Hollywood studios may spend hundreds of millions of dollars to make a movie, but you’ll rarely ever see any real money on the screen. Due to the liabilities involved in having large sums of money in front of cameras, especially when a script calls for thousands or millions of dollars to be shown (or destroyed) in a scene, the movie industry relies on prop currency to create everything from a mobster’s briefcase full of hundreds to a madman's pile of burning bills. But there’s a fine line between creating the perfect prop and unintentionally bringing counterfeit currency into the world.
In the wake of the Civil War, crimes involving counterfeit U.S. currency were on the rise, with some estimates claiming that anywhere from one-third to half of all the country’s money was fake. This prompted the creation of the Secret Service, which was originally conceived to investigate counterfeit crimes. In the immediate aftermath of the war, there was a nationwide effort to crack down on this fake cash, and at one point in the early 20th century, a federal law was briefly put on the books that forbid the use of actual money in full-scale photography.
Up until this point, the nascent movie industry had been using real money in its productions, so according to Pricenomics, the only real solution to this law at the time was for filmmakers to use Mexican currency that was rendered useless after the Mexican Revolution ended in 1920.
That solution turned out to be nothing more than a Band-Aid; as the decades went on, the supply of Mexican currency purchased by the studios began to shrink, leaving producers looking for alternatives. One quick fix came when studios began printing their own prop money, albeit with original designs on the bills, including the studio’s name front and center on each note (since any reproduction of U.S. currency was forbidden at the time, this prop money was based on the Mexican design).
Though the early 20th century laws forbidding real money from being filmed didn’t last long, the problem of finding props that looked authentic persisted through the ‘60s and ‘70s. This is when movie prop houses began to create more believable money that was based on the designs of actual U.S. currency. As the laws surrounding the reproduction of money were loosened, this new prop money passed muster with the Secret Service. Much of this was achieved through black-and-white reproductions of U.S. money that was passable in quick shots.
Over the decades the laws regarding currency reproduction have changed, and today we abide by the Counterfeit Detection Act of 1992. According to the law, filmmakers can reproduce full-color U.S. currency, provided that they adhere to the following restrictions on each bill:
(1) the illustration is of a size less than three-fourths or more than one and one-half, in linear dimension, of each part of the item illustrated;
(2) the illustration is one-sided; and
(3) all negatives, plates, positives, digitized storage medium, graphic files, magnetic medium, optical storage devices, and any other thing used in the making of the illustration that contain an image of the illustration or any part thereof are destroyed and/or deleted or erased after their final use.
If a prop company comes too close to the real thing, they can expect a not-so-friendly visit from the Secret Service, as Independent Studio Services found out after some of its faux money from Rush Hour 2 made its way into the local economy. The company was ordered to destroy its entire inventory of prop money at a considerable loss, which led Gregg Bilson Jr., the CEO of Independent Studio Services, to rethink the prop money strategy. To avoid more run-ins with the Feds, his company now prints stacks of blank bill paper and places a lone, authentic $100 bill on top to simulate a large sum of cash.
In the late 1990s, stories about what was happening on the set of Stanley Kubrick’s already-secretive film Eyes Wide Shut constantly made headlines. Everyone wanted to know what was going on behind the scenes with real-life celebrity couple Tom Cruise and Nicole Kidman, and the 15-month shoot only intrigued people more. Finally, the film was released on July 16, 1999—more than four months after Kubrick had passed away. While there is still a lot we don’t know about the movie, here are 20 things we do.
1. Eyes Wide Shut is based on a 1926 novella.
Eyes Wide Shut is loosely is based on Arthur Schnitzler’s novella Traumnovelle (Dream Story), which was published in 1926. Considering that the movie takes place in 1990s New York, it is obviously not a direct adaptation, but it overlaps in its plot and themes. “[The book] explores the sexual ambivalence of a happy marriage and tries to equate the importance of sexual dreams and might-have-beens with reality,” Kubrick said. “The book opposes the real adventures of a husband and the fantasy adventures of his wife, and asks the question: is there a serious difference between dreaming a sexual adventure, and actually having one?”
2. Production on Eyes Wide Shut began in 1996.
By then, Kubrick had been holding onto the rights to Traumnovelle—which screenwriter Jay Cocks purchased on his behalf, in order to keep the project under wraps—for nearly 30 years. Kubrick had planned to begin working on the film after making 2001: A Space Odyssey, but then got the opportunity to adapt A Clockwork Orange.
3. The studio pushed Stanley Kubrick to cast A-list names.
Terry Semel, then-head of Warner Bros., told Kubrick, “What I would really love you to consider is a movie star in the lead role; you haven't done that since Jack Nicholson [in The Shining].”
4. Stanley Kubrick wanted to cast Alec Baldwin and Kim Basinger.
Kubrick liked the idea of casting a real-life married couple in the film, and originally considered Alec Baldwin and Kim Basinger. (He also liked the idea of Steve Martin.) Eventually, he went with Tom Cruise and Nicole Kidman, who were married from 1990 to 2001.
5. London stood in for New York City.
Though the film is set in New York, it was filmed in London. In order to construct the most accurate sets possible, Vanity Fairreported that Kubrick “sent a designer to New York to measure the exact width of the streets and the distance between newspaper vending machines.”
6. Some of the shots in Eyes Wide Shut required no set at all.
In order to give the movie a dream-like quality, the filmmakers used an old-school method of shooting—and a treadmill. “In some of the scenes, the backgrounds were rear-projection plates,” cinematographer Larry Smith explained. “Generally, when Tom’s facing the camera, the backgrounds are rear-projected; anything that shows him from a side view was done on the streets of London. We had the plates shot in New York by a second unit [that included cinematographers Patrick Turley, Malik Sayeed and Arthur Jafa]. Once the plates were sent to us, we had them force-developed and balanced to the necessary levels. We’d then go onto our street sets and shoot Tom walking on a treadmill. After setting the treadmill to a certain speed, we’d put some lighting effects on him to simulate the glow from the various storefronts that were passing by in the plates. We spent a few weeks on those shots.”
7. Eyes Wide Shut holds a Guinness World Record.
The film has a place in the Guinness Book of World Records for the longest constant movie shoot, with a total of 400 days, which was a surprise to the cast and crew. Cruise and Kidman had only committed to six months of filming. The extended shoot was a lot to ask of Cruise in particular, who was at the height of his career. He even had to delay work on Mission: Impossible II to finish Eyes Wide Shut. He didn’t seem to mind though. “We knew from the beginning the level of commitment needed,” Cruise toldTIME. “We were going to do what it took to do this picture.”
8. The script for Eyes Wide Shut kept changing.
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According to Todd Field, who portrayed piano player Nick Nightingale (and is an Oscar-nominated filmmaker in his own right), “We’d rehearse and rehearse a scene, and it would change from hour to hour. We’d keep giving the script supervisor notes all the time, so by the end of the day the scene might be completely different. It wasn’t really improvisation, it was more like writing.”
9. Tom Cruise developed ulcers while shooting Eyes Wide Shut.
“I didn't want to tell Stanley," Cruise told TIME. “He panicked. I wanted this to work, but you're playing with dynamite when you act. Emotions kick up. You try not to kick things up, but you go through things you can't help.”
10. Tom Cruise and Nicole Kidman slept in their characters' bedroom.
In order to reflect their real-life relationship, Cruise and Kidman were asked to choose the color for the curtains in their on-screen bedroom, where they alsoslept.
11. The apartment featured in the movie was a re-creation of Stanley Kubrick's.
According to Cruise, “The apartment in the movie was the New York apartment [Stanley] and his wife Christianne lived in. He recreated it. The furniture in the house was furniture from their own home. Of course the paintings were Christianne's paintings. It was as personal a story as he's ever done.”
12. Stanley Kubrick temporarily banned Tom Cruise from the set.
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Given his penchant for accuracy, it’s quite possible that Kubrick wanted to stir up some real-life jealousy between his stars in order to help them embody their characters. In a fantasy sequence, Kidman’s character has sex with another man, which motivates the rest of the film’s plot. Kubrick banned Cruise from the set on the days that Kidman shot the scene with a male model. They spent six days filming the one-minute scene. Kubrick also forbid Kidman from telling Cruise any details about it.
13. It took 95 takes for Tom Cruise to walk through a doorway.
Six days for a one-minute scene is nothing compared to the time Kubrick had Cruise do 95 takes of one simple action: walking through a doorway. After watching the playback, he apparently told Cruise, “Hey, Tom, stick with me, I’ll make you a star.”
14. Security on the set was tight.
Aside from Kubrick, Kidman, Cruise, and their tiny crew, no one was allowed on the set, which was heavily guarded. In May 1997, one photographer managed to capture a picture of Cruise standing next to a man that the photographer thought was just an “old guy, scruffy with an anorak and a beard.” That man was Kubrick, who hadn’t been photographed in 17 years. After the incident, security on the set was tripled.
15. Paul Thomas Anderson spent some time on the set.
One person Cruise did manage to sneak onto the set was his future Magnolia director, Paul Thomas Anderson. While there, Anderson asked Kubrick, “Do you always work with so few people?” Kubrick responded, “Why? How many people do you need?” Anderson then recalled feeling “like such a Hollywood a**hole.”
16. Stanley Kubrick makes a cameo in the movie.
He’s not credited, but the film’s director can be seen sitting in a booth at the Sonata Café.
17. Stanley Kubrick died less than a week after showing the studio his final cut of Eyes Wide Shut.
Kubrick died less than a week after showing what would be his final cut of the film to Warner Bros. No one can say how much he would have kept editing the film. One thing that was changed after his death: bodies in the orgy scene were digitally altered so that the movie could be released with an R (rather than an NC-17) rating. Although many claim that Kubrick intended to do this, too. "I think Stanley would have been tinkering with it for the next 20 years," Kidman said. "He was still tinkering with movies he made decades ago. He was never finished. It was never perfect enough.”
18. By the time Eyes Wide Shut was released, a dozen years had passed since Stanley Kubrick's last directorial effort.
Eyes Wide Shut came out a full 12 years after Kubrick’s previous film, 1987's Full Metal Jacket.
19. Eyes Wide Shut topped the box office during its opening week.
The film earned $30,196,742 during its first week in release, which was enough to take the box office’s number one spot—making it Kubrick’s only film to do so.
20. Tom Cruise didn't like Dr. Harford.
One year after the film’s release, Cruise admitted that he “didn’t like playing Dr. Bill. I didn’t like him. It was unpleasant. But I would have absolutely kicked myself if I hadn’t done this.”
Paul McCartney of The Beatles and Mick Jagger of The Rolling Stones sit opposite each other on a train at London's Euston Station.
Victor Blackman, Express/Getty Images
Who are America’s all-time favorite musicians and bands? When it comes to the best-selling artists of all time, The Beatles still rule—yes, even a half-century after their breakup. According to the Recording Industry Association of America (RIAA), these are the 50 best-selling artists of all time.
Albums sold: 183 million
Albums sold: 148 million
Hulton Archive/Getty Images
Albums sold: 146.5 million
Albums sold: 120 million
Albums sold: 111.5 million
Albums sold: 84.5 million
Albums sold: 84 million
LENNART PREISS/AFP/Getty Images
Albums sold: 78.5 million
Albums sold: 75 million
Albums sold: 72 million
Albums sold: 69 million
Terry Fincher, Express/Getty Images
Albums sold: 68.5 million
The Rolling Stones
Albums sold: 66.5 million
Albums sold: 66.5 million
Albums sold: 66.5 million
Albums sold: 64.5 million
Ethan Miller, Getty Images
Albums sold: 64 million
Albums sold: 63 million
Albums sold: 58.5 million
Albums sold: 56.5 million
Albums sold: 54.5 million
Jason Kempin, Getty Images
Albums sold: 52 million
Albums sold: 50 million
Albums sold: 49.5 million
Albums sold: 48 million
Noam Galai, Getty Images for Tribeca Film Festival