17 Facts About Charles Dickens

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It was the best of times, it was the worst of times, and Charles Dickens wrote it all down—the gruesome truths about Victorian England and the perils of Britain’s social class system. His unprecedented celebrity made him the most popular novelist of his century, and since then Charles Dickens's books have never been out of print. But the author of Great Expectations, Bleak House, and dozens of other works was more than just a writer. Here are 17 facts about Charles Dickens on his 207th birthday.

1. Charles Dickens was forced to work at a young age. 

The eldest son of Elizabeth and John Dickens was born in February 1812 on Portsea Island in the British city of Portsmouth, and moved around with his family in his younger years to Yorkshire and then London. He was, admittedly, a “very small and not over-particularly-taken-care-of boy."

When his father was called to London again to be a clerk in the Naval Pay Office, the elder Dickens amassed so much debt that the entire family—except for Charles and his older sister Fanny—were sent to Marshalsea debtors’ prison (later the setting of Dickens’s novel Little Dorrit).

Left to fend for himself at only 12 years old, Dickens had to drop out of private school and work at Warren’s Blacking Warehouse along the River Thames, earning six shillings a week pasting labels onto blacking pots used for shoe polish.

2. Another job taught Charles Dickens how to write.

In 1827 and 1828, the 15-year-old Dickens found work as a junior clerk at the law office of Ellis and Blackmore—but instead of brushing up on legal work to eventually become a lawyer, he voraciously studied the shorthand method of writing developed by Thomas Gurney. The skill allowed him to begin working as a reporter in the 1830s covering Parliament and British elections for outlets like the Morning Chronicle.

3. Charles Dickens published works under a pseudonym. 

Dickens’s first published works appeared in 1833 and 1834 without his author's byline. In August 1834, his short story "The Boarding-House," published in the Monthly Magazine, featured his chosen pseudonym, “Boz.”

The single-syllable name came from a childhood rendering of the character Moses from Irish writer Oliver Goldsmith’s 1766 novel The Vicar of Wakefield, later mentioned in Dickens’s own A Tale of Two Cities.

Dickens called his brother Augustus “Moses,” but later explained it was “facetiously pronounced through the nose, [and] became Boses, and being shortened, became Boz. Boz was a very familiar household word to me, long before I was an author, and so I came to adopt it.”

The nom de plume became so popular that he published a compilation of his essays and short fiction called Sketches by Boz in 1839.

4. Charles Dickens's fame kept a certain idiom alive.

The phrase “what the dickens,” first mentioned in Shakespeare’s The Merry Wives of Windsor, was a euphemism for conjuring the devil. In his book Other Dickens: Pickwick to Chuzzlewit, author John Bowen explained the name “was a substitute for ‘the devil,’ or the deuce (a card or a dice with two spots), the doubling of the devil in short.”

Dickens allegedly used the pseudonym Boz to deflect any unseemly comparisons to Satan, but once his real name was revealed and the public became familiar with his work, Dickens ended up keeping the then-200-year-old phrase en vogue.

5. Charles Dickens might have had epilepsy.

Though any indication he might have suffered from epilepsy isn’t corroborated by contemporary medical records, he did return to the neurological disorder enough times in his work that some speculate that he might have drawn from his own experiences with seizures.

Characters such as Guster from Bleak House, Monks from Oliver Twist, and Bradley Headstone from Our Mutual Friend all suffered from epilepsy.

6. America was not Charles Dickens's favorite place.

By the time he first journeyed to America in 1842 on a lecture tour—later chronicled in his travelogue American Notes for General Circulation—Dickens was an international celebrity because of his writing, and he was received as such when he toured east coast cities like Boston and New York.

“I can do nothing that I want to do, go nowhere where I want to go, and see nothing that I want to see,” he complained in a letter about his U.S. travels. “If I turn into the street, I am followed by a multitude.”

Though he loved the fast-growing cities and was awed by a trip west to the American prairie, Dickens didn’t necessarily have the best time on the whole. Especially in the country's capital: “As Washington may be called the headquarters of tobacco-tinctured saliva,” he wrote, “the time is come when I must confess, without any disguise, that the prevalence of those two odious practices of chewing and expectorating began about this time to be anything but agreeable, and soon became most offensive and sickening.”

7. Charles Dickens helped the search for the lost Sir John Franklin expedition.

The author used his influence to help Lady Jane Franklin search for her husband, Sir John Franklin, who disappeared in the Arctic along with 128 crew on the HMS Erebus and HMS Terror while searching for the Northwest Passage in 1845. He wrote a two-part analysis of the ill-fated voyage called "The Lost Arctic Voyagers," and even lectured across Britain hoping to raise money for a rescue mission.

In the end the missing vessels weren’t found until 2014 and 2016, respectively, and various explanations for the crew’s fate have been suggested. But at the time, Dickens gave in to racist sentiment and blamed the Inuit, writing, "No man can, with any show of reason, undertake to affirm that this sad remnant of Franklin's gallant band were not set upon and slain by the Esquimaux themselves … We believe every savage to be in his heart covetous, treacherous, and cruel." Inuit oral histories and other evidence show that Franklin’s men actually died from starvation, disease, or exposure.

8. Charles Dickens perfected the cliffhanger ending.

Most of Dickens's novels—including classics like David Copperfield and Oliver Twist—were initially written in monthly, weekly, or infrequent installments on a subscription basis or in magazines, only to be republished in complete book form later. In doing so, Dickens employed cliffhangers from chapter to chapter to get eager readers to buy subsequent episodes.

In one 1841 incident, American readers were so anxious to know what happened in Dickens’s The Old Curiosity Shop that they flocked to docks in New York harbor, hoping to ask passengers arriving from Europe whether they’d read the ending of the story and if the character of Nell had died. (Spoiler alert: She did.)

9. Charles Dickens had pet ravens and kept them around even after they died.

Dickens owned a beloved raven he named Grip, and it even appears as a character in his novel Barnaby Rudge. In an 1841 letter to a friend named George Cattermole, Dickens said he wanted the titular character of the book “always in company with a pet raven, who is immeasurably more knowing than himself. To this end I have been studying my bird, and think I could make a very queer character of him.”

Following the bird’s death from eating lead paint chips later that year, Dickens replaced it with another raven, also called Grip, which was allegedly the inspiration behind Edgar Allan Poe’s poem "The Raven.” When the second Grip met his demise, Dickens had a taxidermist stuff and mount the bird in an elaborate wooden and glass case, which is now in the Free Library of Philadelphia’s collection.

10. Charles Dickens also kept his pet cat around for a while. 

Not to be outdone by birds, companions of the feline variety also accompanied Dickens throughout his life, with the author once declaring, “What greater gift than the love of a cat?”

When his cat Bob died in 1862, he had its paw stuffed and mounted to an ivory letter opener and engraved with “C.D., In memory of Bob, 1862.” The letter opener is now on display at the Berg Collection of English and American Literature at the New York Public Library.

11. Charles Dickens revealed that his earliest inspiration was Little Red Riding Hood.

In 1850, Dickens began editing a weekly magazine, Household Words, to which he also contributed short fiction and serialized novels. In one of his first stories for the magazine, “A Christmas Tree,” Dickens described his earliest muse as the main character in the fairytale Little Red Riding Hood—perhaps as a way of dealing with his own childhood innocence devoured by unexpected evils. “She was my first love,” he wrote. “I felt that if I could have married Little Red Riding-Hood, I should have known perfect bliss. But, it was not to be.”

12. Charles Dickens wasn't afraid to speak his mind.

In an 1860 letter written to Florence Marryat, the daughter of his friend Captain Frederick Marryat, Dickens berated her after she asked him for writing advice and submitted a short story for a literary journal he was editing called All the Year Round.

“To read professed contributions honestly, and communicate a perfectly unprejudiced decision respecting every one of them to its author or authoress, is a task, of the magnitude of which you evidently have no conception,” Dickens told her. “I cannot […] alter what seems to me to be the fact regarding this story (for instance), any more than I can alter my eyesight or my hearing. I do not deem it suitable for my Journal,” and later telling her plainly, “I do not think it is a good story.”

13. Charles Dickens was a prodigious wordsmith.

Not to be outdone by the likes of William Shakespeare, Dickens was the other British writer known to create words and phrases of his own. Thank Dickens for words and phrases like butter-fingers, flummox, the creeps, dustbin, ugsome, slangular, and more.

14. Charles Dickens started a home for "fallen women."

With help from millionaire banking heiress Angela Coutts, Dickens set up and effectively managed Urania Cottage, a rehabilitation home for homeless women, ex-prisoners, and prostitutes so they could (hopefully) emigrate to Britain’s colonies and reintegrate into Victorian society.

According to The Guardian, Dickens would “visit the house in Shepherd's Bush, often several times a week, to supervise it, select inmates, consult with prison governors, hire and fire matrons, deal with the drains and the gardener, report to Coutts in detail several times a week on whatever was happening there, handle the money, keep careful written accounts of the backgrounds of the girls, and arrange their emigration to Australia, South Africa, or Canada.”

15. Charles Dickens was a Victorian ghostbuster.

In an era of séances and mediums, when many Victorians believed in both spiritualism and science, Dickens didn’t discriminate. In fact, along with other authors like Arthur Conan Doyle and William Butler Yeats, he was a member of the Ghost Club, a kind of members-only group that attempted to investigate supposed supernatural encounters and hauntings, often exposing frauds in the process.

It makes sense, considering that some of Dickens’s best-known work, like A Christmas Carol, hinges on the supernatural. But unlike Conan Doyle, he remained a skeptic.

“My own mind is perfectly unprejudiced and impressible on the subject. I do not in the least pretend that such things are not,” Dickens said in a September 1859 letter to writer William Howitt. “But … I have not yet met with any Ghost Story that was proved to me, or that had not the noticeable peculiarity in it—that the alteration of some slight circumstance would bring it within the range of common natural probabilities.”

16. A train crash nearly derailed Our Mutual Friend.

On June 10, 1865, Dickens was traveling home from France when his train derailed while crossing a bridge, and his car was left dangling from the tracks. After finding a conductor to give him keys to the seven first-class train cars that had tumbled into the river below, the then 53-year-old writer helped save stranded passengers.

When all was said and done, he was forced to climb back into the dangling car to retrieve a just-completed missing installment of Our Mutual Friend that he was supposed to send to his publishers.

17. Charles Dickens was buried in Westminster Abbey against his wishes.

The author had specific plans for how he wanted to spend eternity. He initially wished to be buried next to his wife Catherine’s sister, his muse Mary Hogarth (who had died in 1837 and was buried in Kensal Green Cemetery in London). He then requested to be buried in a simple grave in the cemetery of Rochester Cathedral in Kent.

Dickens collapsed from a stroke while dining with his wife's other sister, Georgina Hogarth, at his home; he died on June 9, 1870. But he didn't end up in either of his chosen spots. Instead, he was whisked away to the Poets’ Corner of Westminster Abbey because the Dean of Westminster, Arthur Stanley, wanted a famous writer to give some cultural significance to the Abbey at the time.

Despite stipulating in his will that "no public announcement be made of the time or place of my burial," hundreds of thousands of people lined up to walk past his body in Westminster Abbey.

Rare First Edition of Harry Potter and the Philosopher’s Stone Sold for More Than $56,000

UBC Library Communications and Marketing, Flickr // CC BY-NC-ND 2.0
UBC Library Communications and Marketing, Flickr // CC BY-NC-ND 2.0

Publishers weren't very optimistic about the future of Harry Potter and the Philosopher's Stone when they printed it in 1997. Only 500 first edition copies were made, 300 of which were donated to libraries. As anyone who's been to a bookstore, movie theater, or theme park in the past two decades knows, that prediction couldn't have been further off.

Book one of the Harry Potter series spawned one of the most successful literary franchises of all time and earned millions for author J.K. Rowling. That means those rare first edition prints are exceedingly valuable today, and one of the most pristine copies ever discovered just sold for $56,500 at auction, BBC reports.

The sellers, an anonymous couple from Lancashire, England, had stored their copy of Harry Potter and the Philosopher's Stone—along with a first edition of Harry Potter and the Chamber of Secrets—in a code-locked briefcase for safekeeping. The plan wasn't to wait for the books to accrue value over time; originally, they had wanted to protect them and pass them down as family heirlooms.

The couple changed their minds after learning that another first edition copy of Philosopher's Stone had sold for $35,000. That turned out to be a smart move. By locking it away, they managed to preserve one of the best first edition copies of the book experts had seen. The book also contained two errors that made it an even more appealing item for collectors. Its value was placed between $30,700 to $37,000.

At the auction, however, bidders blew past those numbers. It sold for a winning bid of approximately $56,500. The buyer will end up paying $70,000 in total to cover additional fees and taxes.

That's a significant amount to pay for a book, but it's not even the highest figure that's been bid for the title. Earlier in 2019, a first-edition print of Harry Potter and the Philosopher's Stone with several errors sold for $90,000.

[h/t BBC]

When Bram Stoker Adapted Dracula for the Stage

Lyceum Theatre, London, 1897, Public Domain, Wikimedia Commons
Lyceum Theatre, London, 1897, Public Domain, Wikimedia Commons

For one of literature’s most enduring works, Bram Stoker’s Dracula didn’t receive much of an audience turnout when it was first adapted for the stage. The classic 1897 novel was transformed into a play by Stoker the same year it was published—and only two paying customers showed up to its debut.

In Stoker's defense, it wasn't supposed to be a grand production; it was a copyright reading of the script, which was slapped together by the author in a hurry so he could submit it to the Lord Chamberlain’s Office for approval and licensing and retain the dramatic rights. The play, titled Dracula: or The Un-Dead, was held on May 18, 1897—eight days before the novel was released—and was only advertised for a half-hour before the performance began. Considering that the play had a prologue, five acts, and 40 scenes, it’s unclear whether an audience would have felt compelled to stay for the entire thing anyway.

The dramatic reading starred actress and pioneering suffragette Edith Craig as Mina Murray. Stoker had originally wanted the actor who helped inspired the character of Dracula—the dark, mysterious Henry Irving—to act alongside Murray. However, Irving reportedly refused to get involved, telling Stoker that the script for Dracula: or The Un-Dead was "dreadful."

The play faithfully adhered to the novel Dracula’s plot, although many of the epistolary work's lush details were condensed for time purposes. A series of character monologues help move the story forward; Greg Buzwell, who serves as curator for Printed Literary Sources, 1801–1914 at the British Library, points out that they might have sounded wooden because Stoker was better at scenic details than straight-up dialogue.

Following Dracula's stage debut, Stoker’s bloodthirsty Count didn’t reappear in theaters until 1924. However, the original play’s script offers a peek into Bram Stoker’s artistic process as he translated his characters from page to stage. You can check out the hodgepodge of personal handwriting and galley proofs over at the British Library’s website, which gives a great overview of the play's historic legacy.

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