11 Fascinating Facts About Sigmund Freud

AFP/Getty Images
AFP/Getty Images

Next to sheep, no one has done more for dreams than Austrian neurologist and psychiatrist Sigmund Freud (1856-1939). While you may know him as the founder of psychoanalysis, you may not know as much about his work with therapy dogs, his Hollywood courtship, or his love affair with cocaine.

1. HE HAD A RARE BIRTH ANOMALY.

The first of eight children born to Jacob and Amalia Freud, newborn Sigmund arrived in 1856 with a curious aberration: A membrane known as a caul covered his head and face. Cauls are very unusual events, but harmlessly removed by attending physicians or midwives. Far from distressed, Amalia was overjoyed at the sight. She believed the folklore that says cauls herald the birth of a child destined for great accomplishments.

2. HE EXAMINED FROG BRAINS.

Freud’s early education and work was focused on neurology. After studying the sexual organs of the eel via dissection, he moved to comparing the brains of vertebrates and invertebrates. For six years, Freud dissected the brains of frogs, crayfish, and lampreys, describing the medulla oblongata and other then-oblique components of the brain and nervous system. He also made important contributions toward the discovery of the neuron.

3. HE EXPERIMENTED WITH HYPNOSIS.

After graduating from the University of Vienna, Freud began working at Vienna General Hospital and collaborating with fellow physician Josef Breuer. Breuer was an advocate of treating patients via hypnosis, which intrigued Freud. One of Breuer’s patients, known as “Anna O.,” seemed to recall unpleasant memories only when under the influence of hypnotic suggestion. Freud traveled to Paris to learn more from other physicians using hypnosis, but when he returned to Vienna in 1886 and opened his own practice, he began to step away from hypnosis—patients simply relaxing on his couch seemed to produce a similar recall effect.

4. HIS ETHICS COULD BE A LITTLE SHAKY.

Over time, Freud’s influence on psychiatry has been both celebrated and minimized. His critics argue that Freud was sometimes prone to manipulative behavior directed at his patients, as in the case of Horace Frink, an American psychoanalyst who submitted to Freud’s probing in 1921. Under Freud’s guidance, Frink divorced his wife and married Angelika Bijur—one of Frink's patients. This Match Game brand of psychiatry drew criticism after correspondence revealing Freud’s involvement in the pair was unearthed by Frink’s daughter in the 1970s.

5. HE HATED THE U.S.

Though Freud was feted in the United States for his provocative psychoanalytical theories, he disliked everything but the compliments. Traveling to America by steamship in 1909 with Carl Jung, Freud recoiled at the manners of his American hosts (who used his first name) and felt the culture as a whole was too preoccupied with money. Such was his dislike for the country that when the Nazis took over Vienna in 1938, Freud initially stuck around rather than accept a relative’s invitation to come seek shelter in Manhattan. (However, he willingly fled to London after Princess Marie Bonaparte, Napoleon’s great-granddaughter, intervened.)

6. HOLLYWOOD WANTED HIS HELP.

Following the publication of several books on his theories, including 1899’s The Interpretation of Dreams, Freud’s notoriety grew exponentially. In 1925, MGM head Samuel Goldwyn declared him the “greatest love specialist in the world” and asked him to consult on scripts for several love stories from history, including Antony and Cleopatra. Freud had no interest in that film or any other. He did, however, once make time for an informal examination of actor Charlie Chaplin. Chaplin’s “Tramp” character, Freud wrote in 1931, was Chaplin channeling his own self “as he was in his early dismal youth.”

7. HE LIKED HIS COCAINE.

Before being stigmatized as a dangerous and addictive stimulant, cocaine was enjoyed at the turn of the century as a safe and practical way to stimulate activity. Freud found relief from bouts of sadness while on the drug and also appreciated its ability to provoke extended monologues about things normally tucked away in the recesses of his brain. He wrote four papers celebrating the drug’s effects and even used it on some of his patients. He quit the drug later in life, calling it a distraction.

8. HE HAD THERAPY DOGS.

Freud was using animal companions to soothe anxious patients long before it was common. He sometimes allowed his Chow-Chow, Jofi, to sit in with his patients during appointments and noticed that they became measurably more relaxed. When the idea of therapy dogs was explored further in the 1960s, researchers drew support from Freud’s writing about Jofi to help establish credibility for the approach.

9. HE HELPED SELL COUCHES.

Freud’s preference for patients to splay out on a couch, staring at the ceiling to help clear their mindS for revelatory thinking, became a standard of psychoanalytic practice. In the 1940s, the Imperial Leather Furniture Company of Queens manufactured couches that were specifically for the psychoanalytical field, lacking buttons or cushions that might distract nervous patients.

10. HE WAS NOMINATED FOR A NOBEL PRIZE 13 TIMES.

Between 1915 and 1938, Freud was nominated for the Nobel Prize in Medicine 12 times and the Nobel in Literature once—yet was never awarded any of them. His critics charged that psychoanalysis was an unproven practice. Asked to endorse him for a prize, Albert Einstein begged off, citing uncertainty about Freud’s conclusions. Freud did receive the Goethe prize (given by the city of Frankfurt, Germany, in honor of the poet Goethe) in 1930: His daughter, Anna, traveled to Frankfurt, Germany to accept on his behalf, since Freud was ill with cancer.

11. THIEVES ONCE TRIED TO STEAL HIS ASHES.

Freud died by suicide in 1939, after a long and painful struggle with epithelioma. In 2014, his cremated ashes—housed in a 2300-year-old Greek urn given to him by Princess Marie Bonaparte—were nearly snatched by thieves at Golders Green Crematorium in London. The urn, which also contained the remains of his wife Martha, was damaged in the attempted theft. Crematorium employees then moved the urn from public display to a more secure location; it's unclear if the culprits were ever apprehended.

7 Ways Victorian Fashion Could Kill You

An 1862 engraving showing a skeleton gentleman at a ball asking a skeleton lady to dance, meant to represent the effect of arsenic dyes and pigments in clothing and accessories.
An 1862 engraving showing a skeleton gentleman at a ball asking a skeleton lady to dance, meant to represent the effect of arsenic dyes and pigments in clothing and accessories.

While getting dressed in the morning can seem like a hassle (pajamas are so much more comfortable), few of us worry about our clothes leading to our death. That wasn’t the case during the Victorian era, when fashionable fabrics and accessories sometimes came at great price for both makers and wearers. In Fashion Victims: The Dangers of Dress Past and Present, Alison Matthews David, a professor in the School of Fashion at Ryerson University in Toronto, outlines the many toxic, flammable, and otherwise highly hazardous components of high style during the 19th century. Here are a few of the worst offenders.

1. Poisonous Dyes

A drawing of Victorian fashions likely made with arsenic dyes
A drawing of Victorian fashions likely made with arsenic dyes
Bloomsbury Visual Arts

Before the 1780s, green was a tricky color to create on clothes, and dressmakers depended on a combination of yellow and blue dyes to produce the hue. But in the late 1770s a Swedish/German chemist named Carl Wilhelm Scheele invented a new green pigment by mixing potassium and white arsenic on a solution of copper vitriol. The pigment was dubbed Scheele’s Green, and later Paris Green, among other names, and it became a huge sensation, used to color walls, paintings, and fabrics as well as candles, candies, food wrappers, and even children’s toys. Not surprisingly, it also caused sores, scabs, and damaged tissue, as well as nausea, colic, diarrhea, and constant headaches.

Although fashionable women wore arsenic-dyed fabrics—even Queen Victoria was depicted in one—its health effects were worst among the textile and other workers who created the clothes and often labored in warm, arsenic-impregnated rooms day after day. (Some scholars have even theorized that Napoleon might have been poisoned by the arsenic-laced wallpaper hung in his St. Helena home.)

Arsenical dyes were also a popular addition to artificial flowers and leaves, which meant they were frequently pinned to clothes or fastened on heads. In the 1860s, a report commissioned by the Ladies’ Sanitary Association found that the average headdress contained enough arsenic to poison 20 people. The British Medical Journal wrote of the green-clad Victorian woman: “She actually carries in her skirts poison enough to slay the whole of the admirers she may meet with in half a dozen ball-rooms.” Despite repeated warnings in the press, and from doctors and scientists, the Victorians seemed in love with emerald green arsenic dyes; ironically, they acted like a reminder of the nature then swiftly being lost to industrialization, David says.

2. Pestilential Fabrics

Soldiers of the Victorian era (and earlier) were plagued by lice and other body parasites that carried deadly diseases such as typhus and trench fever. But soldiers weren’t the only victims of disease carried via fabric—even the wealthy sometimes wore clothing that was made or cleaned by the sick in sweatshops or tenements, and which spread disease as a result. According to David, the daughter of Victorian Prime Minister Sir Robert Peel died after her riding habit, given to her by her father as a gift, was finished in the house of a poor seamstress who had used it to cover her sick husband as he lay shivering with typhus-induced chills. Peel’s daughter contracted typhus after wearing the garment, and died on the eve of her wedding.

Women also worried about their skirts sweeping through the muck and excrement of city streets, where bacteria was rife, and some wore special skirt-fasteners to keep them up from the gunk. The poor, who often wore secondhand clothes, suffered from smallpox and other diseases spread by fabric that was recycled without being properly washed.

3. Flowing Skirts

Giant, ruffled, crinoline-supported skirts may have been fine for ladies of leisure, but they weren’t a great combination with industrial machinery. According to David, one mill in Lancashire posted a sign in 1860 forbidding the “present ugly fashion of HOOPS, or CRINOLINE, as it is called” as being “quite unfitted for the work of our Factories.” The warning was a wise one: In at least one printing office, a girl was caught by her crinoline and dragged under the mechanical printing press. The girl was reportedly “very slim” and escaped unharmed, but the foreman banned the skirts anyway. Long, large, or draped skirts were also an unfortunate combination with carriages and animals.

4. Flammable Fabrics

A woman with her crinoline on fire
Bloomsbury Visual Arts

The flowing white cotton so popular in the late 18th and 19th centuries had dangers to both maker and wearer: It was produced with often-brutal slave labor on plantations, and it was also more flammable than the heavy silks and wool favored by the wealthy in the previous centuries. One type of cotton lace was particularly problematic: In 1809 John Heathcoat patented a machine that made the first machine-woven silk and cotton pillow “lace” or bobbinet, now better known as tulle, which could catch fire in an instant. The tulle was frequently layered, to add volume and compensate for its sheerness, and stiffened with highly combustible starch. Ballerinas were particularly at risk: British ballerina Clara Webster died in 1844 when her dress caught fire at London’s Drury Lane theatre after her skirt came too close to sunken lights onstage.

But performers weren’t the only ones in peril: Even the average woman wearing the then-popular voluminous crinolines was at risk of setting herself ablaze. And the “flannelette” (plain cotton brushed to create a nap and resemble wool flannel) so popular for nightshirts and undergarments was particularly combustible if hit with a stray spark or the flame of a household candle. So many children burned in household accidents that one company came out with a specially treated flannelette called Non-Flam, advertised as being “strong’y recommended by Coroners.”

5. Arsenic-Ridden Taxidermy

Dead birds were a popular addition to ladies’ hats in the 19th century. According to David, “fashions in millinery killed millions of small songbirds and introduced dangers that may still make some historic women’s hats harmful to humans today.”

But it wasn’t the birds that were the problem—it was the arsenic used on them. Taxidermists of the day used arsenic-laced soaps and other products to preserve birds and other creatures. In some cases, entire birds—one or several—were mounted on hats. Some Victorian fashion commentators decried the practice, though not because of the arsenic involved. One Mrs. Haweis, a writer on dress and beauty, began an 1887 diatribe against “smashed birds” with the sentence: “A corpse is never a really pleasant ornament.”

6. Mercury

No upper-class man of the Victorian era was complete without his hat, but many of those hats were made with mercury. As David explains, “Although its noxious effects were known, it was the cheapest and most efficient way to turn stiff, low-grade fur from rabbits and hares into malleable felt.” Mercury gave animal fur its smooth, glossy, matted texture, but that velvety look came at a high cost—mercury is an extremely dangerous substance.

Mercury can rapidly enter the body through the skin or the air, and causes a range of horrible health effects. Hatters were known to suffer from convulsions, abdominal cramps, trembling, paralysis, reproductive problems, and more. (A chemistry professor studying toxic exposure at Dartmouth College, Karen Wetterhahn, died in 1996 after spilling just a few drops of a supertoxic type of mercury on her glove.) To make matters worse, hatters who drank while they worked (not an uncommon practice) only hastened mercury’s effects by hampering the liver’s ability to eliminate it. While scholars still debate whether Lewis Carroll’s “mad hatter” was meant to show the effects of mercury poisoning, his trembling limbs and wacky speech seem to fit the bill.

7. Lead

A Victorian facial cream containing lead
A Victorian facial cream containing lead
Bloomsbury Visual Arts

Pallor was definitely in during the Victorian era, and a face spackled with lead white paint was long favored by fashionable women. Lead had been a popular ingredient in cosmetics for centuries, David writes, because it “made colors even and opaque and created a desirable ‘whiteness’ that bespoke both freedom from hard outdoor labor and racial purity.” One of the most popular lead-laced cosmetic products was called Laird’s Bloom of Youth; in 1869, one of the founders of the American Medical Association treated three young women who had been using the product and temporarily lost full use of their hands and wrists as a result. (The doctor described the condition as “lead palsy,” although today we call it wrist drop or radial nerve palsy, which can be caused by lead poisoning.) One of the women’s hands was said to be “wasted to a skeleton.”

This article was republished in 2019.

The 25 Highest-Paying Entry-Level Jobs for New Graduates

iStock/kali9
iStock/kali9

When they finish their final exams, college seniors can look forward to job hunting. Roughly 1.9 million students in the U.S. will receive their bachelor's degrees this school year, and while some new graduates may be happy to take the first job they're offered, others will be looking for something that pays well—even at the entry level. According to Glassdoor, recent grads qualified for the 25 jobs below will have the best luck.

To compile this list of the highest-paying entry-level jobs in the U.S., the job search website identified employment opportunities with the highest median bases salaries reported by users 25 or younger. Positions in the tech industry dominate the list. Aspiring data scientists can expect to make $95,000 a year at their first job out of college, while software engineers have a median annual base salary of $90,000. Other entry-level tech jobs like UX designer, Java developer, and systems engineer all start at salaries of $70,000 or more.

Banking and business positions, including investment banking analysta ($85,000), actuarial analysts ($66,250), and business analysts ($63,000), appear on the list as well. The only listed position that doesn't fall under the tech, finance, or business categories is for physical therapists, who report a median starting salary of $63,918.

You can check out the full list of the 25 highest-paying entry-level jobs below.

  1. Data Scientist // $95,000
  2. Software Engineer // $90,000
  3. Product Manager // $89,000
  4. Investment Banking Analyst // $85,000
  5. Product Designer // $85,000
  6. UX Designer // $73,000
  7. Implementation Consultant // $72,000
  8. Java Developer // $72,000
  9. Systems Engineer // $70,000
  10. Software Developer // $68,600
  11. Process Engineer // $68,258
  12. Front End Developer // $67,500
  13. Product Engineer // $66,750
  14. Actuarial Analyst // $66,250
  15. Electrical Engineer // $66,000
  16. Mechanical Engineer // $65,000
  17. Design Engineer // $65,000
  18. Applications Developer // $65,000
  19. Test Engineer // $65,000
  20. Programmer Analyst // $65,000
  21. Quality Engineer // $64,750
  22. Physical Therapist // $63,918
  23. Field Engineer // $63,750
  24. Project Engineer // $63,000
  25. Business Analyst // $63,000

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