Samsung will soon debut its latest flagship smartphone, the Galaxy S8—and with it, a digital assistant named Bixby, CNET reports. Bixby is the latest smart assistant to join the ranks of Apple’s Siri, Microsoft’s Cortana, Google Assistant, and Amazon’s Alexa, as major tech companies continue to invest in artificial intelligence.
Galaxy S8 owners will communicate with Bixby by pressing a side button on the phone or by saying a word to wake it up. But instead of answering direct questions or commands, Siri-style, Bixby will allow users to voice-control the phone's apps (although it will be able to perform query searches). Typically, digital assistants try to execute a task from start to finish (and they often get confused midway). While using Bixby, users can jump in and take the wheel by switching between voice and touch commands seamlessly. As for voice orders, Bixby is designed to understand incomplete phrases—but if it needs help, the personal assistant will prompt users for more information before going ahead.
Samsung has big plans for Bixby, and smartphones are just the beginning, the company explained in a blog post. “Bixby will be gradually applied to all our appliances. In the future you would be able to control your air conditioner or TV through Bixby,” Injong Rhee, Samsung's executive vice president, head of R&D, software and services, wrote. "As the Bixby ecosystem grows, we believe Bixby will evolve from a smartphone interface to an interface for your life.”
Samsung will officially introduce the Galaxy S8—and Bixby—on March 29. Initially, Bixby will be limited to just English and Korean, but other languages (like Chinese and Spanish) might be added in the near future.
Our bodies are remarkable things. All day long, they keep our hearts pumping and our lungs filling with air. They do all this without any instruction from us. But they do other things, too—things we don’t even realize we’re doing. Take, for example, a new study published in Nature Scientific Reports that finds people subconsciously tilt their head toward their dominant side when leaning in for a kiss.
We call this dominance right- or left-handedness, but it actually runs through our entire body, including the direction we automatically turn our heads. For most people, that means looking to the right.
"Head turning is one of the earliest biases seen in development," lead author Rezaul Karim of the University of Dhaka said in a statement. "Even in the womb, a preference for turning the head to the right is observable before that of favoring the right hand or foot. Whether this fundamental bias is innate and extends into adulthood is a lingering question for neuroscience and psychology."
One way to find out is by watching people kiss. Numerous experiments have been conducted to determine which way people tilt their heads, and they have concluded that we lean to our dominant side. But those experiments all took place in Western countries, and they were either conducted in public places like airports or in a lab—hardly places where participants might feel at home.
To test the premise in a more comfortable setting, Karim and his colleagues recruited 51 married couples in Bangladesh and invited them to start keeping track of their kisses in the privacy of their homes. Each participant received two questionnaires: one to determine their dominant side and another to record their head-tilt tendencies during kissing.
The results looked quite similar to those of earlier studies elsewhere in the world. When initiating a kiss, most people leaned right, but lefties turned left.
Things looked slightly different on the receiving end of a smooch. Regardless of their dominant hand, kiss-ees were most likely to tilt their heads in the opposite direction as their partners’, because, as we all know (and the questionnaires confirmed), it feels weird to go the other way.
Commonsense though they may seem, these findings do still need to be validated with more research. The in-home kissing experiment was one very small study among one very specific group of people, many of whom were friends of the researchers.
But co-author Michael Proulx of the University of Bath in the UK said the private nature of the experiment allowed participants to act naturally, and that the results of this natural behavior have "…implications for all people. Prior works could not rule out cultural learning due to having Western samples," he said. "It turns out, we as humans are similar even if our social values differ."
In “Smoke Gets In Your Eyes,” Mad Men’s pilot episode, Don Draper drops a hard truth on client/love interest (who isn’t his wife) Rachel Menken when he tells her that he’s “living like there’s no tomorrow, because there isn’t one.” Amazingly, that was 10 years ago. As fans of Matthew Weiner’s acclaimed advertising drama celebrate the beloved series' 10th anniversary, we’ve gathered up 20 facts you might not have known about Mad Men.
1. DON DRAPER OWES A DEBT OF GRATITUDE TO TED DANSON.
Matthew Weiner dreamed up the idea for Mad Menwhile working as a writer on the Ted Danson sitcom Becker. He wrote the pilot in 1999.
2. THE MAD MEN PILOT GOT WEINER HIS JOB ON THE SOPRANOS.
In 2002, Weiner sent the Mad Men pilot to David Chase, creator of The Sopranos, as a writing sample. In 2012, The New York Timesasked Chase how Weiner came to his attention. “We were looking for writers, as we always were, and he was submitted,” Chase recalled. “He told me later that he insisted that he be submitted—his agents didn’t want to do it. And what was submitted to me was the pilot for Mad Men. And it was quite good, and I met with him and he was hired. And then two or three years later, he took that pilot and apparently got somewhere with it.”
3. HBO PASSED ON MAD MEN—AND IT’S ALL DAVID CHASE’S FAULT.
Before AMC signed on to broadcast Mad Men, Weiner spent some time shopping the script around. Considering its dark content, HBO seemed like the perfect fit. David Chase thought so, too, and delivered the script for the Mad Menpilot to the network's executives himself. Though HBO has never made any official comment about passing on the series, according to a 2009 story in Vanity Fair, both Chase and Weiner told the writer that “HBO indicated it would make Mad Men on the condition that Chase be an executive producer, and Chase said he had further discussion with Weiner about directing the pilot, but despite being ‘very tempted’ by directing, he said no to both propositions, wanting to move away from weekly television.”
4. DON DRAPER IS BASED ON A REAL PERSON.
At least parts of Don Draper are based on a real person: Draper Daniels, the legendary Chicago ad man who, while creative head at Leo Burnett, invented the Marlboro Man. In 2009, Daniels’ wife even penned a piece for Chicago Magazine about the real-life Don Draper, noting that Weiner “acknowledged that he based his protagonist Don Draper in part on Draper Daniels, whom he called ‘one of the great copy guys.’”
5. THE PILOT WAS SHOT WHILE THE SOPRANOS WAS ON HIATUS.
Because The Sopranos’s final season was shot in two parts, Weiner took advantage of the hiatus he had to shoot the pilot episode of Mad Men. He was able to recruit several of his collaborators on The Sopranos to help. “Matt asked Alan Taylor to direct while all his buddies on TheSopranos were on hiatus,” Rob Sorcher, AMC’s former executive VP of programming and production, told TV Insider. “They shot the pilot in 10 days in Queens.”
6. THE PILOT IS THE ONLY EPISODE THAT SHOT IN NEW YORK CITY.
Though Mad Men is largely a New York story, all but one episode—the pilot—were shot in Los Angeles.
7. THE FIRST AND SECOND EPISODES WERE SHOT ONE YEAR APART.
In TV Insider’s oral history of the series, Weiner said that nearly a year elapsed between shooting the pilot for Mad Menand its second episode. “There’s seven years between when I first wrote the pilot, and then writing the second episode,” Weiner explained. “A lot about my vision changed in terms of how the storytelling would be done. Ultimately it was done very much in the pilot the way we continued to do it. But I didn’t know if it was just going to be a premise, or if we were going to be able to do something like that every week.”
8. ROGER STERLING WANTED TO BE DON DRAPER.
John Slattery, who played Roger Sterling, originally auditioned for the role of Don Draper. When asked by ShortList.com whether he secretly hated Jon Hamm for getting the part, Slattery laughed that, “[Hamm] says I did, and not even secretly, but … no, I didn’t hate him, deep down. The thing is, it was apparent from the beginning how annoyingly good he was in that role. I don’t think people appreciate how difficult it is to play something as subtle as he does. Trying to communicate so much from a guy who keeps his cards so close to his chest is almost an impossibility.”
9. BETTY DRAPER WANTED TO BE PEGGY OLSON.
January Jones auditioned not once but twice for the role of Peggy Olson, which eventually went to Elisabeth Moss. But Weiner had another part in mind for Jones, even if he hadn’t really written it yet. “I came in for Peggy twice,” Jones told The Hollywood Reporter. “Matt said, ‘Well, there’s another role, but I don’t really know what’s going to happen with her.’ He didn’t have any scenes for me, so he quickly wrote a couple.”
10. WEINER WAS ALLOWED THREE “SH*TS” PER SHOW.
In 2011, Weiner participated in a wide-ranging Q&A with Curb Your Enthusiasm star Jeff Garlin in Los Angeles. When asked about how Mad Menmight have been different had it sold to HBO, Weiner replied that “Mad Men is TV-14, not even TV-MA. I’m allowed three 'sh*ts' a show. I can say ‘Jesus,’ I can say ‘Christ,’ but I can’t say ‘Jesus Christ’ unless he’s actually there.”
11. MAD MEN BOOSTED LUCKY STRIKE'S SALES.
The old-school cigarette brand, which played a recurring role on the show since its very beginning, benefited from its association with Mad Men: The company nearly doubled its sales during the show's run (selling an additional 10 billion cigarettes).
12. WEINER’S WIFE CONTRIBUTED SOME MAJOR PLOT POINTS.
“My wife, Linda Brettler, is a big contributor to the show,” Weiner told Fresh Air. “She reads the scripts and so forth and really weighs in on things. And later and later in the process each year, actually, it’s gotten more helpful for her to see, like, what I’m trying to do and then weigh in on it.” Weiner points to a very specific example of this, with season five’s “Lady Lazarus” episode: “It’s the [episode] where Megan quits, where Megan rejects Don’s way of life, and Don doesn’t even know how painful it’s going to be … [My wife] pitched this idea that he opens it and sees that elevator is not there. And to me, yes, it is really physical danger—'I almost dodged a bullet.' But what it was really about to me is, how do I convey to the audience that this man—because we’ve seen him react to things: he’s going to drink, he’s going to go and bang some stranger, he’s going to medicate in whatever way he does—how do we express the deep feelings of loss that he has as he says goodbye to his wife, to his idealized version of his romantic relationship?”
13. WEINER PAID $250,000 TO USE A BEATLES SONG.
Weiner paid big bucks to close out that “Lady Lazarus” episode, spending $250,000 to license the rights to The Beatles’s “Tomorrow Never Knows”—which was a small price to pay for authenticity. “It was always my feeling that the show lacked a certain authenticity because we never could have an actual master recording of The Beatles performing,” Weiner toldThe New York Times. “Not just someone singing their song or a version of their song, but them, doing a song in the show. It always felt to me like a flaw. Because they are the band, probably, of the 20th century.”
14. JESSICA PARÉ SCORED A HIT WITH HER RENDITION OF “ZOU BISOU BISOU."
Jessica Paré, as the new Mrs. Draper, stole the season five premiere when she serenaded Don with her sexy take on “Zou Bisou Bisou.” It didn’t take long for her performance to transcend television and take over the music world, eventually becoming the number one song on Billboard’s World Digital chart
15. PETE CAMPBELL AND STAN RIZZO WERE TEEN IDOLS IN THE 1990S.
Both Vincent Kartheiser and Jay Ferguson—who played Pete Campbell and Stan Rizzo, respectively—got a taste of what it feels like to be a teen idol back in the 1990s. Kartheiser’s career kicked off in 1993 with a small role in the Christian Slater film Untamed Heart; bigger parts in Little Big League, The Indian in the Cupboard, and Alaska followed. Ferguson’s fame came when he was cast as Ponyboy Curtis in the 1990 TV adaptation of The Outsiders.
16. FREDDY RUMSEN IS BILL MURRAY’S BROTHER.
Booze-swilling ad man Freddy Rumsen is played by Joel Murray, brother of Bill Murray.
17. NO, THE ACTORS DIDN'T SMOKE REAL CIGARETTES.
“You don’t want actors smoking real cigarettes,” Weiner toldThe New York Times. “They get agitated and nervous. I’ve been on sets where people throw up, they’ve smoked so much.” Instead, they smoke herbal cigarettes. “They’re disgusting,” Christina Hendricks toldEsquire.
18. THE WRITERS’ ROOM WAS FULL OF WOMEN.
In 2009, The Wall Street Journal went behind the scenes of Mad Menand discovered something interesting: It was a female-dominated world. At the time, seven of the show’s nine writers were female. And five of the third season’s 13 episodes were directed by women.
19. THE DRAPERS’ CREEPY NEIGHBOR GLEN IS WEINER’S SON.
Glen Bishop, the Drapers’ creepy kid neighbor who obsesses over Betty before moving on to Sally, is played by Matthew Weiner’s son, Marten. “He was cast because he was the best person available for the role,” Weiner told NPR. “I would have never thought of him if he wasn’t my son. It was actually someone else’s idea, and I was counseled against it from all the complications that could happen from him failing at that job. But he really nailed it, and he’s a really good actor.”
20. KIERNAN SHIPKA NEVER SAW THE SHOW.
Frank Ockenfels 3/AMC
In 2013, then-13-year-old Kiernan Shipka, who plays Sally Draper, told The Huffington Post that she had never actually watched an episode of Mad Men. “I’m probably allowed to watch them, but I don’t because obviously I wasn’t allowed to at the beginning,” she explained. “Now I figure it’s just best to sort of wait until the show’s over and maybe when I’m 16 or 17, I’ll binge watch them or something fun … I’ll go on Netflix or something.”