12 Fun Facts About The Jon Stewart Show

On October 25, 1993, late-night viewers of MTV caught a glimpse of the future of talk television when The Jon Stewart Show—a frenetically paced mash-up of celebrity chats, musical performances, and comedy sketches—made its debut. Stewart, who was then just 30 years old, was a mostly unknown face at the time. But his reputation on the standup comedy circuit had caught the attention of MTV executives, who were looking to make their first foray into late-night programming.

Though it was canceled in 1995, Stewart's unique abilities did not go unnoticed by the television world at large. From 1996 to 1998, Stewart—playing an exaggerated version of himself—was the guy being eyed as the next host of The Larry Sanders Show, HBO's brilliant parody of the late-night talk show world. Perhaps it was prophetic, as Stewart did indeed land a real talk show of his own a year later when he took over hosting duties of The Daily Show from Craig Kilborn in early 1999, and stuck around for 16 years.

In celebration of The Jon Stewart Show's 25th anniversary, we're looking back at some fun facts about the MTV series that gave birth to a late-night icon.

1. STEWART WAS CONSIDERED AS A REPLACEMENT FOR LETTERMAN.

When David Letterman announced he would be moving his show from NBC to CBS in 1993, Stewart was actually a contender to replace the late-night great. The gig, of course, famously went to Conan O’Brien and Stewart instead launched The Jon Stewart Show.

2. THE SHOW WAS AN INSTANT HIT ON MTV.

The Jon Stewart Show quickly became one of the most-watched programs on MTV, second only to Beavis and Butt-Head in the channel’s ratings. Courteney Cox, Conan O’Brien, Alicia Silverstone, David Blaine, and Quentin Tarantino were among the show’s celebrity guests.

“Letterman's got a show he's doing, whereas this is much more casual,” Tarantino told Entertainment Weekly in 1994, when he appeared on The Jon Stewart Show just one night after doing Letterman. “This wasn't like doing a talk show. It was like we were just bulls***ting." (During the interview, Stewart had asked Tarantino whether he got his acting role in Pulp Fiction by sleeping with the director.)

3. STEWART'S DREAM GUEST: HELENA BONHAM CARTER.

In a 1994 interview with People, Stewart confessed his desire to have actress Helena Bonham Carter appear on the show. “She’s adorable,” he said. “I’m waiting for her to get fed up with this whole English accent thing and come home to Papa.”

4. THE SHOW MADE A HABIT OF INTRODUCING HOT MUSICAL GUESTS.

When Stewart described the show to USA Today as “Just an odd show with really cool music,” he wasn’t kidding. Being on MTV, music was a given. But Stewart helped to give a more mainstream platform to dozens of musicians who never would’ve made the cut on a network late-night show. 

Among his menagerie of guests were Blind Melon, Slayer, Warren Zevon, Buffalo Tom, Naughty by Nature, White Zombie, Faith No More, Notorious B.I.G., and Marilyn Manson (who famously ended his set by trashing the musical stage and getting a piggyback ride from Stewart).

5. THE SHOW WAS REVAMPED AS A SUCCESSOR TO THE ARSENIO HALL SHOW.

Based on its popularity with MTV audiences, at the end of its first season The Jon Stewart Show was revamped by parent company Paramount to replace Arsenio, whose show had been canceled in May of 1994. The show was extended from 30 minutes to an hour and put into syndication. A poster of Arsenio hung on the wall of Stewart’s office at the time, with a word bubble that read: “Good Luck, Motherf*cker.”

6. STEWART DID NOT WANT TO MAKE A BIG DEAL ABOUT THE SHOW’S ARRIVAL.

Not a lot of publicity was given to Stewart’s move from MTV to syndication, and that was by Stewart’s design. “Some people here wanted to do a big press conference and make some announcement,” Stewart told the Sun Sentinel in 1994. “And I said ‘Why? Are we invading someone?’ I didn’t think fanfare was appropriate.”

7. STEWART’S LIFE IN SYNDICATION DID NOT LAST LONG.

Stewart quickly learned that success on MTV does not necessarily translate to success with the masses. The Jon Stewart Show was canceled in 1995. The show’s failure on that larger scale was not a complete surprise to Stewart, who shared his mixed feelings about the move to syndication with the Chicago Tribune. “There are going to be people in the audience who are 20 years old that think it sucks and don't get it or don't like it. And there are going to be people who are 50 and do,” he said. “I had to make peace with the fact that if this works, great, and if it doesn't, you have to be OK with that, too. You can't go into it thinking, ‘If I do this and they take this away, what's going to happen to me?' You have to know that you can always open an ice-cream store.”

8. STEWART ANNOUNCED THE SHOW’S CANCELLATION ON LETTERMAN.

Stewart used an appearance on The Late Show on June 7, 1995 to announce that his own show had been canceled.

9. LETTERMAN RETURNED THE FAVOR BY APPEARING ON STEWART’S FINAL SHOW.

Two weeks later, Letterman was sitting on Stewart’s couch as a guest on the final episode, which aired on June 23, 1995. Buffalo Tom provided the musical sendoff. Guests were served margaritas and given taxi rides home.

10. RUMORS ABOUNDED THAT STEWART WOULD BE HIRED BY ABC OR FOX.

But the rumors turned out to be just that—rumors. The Larry Sanders Show poked fun at this common talk show scenario by casting Stewart—as himself—as a possible replacement to the series’ fictional host (played by Garry Shandling).

11. THE SHOW’S WRITERS AND DIRECTORS WENT ON TO DO GREAT THINGS.

The Jon Stewart Show’s cancellation was only the beginning for many of the talented writers and directors behind the scenes: director Beth McCarthy-Miller has gone on to receive eight Emmy nominations for her work on Saturday Night Live and 30 Rock. Writers Chris Albers and Janine Ditullio were quickly hired by Conan O’Brien, and Brian Hartt went to Jay Leno. Dennis McNicholas, Andrew Steele, and Steve Higgins went to Saturday Night Live. Tom Hertz, Alan Higgins, Josh Lieb, and Cliff Schoenberg moved into sitcoms and film. Brian Posehn, one of the Comedians of Comedy, and Dave Attell, host of Insomniac for Comedy Central, stepped in front of the camera.

12. STEWART DIDN'T MAKE OUT SO BADLY EITHER.

In 1999, you might recall, Stewart took over hosting duties on Comedy Central’s The Daily Show from Craig Kilborn. The now-married 55-year-old father of two is also a bestselling author, producer, and occasional actor. He has hosted the Grammys and the Oscars and has won 22 Emmys (and counting), plus two Grammys. Not bad for the guy who once caused a scene by sitting on Captain Kirk’s lap.

This post originally appeared in 2013.

Josh Trank Wouldn't Mind Erasing Fantastic Four From Film History

Ben Rothstein, Twentieth Century Fox Film Corporation
Ben Rothstein, Twentieth Century Fox Film Corporation

It’s not every day that you hear a director talking about wanting to completely erase one of their projects from film history. But when the topic of the 2015 box office bomb Fantastic Four comes up, director Josh Trank isn't mincing words. The director tweeted that he would “gladly” donate to a GoFundMe page to have his failed adaptation erased from the cinematic history books.

It's no secret that Fantastic Four is a sore subject for Trank. The production was plagued with rumors that there was a bit of friction on set, particularly between the director and star Miles Teller. Even once the film had wrapped, reports about the troubled production plagued Trank, and eventually led to him parting ways with Disney, for whom he was supposedly developing a standalone Boba Fett movie. (It didn't help that Fantastic Four tanked at the box office and even won a Razzie for Worst Picture).

The topic of starting a GoFundMe page for the film started after Trank responded to fans rallying for a page to get the rat at the end of Martin Scorsese's The Departed digitally erased. When asked if he would support a page to get rid of Fantastic Four, Trank seemed to oblige (though he has since deleted the tweet).


It’s no secret the previous Fantastic Four movies have had little success, but now that Disney and Fox are joining forces, the series could be entering into the Marvel Cinematic Universe. Maybe now these superheroes will finally get the movie they deserve.

Hollywood's Brief Love Affair With Young Einstein Star Yahoo Serious

Warner Bros.
Warner Bros.

The theater owners and exhibitors attending the ShoWest convention in February 1989 had a lot to look forward to. In an attempt to stir their interest in upcoming studio releases, major distributors were showing off stars and footage: Paramount led with Indiana Jones and the Last Crusade, and Columbia had Ghostbusters II. But it was Warner Bros. that caused the biggest stir.

In addition to Lethal Weapon 2, the studio had Tim Burton’s Batman, a straight-faced adaptation of the comic, and Michael Keaton—who slipped into a screening of some early footage—was no longer being derided as a poor casting choice. Then, in the midst of all this star power, the studio brought out a 35-year-old actor-writer-director with a shock of orange hair and an Australian accent.

The man had never appeared in a feature film before, much less starred in one, but Warner was gambling that his forthcoming comedy about a Tasmanian Albert Einstein who invents rock music and runs into Thomas Edison would be a hit. It had already become the sixth highest-grossing film in Australia's history, besting both E.T. and Rambo: First Blood Part II.

The man’s real name was Greg Pead, but Warner Bros. introduced him as Yahoo Serious, Hollywood’s next big comedy attraction.

 

To understand Warner’s appetite for an unproven commodity like Yahoo Serious, it helps to recall the peculiar preoccupation American popular culture had with Australians in the 1980s. Energizer had created a hit ad campaign with Mark “Jacko” Jackson, a pro football player who aggressively promoted their batteries in a series of ads; meanwhile, Paul Hogan parlayed his fish-out-of-water comedy, Crocodile Dundee, into the second highest-grossing film of 1986. (Serious would later bristle at comparisons to Hogan, whom he referred to as a “marketing guy” who sold cigarettes on Australian television.)

Born in Cardiff, Australia on July 27, 1953, Serious grew up in rural bush country and mounted car tires at a garage in order to pay his way through the National Art School. When he was expelled for illustrating the school's facade with satirical jokes that the faculty didn’t find particularly funny, Serious moved on to direct Coaltown, a documentary about the coal mining industry, and pursued painting.

Serious would later recall that the desire for a larger audience led him away from art and into feature filmmaking. ''It hit me like a ton of bricks one day,” Serious told The New York Times in 1989. “I remember having a cup of coffee and I went, 'Well, look, there is a giant canvas in every little town everywhere around the world. And on this giant canvas there are 24 frames of image on that screen every second and it's the most wonderful living art form.'” It was around this same time, in 1980, that Serious changed his name.

To get a feel for the language of film, Serious sat through repeated viewings of Stanley Kubrick's Dr. Strangelove; he aspired to have the kind of total autonomy over his movies that directors like Woody Allen and Charlie Chaplin enjoyed.

In 1983, Serious was traveling along the Amazon River when he spotted someone wearing a T-shirt depicting Albert Einstein sticking his tongue out. The image is now pervasive, appearing on posters and other merchandise, but it seemed unique to the performer, who was struck by the idea that Einstein was once young and never took himself too seriously. And the concept for Young Einstein was born.

 

Serious's idea, which transplanted Einstein to Tasmania and imagined encounters with Sigmund Freud, Thomas Edison, and the atomic bomb, took years to assemble. He borrowed camera equipment and sold his car to help finance the film; he shot an eight-minute trailer that convinced investors he was capable of making a feature. His mother even cooked meals for the crew on set.

In order to maintain creative control, Serious gave up profit participation in Young Einstein, which he starred in, co-produced, co-wrote, and directed. When the film was released in Australia in 1988, it made an impressive $1.6 million at the box office and drew the attention of Warner Bros., which likely had visions of a Crocodile Dundee-esque hit. American press had a field day with Serious, who appeared on the cover of TIME and was given airtime on MTV.

Critics and audiences weren’t quite as enamored. The Orlando Sentinel suggested that "Tedious Oddball" would be a more appropriate name for the film's creator. In his one-star review, Roger Ebert wrote that, "Young Einstein is a one-joke movie, and I didn't laugh much the first time." In the U.S., Young Einstein grossed just over $11 million, a fairly weak showing for a summer comedy. It was bested in its opening weekend by both Ron Howard’s Parenthood and the Sylvester Stallone action-grunter Lock Up.

 

Although American distributors quickly cooled on Serious, Australia's enthusiasm for the filmmaker didn’t dampen. When Serious released 1993’s Reckless Kelly, a fictionalized account of outlaw Ned Kelly, it made $5.4 million in Australia—three times as much as Young Einstein. Serious took a seven-year sabbatical, then returned with 2000’s Mr. Accident, a slapstick comedy about an injury-prone man who tries to thwart a scheme to inject nicotine into eggs. Meeting a tepid critical and financial reception, it would be his third and (likely) final film.

At roughly the same time Mr. Accident was released, Serious took issue with upstart search engine Yahoo!, alleging the site was piggybacking on his popularity. He filed a lawsuit, which was quickly dropped when he failed to prove the URL had damaged him in any way.

Yahoo Serious attends an event
Paul McConnell, Getty Images

The amused headlines stemming from that incident were the last examples of Serious capturing attention in America. Having completed just three films, no other projects have come to fruition; Serious launched a website detailing some of his background and to air some of his Yahoo!-related grievances.

Now 65, Serious currently serves as founding director of the Kokoda Track Foundation, an Australian aid organization dedicated to improving the living conditions of Papua New Guineans. The board’s website lists him as Yahoo Serious, which is the name he claims that all of his family and friends have called him since he changed it in 1980.

“You can choose every aspect of your life,” Serious once said. “Why not your name?”

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