What Do the Olympic Rings Mean?

In 1894, Pierre de Frédy, Baron de Coubertin—a French aristocrat who had previously attempted to incorporate more physical education in schools—convened a congress in Paris with the goal of reviving the ancient Olympic Games. It was an idea Coubertin first introduced at a meeting in 1889. This time, the congress agreed on proposals for a modern Olympics, and the International Olympic Committee was soon formalized and given the task of planning the 1896 Athens Games.

After the 1912 Stockholm Games—the first Games featuring athletes from all five inhabited parts of the world—a design of five interlocked rings, drawn and colored by hand, appeared at the top of a letter Coubertin sent to a colleague. Coubertin used his ring design as the emblem of the IOC's 20th-anniversary celebration in 1914. A year later, it became the official Olympic symbol.

The rings were to be used on flags and signage at the 1916 Games, but those games were canceled because of World War I. The rings made a belated debut at the 1920 Games in Antwerp, Belgium.

Coubertin explained the theory behind his design in 1931:

“A white background, with five interlaced rings in the centre: blue, yellow, black, green and red ... is symbolic; it represents the five inhabited continents of the world, united by Olympism, while the six colors are those that appear on all the national flags of the world at the present time.”

Coubertin used a loose interpretation of “continent” that included Africa, the Americas, Asia, Europe and Oceania. He never said nor wrote that any specific ring represents a specific continent.

Because the rings were originally designed as a logo for the IOC's 20th anniversary and only later became a symbol of the Olympics, it's also probable, according to historian David Young, that Coubertin originally thought of the rings as symbols of the five Games already successfully staged.

Modern Inspo for “Ancient” Symbol

Popular myth suggests that the rings were inspired by a similar, ancient design found on a stone at Delphi, Greece. The “ancient” stone, however, was just a modern prop.

For the 1936 Summer Games in Berlin, Carl Diem, president of the organizing committee, wanted to relay the Olympic Flame from its lighting point in Olympia to the Olympic stadium in Berlin. Diem, it seems, had a flair for theatrics, and included in the relay a stop at Delphi's ancient stadium for a faux-ancient Greek torchbearers' ceremony complete with a faux-ancient, 3-foot-tall stone altar with the modern ring design chiseled into its sides.

After the ceremony, the torch runners went on their way, but no one ever removed the stone from the stadium. Two decades later, British researchers visiting Delphi noticed the ring design on the stone. They concluded that the stone was an ancient altar, and thought the ring design had been used in ancient Greece and now formed "a link between ancient and modern Olympics," Young writes in Archaeology magazine.

The real story behind the altar was later revealed, and “Carl Diem’s Stone” was moved from the stadium and placed near the ticketed entrance to the historic site.

The inspiration for Coubertin's design seems to be a little more modern. Four years before he convened his Olympic congress, he had become president of the French sports-governing body, the Union des Sociétés Françaises de Sports Athlétiques (USFSA). The union was formed from the merging of two smaller sporting bodies, and to symbolize this, a logo of two interlocking rings—one red and one blue, on a white background—was created and displayed on the uniforms of USFSA athletes.

“It seems quite obvious,” says historian Robert Barney in a 1992 Olympic Revue article, “that Coubertin’s affiliation with the USFSA led him to think in terms of interlocked rings or circles when he applied his mind towards conceiving a logo ... indeed, a ring-logo that would symbolize his Olympic Movement’s success up to that point in time.... Circles, after all, connote wholeness, the interlocking of them, continuity.”

Lords of the Rings

The IOC takes its rings very seriously, and the symbol is subject to very strict usage rules and graphic standards. For example, the area covered by the rings contained in an Olympic emblem can’t exceed one-third of the total area of the emblem, and the rings must be presented in their entirety. The rings can be reproduced in a single-color version in blue, yellow, black, green, red, white, gray, gold, silver, or bronze, but for reproduction against a dark background, the rings can be pictured in yellow, white, gray, gold, silver, or bronze only.

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This article originally appeared in 2010; it has been updated for 2024.