11 Things You May Not Know About John Lennon

Hulton Archive/Getty Images
Hulton Archive/Getty Images

Before he was one of the world's most iconic musicians, John Lennon was a choir boy and a Boy Scout. Let's take a look at a few facts you might not have known about the leader and founding member of The Beatles

1. HE WAS A CHOIR BOY AND A BOY SCOUT.

Yes, John Lennon, the great rock 'n' roll rebel and iconoclast, was once a choir boy and a Boy Scout. Lennon began his singing career as a choir boy at St. Peter's Church in Liverpool, England and was a member of the 3rd Allerton Boy Scout troop.

2. HE HATED HIS OWN VOICE.

Incredibly, one of the greatest singers in the history of rock music hated his own voice. Lennon did not like the sound of his voice and loved to double-track his records. He would often ask the band's producer, George Martin, to cover the sound of his voice: "Can't you smother it with tomato ketchup or something?"

3. HE WAS DISSATISFIED WITH ALL OF THE BEATLES'S RECORDS.

Dining with his former producer, George Martin, one night years after the band had split up, Lennon revealed that he'd like to re-record every Beatles song. Completely amazed, Martin asked him, "Even 'Strawberry Fields'?" "Especially 'Strawberry Fields,'" answered Lennon.

4. HE WAS THE ONLY BEATLE WHO DIDN'T BECOME A FULL-TIME VEGETARIAN.

John Lennon (1940 - 1980) of the Beatles plays the guitar in a hotel room in Paris, 16th January 1964
Harry Benson, Express/Hulton Archive/Getty Images

George Harrison was the first Beatle to go vegetarian; according to most sources, he officially became a vegetarian in 1965. Paul McCartney joined the "veggie" ranks a few years later. Ringo became a vegetarian not so much for spiritual reasons, like Paul and George, but because of health problems. Lennon had toyed with vegetarianism in the 1960s, but he always ended up eating meat, one way or another.

5. HE LOVED TO PLAY MONOPOLY.

During his Beatles days, Lennon was a devout Monopoly player. He had his own Monopoly set and often played in his hotel room or on planes. He liked to stand up when he threw the dice, and he was crazy about the properties Boardwalk and Park Place. He didn't even care if he lost the game, as long as he had Boardwalk and Park Place in his possession.

6. HE WAS THE LAST BEATLE TO LEARN HOW TO DRIVE.

Lennon got his driver's license at the age of 24 (on February 15, 1965). He was regarded as a terrible driver by all who knew him. He finally gave up driving after he totaled his Aston-Martin in 1969 on a trip to Scotland with his wife, Yoko Ono; his son, Julian; and Kyoko, Ono's daughter. Lennon needed 17 stitches after the accident.

When they returned to England, Lennon and Ono mounted the wrecked car on a pillar at their home. From then on, Lennon always used a chauffeur or driver.

7. HE REPORTEDLY USED TO SLEEP IN A COFFIN.

According to Allan Williams, an early manager for The Beatles, Lennon liked to sleep in an old coffin. Williams had an old, abandoned coffin on the premises of his coffee bar, The Jacaranda. As a gag, Lennon would sometimes nap in it.

8. THE LAST TIME HE SAW PAUL MCCARTNEY WAS ON APRIL 24, 1976. 

Paul McCartney (left) and John Lennon (1940-1980) of the Beatles pictured together during production and filming of the British musical comedy film Help! on New Providence Island in the Bahamas on 2nd March 1965
William Lovelace, Daily Express/Hulton Archive/Getty Images

McCartney was visiting Lennon at his New York apartment. They were watching Saturday Night Live together when producer Lorne Michaels, as a gag, offered the Beatles $3000 to come on the show. Lennon and McCartney almost took a cab to the show as a joke, but decided against it, as they were just too tired. (Too bad! It would have been one of the great moments in television history.)

9. HE WAS ORIGINALLY SUPPOSED TO SING LEAD ON THE BEATLES'S FIRST SINGLE, 1962'S "LOVE ME DO."

Lennon sang lead on a great majority of the early Beatles songs, but Paul McCartney took the lead on their very first one. The lead was originally supposed to be Lennon, but because he had to play the harmonica, the lead was given to McCartney instead.

10. "ALL YOU NEED IS LOVE" WAS THE BEST LYRIC HE EVER WROTE.

A friend once asked Lennon what was the best lyric he ever wrote. "That's easy," replied Lennon, "All you need is love."

11. THE LAST PHOTOGRAPHER TO SNAP HIS PICTURE WAS PAUL GORESH.

Ironically (and sadly), Lennon was signing an album for the person who was to assassinate him a few hours later when he was snapped by amateur photographer Paul Goresh on December 8, 1980.

Lennon obligingly signed a copy of his latest album, Double Fantasy, for Mark David Chapman. Later that same day, Lennon returned from the recording studio and was gunned down by Chapman, the same person for whom he had so kindly signed his autograph.

Morbidly, a photographer sneaked into the morgue and snapped a photo of Lennon's body before it was cremated the day after his assassination. Yoko Ono has never revealed the whereabouts of his ashes or what happened to them.

This post originally appeared in 2012.

Bob Dylan's Lyrics, Poetry, and Prose Showcased at Chicago's American Writers Museum

A collection of Bob Dylan poems that was auctioned off by Christie's in 2005.
A collection of Bob Dylan poems that was auctioned off by Christie's in 2005.
Stephen Chernin, Getty Images

Like a Rolling Stone, Tangled Up in Blue, Blowin’ in the Wind, and The Times They Are a-Changin’ are among Bob Dylan’s best songs, but the 77-year-old singer’s writing isn’t limited to lyrics. Dylan has also penned poems, prose, an autobiography, and a nearly four-hour movie (that got terrible reviews).

An ongoing showcase at Chicago’s American Writers Museum is paying homage to Dylan the writer. The "Bob Dylan: Electric" exhibit, which will remain on view though April 30, 2019, highlights dozens of items from Dylan’s expansive career.

“The world knows Bob Dylan as a prolific songwriter,” museum president Carey Cranston said in a statement. “'Bob Dylan: Electric’ gives the public a chance to see how his writing shaped more than just American music, but American literature as a whole.”

The period covers Dylan’s “electric” career, beginning with the time he made his electric guitar debut at the 1965 Newport Folk Festival. The exact instrument he played at the festival—a 1964 sunburst Fender Stratocaster—is naturally one of the items on display.

Visitors can also check out Dylan’s personal copy of The Catcher in the Rye, which he read in the summer of 1961. He jotted down notes and drew doodles in the back of the book, including a bottle of rye and the words “good book.” (Interestingly enough, a talent agent approached Dylan the following year and asked if he’d play Holden Caulfield in a movie adaptation of the book. For better or worse, that never came to fruition.)

Dylan’s writing was recognized with a Nobel Prize in Literature in 2016. At the time, the committee's decision to award a songwriter rather than a novelist was a controversial one. The New York Times dubbed it a “disappointing choice,” while Scottish novelist Irvine Welsh (author of Trainspotting) was a little more blunt, calling it “an ill-conceived nostalgia award wrenched from the rancid prostates of senile, gibbering hippies.”

Nonetheless, Dylan accepted the award, eventually releasing a video detailing his literary influences. Moby-Dick, All Quiet on the Western Front, and The Odyssey are just a few of the singer-songwriter’s many inspirations.

7 Songs That Aren't Quite as Romantic as They Sound

iStock
iStock

by John Moore

There are thousands of classic love songs in the world. And then there are those songs that seem romantic—like, say, Dolly Parton's most famous breakup song, "I Will Always Love You," which skyrocketed as a top wedding choice after Whitney Houston's heartbreaking version was released in 1992—but when you really listen to the lyrics, they don't convey exactly the message you might have thought. Here are seven of them.

1. "More Than Words" // Extreme

Don't be fooled by the spare acoustics and subtle, soulful harmonies—the bros from Extreme didn't pen a love ballad, they penned a longing ballad. In 1991, just after the song had topped the Billboard charts, guitarist and singer-songwriter Nuno Bettencourt talked about how people too often think that saying "I love you" can work as a Band-Aid in relationships. "People use it so easily and so lightly that they think you can say that and fix everything, or you can say that and everything’s OK," he said. Basically, it’s about how actions speak louder than words.

2. "God Only Knows" // The Beach Boys

As lushly orchestrated as this song is, the lyrics are short on words but long on mixed messages. Brian Wilson’s proclamations that life wouldn’t be worth living without the song’s intended listener sound like the stuff of planning futures together and walking down the aisle, but only if you can get past the first line: "I may not always love you."

3. "Leaving on a Jet Plane" // John Denver

What sounds like a sweet, heartfelt farewell before a fairly long trip turns bittersweet when the singer admits that "so many times I’ve let you down / So many times I’ve played around," perhaps on one of these long trips. But then he promises to bring home a wedding ring? It seems hard to look forward to an engagement when you don’t know if your beloved will be faithful while he’s out of town.

4. "There She Goes" // The LA's

From the time The La’s released "There She Goes" in 1988, rumors of it being an ode to heroin abounded. Lead guitarist John Byrne, who co-wrote the song, denied it, saying "It’s just a love song about a girl that you like but never talk to," which, beyond the lyrics "There she blows … Pulsing through my vein," could be believed. The song later made a huge comeback in 1999 when Sixpence None the Richer covered it, introducing a whole new generation to the blurred lines between states of infatuation and intoxication.

5. "Here Comes Your Man" // The Pixies

You’d expect a band as discordant as the Pixies to have some pretty screwed up opinions on romance, but what’s admirable is that one of their most accessible songs is really a pretty twisted little tale. "Here Comes Your Man," replete with twanging riffage and cutesy backing purrs, is actually "about winos and hobos traveling on the trains, who die in the California Earthquake," as frontman Black Francis told NME in 1989. The repetitive chorus of "here comes your man" might sound sweet and moderately chivalrous, but then verses like "Big shake on the boxcar moving / Big shake to the land that's falling down / Is a wind makes a palm stop blowing / A big, big stone fall and break my crown" don’t exactly hold up as romantic mood-setters.

6. "Got to Get You Into My Life" // The Beatles

"It’s actually an ode to pot," Paul McCartney said of this 1966 song, though it could easily fool any square parents who might have heard it playing from the basement. And with lyrics like "Ooh, then I suddenly see you / Ooh, did I tell you I need you / Every single day of my life" coming from the "cute" Beatle, who could blame them for the confusion?

7. "Always" // Bon Jovi

This power ballad’s chorus screams everlasting love—"And I know when I die you’ll be on my mind / And I’ll love you, always"—but the rest of the lyrics tell the full story of a Romeo whose heart is bleeding after his lover left and moved on to someone else. Just another reminder to actively listen to the full meaning of a song before committing to a first dance.

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