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Before there was Monopoly there was "The Landlord's Game."
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The Origins of 7 Popular Board Games

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Before there was Monopoly there was "The Landlord's Game."
Wikimedia Commons // Public Domain

Our definition of fun is constantly changing. In one century, collecting ferns may be the hobby of choice, while in the next people prefer binge-watching cat videos. But no matter what cultural trends are gripping the globe, one form of entertainment always persists.

Board games originated in ancient Egypt, and in today’s digital age they’re as popular as ever. In It's All a Game, out now, author Tristan Donovan traces the history of board games from chess to Monopoly to Settlers of Catan. We’ve pulled some of the most fascinating origin stories from the book for a look at how seven iconic games came to be.

1. MONOPOLY

Many modern players see Monopoly as a glorification of cutthroat capitalism. It was banned in communist China and the Soviet Union, and following his rise to power in Cuba, Fidel Castro accused it of being “symbolic of an imperialistic and capitalistic system.” But the game’s creator intended it to convey something much different.

Elizabeth “Lizzie” Magie was a vocal supporter of the single tax movement during the late 19th century. The proposition called for the abolishment of all taxes in favor of one tax placed on property. By relying on citizens who owned land for tax revenue, the policy would have hopefully narrowed the gap between wealthy landlords and their working-class tenants.

To make these principles as engaging as possible, Lizzie Magie turned them into a board game in 1902. The object of The Landlord’s Game, as it was initially called, was to snatch up as much land as possible. As available properties on the board grew scarce and rent rose higher, the landlords would watch their fortunes multiply while the other players descended into bankruptcy. The winner was the remaining land baron who ended up owning everything in play.

Magie thought the game’s critique of greedy landlords was obvious, but it eventually evolved into a beast far removed from her original creation. After patenting it in 1904, she sent the game to Parker Brothers, where it was rejected for being too political. Nonetheless, the game attracted a small base of fans. Soon people were revising and improving upon the game with handmade versions of their own. One of these new versions, now called Monopoly, found its way back to Parker Brothers in 1934. This time they bit. But before they could publish the game, they had to take care of Magie’s original patent. She agreed to sell them the game for $500 under the condition that copies of her original Landlord’s Game would also be released. It was painfully clear which game consumers preferred; sales of the glitzy, money-grubbing Monopoly soared while Magie’s cardboard political parable lay dead on the shelves.

2. LIFE

The board of the Checkered Game of Life.
Wikimedia Commons // Public Domain

By modern board game standards, it doesn’t get much simpler than Life. But the game revolutionized the medium when it was produced by a young Milton Bradley in 1860. Growing up in devout Protestant New England in the 19th century, Bradley had been taught that games were a sinful distraction. At age 23, he attempted to reconcile this cultural belief with his desire to design a board game. The result was The Checkered Game of Life—a lecture on morality presented as a sheet of cardboard. To play, participants lost and collected points by progressing through the stages of life represented on the white squares. Some squares were positive (like Honesty, Perseverance, and Industry) while vice spaces (like the not-so-family-friendly Suicide square) were less desirable. To move across the board, players spun a numbered “teetotum” as dice were still associated with the illicit act of gambling. The first player to reach 100 points was rewarded with the gift of “Happy Old Age.”

Even with its heavy-handed message, Bradley feared his game would be rejected by puritanical audiences in New England. He took his product to New York City instead, and his instincts were proven correct; he sold all of the several hundred copies he brought with him in a matter of days. The Checkered Game of Life would go on to sell 40,000 copies in its first year. After falling into obscurity at the end of the century, it was resurrected as the more secular Game of Life by the Milton Bradley Company in 1959.

3. CLUE

Cover of original Cluedo board game.
Wikimedia Commons // Fair Use

In the early 20th century, Great Britain was captivated by crime stories. One of the most enduring pieces of pop culture to come out of the Golden Age of Detective Fiction wasn’t a novel, but rather a board game designed by British husband-and-wife team Anthony and Elva Pratt. According to It's All a Game, their game centered around the same type of rural country houses that served as the settings for so many murder mysteries of the day.

After revising some unsavory elements (the original name of "Murder" was changed to Cluedo; the gun room was replaced with an extension of the dining room), the UK publisher Waddingtons bought the rights in 1945. Getting the game produced overseas proved to be more challenging. Though Parker Brothers president Robert Barton enjoyed Cluedo, he refused to release it based on a long-standing company rule that prohibited any products related to murder. But the game stuck with Barton. He eventually convinced the founder of Parker Brothers to make an exception to his murder rule, and the brand released Cluedo in the U.S. under the name Clue in 1949.

4. OPERATION

Toy designer Marvin Glass was the man responsible for bringing board games into the plastic age. He shook up the industry with Mouse Trap in 1963, then again with Operation two years later. But before Glass got his hands on it, the game was concocted by an industrial design student at the University of Illinois.

For a class project, John Spinello constructed a metal box outfitted with a series of holes along a winding groove through which users had to guide a metal probe. If the tool touched the sides of the path, a buzzer would sound. Spinello arranged a meeting with Marvin Glass through his godfather, a model maker at Glass's game company, to pitch him the concept. Glass bought the invention and transformed it into Operation—a game that had players carefully lift plastic items like spare ribs and stomach butterflies out of a cartoon surgical patient. The object was to remove all the loose bits without hitting the metal edges of the openings with the toy tweezers. Operation was an instant success for Glass and his company. Spinello, meanwhile, came away with nothing but a $500 check and the empty promise of a post-graduation job that never came to fruition.

5. TWISTER

If Twister had been released a decade earlier, it may have never become a household name. But the game hit shelves in the mid-1960s, right as the sexual revolution was starting to buck the uptight ideals of the previous generation.

A design agency co-owner named Reyn Guyer thought up the idea as a promotional item for one of his clients. If customers sent in enough proofs of purchase to the company, they would receive a "free" gift in return. Guyer whipped up a prototype of a full-body game, dubbed "King’s Footsie," on a sheet of fiberboard to see if it would work as a possible prize. He decided it had potential, but not as reward for a mail-in promotion. Instead, he started shopping the concept around to game publishers. By the time he pitched it to Milton Bradley, it had been renamed “Pretzel” and now involved players planting their hands on a mat in addition to their feet.

After negotiating a name change to Twister, the company agreed to make it—a risk that almost didn’t pay off. Retailers were reluctant to stock it. A game that involved the mingling of coed limbs on the floor didn’t flow with the family-friendly vibe many stores were trying to project at the time. Milton Bradley was about to pull the plug on Twister for good when an appearance on The Tonight Show rewrote the game’s history. On May 3, 1966, millions of viewers watched as Carson and his guest Eva Gabor tested out the new game on live television. Sales skyrocketed immediately. The game wasn’t without its scandalized critics, but increasingly liberal attitudes towards sex secured Twister's place on the shelf for decades to follow.

6. TRIVIAL PURSUIT

Prior to the release of Trivial Pursuit, board games carried a bit of a stigma. A handful of titles like chess, backgammon, and Scrabble were acceptable for adults to play, but for the most part a board game wasn’t something you broke out over drinks. As Donovan explains in It's All a Game, a photo editor and a sports journalist from Montreal changed that in the early 1980s. After realizing there was nothing on the market like it, friends Chris Haney and Scott Abbott put together a prototype of a game that quizzed mature players on subjects like art, sports, history, and entertainment. They scoured trivia books to fill out cards with questions like “What is the first flavor in Life Savers candy?” and “How long did Yuri Gagarin spend in space?” The team attracted enough investors to publish the game independently, but even then convincing stores to stock an expensive and old-fashioned-looking board game at the height of Atari mania was a tough job. Not many retailers took a chance on Trivial Pursuit, but those that did watched it fly off the shelves. Soon stores were reordering the game, and it aroused enough attention that the board game producer Selchow and Righter bought the rights in 1983. Trivial Pursuit sold 20 million copies in its first year, proving that board gaming could be a fashionable hobby for older consumers.

7. SETTLERS OF CATAN

Klaus Teuber found success as a board game designer prior to making Settlers of Catan. He’d already won the Spiel des Jahres award, the highest honor in the board game world, three times in his career. But sales were never impressive enough for him to quit his full-time job as a dental technician in Germany. With Catan, he struck upon something huge. The theme of the game was inspired by Teuber’s own fascination with Viking history. He tested various iterations on his family for four years before finally settling on the board of hexagon-tiled spaces players know today. Unlike his previous titles, the initial buzz surrounding Settlers of Catan didn’t fade away following its German release in 1995. The hype only grew stronger until the game migrated overseas, paving the way for the German-style board game trend. The game was the Monopoly antidote U.S. markets desperately needed; the rules were simple, all the players were kept engaged throughout, and a whole game could be completed in about an hour. Catan was hardly the first German board game to offer these qualities, but it was first to introduce that style of gaming to a global audience.

Hungry for more board game history? You can buy It's All a Game here.

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Before there was Monopoly there was "The Landlord's Game."
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20 Facts About Your Favorite Coen Brothers’ Movies
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Gramercy Pictures

Ethan Coen turns 60 years old today, if you can believe it. Since bursting onto the scene in 1984 with the cult classic Blood Simple, the younger half of (arguably) the most dynamic moviemaking sibling duo in Hollywood has helped create some of the most memorable and quirky films in cinematic history, from Raising Arizona to Fargo and The Big Lebowski to No Country For Old Men. To celebrate the monumental birthday of one of the great writer-directors of our time (though he’s mostly uncredited as a director), here are some facts about your favorite Coen brothers’s movies.

1. THE COENS THINK BLOOD SIMPLE IS “PRETTY DAMN BAD.”

Fifteen years after Blood Simple’s release, the Coens reflected upon their first feature in the 2000 book My First Movie. “It’s crude, there’s no getting around it,” Ethan said. “On the other hand, it’s all confused with the actual process of making the movie and finishing the movie which, by and large, was a positive experience,” Joel said. “You never get entirely divorced from it that way. So, I don’t know. It’s a movie that I have a certain affection for. But I think it’s pretty damn bad!”

2. KEVIN COSTNER AND RICHARD JENKINS AUDITIONED FOR RAISING ARIZONA.

Kevin Costner auditioned three times to play H.I., only to see Nicolas Cage snag the role. Richard Jenkins had his first of many auditions for the Coens for Raising Arizona. He also (unsuccessfully) auditioned for Miller's Crossing (1990) and Fargo (1996) before calling it quits with the Coens. In 2001, Joel and Ethan cast Jenkins in The Man Who Wasn't There, even though he had never auditioned for it.

3. THE BROTHERS TURNED DOWN BATMAN TO MAKE MILLER’S CROSSING.

After Raising Arizona’s success established them as more than one-hit indie film wonders, the Coens had some options with regard to what project they could tackle next. Reportedly, their success meant that they were among the filmmakers being considered to make Batman for Warner Bros. Of course, the Coens ultimately decided to go the less commercial route, and Tim Burton ended up telling the story of The Dark Knight on the big screen.

4. BARTON FINK AND W.P. MAYHEW WERE LOOSELY BASED ON CLIFFORD ODETS AND WILLIAM FAULKNER.

The Coens acknowledge that Fink and Odets had similar backgrounds, but they had different personalities: Odets was extroverted, for one thing. Turturro, not his directors, read Odets’ 1940 journal. The Coens acknowledged that John Mahoney (Mayhew) looks a lot like the The Sound and the Fury author.

5. THE COENS'S WEB OF DECEPTION IN FARGO GOES EVEN FURTHER THAN THE OPENING CREDITS. 

While the tag on the beginning of the movie reads “This is a true story. The events depicted in this film took place in Minnesota in 1987,” Fargo is, by no stretch of the imagination, a true story. During the film's press tour, the Coens admitted that while not pinpoint accurate, the story was indeed inspired by a similar crime that occurred in Minnesota, with Joel stating “In its general structure, the film is based on a real event, but the details of the story and the characters are fictional.”

However, any and all efforts to uncover anything resembling such a crime ever occurring in Minnesota come up empty, and in an introduction to the published script, Ethan pretty much admitted as much, writing that Fargo “aims to be both homey and exotic, and pretends to be true." 

6. THEY WANTED MARLON BRANDO TO PLAY JEFFREY LEBOWSKI.

According to Alex Belth, who wrote the e-book The Dudes Abide on his time spent working as an assistant to the Coens, casting the role of Jeffrey Lebowski was one of the last decisions made before filming. Names tossed around for the role included Robert Duvall (who passed because he wasn’t fond of the script), Anthony Hopkins (who passed since he had no interest in playing an American), and Gene Hackman (who was taking a break at the time). A second “wish list” included an oddball “who’s who," including Norman Mailer, George C. Scott, Jerry Falwell, Gore Vidal, Andy Griffith, William F. Buckley, and Ernest Borgnine.

The Coens’ ultimate Big Lebowski, however, was the enigmatic Marlon Brando, who by that time was reaching the end of his career (and life). Apparently, the Coens amused themselves by quoting some of their favorite Jeffrey Lebowski lines (“Strong men also cry”) in a Brando accent. The role would eventually go to the not-particularly-famous—albeit pitch-perfect—veteran character actor David Huddleston. In true Dude fashion, it all worked out in the end.

7. JOEL COEN WOOED FRANCES MCDORMAND ON THE SET OF BLOOD SIMPLE.

Coen and McDormand fell in love while making Blood Simple and got married a couple of years later, after production wrapped. McDormand told The Daily Beast about the moment when she roped him in. “I’d only brought one book to read to Austin, Texas, where we were filming, and I asked him if there was anything he’d recommend,” she said. “He brought me a box of James M. Cain and Raymond Chandler paperbacks, and I said, ‘Which one should I start with?’ And he said, ‘The Postman Always Rings Twice.’ I read it, and it was one of the sexiest f*ckin’ books I’ve ever read. A couple of nights later, I said, ‘Would you like to come over and discuss the book?’ That did it. He seduced me with literature. And then we discussed books and drank hot chocolate for several evenings. It was f*ckin’ hot. Keep it across the room for as long as you can—that’s a very important element.”

8. O BROTHER, WHERE ART THOU? WAS ORIGINALLY INSPIRED BY THE WIZARD OF OZ.

Joel Coen revealed as much at the 15th anniversary reunion. “It started as a 'three saps on the run' kind of movie, and then at a certain point we looked at each other and said, 'You know, they're trying to get home—let's just say this is The Odyssey. We were thinking of it more as The Wizard of Oz. We wanted the tag on the movie to be: 'There's No Place Like Home.’”

9. THE ACTORS IN FARGO WENT THROUGH EXTENSIVE TRAINING TO GET THEIR ACCENTS RIGHT.

Having grown up in Minnesota, the Coens were more than familiar with the idiosyncrasies of the “Minnesota nice” accent, but much of the cast—including Frances McDormand and William H. Macy—needed coaching to get the intricacies right. Actors were even given copies of the scripts with extensive pronunciation notes. According to dialect coach Larissa Kokernot, who also appeared as one of the prostitutes Gaear and Carl rendezvous with in Brainerd, the “musicality” of the Minnesota nice accent comes from a place of “wanting people to agree with each other and get along.” This homey sensibility, contrasted with the ugly crimes committed throughout the movie, is, of course, one of the major reasons why the dark comedy is such an enduring classic.

10. NICOLAS CAGE'S HAIR REACTED TO H.I.'S STRESS LEVEL IN RAISING ARIZONA.

Ethan claimed that Cage was "crazy about his Woody Woodpecker haircut. The more difficulties his character got in, the bigger the wave in his hair got. There was a strange connection between the character and his hair."

11. A PROP FROM THE HUDSUCKER PROXY INSPIRED THE MAN WHO WASN’T THERE.

A bit of set dressing from 1994’s The Hudsucker Proxy eventually led to 2001’s The Man Who Wasn’t There. In a barbershop scene, there’s a poster hanging in the background that featured a range of men’s hairstyles from the 1940s. The brothers liked the prop and kept it, and it’s what eventually served as the inspiration for The Man Who Wasn’t There.

12. GEORGE CLOONEY SIGNED ON TO O BROTHER, WHERE ART THOU? BEFORE EVEN READING THE SCRIPT.

The brothers visited George Clooney in Phoenix while he was making Three Kings (1999), wanting to work with him after seeing his performance in Out of Sight (1998). Moments after they put their script on Clooney’s hotel room table, the actor said “Great, I’m in.”

13. A SNAG IN THE MILLER’S CROSSING SCRIPT ULTIMATELY LED TO BARTON FINK.

Miller’s Crossing is a complicated beast, full of characters double-crossing each other and scheming for mob supremacy. In fact, it’s so complicated that at one point during the writing process the Coens had to take a break. It turned out to be a productive one: While Miller’s Crossing was on pause, the brothers wrote the screenplay for Barton Fink, the story of a writer who can’t finish a script.

14. INTOLERABLE CRUELTY IS THE FIRST COEN MOVIE THAT WASN’T THE BROTHERS’ ORIGINAL IDEA.

In 1995, the Coens rewrote a script originally penned by other screenwriters, Robert Ramsey, Matthew Stone, and John Romano. They didn’t decide to direct the movie, which became Intolerable Cruelty, until 2003.

15. THE LADYKILLERS WAS WRITTEN FOR BARRY SONNENFELD TO DIRECT.

The Coens effortlessly jump from crime thriller to comedy without missing a beat. So when they were commissioned to write a remake of the British black comedy The Ladykillers for director Barry Sonnenfeld, it seemed to fall in line with their cinematic sensibilities. When Sonnenfeld dropped out of the project, the Coens were hired to direct the film.

16. BURN AFTER READING MARKED THE FIRST TIME SINCE MILLER’S CROSSING THAT THE COENS DIDN’T WORK WITH THEIR USUAL CINEMATOGRAPHER, ROGER DEAKINS.

Instead, eventual Academy Award-winner Emmanuel Lubezki acted as the director of photography. The Coens would work with Deakins again on every one of their films until 2013’s Inside Llewyn Davis.

17. IT TOOK SOME CONVINCING TO GET JAVIER BARDEM TO SAY “YES” TO NO COUNTRY FOR OLD MEN

Though it’s hard to imagine No Country for Old Men without Javier Bardem’s menacing—and Oscar-winning—performance as antagonist Anton Chigurh, he almost passed on the role. “It’s not something I especially like, killing people—even in movies,” Bardem said of his disdain for violence. “When the Coens called, I said, ‘Listen, I’m the wrong actor. I don’t drive, I speak bad English, and I hate violence.’ They laughed and said, ‘Maybe that’s why we called you.”’

18. PATTON OSWALT AUDITIONED FOR A SERIOUS MAN.

Patton Oswalt auditioned for the role of the obnoxious Arthur Gopnik in A Serious Man, a part that ultimately went to Richard Kind. Oswalt talked about his audition while appearing on Marc Maron’s WTF podcast, in which it was also revealed that Maron was being considered for the lead role of Larry Gopnik (the role that earned Michael Stuhlbarg his first, and so far only, Golden Globe nomination). 

19. THE CAT IN INSIDE LLEWYN DAVIS WAS “A NIGHTMARE.”

Ulysses, the orange cat who practically stole Inside Llewyn Davis away from Oscar Isaac, was reportedly a bit of a diva. "The cat was a nightmare,” Ethan Coen said on the DVD commentary. “The trainer warned us and she was right. She said, uh, "Dogs like to please you. The cat only likes to please itself.’ A cat basically is impossible to train. We have a lot of footage of cats doing things we don't want them to do, if anyone's interested; I don't know if there's a market for that."

20. THE COEN BROTHERS PROBABLY DON’T LOVE THE BIG LEBOWSKI AS MUCH AS YOU DO. 

We’re assuming the Coen Brothers are plenty fond of The Dude: after all, he doesn’t end up facing imminent death or tragedy, which is more than most of their protagonists have going for them. But in a rare Coen Brothers interview in 2009, Joel Coen flatly stated, “That movie has more of an enduring fascination for other people than it does for us.”

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Before there was Monopoly there was "The Landlord's Game."
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10 Terrific Facts About Stephen King
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Scott Eisen/Getty Images for Warner Bros.

As if being one of the world's most successful and prolific writers wasn't already reason enough to celebrate, Stephen King is ringing in his birthday as the toast of Hollywood. As It continues to break box office records, we're digging into the horror master's past. Here are 10 things you might not have known about Stephen King, who turns 70 years old today.

1. STEPHEN KING AND HIS WIFE, TABITHA, OWN A RADIO STATION.

Stephen and Tabitha King own Zone Radio, a company that serves to head their three radio stations in Maine. One of them, WKIT, is a classic rock station that goes by the tagline "Stephen King's Rock Station."

2. HE'S A HARDCORE RED SOX FAN.

Jim McIsaac/Getty Images

Not only did he write a story about the Boston Red Sox—The Girl Who Loved Tom Gordon (who was a former Red Sox pitcher)—he also had a cameo in the Jimmy Fallon/Drew Barrymore movie Fever Pitch, which is about a crazed Sox fan. He plays himself and throws out the first pitch at a game.

In 2004, King and Stewart O'Nan, another novelist, chronicled their reactions to the season that finally brought the World Series title back to Beantown. It's appropriately titled Faithful: Two Diehard Boston Red Sox Fans Chronicle the Historic 2004 Season.

3. HE WAS HIT BY A CAR, THEN BOUGHT THE CAR THAT HIT HIM.

You probably remember that King was hit by a van not far from his summer home in Maine in 1999. The incident left King with a collapsed lung, multiple fractures to his hip and leg, and a gash to the head. Afterward, King and his lawyer bought the van for $1500 with King announcing that, "Yes, we've got the van, and I'm going to take a sledgehammer and beat it!"

4. AS A KID, HIS FRIEND WAS STRUCK AND KILLED BY A TRAIN.

King's brain seems to be able to create chilling stories at such an amazing clip, yet he's seen his fair share of horror in real life. In addition to the aforementioned car accident, when King was just a kid his friend was struck and killed by a train (a plot line that made it into his story "The Body," which was adapted into Stand By Me). While it would be easy to assume that this incident informed much of King's writing, the author claims to have no memory of the event:

"According to Mom, I had gone off to play at a neighbor’s house—a house that was near a railroad line. About an hour after I left I came back (she said), as white as a ghost. I would not speak for the rest of the day; I would not tell her why I’d not waited to be picked up or phoned that I wanted to come home; I would not tell her why my chum’s mom hadn’t walked me back but had allowed me to come alone.

"It turned out that the kid I had been playing with had been run over by a freight train while playing on or crossing the tracks (years later, my mother told me they had picked up the pieces in a wicker basket). My mom never knew if I had been near him when it happened, if it had occurred before I even arrived, or if I had wandered away after it happened. Perhaps she had her own ideas on the subject. But as I’ve said, I have no memory of the incident at all; only of having been told about it some years after the fact."

5. HE WROTE A MUSICAL WITH JOHN MELLENCAMP.

Theo Wargo/Getty Images

King, John Mellencamp, and T Bone Burnett collaborated on a musical, Ghost Brothers of Darkland County, which made its debut in 2012. The story is based on a house that Mellencamp bought in Indiana that came complete with a ghost story. Legend has it that three siblings were messing around in the woods and one of the brothers accidentally got shot. The surviving brother and sister jumped in the car to go get help, and in their panic, swerved off the road right into a tree and were killed instantly. Of course, the three now haunt the woods by Mellencamp's house.

6. HE PLAYED IN A BAND WITH OTHER SUCCESSFUL AUTHORS.

King played rhythm guitar for a band made up of successful writers called The Rock Bottom Remainders. From 1992 to 2012, the band "toured" about once a year. In addition to King, Amy Tan, Dave Barry, Mitch Albom, Barbara Kingsolver, Matt Groening and Ridley Pearson were just some of its other members.

7. HE'S A NATIVE MAINER.

A photo of Stephen King's home in Bangor, Maine.
By Julia Ess - Own work, CC BY-SA 3.0, Wikimedia Commons

King writes about Maine a lot because he knows and loves The Pine Tree State: he was born there, grew up there, and still lives there (in Bangor). Castle Rock, Derry, and Jerusalem's Lot—the fictional towns he has written about in his books—are just products of King's imagination, but he can tell you exactly where in the state they would be if they were real.

8. HE HAS BATTLED DRUG AND ALCOHOL PROBLEMS.

Throughout much of the 1980s, King struggled with drug and alcohol abuse. In discussing this time, he admitted that, "There's one novel, Cujo, that I barely remember writing at all. I don't say that with pride or shame, only with a vague sense of sorrow and loss. I like that book. I wish I could remember enjoying the good parts as I put them down on the page."

It came to a head when his family members staged an intervention and confronted him with drug paraphernalia they had collected from his trash can. It was the eye-opener King needed; he got help and has been sober ever since.

9. THERE WAS A RUMOR THAT HE WROTE A LOST TIE-IN NOVEL.

King was an avid Lost fan and sometimes wrote about the show in his Entertainment Weekly column, "The Pop of King." The admiration was mutual. Lost's writers mentioned that King was a major influence in their work. There was a lot of speculation that he was the man behind Bad Twin, a Lost tie-in mystery, but he debunked that rumor.

10. HE IS SURROUNDED BY WRITERS.

A photo of Stephen King's son, author Joe Hill
Joe Hill
Alberto E. Rodriguez/Getty Images

Stephen isn't the only writer in the King family: His wife, Tabitha King, has published several novels. Joe, their oldest son, followed in his dad's footsteps and is a bestselling horror writer (he writes under the pen name Joe Hill). Youngest child Owen has written a collection of short stories and one novella and he and his dad co-wrote Sleeping Beauties, which will be released later this month (Owen also married a writer). Naomi, the only King daughter, is a minister and gay activist.

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