Syndrome K: The Fake Disease That Fooled the Nazis and Saved Lives

As thousands of Jews in Nazi-occupied Italy were being sent to concentration camps in the fall of 1943, a group of dissident doctors figured out a way to save dozens of lives: Fabricate a disease so contagious and so deadly that Nazi soldiers would be too scared to even be in the same room as anyone infected by it.

Though their actions wouldn't be revealed until 60 years later, the ruse began on October 16, 1943, when Nazis raided a Jewish ghetto near Rome's Tiber River. As Jews were being rounded up, the doctors hid a number of runaways inside the walls of the nearby Fatebenefratelli Hospital. It was then that the doctors, including Vittorio Sacerdoti and a surgeon named Giovanni Borromeo, came up with a plan to diagnose the refugees with a fictitious disease. They called it Syndrome K.

To pull it off just right, the Nazis had to believe these patients had a lethal disease that could infect anyone who came into contact with them. In the cramped quarters of deportation trains, one sick passenger could infect everyone on board—soldiers included.

The name Syndrome K came from Dr. Adriano Ossicini, an anti-Fascist physician working at the hospital who knew they needed a way for the staff to differentiate which people were actually patients and which were Jews in hiding. Inventing a fake disease cut out all the confusion—when a doctor came in with a "Syndrome K" patient, everyone working there knew which steps to take. “Syndrome K was put on patient papers to indicate that the sick person wasn’t sick at all, but Jewish,” Ossicini told Italian newspaper La Stampa in 2016. “We created those papers for Jewish people as if they were ordinary patients, and in the moment when we had to say what disease they suffered? It was Syndrome K, meaning ‘I am admitting a Jew,’ as if he or she were ill, but they were all healthy ... The idea to call it Syndrome K, like Kesselring or Kappler, was mine.”

The "Kesselring" Ossicini was referring to was Albert Kesselring, the Nazi commander who, among other things, was in charge of Hitler's Italian occupation; meanwhile, Herbert Kappler was the SS chief responsible for a mass reprisal killing in 1944. Naming a deadly contagion after two ruthless Nazi commanders must have felt fitting for Ossicini and the other doctors at the hospital.

Syndrome K wasn't just a pet name to distinguish actual patients from Jews in hiding; the doctors had to find ways to make the disease seem real when Nazi troops combed the hospital for people to round up. To do so, the doctors would have special rooms filled with "victims" of Syndrome K (also called "K" Syndrome), which they warned the soldiers was a highly contagious, disfiguring, and deadly disease.

The Nazi troops, scared of contracting the mysterious ailment, wouldn't even bother to inspect the people in the rooms when they raided the hospital. There were also children to worry about, so the doctors coached them on how to cough violently enough to ward off any inspections that a curious soldier may want to conduct.

"[The] Nazis thought it was cancer or tuberculosis, and they fled like rabbits," Dr. Sacerdoti told the BBC in 2004. Syndrome K hit close to home for Sacerdoti, who used the disease to save his 10-year-old cousin, Luciana Sacerdoti.

When, more than a half-century later, the doctors' fabrication was finally revealed, they became recognized for their life-saving actions. Borromeo was recognized as “Righteous Among the Nations" by Yad Vashem, a World Holocaust Remembrance Center. He was also integral in orchestrating the transfer of many Jewish patients from hospitals in the ghettos to Fatebenefratelli in order to get them better treatment in a safer environment before the raids began.

The hospital itself was even recognized as a "House of Life" by the International Raoul Wallenberg Foundation, which advocates on behalf of Holocaust saviors. In the years leading up to the raids, the hospital had become known as a haven for persecuted Jews. The hospital administration at the time, including Borromeo, allowed doctors like Sacerdoti—a Jew who had been fired from previous jobs because of his religion—to work under false documents.

The actual number of people saved by the doctors at Fatebenefratelli was probably around a couple dozen. No matter the final tally, though, the quick thinking and ingenuity of doctors like Sacerdoti, Borromeo, and Ossicini were a glimmer of hope during a time when happy endings were in short supply.

10 Fast Facts About Jimi Hendrix

AFP/Getty Images
AFP/Getty Images

Though he’s widely considered one of the most iconic musicians of the 20th century, Jimi Hendrix passed away as his career was really just getting started. Still, he managed to accomplish a lot in the approximately four years he spent in the spotlight, and leave this world a legend when he died on September 18, 1970, at the age of 27. Here are 10 things you might not have known about the musical legend.

1. Jimi Hendrix didn't become "Jimi" until 1966.

Jimi Hendrix was born in Seattle on November 27, 1942 as John Allen Hendrix. He was initially raised by his mother while his father, James “Al” Hendrix, was in Europe fighting in World War II. When Al returned to the United States in 1945, he collected his son and renamed him James Marshall Hendrix.

In 1966, Chas Chandler—the bassist for The Animals, who would go on to become Jimi’s manager—saw the musician playing at Cafe Wha? in New York City. "This guy didn't seem anything special, then all of a sudden he started playing with his teeth," roadie James "Tappy" Wright, who was there, told the BBC in 2016. "People were saying, 'What the hell?' and Chas thought, 'I could do something with this kid.’”

Though Hendrix was performing as Jimmy James at the time, it was Chandler who suggested he use the name “Jimi.”

2. Muddy Waters turned Jimi Hendrix on to the guitar—and scared the hell out of him.

When asked about the guitarists who inspired him, Hendrix cited Buddy Holly, Eddie Cochran, Elmore James, and B.B. King. But Muddy Waters was the first musician who truly made him aware of the instrument. “The first guitarist I was aware of was Muddy Waters,” Hendrix said. “I heard one of his old records when I was a little boy and it scared me to death because I heard all these sounds.”

3. Jimi Hendrix could not read music.


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In 1969, Dick Cavett asked the musician whether he could read music: “No, not at all,” the self-taught musician replied. He learned to play by ear and would often use words or colors to express what he wanted to communicate. “[S]ome feelings make you think of different colors,” he said in an interview with Crawdaddy! magazine. “Jealousy is purple—‘I'm purple with rage’ or purple with anger—and green is envy, and all this.”

4. Jimi Hendrix used his dreams as inspiration for his songwriting.

Hendrix drew inspiration for his music from a lot of places, including his dreams. “I dreamt a lot and I put a lot of my dreams down as songs,” he explained in a 1967 interview with New Musical Express. “I wrote one called ‘First Look’ and another called ‘The Purple Haze,’ which was all about a dream I had that I was walking under the sea.” (In another interview, he said the idea for “Purple Haze” came to him in a dream after reading a sci-fi novel, believed to be Philip José Farmer’s Night of Light.)

5. "Purple Haze" features one of music's most famous mondegreens.

In the same interview with New Musical Express, it's noted that the “Purple Haze” lyric “‘scuse me while I kiss the sky” was in reference to a drowning man Hendrix saw in his dream. Which makes the fact that many fans often mishear the line as “‘Scuse me, while I kiss this guy” even more appropriate. It was such a common mistake that Hendrix himself was known to have some fun with it, often singing the incorrect lyrics on stage—occasionally even accompanied by a mock make-out session. There’s even a Website, KissThisGuy.com, dedicated to collecting user-generated stories of misheard lyrics.

6. Jimi Hendrix played his guitar upside-down.

Ever the showman, Hendrix’s many guitar-playing quirks became part of his legend: In addition to playing with his teeth, behind his back, or without touching the instrument’s strings, he also played his guitar upside-down—though there was a very simple reason for that. He was left-handed. (His father tried to get him to play right-handed, as he considered left-handed playing a sign of the devil.)

7. Jimi Hendrix played backup for a number of big names.

Though Hendrix’s name would eventually eclipse most of those he played with in his early days, he played backup guitar for a number of big names under the name Jimmy James, including Sam Cooke, Little Richard, Wilson Pickett, Ike and Tina Turner, and The Isley Brothers.

In addition to the aforementioned musical legends, Hendrix also helped actress Jayne Mansfield in her musical career. In 1965, he played lead and bass guitar on “Suey,” the B-side to her single “As The Clouds Drift By.”

8. Jimi Hendrix was once kidnapped after a show.

Though the details surrounding Hendrix’s kidnapping are a bit sketchy, in Room Full of Mirrors: A Biography of Jimi Hendrix, Charles R. Cross wrote about how the musician was kidnapped following a show at The Salvation, a club in Greenwich Village:

“He left with a stranger to score cocaine, but was instead held hostage at an apartment in Manhattan. The kidnappers demanded that [Hendrix’s manager] Michael Jeffrey turn over Jimi’s contract in exchange for his release. Rather than agree to the ransom demand, Jeffrey hired his own goons to search out the extorters. Mysteriously, Jeffrey’s thugs found Jimi two days later … unharmed.

“It was such a strange incident that Noel Redding suspected that Jeffrey had arranged the kidnapping to discourage Hendrix from seeking other managers; others … argued the kidnapping was authentic.”

9. Jimi Hendrix opened for The Monkees.

Though it’s funny to imagine such a pairing today, Hendrix warming up The Monkees’s crowd of teenybopper fans actually made sense for both acts back in 1967. For the band, having a serious talent like Hendrix open for them would help lend them some credibility among serious music fans and critics. Though Hendrix thought The Monkees’s music was “dishwater,” he wasn’t well known in America and his manager convinced him that partnering with the band would help raise his profile. One thing they didn’t take into account: the young girls who were in the midst of Monkeemania.

The Monkees’s tween fans were confused by Hendrix’s overtly sexual stage antics. On July 16, 1967, after playing just eight of their 29 scheduled tour dates, Hendrix flipped off an audience in Queens, New York, threw down his guitar, and walked off the stage.

10. You can visit Jimi Hendrix's London apartment.

In 2016, the London flat where Hendrix really began his career was restored to what it would have looked like when Jimi lived there from 1968 to 1969 and reopened as a museum. The living room that doubled as his bedroom is decked out in bohemian décor, and a pack of Benson & Hedges cigarettes sits on the bedside table. There’s also space dedicated to his record collection.

Amazingly, the same apartment building—which is located in the city’s Mayfair neighborhood—was also home to George Handel from 1723 until his death in 1759; the rest of the building serves as a museum to the famed composer’s life and work.

Annotations in Copy of Shakespeare's First Folio May Have Been John Milton's

GeorgiosArt/iStock via Getty Images
GeorgiosArt/iStock via Getty Images

It's a well-known literary fact that William Shakespeare had an enormous influence on "Paradise Lost" poet John Milton, and new evidence suggests that super fan Milton—who even wrote a poem called "On Shakespeare"—might have owned his idol's first folio.

The folio, which contains 36 of Shakespeare’s plays, was published in 1623—seven years after the Bard’s death. An estimated 750 first folios were printed, with only 233 of them known to have survived, including one with annotations written throughout it. As it turns out, those scribbles might be Milton's.

According to The Guardian, Cambridge University fellow Jason Scott-Warren believes that Milton wrote those important annotations. Scott-Warren read an article about an anonymous annotator written by Pennsylvania State University English professor Claire Bourne. The Folio copy in question has been stored in the Free Library of Philadelphia since 1944, and Bourne was able to date the annotator back to the mid-1600s. (Milton died in 1674.) It was Scott-Warren who noticed that the handwritten notes looked similar to Milton’s handwriting.

"It shows you the firsthand encounter between two great writers, which you don’t often get to see, especially in this period,” Scott-Warren told The Guardian. “A lot of that kind of evidence is lost, so that’s really exciting.”

If the writing does indeed belong to Milton, it’s not the first time the poet has left notes on another writer's work; he supposedly marked up his copy of Giovanni Boccaccio’s Life of Dante as well. Scott-Warren and Bourne plan to pair up to find out if Milton left annotations on any other notable works.

"It was, until a few days ago, simply too much to hope that Milton’s own copy of Shakespeare might have survived—and yet the evidence here so far is persuasive,” Dr. Will Poole, a fellow and tutor at Oxford's New College said. "This may be one of the most important literary discoveries of modern times."

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