There’s no denying that Disney’s upcoming live-action version of Beauty and the Beast is one of the year’s most anticipated movies—and it’s no wonder why. At this point, it’s been more than two years since the project, and Emma Watson’s casting as Belle, have been announced. The internet has gone crazy any time a new piece of intel has been leaked—from the movie’s first images to the debut of its trailer. And while the film isn’t set to hit theaters until March 17, pre-sale tickets are already selling out. Though you still have more than a month to go before its premiere, we have a great way to bide your time: Tale as Old as Time Afternoon Tea at London’s Town House at The Kensington hotel.
While the menu itself is pretty standard afternoon tea fare—including bite-sized venison pie, cheese soufflé, cucumber and cream cheese sandwiches, and spiced macarons—it’s all served up with a whimsical Beauty and the Beast twist. In addition to dishware in the shape of Mrs. Potts and her son, Chip, the menu is inspired by the fairy tale’s beloved cast of characters. The cost is £35 per person, or about $44 (for an extra $12, you can add in a glass of bubbly).
Though it was originally scheduled to run from February 13 through February 26, popular demand has already led Town House to extend the menu though November 30. This means that reservations, which can be made online, are essential—and selling out quickly. Go ahead: Be their guest.
Paul Hiffmeyer, Disneyland Resort via Getty Images
How Did the Super Bowl's 'I'm Going to Disney World' Slogan Originate?
BY Jay Serafino
February 2, 2018
Paul Hiffmeyer, Disneyland Resort via Getty Images
It’s a Super Bowl tradition as recognizable as catchy commercials, lengthy halftime shows, and mounds of leftover guacamole, but how did the famous "I'm going to Disney World" and "I'm going to Disneyland" slogans make their way to (almost) every big game since 1987?
The idea for the slogan itself can be credited to Jane Eisner, the wife of former Disney CEO Michael Eisner. In 2015, he recounted the story behind the tagline to Sports Illustrated:
"In January 1987, we were launching Disneyland’s Star Tours, an attraction based on Star Wars. After the ribbon-cutting ceremony, my wife, Jane, and I had dinner with George Lucas, as well as Dick Rutan and Jeana Yeager, who had just become the first people to fly around the world without stopping. It was late and the conversation hit a lull as we waited for our food. So I asked Dick and Jeana, 'Well, now that you’ve accomplished the pinnacle of your aspirations, what could you possibly do next?' Rutan responded, without hesitation, 'I’m going to Disneyland.' And of course I go, 'Wow, that’s cool! You made the right choice.' But my wife interjects: 'You know, that’s a good slogan.'"
Around this time, the NFL playoffs were well underway, with the New York Giants and Denver Broncos set to face each other at Super Bowl XXI. What better time to unveil this new marketing slogan than at the biggest TV event of the year? Once Eisner decided on a time and place to debut the phrase, the teams’ two quarterbacks, Phil Simms and John Elway, both received identical offers: $75,000 for the winner to say "I’m going to Disney World" and "I’m going to Disneyland" to a Disney camera as they ran off the field after the game. This would then be used in a commercial with Disney World or Disneyland being shown depending on where it aired. (This is then oftentimes followed by an actual trip to a Disney park within the next few days, where the spokesperson takes part in a parade in his team's honor).
Simms was hesitant at first, but once he heard Elway agreed to it, he was on board. The NFL also signed off on Disney’s plan, so now it was up to the company to find a way to get their cameras on the field before all-out madness could erupt. Tom Elrod, Disney’s president of marketing and entertainment in 1987, told Sports Illustrated:
"We wanted it to be authentic, but that meant being the first camera on the field, in the most frenetic environment you could possibly imagine. We’d be competing with broadcast crews and journalists and hangers-on and teammates, just to have some guy look into a camera and say, 'I’m going to Disney World.' It’s wild if you think about it. That first year, I don’t think anyone thought that was achievable."
It’s a good thing the reluctant Simms changed his tune about Disney’s offer, because his Giants beat Elway’s Broncos 39-20. Not only was Simms awarded his first Super Bowl win and the game’s MVP award, he also got a cool $75,000 for uttering two simple sentences (though he had to say both sentences three times each, just to be sure).
The tradition has carried on ever since, except in 2005 for Super Bowl XXXIX and in 2016 for Super Bowl 50, when no commercials aired (though Super Bowl 50's winning quarterback, Peyton Manning, went to Disneyland anyway).
The slogan now extends beyond football, having been uttered by everyone from NBA players to Olympians and American Idol contestants. And even if they don't wind up in a commercial, chances are a championship team will still be greeted by a Disney park parade, like the one thrown for the Chicago Cubs in 2016.
Watch a Screenplay Go from Script to Screen in This Clip From Inside Out
BY Kirstin Fawcett
January 30, 2018
If a movie were a person, its script would be the skeleton. The essentials—narrative, protagonists, dialogue, etc.—are all there, but they need to be fleshed out to fully come to life. Enter characters (either played by actors or animated), music, and special effects, and suddenly simple words on a page have transformed into a motion picture.
In the new Pixar-produced video below, which was first spotted by Gizmodo, you can compare the screenplay of 2015's Inside Out with the theatrical version released in theaters. The text scrolls down the screen's bottom half as a corresponding scene from the film progresses, allowing viewers to juxtapose what they're watching with what they're reading. This way, aspiring screenwriters and Pixar fans alike can see firsthand how a movie moves from a bare-bones script to a fully realized film.