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Screenshot via C82
Screenshot via C82

92 Years of New Yorker Covers Visualized by Color

Screenshot via C82
Screenshot via C82

In February 1925, The New Yorker appeared on the magazine scene with a cover illustration of a dandy drawn by art editor Rea Irvin, a character later christened Eustace Tilley. Almost a century later, Tilley still graces the cover of The New Yorker at least once a year on the magazine’s anniversary. Other weeks, they commission artists to illustrate timely political topics and evergreen moods.

The magazine has run more than 4600 covers in its 92 years of near-weekly issues (it’s currently published 47 times a year), all of which you can explore by color, thanks to designer Nicholas Rougeux (who has previously visualized sentences and punctuation in classic literature).

Using an algorithm, Rougeux analyzed the top five colors represented in every cover illustration and created a color palette for that issue. Then, he mapped out a palette for every single cover, creating a timeline of New Yorker design. It allows you to see what colors have dominated particular years and decades. If you scroll over the individual palettes, you can see the full image of that week’s cover.

Rougeux found some trends in the colors that have repeatedly graced the magazine’s cover. “Limited and muted palettes were used the 1920s," he writes on his site, while "possibly due to printing limitations, darker greens were more common in the 1940s, lighter palettes were used in the 1970s and 1980s, louder contrasting palettes were popular in the 1990s and more well-rounded palettes started being used since the 2000s.”

You can explore the color timeline for yourself here.

All images courtesy Nicholas Rougeux

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Arend Kuester, Flickr // CC BY-NC-ND 2.0
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architecture
Qatar National Library's Panorama-Style Bookshelves Offer Guests Stunning Views
Arend Kuester, Flickr // CC BY-NC-ND 2.0
Arend Kuester, Flickr // CC BY-NC-ND 2.0

The newly opened Qatar National Library in the capital city of Doha contains more than 1 million books, some of which date back to the 15th century. Co.Design reports that the Office for Metropolitan Architecture (OMA) designed the building so that the texts under its roof are the star attraction.

When guests walk into the library, they're given an eyeful of its collections. The shelves are arranged stadium-style, making it easy to appreciate the sheer number of volumes in the institution's inventory from any spot in the room. Not only is the design photogenic, it's also practical: The shelves, which were built from the same white marble as the floors, are integrated into the building's infrastructure, providing artificial lighting, ventilation, and a book-return system to visitors. The multi-leveled arrangement also gives guests more space to read, browse, and socialize.

"With Qatar National Library, we wanted to express the vitality of the book by creating a design that brings study, research, collaboration, and interaction within the collection itself," OMA writes on its website. "The library is conceived as a single room which houses both people and books."

While most books are on full display, OMA chose a different route for the institution's Heritage Library, which contains many rare, centuries-old texts on Arab-Islamic history. This collection is housed in a sunken space 20 feet below ground level, with beige stone features that stand out from the white marble used elsewhere. Guests need to use a separate entrance to access it, but they can look down at the collection from the ground floor above.

If Qatar is too far of a trip, there are plenty of libraries in the U.S. that are worth a visit. Check out these panoramas of the most stunning examples.

Qatar library.

Qatar library.

Qatar library.

[h/t Co.Design]

All images: Arend Kuester, Flickr // CC BY-NC-ND 2.0

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After Four Months, a Frank Lloyd Wright House in Glencoe, Illinois Goes Back on the Market

Most architecture nerds would be thrilled to live in an original Frank Lloyd Wright house, and occasionally, they get their chance—as long as they’re willing to pay a few million dollars. As of late 2017, there were Frank Lloyd Wright homes for sale in New York, Minnesota, Ohio, Connecticut, and elsewhere for $1 million dollars or more (in some cases, way more). Sometimes, you can find a deal, though, like the $445,000 Usonian home that went on the market in Michigan in 2016.

Sadly, as Curbed reports, a newly for-sale Wright house in Glencoe, Illinois is not such a deal anymore. Only three months after its $752,000 sale, the 1914 Kier House in suburban Chicago has been renovated and is back on the market for $837,500.

Many Wright homes need a little love after decades of use. For one thing, the architect is somewhat notorious for building leaky roofs. Their small kitchens and shag carpeting are no longer quite so desirable, either.

But for many buyers and architects, restoring a Wright home is a labor of love, one that often takes several years and aims to respect the original designer’s genius while bringing the house up to modern standards. (For some of the historic homes, permanent easements also prohibit most exterior alterations, further limiting what a remodel can involve.)

The Prairie School-style house, though it has Honorary Landmark status, isn’t entirely original to Wright. It has a more modern kitchen, a new family room, and updated bathrooms (with a steam shower!). Previous owner Susan Cowen, who owned the house for a number of years and spent an undisclosed amount on refurbishing it, sold the residence in January to a pair of documentary filmmakers, according to Patch. The sale, which included a significant price drop, only took a few months. They, in turn, made a number of improvements. The owners fixed up the chimneys, boiler, and furnace, added a limestone bar separating the kitchen and dining room, and raised part of the ceiling above the stairs.

Now, four months later, it’s on sale again, and, thanks to the upgrades, a little pricier. The latest sellers may find, though, that not every Wright sale goes as quickly as their purchase. The architect’s homes are highly prized, but also known to be very difficult to sell, sometimes languishing on the market for years before finding a buyer.

[h/t Curbed]

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