Grave Sightings: Satchel Paige

Stacy Conradt
Stacy Conradt

Every time we so much as touch a toe out of state, I’ve put cemeteries on our travel itinerary. From garden-like expanses to overgrown boot hills, whether they’re the final resting places of the well-known but not that important or the important but not that well-known, I love them all. After realizing that there are a lot of taphophiles out there, I’m finally putting my archive of interesting tombstones to good use.

If you’re looking for life lessons at a cemetery, you’re probably imagining something abstract: A little reflection, and some deep thinking about the meaning of life and how fleeting our time on earth really is. Visit the gravestone of legendary baseball player Satchel Paige, however, and you’ll get step-by-step instructions.

Engraving on the granite tombstone of Satchel Paige with six pieces of advice on "How to Stay Young,' including "Avoid fried meats which angry up the blood."
Stacy Conradt

Originally printed on Paige’s business cards, this sound advice is just the beginning of what you can discover about the pitcher by paying your respects. The massive monument, which sits on a plot of land at the cemetery aptly named “Paige Island,” provides details about Paige’s career and personal life, including how he got his unique nickname:

Close-up of an engraving on the gravestone of baseball player Satchel Paige that details how he got his nickname.
Stacy Conradt

Part of the gravestone of baseball legend Satchel Paige and his wife, which provides the highlights of his career. The top of the grave is dotted with baseballs and coins.
Stacy Conradt

Paige died of a heart attack in 1982 at the age of 75—though he never did slow down much. In fact, on September 25, 1965, he became the oldest pitcher to ever play in a major league game, when the Kansas City Athletics put him in for three innings. The team made a big show out of getting the 59-year-old Paige a rocker for the dugout and hiring a nurse to oil and massage his pitching arm, but fans shouldn’t have worried that his “advanced” age would slow him down: In three innings, only one batter managed to get a hit off of him.

The granite gravestone of baseball legend Satchel Paige, with an engraving about his marriage and children. Fans have left baseballs, coins, and a necklace along the top of the stone.
Stacy Conradt

The large gravestone is a replacement for the original, a modest marker that can still be found at the Negro Leagues Baseball Museum in Kansas City, Missouri. The first stone was donated by a fan who played up Paige’s reluctance to reveal his real birth year by inscribing a question mark for the date. Paige’s family was said to appreciate the donation, “but not for the perpetuation of the ruse over the pitcher’s age,” as his biographer Larry Tye wrote. As far as anyone knows, the 1906 date on the current tombstone is correct.

The granite gravestone of baseball legend Satchel Paige, with the dates of his birth and death and a bronze engraving of his likeness. Fans have left baseballs and coins on the top of the grave.
Stacy Conradt

If you’d like to learn a life lesson (or six) from Satchel Paige himself, you can find his grave at Forest Hills Cemetery in Kansas City, Missouri. Don’t forget to bring a baseball.

Peruse all the entries in our Grave Sightings series here.

22 Weird Jobs From 100 Years Ago

Metal Floss via YouTube
Metal Floss via YouTube

Before everyone started working in tech, people actually had their choice of eclectic and strange vocations that put food on their old-timey tables. Discover what lamplighters, lectores, and knocker-uppers did back in the day as Mental Floss editor-in-chief Erin McCarthy runs down 22 Weird Old Jobs from 100 Years Ago.

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The Definition of Museum Could Be Changing

The Louvre Museum in Paris, France.
The Louvre Museum in Paris, France.
roman_slavik/iStock via Getty Images

If you’ve always casually defined museum as “a place to see art or historical objects,” you’re not necessarily wrong. But the International Council of Museums (ICOM) has a more specific, official guideline that defines a museum as “a non-profit, permanent institution in the service of society and its development, open to the public, which acquires, conserves, researches, communicates, and exhibits the tangible and intangible heritage of humanity and its environment for the purposes of education, study, and enjoyment.”

ICOM’s 40,000 members have been adhering to this definition for almost 50 years to represent more than 20,000 museums around the world. Now, The Art Newspaper reports, some members want to change it.

On July 22, the organization’s executive board convened in Paris and composed a new definition that Danish curator Jette Sandahl believes better suits the demands of “cultural democracy.” By this updated description, a museum must “acknowledg[e] and addres[s] the conflicts and challenges of the present,” “work in active partnership with and for diverse communities to collect, preserve, research, interpret, exhibit, and enhance understandings of the world,” and “contribute to human dignity and social justice, global equality, and planetary wellbeing.”

The proposal immediately elicited harsh reactions from a number of other members of the museum community, who felt the text was too ideological and vague. François Mairesse, a professor at the Université Sorbonne Nouvelle and the chair of the International Committee of Museology, even resigned from the revisory commission—led by Sandahl—earlier this summer when he realized the new definition wasn’t, by his standards, really a definition. “This is not a definition but a statement of fashionable values, much too complicated and partly aberrant,” he told The Art Newspaper. “It would be disastrous to impose only one type of museum.”

The current plan is for ICOM members to vote on the definition at the general assembly on September 7 in Kyoto, Japan, but 24 national branches and five museums’ international committees have petitioned to postpone the vote—they’d like some time to create their own definition for museum and present it as a counter-proposal.

[h/t The Art Newspaper]