New Guidelines Redefine Birth Years for Millennials, Gen-X, and 'Post-Millennials'

Universal Studios
Universal Studios

You hear about Millennials, Generation X, and the Baby Boomers all the time, but it’s not always clear who’s a part of these groups. In fact, all of these terms are fairly unofficial social constructs outside of the Boomers—the U.S. Census [PDF] actually defines them as the generation of people born between 1946 and 1964. Now, the Pew Research Center is looking to give more structure to these generational nicknames with a new set of guidelines that establishes where each person belongs depending on their birth year. This is what they’ve come up with:

  • The Silent Generation: Born 1928-1945 (73-90 years old)
  • Baby Boomers: Born 1946-1964 (54-72 years old)
  • Generation X: Born 1965-1980 (38-53 years old)
  • Millennials: Born 1981-1996 (22-37 years old)
  • Post-Millennials: Born 1997-Present (0-21 years old)

In addition to defining the birth years of Boomers and Gen-X'ers, Pew’s main focus with this research was to highlight where Millennials end and the yet-unnamed “Post-Millennial” generation begins. The new Millennial cutoff of 1996 is important because it points to a generation that is old enough to have experienced and comprehend 9/11, while also finding their way through the 2008 recession as young adults.

Those born between 1981 and 1996 will have been affected by the economic downturn in numerous ways: some would have had their early careers impacted, while others would have had their education influenced by it (perhaps through prohibitive tuition costs or a change in major to find a field with jobs). President of the Pew Research Center Michael Dimock said the recession’s effect on Millennials and the initial “slow start” to their careers “will be a factor in American society for decades.”

Technology also plays a factor in the dividing lines between generations. The study gives an example that the oldest “Post-Millennial” members would have been 10 when the iPhone was introduced, whereas many Millennials will still have memories of landlines, touch-tones, and rotary phones. As technology plays a more encompassing role in our lives, these societal developments are seen as a big enough distinction to draw generational lines through. Dimock points to Baby Boomers as a generation that saw TV become dominant, Generation X experienced a computer revolution, and Millennials grew up in an age where the internet became a new way of life.

Pew's new guidelines do alter a few others that came before. Some have put the Millennial generation from 1982-2004 (easily making it the longest generation), while others would have wanted to end it in the early '90s.

In establishing these guidelines, it also looks like the “Xennial” has been wiped from existence. This is a micro-generation that encompassed those born between 1977 and 1983—they identified themselves as people who grew up in a pre-digital world and later adapted to today’s technology. If this includes you, you’re now either a late-term Gen X’er or a grizzled veteran of the Millennial clan.

Dimock himself makes it clear that these “cutoff points aren’t an exact science.” They're simply tools to analyze the different shifts in how age groups are experiencing the world—socially, economically, politically, and technologically.

6 Times There Were Ties at the Oscars

getty images (March and Beery)/ istock (oscar)
getty images (March and Beery)/ istock (oscar)

Only six ties have ever occurred during the Academy Awards's more than 90-year history. The Academy of Motion Picture Arts and Sciences (AMPAS) members vote for nominees in their corresponding categories; here are the six times they have come to a split decision.

1. Best Actor // 1932

Back in 1932, at the fifth annual Oscars ceremony, the voting rules were different than they are today. If a nominee received an achievement that came within three votes of the winner, then that achievement (or person) would also receive an award. Actor Fredric March had one more vote than competitor Wallace Beery, but because the votes were so close, the Academy honored both of them. (They beat the category’s only other nominee, Alfred Lunt.) March won for his performance in horror film Dr. Jekyll and Mr. Hyde, and Beery won for The Champ (writer Frances Marion won Best Screenplay for the film), which was remade in 1979 with Ricky Schroder and Jon Voight. Both Beery and March were previous nominees: Beery was nominated for The Big House and March for The Royal Family of Broadway. March won another Oscar in 1947 for The Best Years of Our Lives, also a Best Picture winner. Fun fact: March was the first actor to win an Oscar for a horror film.

2. Best Documentary Short Subject // 1950

By 1950, the above rule had been changed, but there was still a tie at that year's Oscars. A Chance to Live, an 18-minute movie directed by James L. Shute, tied with animated film So Much for So Little. Shute’s film was a part of Time Inc.’s "The March of Time" newsreel series and chronicles Monsignor John Patrick Carroll-Abbing putting together a Boys’ Home in Italy. Directed by Bugs Bunny’s Chuck Jones, So Much for So Little was a 10-minute animated film about America’s troubling healthcare situation. The films were up against two other movies: a French film named 1848—about the French Revolution of 1848—and a Canadian film entitled The Rising Tide.

3. Best Actress // 1969

Probably the best-known Oscars tie, this was the second and last time an acting award was split. When presenter Ingrid Bergman opened up the envelope, she discovered a tie between newcomer Barbra Streisand and two-time Oscar winner Katharine Hepburn—both received 3030 votes. Streisand, who was 26 years old, tied with the 61-year-old The Lion in Winter star, who had already been nominated 10 times in her lengthy career, and won the Best Actress Oscar the previous year for Guess Who’s Coming to Dinner. Hepburn was not in attendance, so all eyes fell on Funny Girl winner Streisand, who wore a revealing, sequined bell-bottomed-pantsuit and gave an inspired speech. “Hello, gorgeous,” she famously said to the statuette, echoing her first line in Funny Girl.

A few years earlier, Babs had received a Tony nomination for her portrayal of Fanny Brice in the Broadway musical Funny Girl, but didn’t win. At this point in her career, she was a Grammy-winning singer, but Funny Girl was her movie debut (and what a debut it was). In 1974, Streisand was nominated again for The Way We Were, and won again in 1977 for her and Paul Williams’s song “Evergreen,” from A Star is Born. Four-time Oscar winner Hepburn won her final Oscar in 1982 for On Golden Pond.

4. Best Documentary Feature // 1987

The March 30, 1987 telecast made history with yet another documentary tie, this time for Documentary Feature. Oprah presented the awards to Brigitte Berman’s film about clarinetist Artie Shaw, Artie Shaw: Time is All You’ve Got, and to Down and Out in America, a film about widespread American poverty in the ‘80s. Former Oscar winner Lee Grant (who won the Best Supporting Actress Oscar in 1976 for Shampoo) directed Down and Out and won the award for producers Joseph Feury and Milton Justice. “This is for the people who are still down and out in America,” Grant said in her acceptance speech.

5. Best Short Film (Live Action) // 1995

More than 20 years ago—the same year Tom Hanks won for Forrest Gump—the Short Film (Live Action) category saw a tie between two disparate films: the 23-minute British comedy Franz Kafka’s It’s a Wonderful Life, and the LGBTQ youth film Trevor. Doctor Who star Peter Capaldi wrote and directed the former, which stars current Oscar nominee Richard E. Grant as Kafka. The BBC Scotland film envisions Kafka stumbling through writing The Metamorphosis.

Trevor is a dramatic film about a gay 13-year-old boy who attempts suicide. Written by James Lecesne and directed by Peggy Rajski, the film inspired the creation of The Trevor Project to help gay youths in crisis. “We made our film for anyone who’s ever felt like an outsider,” Rajski said in her acceptance speech, which came after Capaldi's. “It celebrates all those who make it through difficult times and mourns those who didn’t.” It was yet another short film ahead of its time.

6. Best Sound Editing // 2013

The latest Oscar tie happened in 2013, when Zero Dark Thirty and Skyfall beat Argo, Django Unchained, and Life of Pi in sound editing. Mark Wahlberg and his animated co-star Ted presented the award to Zero Dark Thirty’s Paul N.J. Ottosson and Skyfall’s Per Hallberg and Karen Baker Landers. “No B.S., we have a tie,” Wahlberg told the crowd, assuring them he wasn’t kidding. Ottosson was announced first and gave his speech before Hallberg and Baker Landers found out that they were the other victors.

It wasn’t any of the winners' first trip to the rodeo: Ottosson won two in 2010 for his previous collaboration with Kathryn Bigelow, The Hurt Locker (Best Achievement in Sound Editing and Sound Mixing); Hallberg previously won an Oscar for Best Sound Effects Editing for Braveheart in 1996, and in 2008 both Hallberg and Baker Landers won Best Achievement in Sound Editing for The Bourne Ultimatum.

Ottosson told The Hollywood Reporter he possibly predicted his win: “Just before our category came up another fellow nominee sat next to me and I said, ‘What if there’s a tie, what would they do?’ and then we got a tie,” Ottosson said. Hallberg also commented to the Reporter on his win. “Any time that you get involved in some kind of history making, that would be good.”

New Harry Potter Scrabble Accepts Wizarding Words Like Hogwarts and Dobby

USAopoly
USAopoly

Patronus, Hogwarts, and Dobby may not be words found in the official Scrabble dictionary, but they are very real to Harry Potter fans. Now there's finally a board game that lets players win points using the magical vocabulary made famous by the Harry Potter books and movies. SCRABBLE: World of Harry Potter from USAopoly is a new edition of Scrabble that recognizes characters, place names, spells, and potions from J.K. Rowling's Wizarding World.

Like traditional Scrabble, players use the letter tiles they pick up to spell out words on the board, with different words earning different point values. Any word you can find in an up-to-date Merriam-Webster Dictionary is still fair game, but in this version, terms coined in Harry Potter qualify as well. First and last names, whether they belong to characters (Albus or Dumbledore, for example) or actors from the franchise (Emma or Watson), are playable. You can also spell magical place names (like Hogsmeade), spells (accio), and objects (snitch).

Harry Potter version of Scrabble.
USAopoly

Showing off the depth of your Harry Potter knowledge isn't the only reason to put wizarding words on the board. Magical words are worth bonus points, with players earning more points the longer the word is. SCRABBLE: World of Harry Potter also includes cards with special challenges for players—a feature that can't be found in any other version of the game.

This Harry Potter edition of Scrabble will be available for $30 at Barnes & Noble and other retailers this spring. Until then, there are plenty of Harry Potter-themed games, including wizarding chess, out there for you to play.

Harry Potter version of Scrabble.
USAopoly

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