Syndrome K: The Fake Disease That Fooled the Nazis and Saved Lives

As thousands of Jews in Nazi-occupied Italy were being sent to concentration camps in the fall of 1943, a group of dissident doctors figured out a way to save dozens of lives: Fabricate a disease so contagious and so deadly that Nazi soldiers would be too scared to even be in the same room as anyone infected by it.

Though their actions wouldn't be revealed until 60 years later, the ruse began on October 16, 1943, when Nazis raided a Jewish ghetto near Rome's Tiber River. As Jews were being rounded up, the doctors hid a number of runaways inside the walls of the nearby Fatebenefratelli Hospital. It was then that the doctors, including Vittorio Sacerdoti and a surgeon named Giovanni Borromeo, came up with a plan to diagnose the refugees with a fictitious disease. They called it Syndrome K.

To pull it off just right, the Nazis had to believe these patients had a lethal disease that could infect anyone who came into contact with them. In the cramped quarters of deportation trains, one sick passenger could infect everyone on board—soldiers included.

The name Syndrome K came from Dr. Adriano Ossicini, an anti-Fascist physician working at the hospital who knew they needed a way for the staff to differentiate which people were actually patients and which were Jews in hiding. Inventing a fake disease cut out all the confusion—when a doctor came in with a "Syndrome K" patient, everyone working there knew which steps to take. “Syndrome K was put on patient papers to indicate that the sick person wasn’t sick at all, but Jewish,” Ossicini told Italian newspaper La Stampa in 2016. “We created those papers for Jewish people as if they were ordinary patients, and in the moment when we had to say what disease they suffered? It was Syndrome K, meaning ‘I am admitting a Jew,’ as if he or she were ill, but they were all healthy ... The idea to call it Syndrome K, like Kesselring or Kappler, was mine.”

The "Kesselring" Ossicini was referring to was Albert Kesselring, the Nazi commander who, among other things, was in charge of Hitler's Italian occupation; meanwhile, Herbert Kappler was the SS chief responsible for a mass reprisal killing in 1944. Naming a deadly contagion after two ruthless Nazi commanders must have felt fitting for Ossicini and the other doctors at the hospital.

Syndrome K wasn't just a pet name to distinguish actual patients from Jews in hiding; the doctors had to find ways to make the disease seem real when Nazi troops combed the hospital for people to round up. To do so, the doctors would have special rooms filled with "victims" of Syndrome K (also called "K" Syndrome), which they warned the soldiers was a highly contagious, disfiguring, and deadly disease.

The Nazi troops, scared of contracting the mysterious ailment, wouldn't even bother to inspect the people in the rooms when they raided the hospital. There were also children to worry about, so the doctors coached them on how to cough violently enough to ward off any inspections that a curious soldier may want to conduct.

"[The] Nazis thought it was cancer or tuberculosis, and they fled like rabbits," Dr. Sacerdoti told the BBC in 2004. Syndrome K hit close to home for Sacerdoti, who used the disease to save his 10-year-old cousin, Luciana Sacerdoti.

When, more than a half-century later, the doctors' fabrication was finally revealed, they became recognized for their life-saving actions. Borromeo was recognized as “Righteous Among the Nations" by Yad Vashem, a World Holocaust Remembrance Center. He was also integral in orchestrating the transfer of many Jewish patients from hospitals in the ghettos to Fatebenefratelli in order to get them better treatment in a safer environment before the raids began.

The hospital itself was even recognized as a "House of Life" by the International Raoul Wallenberg Foundation, which advocates on behalf of Holocaust saviors. In the years leading up to the raids, the hospital had become known as a haven for persecuted Jews. The hospital administration at the time, including Borromeo, allowed doctors like Sacerdoti—a Jew who had been fired from previous jobs because of his religion—to work under false documents.

The actual number of people saved by the doctors at Fatebenefratelli was probably around a couple dozen. No matter the final tally, though, the quick thinking and ingenuity of doctors like Sacerdoti, Borromeo, and Ossicini were a glimmer of hope during a time when happy endings were in short supply.

9 Facial Reconstructions of Famous Historical Figures

A facial reconstruction of King Richard III unveiled by the Richard III Society in 2013
A facial reconstruction of King Richard III unveiled by the Richard III Society in 2013
Dan Kitwood/Getty Images

Why look at a painting of a historical figure when you can come face to face with one? Forensic facial reconstruction using scans of skeletal remains allows researchers to create 3D models of the face through a combination of science, history, and artistic interpretation. The results may be somewhat subjective, but they’re fascinating anyway. Here are nine facial reconstructions of famous people.

1. Richard III

In 2012, King Richard III’s skeleton was found below a parking lot in Leicester, England, where in 1485 he was hurriedly buried after dying in battle. A reconstruction (above) shows a young man, only 32 years old, with a gentle, approachable face. It’s a far cry from the child-murdering villain portrayed by Shakespeare and other writers. One thing they said does seem accurate, however: The skeleton had a curved spine from scoliosis, suggesting that Richard’s humpback may have been real.

2. Bach

J.S. Bach’s bust has sat on innumerable pianos for centuries, but he only posed for one portrait in his lifetime. So this reconstruction of his face—which was taken from a bronze cast of his skull—offers an interesting glimpse into the man beneath the 18th century wig. You get the same thick neck, underbite, and stern brow you see in the painting, but the reconstruction’s friendly, confused stare lacks the soul of the real man … and his music, for that matter.

3. Shakespeare

Apparently, no one knows anything about Shakespeare for sure—his hair color, his sexual orientation, how he spelled his name, whether he liked his wife, etc. Some people aren’t even sure whether he wrote his plays or not. So this rendering, taken from a death mask found in Germany, is bound to be controversial. But if it is Shakespeare, it’s pretty intriguing. It shows a man who suffered from cancer and had a sad, soulful face.

4. Dante

Maybe it’s because The Divine Comedy dealt with the ugliness of sin that Dante Alighieri is usually depicted as unattractive, with a pointy chin, buggy eyes, and enormous hooked nose. But a reconstruction done from measurements of the skull taken in 1921—the only time the remains have been out of the crypt—reveals a much more attractive Dante. The face has a rounder chin, pleasant eyes, and smaller nose than previously thought. It’s a face with character.

5. King Henri IV

The mummified head of France’s King Henri IV was lost after the French Revolution until a few years ago, when it showed up in a tax collector’s attic. In his day, Henri was beloved by everyone except the Catholic fundamentalists who murdered him in 1610. The hard-living king looks a bit old for his 56 years, but there’s a twinkle in his eyes. What the model cannot show, however, was how much the king stank—apparently he smelled of ”garlic, feet and armpits.”

6. Cleopatra’s Sister

Cleopatra hated her half-sister Arsinoe IV so much she had her dragged out of the temple of Artemis and murdered. In 2013, researchers said they had discovered what may be Arisone’s body, based on the shape of the tomb, carbon dating, and other factors. The resulting facial reconstruction shows a petite teenager of European and African blood. And yeah, maybe this is closer to what Arsinoe would look like if she were trapped in The Sims, but since Cleopatra’s remains are long gone, this may be the closest we get to knowing what she looked like.

7. King Tut

King Tutankhamun, whose famous sarcophagus has traveled far more than the “boy king” did in his 19-year lifetime, had buckteeth, a receding chin, and a slim nose, according to 3D renderings of his mummy. His weird skull shape is just within range of normal and was probably genetic—his father, Akhenaten, had a similarly shaped head. Tut’s body also had a broken leg, indicating he may have died from falling off a horse or chariot.

8. Copernicus

Nicolaus Copernicus, who challenged the belief that the sun revolved around the earth, died in 1543 at age 70. When his body was found in 2006 in a Polish church and confirmed by matching DNA to strands of his hair left in a book, the Polish police used their forensic laboratory to make this portrait. They made sure to include Copernicus’s broken nose and the scar above his left eye. Who knew that the Father of Astronomy looked so much like the actor James Cromwell?

9. Santa Claus

The remains of St. Nicholas, i.e. Santa Claus, have been in a church in Bari, Italy, since they were stolen from Turkey in 1087. This reproduction, taken from measurements of his skull, reveal that St. Nicholas had a small body—he was only 5’6”—and a huge, masculine head, with a square jaw and strong muscles in the neck. He also had a broken nose, like someone had beaten him up. This is consistent with accounts of St. Nicholas from the time: It turns out that Santa Claus had quite a temper.

A version of this list was first published in 2013.

Fabric Allegedly From Queen Elizabeth I’s Only Surviving Piece of Clothing Is Going on Display

© Historic Royal Palaces Courtesy of St. Faith's Church, Bacton
© Historic Royal Palaces Courtesy of St. Faith's Church, Bacton

When Eleri Lynn, curator of historic dress at Historic Royal Palaces, first laid eyes on the Bacton altar cloth, she had a feeling that it wasn’t your typical 16th-century altar cloth. She had come across it online while researching Welsh connections to the Tudor court, and decided to pay a visit to St. Faith’s Church in Bacton, Herefordshire, England, to see it in person.

“I knew immediately that it was something special,” she told The Telegraph. “As I examined it, I felt as though I had found the Holy Grail, the Mona Lisa of fashion.” After a year’s worth of careful analysis, experts believe it was originally part of a dress that Queen Elizabeth I wore in the Rainbow Portrait of 1602. That makes it the only known surviving piece of clothing worn by the Virgin Queen.

Elizabeth I Rainbow Portrait
Isaac Oliver, Wikimedia Commons // Public Domain

The cloth and Elizabeth I’s dress are both embroidered with roses, daffodils, and other flowers. The altar cloth shows animals like butterflies, frogs, squirrels, and bears, which Lynn thinks were added after the Rainbow Portrait was painted. Lynn also noticed that the altar cloth contains strands of gold and silver, which only the royal family could wear during Elizabeth I’s reign due to strict sumptuary laws.

Bacton altar cloth from Elizabeth I's dress
© Historic Royal Palaces Courtesy of St. Faith's Church, Bacton

Close-up on Bacton altar cloth from Elizabeth I's dress
© Historic Royal Palaces Courtesy of St. Faith's Church, Bacton

Since royal attire was so extravagant, it was often handed down to the next generation or reincarnated as upholstery. And, according to a statement from Hampton Royal Palaces, Elizabeth I sometimes gave her hand-me-downs to Blanche Parry, her Chief Gentlewoman of the Bedchamber and the woman who had nursed her from infancy. Parry, as it so happens, belonged to St. Faith’s Church. Lynn and her fellow historians posit that Elizabeth I may have even sent this particular fabric to St. Faith’s in memory of her companion.

While recycling or reusing clothing was sustainable, it has made it difficult for Lynn and her contemporaries to track down fashion relics from the Tudor dynasty. In addition to that, Lynn told The Telegraph, “Oliver Cromwell sold off every item of clothing in the royal stores, so the only things we have, including a hat which might have been worn by Henry VIII, have come back to Hampton Court after they have survived elsewhere.”

St. Faith’s has loaned the cloth to Historic Royal Palaces, the charity that oversees Hampton Court Palace, where you can see it on display along with the Rainbow Portrait and other Tudor artifacts from October 12, 2019, to February 23, 2020.

[h/t The Telegraph]

SECTIONS

arrow
LIVE SMARTER