8 Vintage Hairstyling Products Your Grandmother Probably Swore By

“Natural” beauty has become a lot less time-consuming (and painful) thanks to technology. Women can easily shampoo, dry, and style their hair; those with straight hair can achieve curls in a matter of minutes. That’s not how it used to be—some of us remember when slumber parties were spent setting our hair in rollers or pin curls while simultaneously playing Truth or Dare. If you’re a Baby Boomer or a bit beyond, these products may bring back some not-so-fond memories.

1. DIPPITY-DO

 
Dippity-do was something of a prehistoric styling gel: It wasn’t as lightweight as the current products, and it didn’t contain today’s trendy ingredients like aloe and wheat protein. The original variety had the consistency of Jell-O and was designed to hold a set longer (when used with hair rollers) or to plaster bangs and fly-away hairs in place. (As a teen, KISS drummer Eric Carr slathered his hair with the stuff nightly and slept with a nylon stocking over his scalp in an effort to tame his natural curls into a Beatle-esque mop top.) Dippity-do could even be used on dry hair to set it in between shampoos—for some reason, beauty advice columns of the 1960s vehemently admonished ladies against washing their hair more than once per week.

2. CRÈME RINSE

 

Some older folks use the terms “conditioner” and “crème rinse” interchangeably, just like grandma used to do with “ice box” and “refrigerator,” but there is a difference between the two products. Crème rinse is much thinner in consistency because it doesn’t contain the emollients and sunscreens typically found in conditioner. The main purpose of crème rinse is to detangle hair and reduce static electricity. In the 1950s and '60s, crème rinse was one of those luxurious “extras” that was mostly used by older women, not children or teens. That’s why so many of us have painful memories of mom tugging a comb through our tangled wet hair after every shampoo, and muttering “beauty must suffer” whenever we dared to complain.

3. ELECTRIC ROLLERS

 

Children are little sponges, absorbing an amazing amount of information at a young age. Sometimes that’s a good thing, giving them a definite leg up once their formal schooling begins. Other times it can be an embarrassment for the hapless parent—like when her child sings out in clarion tones, “Curlers in your hair, shame on you!” to a stranger in the checkout line at the supermarket. Even though it was considered gauche to go out in public with rollers in your hair, many busy housewives simply tied a scarf around their head in an attempt to cover their rollers and went about their daily errands hoping that their hair would be dry in time for the evening. In the late 1960s Clairol took a step forward in protecting the American public’s eyes from unsightly head hardware by introducing Kindness, a revolutionary set of electric rollers that gave you a head full of curls in about 20 minutes or so. The rollers took 10 minutes to heat up, and they weren’t as insulated as today’s models are, so tiny foam wedges were provided to place between your scalp and the hot curler (burned fingers were just a hazard of instant, or semi-instant, beauty).

4. BRUSH ROLLERS

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We’ve all heard stories about the virginal brides of the 1940s and '50s who, despite the stilted “talk” Mother gave them prior to walking down the aisle, were shocked and/or horrified at what actually occurred on their wedding night. Much less has been recorded from the husband’s point of view: the shocking tableau presented the first time his new wife emerged from the bathroom sans makeup and with her head encased in what looked like barbed wire. Hair dryers were mainly found only in beauty shops, so to get that naturally curly look that would last in between shampoos, women routinely wound their hair in brush rollers before retiring for the night. Finding a comfortable sleeping position while wearing them was something of an art form.

5. ORANGE JUICE CAN ROLLERS

Lady Gaga may have appeared to be a trendsetter when she set her hair with pop cans (or soda cans if you prefer), but women were actually using can technology 50-some years ago. Back when beehive or bouffant hairdos with a maximum of pouf were all the rage, girls cursed with straight hair used rinsed-out cans of frozen orange juice concentrate (with both ends cut out) as makeshift jumbo hair rollers. On the other end of the hair spectrum, girls blessed with naturally curly hair set their hair with cans to flatten their tresses into that straight California surfer-girl look. Keep in mind that blow dryers were not yet commonplace, so—like their brush roller sisters—women often had to sleep with their hair rolled thusly.

6. BONNET HAIR DRYERS

 

Part of the reason women subjected themselves to nightly sleeping-with-rollers-in-their-hair torture was that prior to the mid-1970s there really wasn’t a more time-efficient way to dry one’s hair. There were a few primitive hand-held blow dryers available beginning in the 1920s, but they weighed an average of two pounds, were insulated with asbestos, and only produced a paltry 100 watts of heat. In 1951 General Electric introduced a portable soft-bonnet hair dryer, which was a home version (sort of) of the hard-shell blast furnace dryers that beauty parlors then used. The plastic cap was flexible enough to fit over a head full of rollers, and the “works” part (the motor, etc.) was supposedly light enough to carry around (via a convenient shoulder strap) as the busy housewife attended to her regular daily chores. It was quite the innovation when bonnet dryers with the power to dry hair in just 22 minutes eventually hit the market.

7. HOME PERMANENTS

 

Toni introduced the home permanent in the late 1940s, and the product flew off the supermarket shelves into the homes of women who wanted to save the cost of a salon wave. Other brands like Lilt and Rave followed, but thanks to an aggressive, long-running ad campaign (“Which twin has the Toni?”) “Toni” became as synonymous with a home perm as “Kleenex” did with facial tissue. Suddenly every mom became a kitchen table hairdresser, completely ignoring the fact that there’s a good reason it takes many months of study for a stylist to become licensed. As a result, many young girls of the 1950s dreaded those special times of year—back to school, Easter—when Mom decided that it was “time to give you a Toni.”

8. AEROSOL HAIRSPRAY

 

That hole in the ozone layer we hear so much about? I’m loathe to point fingers, but I have a feeling the elaborate bouffants and flips of the 1960s had something to do with it. Mary Tyler Moore admitted that her Dick Van Dyke Show on-set stylist sprayed her flip so solidly that “you could hang clothes on it,” and Barry Williams (of Brady Bunch fame) reminisced in his autobiography about a guest spot on That Girl in which Marlo Thomas spent every off-camera moment having her hair teased and sprayed until it could deflect bullets. As mentioned earlier, shampooing more than once per week was out of the question, so when a lady’s hairdo started to go limp, it was hairspray to the rescue. Women moistened their hair with Aquanet, White Rain, or VO5 before re-setting it with rollers or giant clips. Those cans were filled with fluorocarbons as well as the other ingredients that lacquered hair into submission, and people spritzed that stuff with abandon until the FDA stepped in and hair styles gradually changed to a more “natural” look.

10 Timeless Facts About The Land Before Time

Universal Pictures Home Entertainment
Universal Pictures Home Entertainment

Five years before Jurassic Park roared into theaters, a gentler, more meditative dinosaur film endeared itself to audiences of all ages. Initially met with mixed reviews, The Land Before Time is now regarded as an animated classic. Here are 10 things you might not have known about the Steven Spielberg-produced film, which arrived in theaters 30 years ago.

1. IT WAS CONCEIVED AS A DIALOGUE-FREE MOVIE.

Gabriel Damon and Candace Hutson in The Land Before Time (1988)
Universal Pictures Home Entertainment

In the mid-1980s, executive producer Steven Spielberg began toying with the idea of a Bambi-esque dinosaur film. “Basically,” he later said, “I wanted to do a soft picture … about five little dinosaurs and how they grow up and work together as a group.” Inspiration came from the “Rite of Spring” sequence from Disney’s Fantasia (1940)—a scene in which prehistoric beasts wordlessly go about their business. At first, Spielberg wanted his own dinosaur characters to follow suit and remain mum. Ultimately, however, it was feared that a non-verbal approach might bore or confuse the film’s intended audience. As such, the animals were given lines.

2. DIRECTOR DON BLUTH WAS AN EX-DISNEY EMPLOYEE.

Don Bluth grew up idolizing Disney’s work, and began working for the studio in 1955. Over the next two decades, he did various odd jobs until he was brought on as a full-time animator in 1971. Once on the inside, Bluth got to peek behind the magician’s curtain—and disliked what he found there. “I think [Walt Disney] would’ve seen that the pictures were losing their luster,” Bluth said. Frustrated by the studio’s cost-cutting measures, he resigned in 1979. Joining him were fellow animators Gary Goldman and John Pomeroy. Together the trio launched their own company, Sullivan Bluth Studios, and began working on The Land Before Time in 1986.

3. OVER 600 BACKGROUND PAINTINGS WERE MADE FOR THE FILM.

Most of these depicted beautiful but barren wastelands, which presented a real challenge for the creative team. As one studio press release put it, “The artists had to create a believable environment in which there was almost no foliage.” Whenever possible, Bluth’s illustrators emphasized vibrant colors. This kept their backdrops from looking too drab or monotonous—despite the desolate setting.

4. LITTLEFOOT’S ORIGINAL NAME WAS “THUNDERFOOT.”

This was changed when the filmmakers learned that there was a triceratops in a popular children’s book called Thunderfoot. Speaking of three-horned dinosaurs: Cera evolved from a pugnacious male character called Bambo.

5. THE FILMMAKERS HAD TO CUT ABOUT 10 MINUTES OF FOOTAGE.

“We compromised a lot with The Land Before Time,” Goldman admitted. Nowhere was this fact more apparent than on the cutting room floor. Spielberg and his fellow executive producer George Lucas deemed 19 individual scenes “too scary.” “We’ll have kids crying in the lobby, and angry parents,” Spielberg warned. “You don’t want that.”

6. “ROOTER” WAS INTRODUCED AT THE URGING OF CHILD PSYCHOLOGISTS.

In Bambi, the title character’s mom dies off-screen. The same cannot be said for Littlefoot’s mother, whose slow demise goes on for several agonizing minutes. Naturally, there was some concern about how children would react to this. “A lot of research went into the mother dying sequence,” Pomeroy said. “Psychologists were approached and shown the film. They gave their professional opinions of how the sequence could be depicted.” Thus, Rooter was born.

One scene after Littlefoot’s mom passes, the wise reptile consoles him, saying “You’ll always miss her, but she’ll always be with you as long as you remember the things she taught you.” Sharp-eared fans might recognize Rooter’s voice as that of Pat Hingle, who also narrates the movie.

7. JAMES HORNER DID THE SOUNDTRACK.

The late, Oscar-winning composer behind Braveheart (1995), Titanic (1997), and Avatar (2009) put together a soaring score. Along with lyricist Will Jennings, he also penned the original song “If We Hold On Together,” which Diana Ross sings as the end credits roll.

8. THE ACTRESS BEHIND DUCKY PASSED AWAY BEFORE THE MOVIE’S RELEASE.

Judith Barsi’s career was off to a great start. By age 10, this daughter of Hungarian immigrants had already appeared in 70 commercials and voiced the leading lady in Don Bluth’s All Dogs Go to Heaven (1989). For The Land Before Time, Barsi voiced the ever-optimistic Ducky, which was reportedly her favorite role. Then tragedy struck: In July of 1988, Barsi’s father József murdered both her and her mother before taking his own life.

9. IT HAD A RECORD-SETTING OPENING WEEKEND.

From the get-go, The Land Before Time had some stiff competition. Universal released it on November 18, 1988—the same day that Disney’s Oliver & Company hit theaters. Yet, for a solid month, Bluth gave Oliver a box office beating. The Land Before Time enjoyed the highest-grossing opening weekend that any animated film had ever seen, pulling in $7.5 million to Oliver & Company’s $4 million. Since then, of course, The Land Before Time has long been dethroned; today, Incredibles 2 (2018) holds this coveted distinction with a $182.7 million first-weekend showing.

10. THERE ONCE WAS TALK OF A LAND BEFORE TIME STAGE MUSICAL.

“The time has come for dinosaurs on Broadway,” the late theatrical producer Irving Welzer told The New York Times in 1997. Emboldened by the recent cinematic success of Spielberg’s The Lost World: Jurassic Park (1996), Welzer expressed an interest helping Littlefoot, Cera, Ducky, and the rest of the gang make their Big Apple debut. Soon, however, the idea faded.

40 Dandy D-Words To Deepen Your Vocabulary

iStock/gazanfer gungor
iStock/gazanfer gungor

It’s thought that the earliest ancestor of our humble letter D was an Ancient Egyptian hieroglyph representing a door, which is where D get its hollowed-out shape from. Over time, that hieroglyph became a Phoenician letter, dalet, which then became the Greek letter delta, and finally the Roman letter D, which arrived in England (along with most of the rest of the modern alphabet) from continental Europe more than 1500 years ago.

Before then, English was written using a runic writing system called futhorc, a number of the letters of which—like thorn (Þ þ) and wynn (Ƿ ƿ)—survived into the Old English period before dying out later. The Old English letter eth(Ð ð), however, effectively went the other way: it was invented in Britain (or perhaps Ireland) after the introduction of the Latin alphabet to England, and is actually a derivative of the Roman letter D. Although it too eventually fell out of use, it still survives in modern-day Icelandic.

Nowadays, D is one of the most frequently used letters of our alphabet, accounting for just over 4 percent of a standard page of English text (or one out of every 25 letters), and roughly 2.5 percent of all the words in a standard dictionary—including the 40 delicious D words listed here…

1. DAB-DUMP

An old Yorkshire dialect word for a pool of water left on the beach after the tide retreats.

2. DABERLICK

Daberlick or dabberlack is an old dialect name for long, straggly seaweed. Figuratively, it can be used as a nickname for greasy, lank hair, or for a tall, gangly person.

3. DABSTER

An astute or especially skilled worker.

4. DAFFLED

If you’re daffled, then you’re bewildered or disorientated by a sensory overload.

5. DANDIE-CLAW

A dandie-claw is an easily completed task or, when used in the phrase, “to give it the dandie-claw,” it essentially means “that won’t last long,” or “that won’t take long to finish off.” No one is quite sure where the phrase comes from, but it’s possible that a dandy or dandie-claw was originally a small brush used to groom horses, which at some point in time might have become synonymous with a brief or undemanding chore.

6. DANDLE

To bounce a baby on your knee is to dandle it.

7. DANG-SWANG

To do something dang-swang is to do it vigorously, or with great energy or enthusiasm.

8. DANGLEMENT

An 18th century word either for a finger, or for a dangling decoration, or trim on a garment. A danglet—literally a “little dangle”—is an icicle.

9. DAPPERPYE

An old adjective meaning “variegated” or “multi-colored.”

10. DAPPERWIT

A quick-witted, lively young man.

11. DARING-HARDY

A Shakespearean invention meaning “recklessly bold,” or “foolhardy.”

12. DAWK

A thick fog or mist.

13. DAYLIGAUN

An old Scots word for twilight, dayligaun literally means “daylight-going.”

14. DEAD-HORSE

As a metaphor for something that has ceased to be useful, the term dead horse is today more often than not used in the phrase “flogging a dead horse,” meaning “to fruitlessly continue with something all interest has been lost in.” Before then, however, dead-horse was a 17th-century term for work for which you’d been paid in full in advance—and so to work the dead-horse or for a dead horse meant “to busy yourself in work that at the end of which you won’t be paid.” A dead-man, incidentally, is an old English nickname for an empty liquor bottle, so being down among the dead-men meant “passed out drunk on the floor” in 18th-century English.

15. DEAD-NIP

18th-century slang for a failed idea.

16. DEAMBULATE

To walk about, or to stray away from home.

17. DECIDOPHOBIA

If you’re decidophobic, then you hate making decisions. Other D phobias include dendrophobia (trees), dromophobia (running, or crossing roads), didaskaleinophobia (school), dipsophobia (alcohol), and doraphobia (animal furs).

18. DEDOLEATE

A 17th-century word meaning “to cease to be unhappy.”

19. DEJERATE

To swear a solemn oath. Someone who does precisely that is a dejerator.

20. DEONERATE

To unpack cargo or to remove someone’s burden is to deonerate them. To depauperate them is to impoverish them, while to depulse them would be to drive them off.

21. DEPECULATE

Peculation is an old 17th-century legal term for embezzlement—in particular, the embezzlement of funds belonging to a country or head of state. To peculate or depeculate, ultimately, is an old-fashioned word meaning “to steal by peculation,” which was typically used to refer to public officials pilfering state funds for their own personal use.

22. DEPEDITATE

In medical terminology, a depeditation is the amputation of a foot. Thankfully, the relative verb depeditate can simply be used to mean “to be deprived of the use of your feet”—worth remembering next time you go deambulating in a new pair of shoes.

23. DEPROELIATION

Derived from a Latin word meaning “to engage violently in war,” deproeliation is just a 17th-century word for a battle.

24. DIABLERIE

The perfect word for Dr. Faustus: diablerie is work or business done with, or for, the Devil. Figuratively, it can mean recklessness or audaciousness, or else any underhand, shady dealing.

25. DIABLOTIN

Borrowed into English from French in the 1800s, a diablotin is a tiny devil or imp. It’s also, because of its unusual appearance, a nickname for the oilbird.

26. DIAL-PLATE

An 18th century nickname for a person’s face (derived from the dial or “face” of a clock).

27. DILLYALL

An old English dialect word for anything owned because it looks nice, not because it’s useful or functional.

28. DILORICATE

To diloricate something is to rip or tear it. It derives from a Latin word, lorica, for a Roman soldier’s leather cuirass or breastplate—and so might originally have referred to injuries suffered in battle that were bad enough to puncture armor.

29. DIMBER

Dimber was a 17th-century word meaning “pretty” or “smart,” while a dimber-damber was the leader or “face” of a gang of rogues or vagabonds.

30. DISCALCEATE

To discalceate is to remove your shoes. Worth remembering once you’ve deambulated and depeditated.

31. DO-NO-BETTER

The slightly less complimentary Edwardian equivalent of bae—a do-no-better or do-nae-better was “a sweetheart whom one has to be content with, for want of a better.”

32. DOATY

When your head nods up and down while you’re trying to stay awake? That’s doatying.

33. DOCH-AN-DORRIS

A doch-an-dorris or deochandorus is a “stirrup-cup”—a drink or toast made with, or in honor of, someone about to leave. It derives from an old 17th-century Scots Gaelic phrase, deoch an doruis, that literally means “door-drink.”

34. DOCK-WALLOPER

Originally a nickname for someone who hangs around dockyards looking for work, dock-walloper is an old 19th-century American slang word for a loafer or idler.

35. DOLLYMAWKIN

A frivolous, scatterbrained young woman.

36. DOODLE-SHOP

An old dialect nickname for a sweetshop.

37. DRAGGLETAIL

In 18th-century English, an untidily or slatternly dressed woman. Literally, a woman who has let the tails of her dress drag through the rain or mud.

38. DULCILOQUY

A soft or sweet manner of speaking. Likewise, if you’re dulciloquent, then you have a pleasant voice.

39. DUTCH CONCERT

The incomprehensibleness of Dutch to speakers of English is the origin of double Dutch, meaning “gibberish” or “nonsense,” and Dutch concert, an old nickname for an incongruous or cacophonous mishmash of noises or sounds.

40. DWINE

To dwindle or pine away.

This article originally ran in 2016.

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