10 Celebrities Named in the Communist Scare

Orson Welles at a demonstration in New York City
Orson Welles at a demonstration in New York City
Getty Images

On June 8, 1949, the FBI named a slew of celebrities as members of the Communist Party. They may have been right to suspect some, but others were just completely ridiculous. Either way, here are 10 people who were accused at some point during the Red Scare.

1. HELEN KELLER

We think of her as the nearly saint-like woman based on the amazing story of how she learned to communicate despite being blind and deaf. But as an adult, Helen Keller was fairly radical in her political thinking, and the FBI definitely took notice. Although a "formal investigation" never took place, the FBI did monitor Keller enough to know that she had sent "loving birthday greetings to Elizabeth Gurley Flynn, a prominent communist leader, on her 65th birthday."

2. LEONARD BERNSTEIN


By The Library of Congress, Public Domain, Wikimedia Commons

The composer and conductor fell under the FBI's watchful eyes for more than 30 years. He was targeted as a communist during the whole McCarthy era, even though he swore on an affidavit that "I am not now or at any time have ever been a member of the Communist Party." The FBI was never able to officially verify that he was a member of the Communist Party, but they continued to monitor his activities when he supported Vietnam protesters and became friends with a member of the Black Panthers. In fact, in 1970, J. Edgar Hoover documented his intentions to run a smear campaign against Bernstein specifically because of his Black Panther ties.

3. BURL IVES

Burl Ives was called out in the 1950 Red Channels pamphlet, a brochure that named 151 supposed Communists in the entertainment industry who should be avoided. He adamantly denied being a Communist and said that any union activity he had participated in was simply to keep in touch with "working folk." Because of his cooperation with the House Un-American Activities Committee, he was removed from the blacklist. However, friends such as Pete Seeger felt that Ives had sold them out in order to get back to work and severed ties with him for many years.

4. PETE SEEGER

Folk singer Pete Seeger was a member of both the Young Communist League and the Communist Party and made no bones about it. "My father, Charles Seeger, got me into the Communist movement," he said, but later apologized for "following the party line so slavishly, for not seeing that Stalin was a supremely cruel misleader." When he was called to testify in front of HUAC in 1955, Seeger refused to plead the Fifth, but also refused to name any names. He was held in contempt of Congress and was sentenced to serve 10 years in jail for it, but the conviction was overturned.

5. ARTIE SHAW

Artie Shaw, also named in the Red Channels pamphlet, was brought before HUAC in 1953 for statements supporting the Communist Party and for allegedly attending a couple of meetings. Shaw didn't dispute that he had been present at a number of gatherings, but said that it was simply because of his interest in social justice and world peace.

"I hate to admit that I was a dupe, but I guess I was," he told the committee. But if you believe Olivia de Havilland, Shaw was definitely behind Communism all the way. During a meeting of the Independent Citizens' Committee of the Arts, Sciences and Professions, Shaw started talking about how the Soviet constitution should be the standard-setter when it came to democracy. Years later, de Havilland recalled, "He said to me, 'Have you read the Russian constitution?' And I said, 'No I haven't—and how recently have you read ours?'"

6. ZERO MOSTEL


By Graphic House, New York - eBay, Public Domain, Wikimedia Commons

Zero Mostel was named to the list of suspected Communist Party members in 1952, and although he didn't appear before HUAC until 1955, the accusation was enough to kill his career. When he finally got to testify, Mostel took the opportunity to exercise the comedic chops which had been in hibernation since the public accusation. When the committee's counsel asked, "Mr. Mostel, are you or are you not a Communist?" he leapt out of his chair and acted like he was grabbing for the attorney's throat, yelling, "That man called me a Communist! Get him out of here! He asked me if I'm a Communist! Get him out of here!"

He pretty much owned the trial after that, mocking the counsel and indirectly refusing to name names (directly refusing to name names would have landed him a jail sentence like Pete Seeger's). Needless to say, this didn't win them over, and he remained blacklisted.

7. CHARLIE CHAPLIN

Charlie Chaplin was such a worry to the FBI during the Red Scare that J. Edgar Hoover tried to have him deported. When he left the country in 1952 to promote his movie Limelight, Hoover collaborated with the Immigration and Naturalization Service to revoke Chaplin's reentry permit. Instead of fighting it, Chaplin made the choice to stay in Europe, making his home in Switzerland. He issued the following statement:

"... Since the end of the last world war, I have been the object of lies and propaganda by powerful reactionary groups who, by their influence and by the aid of America's yellow press, have created an unhealthy atmosphere in which liberal-minded individuals can be singled out and persecuted. Under these conditions I find it virtually impossible to continue my motion-picture work, and I have therefore given up my residence in the United States."

The iconic filmmaker only ever came back to the U.S. very briefly, to collect an Honorary Oscar in 1972.

8. LANGSTON HUGHES

Langston Hughes was involved in several Communist-supported groups and activities but was never actually a party member (according to him, anyway; obviously HUAC felt otherwise). Because the Communist Party of the United States often used his poetry in their newspaper and because Hughes had expressed interest in Marxist ideas in the 1930s, he was called to testify in 1953. He refused to give up any names, but freely answered all questions around his own writing and political views. He said he had never joined the Communist Party because "It was based on strict discipline and the acceptance of directives that I, as a writer, did not wish to accept." After the hearing, he began to distance himself from some of his more radical poetry.

9. AND 10. ORSON WELLES AND DOLORES DEL RÍO

Despite being a strong Roosevelt supporter, Orson Welles was considered one to watch by the FBI. A 1941 memo from the Bureau stated that "this office has never been able to establish that Welles is an actual member of the former Communist Party or the present Communist Political Association ... he has consistently followed the Communist Party line and has been active in numerous front organizations." They placed him on a list of people who should be taken into custody should the U.S. have a national emergency, and it was recommended that his phone be tapped. Although he said otherwise, many speculate that the Red Scare and all of the accusations were the reason that Welles left the U.S. for Europe from 1948 to 1956. Mexican actress Dolores del Río was presumably blacklisted simply for her romantic relationship with Welles.

7 Ways Victorian Fashion Could Kill You

An 1862 engraving showing a skeleton gentleman at a ball asking a skeleton lady to dance, meant to represent the effect of arsenic dyes and pigments in clothing and accessories.
An 1862 engraving showing a skeleton gentleman at a ball asking a skeleton lady to dance, meant to represent the effect of arsenic dyes and pigments in clothing and accessories.

While getting dressed in the morning can seem like a hassle (pajamas are so much more comfortable), few of us worry about our clothes leading to our death. That wasn’t the case during the Victorian era, when fashionable fabrics and accessories sometimes came at great price for both makers and wearers. In Fashion Victims: The Dangers of Dress Past and Present, Alison Matthews David, a professor in the School of Fashion at Ryerson University in Toronto, outlines the many toxic, flammable, and otherwise highly hazardous components of high style during the 19th century. Here are a few of the worst offenders.

1. Poisonous Dyes

A drawing of Victorian fashions likely made with arsenic dyes
A drawing of Victorian fashions likely made with arsenic dyes
Bloomsbury Visual Arts

Before the 1780s, green was a tricky color to create on clothes, and dressmakers depended on a combination of yellow and blue dyes to produce the hue. But in the late 1770s a Swedish/German chemist named Carl Wilhelm Scheele invented a new green pigment by mixing potassium and white arsenic on a solution of copper vitriol. The pigment was dubbed Scheele’s Green, and later Paris Green, among other names, and it became a huge sensation, used to color walls, paintings, and fabrics as well as candles, candies, food wrappers, and even children’s toys. Not surprisingly, it also caused sores, scabs, and damaged tissue, as well as nausea, colic, diarrhea, and constant headaches.

Although fashionable women wore arsenic-dyed fabrics—even Queen Victoria was depicted in one—its health effects were worst among the textile and other workers who created the clothes and often labored in warm, arsenic-impregnated rooms day after day. (Some scholars have even theorized that Napoleon might have been poisoned by the arsenic-laced wallpaper hung in his St. Helena home.)

Arsenical dyes were also a popular addition to artificial flowers and leaves, which meant they were frequently pinned to clothes or fastened on heads. In the 1860s, a report commissioned by the Ladies’ Sanitary Association found that the average headdress contained enough arsenic to poison 20 people. The British Medical Journal wrote of the green-clad Victorian woman: “She actually carries in her skirts poison enough to slay the whole of the admirers she may meet with in half a dozen ball-rooms.” Despite repeated warnings in the press, and from doctors and scientists, the Victorians seemed in love with emerald green arsenic dyes; ironically, they acted like a reminder of the nature then swiftly being lost to industrialization, David says.

2. Pestilential Fabrics

Soldiers of the Victorian era (and earlier) were plagued by lice and other body parasites that carried deadly diseases such as typhus and trench fever. But soldiers weren’t the only victims of disease carried via fabric—even the wealthy sometimes wore clothing that was made or cleaned by the sick in sweatshops or tenements, and which spread disease as a result. According to David, the daughter of Victorian Prime Minister Sir Robert Peel died after her riding habit, given to her by her father as a gift, was finished in the house of a poor seamstress who had used it to cover her sick husband as he lay shivering with typhus-induced chills. Peel’s daughter contracted typhus after wearing the garment, and died on the eve of her wedding.

Women also worried about their skirts sweeping through the muck and excrement of city streets, where bacteria was rife, and some wore special skirt-fasteners to keep them up from the gunk. The poor, who often wore secondhand clothes, suffered from smallpox and other diseases spread by fabric that was recycled without being properly washed.

3. Flowing Skirts

Giant, ruffled, crinoline-supported skirts may have been fine for ladies of leisure, but they weren’t a great combination with industrial machinery. According to David, one mill in Lancashire posted a sign in 1860 forbidding the “present ugly fashion of HOOPS, or CRINOLINE, as it is called” as being “quite unfitted for the work of our Factories.” The warning was a wise one: In at least one printing office, a girl was caught by her crinoline and dragged under the mechanical printing press. The girl was reportedly “very slim” and escaped unharmed, but the foreman banned the skirts anyway. Long, large, or draped skirts were also an unfortunate combination with carriages and animals.

4. Flammable Fabrics

A woman with her crinoline on fire
Bloomsbury Visual Arts

The flowing white cotton so popular in the late 18th and 19th centuries had dangers to both maker and wearer: It was produced with often-brutal slave labor on plantations, and it was also more flammable than the heavy silks and wool favored by the wealthy in the previous centuries. One type of cotton lace was particularly problematic: In 1809 John Heathcoat patented a machine that made the first machine-woven silk and cotton pillow “lace” or bobbinet, now better known as tulle, which could catch fire in an instant. The tulle was frequently layered, to add volume and compensate for its sheerness, and stiffened with highly combustible starch. Ballerinas were particularly at risk: British ballerina Clara Webster died in 1844 when her dress caught fire at London’s Drury Lane theatre after her skirt came too close to sunken lights onstage.

But performers weren’t the only ones in peril: Even the average woman wearing the then-popular voluminous crinolines was at risk of setting herself ablaze. And the “flannelette” (plain cotton brushed to create a nap and resemble wool flannel) so popular for nightshirts and undergarments was particularly combustible if hit with a stray spark or the flame of a household candle. So many children burned in household accidents that one company came out with a specially treated flannelette called Non-Flam, advertised as being “strong’y recommended by Coroners.”

5. Arsenic-Ridden Taxidermy

Dead birds were a popular addition to ladies’ hats in the 19th century. According to David, “fashions in millinery killed millions of small songbirds and introduced dangers that may still make some historic women’s hats harmful to humans today.”

But it wasn’t the birds that were the problem—it was the arsenic used on them. Taxidermists of the day used arsenic-laced soaps and other products to preserve birds and other creatures. In some cases, entire birds—one or several—were mounted on hats. Some Victorian fashion commentators decried the practice, though not because of the arsenic involved. One Mrs. Haweis, a writer on dress and beauty, began an 1887 diatribe against “smashed birds” with the sentence: “A corpse is never a really pleasant ornament.”

6. Mercury

No upper-class man of the Victorian era was complete without his hat, but many of those hats were made with mercury. As David explains, “Although its noxious effects were known, it was the cheapest and most efficient way to turn stiff, low-grade fur from rabbits and hares into malleable felt.” Mercury gave animal fur its smooth, glossy, matted texture, but that velvety look came at a high cost—mercury is an extremely dangerous substance.

Mercury can rapidly enter the body through the skin or the air, and causes a range of horrible health effects. Hatters were known to suffer from convulsions, abdominal cramps, trembling, paralysis, reproductive problems, and more. (A chemistry professor studying toxic exposure at Dartmouth College, Karen Wetterhahn, died in 1996 after spilling just a few drops of a supertoxic type of mercury on her glove.) To make matters worse, hatters who drank while they worked (not an uncommon practice) only hastened mercury’s effects by hampering the liver’s ability to eliminate it. While scholars still debate whether Lewis Carroll’s “mad hatter” was meant to show the effects of mercury poisoning, his trembling limbs and wacky speech seem to fit the bill.

7. Lead

A Victorian facial cream containing lead
A Victorian facial cream containing lead
Bloomsbury Visual Arts

Pallor was definitely in during the Victorian era, and a face spackled with lead white paint was long favored by fashionable women. Lead had been a popular ingredient in cosmetics for centuries, David writes, because it “made colors even and opaque and created a desirable ‘whiteness’ that bespoke both freedom from hard outdoor labor and racial purity.” One of the most popular lead-laced cosmetic products was called Laird’s Bloom of Youth; in 1869, one of the founders of the American Medical Association treated three young women who had been using the product and temporarily lost full use of their hands and wrists as a result. (The doctor described the condition as “lead palsy,” although today we call it wrist drop or radial nerve palsy, which can be caused by lead poisoning.) One of the women’s hands was said to be “wasted to a skeleton.”

This article was republished in 2019.

The 25 Highest-Paying Entry-Level Jobs for New Graduates

iStock/kali9
iStock/kali9

When they finish their final exams, college seniors can look forward to job hunting. Roughly 1.9 million students in the U.S. will receive their bachelor's degrees this school year, and while some new graduates may be happy to take the first job they're offered, others will be looking for something that pays well—even at the entry level. According to Glassdoor, recent grads qualified for the 25 jobs below will have the best luck.

To compile this list of the highest-paying entry-level jobs in the U.S., the job search website identified employment opportunities with the highest median bases salaries reported by users 25 or younger. Positions in the tech industry dominate the list. Aspiring data scientists can expect to make $95,000 a year at their first job out of college, while software engineers have a median annual base salary of $90,000. Other entry-level tech jobs like UX designer, Java developer, and systems engineer all start at salaries of $70,000 or more.

Banking and business positions, including investment banking analysta ($85,000), actuarial analysts ($66,250), and business analysts ($63,000), appear on the list as well. The only listed position that doesn't fall under the tech, finance, or business categories is for physical therapists, who report a median starting salary of $63,918.

You can check out the full list of the 25 highest-paying entry-level jobs below.

  1. Data Scientist // $95,000
  2. Software Engineer // $90,000
  3. Product Manager // $89,000
  4. Investment Banking Analyst // $85,000
  5. Product Designer // $85,000
  6. UX Designer // $73,000
  7. Implementation Consultant // $72,000
  8. Java Developer // $72,000
  9. Systems Engineer // $70,000
  10. Software Developer // $68,600
  11. Process Engineer // $68,258
  12. Front End Developer // $67,500
  13. Product Engineer // $66,750
  14. Actuarial Analyst // $66,250
  15. Electrical Engineer // $66,000
  16. Mechanical Engineer // $65,000
  17. Design Engineer // $65,000
  18. Applications Developer // $65,000
  19. Test Engineer // $65,000
  20. Programmer Analyst // $65,000
  21. Quality Engineer // $64,750
  22. Physical Therapist // $63,918
  23. Field Engineer // $63,750
  24. Project Engineer // $63,000
  25. Business Analyst // $63,000

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