it suitable for my Journal,” and later telling her plainly, “I do not think it is a good story.”

13. Charles Dickens was a prodigious wordsmith.

Not to be outdone by the likes of William Shakespeare, Dickens was the other British writer known to create words and phrases of his own. Thank Dickens for words and phrases like butter-fingers, flummox, the creeps, dustbin, ugsome, slangular, and more.

14. Charles Dickens started a home for "fallen women."

With help from millionaire banking heiress Angela Coutts, Dickens set up and effectively managed Urania Cottage, a rehabilitation home for homeless women, ex-prisoners, and prostitutes so they could (hopefully) emigrate to Britain’s colonies and reintegrate into Victorian society.

According to The Guardian, Dickens would “visit the house in Shepherd's Bush, often several times a week, to supervise it, select inmates, consult with prison governors, hire and fire matrons, deal with the drains and the gardener, report to Coutts in detail several times a week on whatever was happening there, handle the money, keep careful written accounts of the backgrounds of the girls, and arrange their emigration to Australia, South Africa, or Canada.”

15. Charles Dickens was a Victorian ghostbuster.

In an era of séances and mediums, when many Victorians believed in both spiritualism and science, Dickens didn’t discriminate. In fact, along with other authors like Arthur Conan Doyle and William Butler Yeats, he was a member of the Ghost Club, a kind of members-only group that attempted to investigate supposed supernatural encounters and hauntings, often exposing frauds in the process.

It makes sense, considering that some of Dickens’s best-known work, like A Christmas Carol, hinges on the supernatural. But unlike Conan Doyle, he remained a skeptic.

“My own mind is perfectly unprejudiced and impressible on the subject. I do not in the least pretend that such things are not,” Dickens said in a September 1859 letter to writer William Howitt. “But … I have not yet met with any Ghost Story that was proved to me, or that had not the noticeable peculiarity in it—that the alteration of some slight circumstance would bring it within the range of common natural probabilities.”

16. A train crash nearly derailed Our Mutual Friend.

On June 10, 1865, Dickens was traveling home from France when his train derailed while crossing a bridge, and his car was left dangling from the tracks. After finding a conductor to give him keys to the seven first-class train cars that had tumbled into the river below, the then 53-year-old writer helped save stranded passengers.

When all was said and done, he was forced to climb back into the dangling car to retrieve a just-completed missing installment of Our Mutual Friend that he was supposed to send to his publishers.

17. Charles Dickens was buried in Westminster Abbey against his wishes.

The author had specific plans for how he wanted to spend eternity. He initially wished to be buried next to his wife Catherine’s sister, his muse Mary Hogarth (who had died in 1837 and was buried in Kensal Green Cemetery in London). He then requested to be buried in a simple grave in the cemetery of Rochester Cathedral in Kent.

Dickens collapsed from a stroke while dining with his wife's other sister, Georgina Hogarth, at his home; he died on June 9, 1870. But he didn't end up in either of his chosen spots. Instead, he was whisked away to the Poets’ Corner of Westminster Abbey because the Dean of Westminster, Arthur Stanley, wanted a famous writer to give some cultural significance to the Abbey at the time.

Despite stipulating in his will that "no public announcement be made of the time or place of my burial," hundreds of thousands of people lined up to walk past his body in Westminster Abbey.

Beowulf Was Written By One Person, According to Computer Analysis

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Justin Sullivan, Getty Images

The poem has been read in classrooms around the world and has influenced countless works of literature, but the identity of the author of Beowulf remains unknown. Scholars can't agree on when exactly the anonymous poet wrote Beowulf, or on whether it was even a single person. Now, a study published in the journal Nature Human Behaviour may finally put one part of that debate to rest. After analyzing the text of the Old English epic, researchers have concluded that Beowulf is the work of one author, the Boston Globe reports.

Written a millennium ago, Beowulf follows a brave hero, the title character, as he slays beasts in Scandinavia, including a monster named Grendel and Grendel's mother. The oldest surviving manuscript dates back to roughly 1000 CE, and there are many competing theories as to its origins.

For their study, researchers from Harvard and other universities used computer algorithms to find patterns in the poem. A type of literary statistic analysis called stylometry was able to break down Beowulf by a number of factors, including meter, breaks, word choice, and the prevalence of certain letter combinations.

The team found that many of the distinguishing style elements of Beowulf are consistent throughout the poem, suggesting that every line came from the same source. But who that one author might have been is still unknown.

Scholars love to speculate on the true authorship of great works—even when there are famous names attached to them. Some experts think that as many as nine writers are really responsible for William Shakespeare's body of work.

[h/t Boston Globe]

25 Classic Books That Have Been Banned

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iStock.com/asadykov

National Library Week is a time to celebrate the most influential books in literary history. But not every novel that's considered a classic today received instant praise. Many beloved titles had to overcome years of censorship before securing spots on required reading lists and library shelves.

The American Library Association has shared a list of books from the Radcliffe Publishing Course Top 100 Novels of the 20th Century that have been challenged or banned. Of the 100 books, nearly half have received pushback from institutions in the past. Some have been criticized for featuring violence (Beloved), profanity (To Kill a Mockingbird), or controversial political messages (Animal Farm). Even seemingly inoffensive novels have been targeted by censors. (The Lord of the Rings was burned outside a New Mexico church in 2001 for being "satanic.")

Below are 25 of the most popular works of literature from the last century that have been banned from schools, libraries, and, in some cases, entire countries. For even more great books that have been banned, including picture books like Dr. Seuss's The Lorax, check out this list.

  1. The Catcher in the Rye by J.D. Salinger

  1. The Grapes of Wrath by John Steinbeck

  1. To Kill a Mockingbird by Harper Lee

  1. The Color Purple by Alice Walker

  1. Beloved by Toni Morrison

  1. Gone With the Wind by Margaret Mitchell

  1. Lolita by Vladimir Nabokov

  1. Of Mice and Men by John Steinbeck

  1. Catch-22 by Joseph Heller

  1. Brave New World by Aldous Huxley

  1. Animal Farm by George Orwell

  1. The Sun Also Rises by Ernest Hemingway

  1. As I Lay Dying by William Faulkner

  1. A Farewell to Arms by Ernest Hemingway

  1. Invisible Man by Ralph Ellison

  1. Native Son by Richard Wright

  1. One Flew Over the Cuckoo's Nest by Ken Kesey

  1. Slaughterhouse Five by Kurt Vonnegut

  1. For Whom the Bell Tolls by Ernest Hemingway

  1. The Call of the Wild by Jack London

  1. The Jungle by Upton Sinclair

  1. Lady Chatterley's Lover by D.H. Lawrence

  1. A Clockwork Orange by Anthony Burgess

  1. The Awakening by Kate Chopin

  1. In Cold Blood by Truman Capote

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