Amazon / It'Sugar
Amazon / It'Sugar

11 Giant Pieces and Boxes of Candy You Can Actually Buy

Amazon / It'Sugar
Amazon / It'Sugar

Sometimes the standard candy bars you find in your local convenience store just aren't enough. Here are some giant portions of candy for when you want to throw health concerns to the wind and really binge.

1. GUMMY BEAR; $150

Ever wish your gummy bears were big enough to cuddle? You could definitely wrap your arms around this ginormous gelatinous bear, which clocks in at 26 pounds and comes in four flavors: blue raspberry, green apple, orange, and red cherry. The stomach is hollow, so it can double as a bowl for even more candy. If you're looking for ideas on what to do with this mammoth snack (besides eat it), Andy Milonakis can help.

Find it: Vat19

2. GUMMY SNAKE; $150

At 8 feet long and 26 pounds, this gummy is enough to feed an entire party: It's technically over 450 servings!

Find it: Amazon, eBay

3. CHUPA CHUPS LOLLIPOP; $20

Did you know that Salvador Dalí designed the Chupa Chups logo? Like the artist's famous surrealist style, these giant Chupa Chups seem other-worldly. The 2-pound lollipops are 65 times larger than the usual Chupa Chups and come with an extra thick stick that makes you feel like candy royalty wielding a sugary scepter. The sucker has a whopping 2800 calories, so don't eat it all in one sitting (even kings have to worry about cavities).

Find it: Vat19

4. PEANUT BUTTER CUP; $40

There's no wrong way to eat a Reese's, but when it comes to this colossal 2-pound peanut butter cup, slow and steady wins the race. The website implies that you should slice it like a cake and share it with friends, but we won't judge if you decide to eat the whole thing.

Find it: Candy Warehouse

5. NERDS; $39

At first glance, this giant Nerds box seems impractical, but it's actually housing 36 smaller boxes inside. We recommend this strawberry/grape box for parties or psyching out Trick-or-Treaters.

Find it: Staples, It'Sugar

6. TOBLERONE BAR; $51 - $107

We know how painful it can be when someone asks for a piece of your precious Toblerone bar. Now you can finally have a bar big enough for you and maybe one freeloading friend. This enormous bar is 2.6 feet long and weighs almost 10 pounds. Each triangle is about 10-by-10 inches, so that's a full meal right there. Just like the smaller version, each bar has milk chocolate made from Swiss milk from the Alps, along with honey and almond nougat.

Find it: Amazon, eBay

7. HELLO KITTY PEZ; $18

Pez dispensers are cool, but they'd be way cooler if they were bigger than your head. This massive, 15-inch-tall Hello Kitty Pez dispenser is exactly the thing you need for intense sugar cravings. The 1.43 pound plastic structure pops out entire rolls of Pez instead of individual pieces like the pedestrian dispensers you're used to. It comes with six rolls of Pez to start, which you can pop right in.

Find it: Amazon

8. RICE KRISPIES TREATS; $16

Sure, you can make your own Rice Krispies Treats, but why bother when you can just buy an entire 32-ounce sheet for half the effort? Best of all, it comes in the classic blue wrapper like its smaller counterparts. If you decide to share (weird) you can cut it into about 30 to 40 reasonably sized squares.

Find it: Amazon

9. POP ROCKS; $15

This giant Pop Rocks box has a similar deal to the Nerds box. Instead of a container of loose Pop Rocks, you can find eight small bags in assorted flavors. Now you just need a big bottle of soda to wash down the exploding candy.

Find it: It'Sugar

10. SWEET TARTS; $23

This hefty tube of Sweet Tarts is great for more than just satisfying a sugar craving; use it to play a game of Wiffle ball, intimidate potential muggers, knight people in the name of your candy kingdom, and more. The 24-inch tube is filled with 1.5 pounds of individually wrapped Sweet Tarts, so you'll always have access to a snack when you're done with whatever you've decided to use your giant tube for.

Find it: It'Sugar

11. HERSHEY'S CHOCOLATE BAR; $36

Bring this 5-pound bar of chocolate to a campfire and start making some substantial s'mores.

Find it: Amazon

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iStock
Bad Moods Might Make You More Productive
iStock
iStock

Being in a bad mood at work might not be such a bad thing. New research shows that foul moods can lead to better executive function—the mental processing that handles skills like focus, self-control, creative thinking, mental flexibility, and working memory. But the benefit might hinge on how you go through emotions.

As part of the study, published in Personality and Individual Differences, a pair of psychologists at the University of Waterloo in Canada subjected more than 90 undergraduate students to a battery of tests designed to measure their working memory and inhibition control, two areas of executive function. They also gave the students several questionnaires designed to measure their emotional reactivity and mood over the previous week.

They found that some people who were in slightly bad moods performed significantly better on the working memory and inhibition tasks, but the benefit depended on how the person experienced emotion. Specifically, being in a bit of a bad mood seemed to boost the performance of participants with high emotional reactivity, meaning that they’re sensitive, have intense reactions to situations, and hold on to their feelings for a long time. People with low emotional reactivity performed worse on the tasks when in a bad mood, though.

“Our results show that there are some people for whom a bad mood may actually hone the kind of thinking skills that are important for everyday life,” one of the study’s co-authors, psychology professor Tara McAuley, said in a press statement. Why people with bigger emotional responses experience this boost but people with less-intense emotions don’t is an open question. One hypothesis is that people who have high emotional reactivity are already used to experiencing intense emotions, so they aren’t as fazed by their bad moods. However, more research is necessary to tease out those factors.

[h/t Big Think]

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Universal Pictures Home Entertainment
The 10 Wildest Movie Plot Twists
Laura Harring in Mulholland Drive (2001)
Laura Harring in Mulholland Drive (2001)
Universal Pictures Home Entertainment

An ending often makes or breaks a movie. There’s nothing quite as satisfying as having the rug pulled out from under you, particularly in a thriller. But too many flicks that try to shock can’t stick the landing—they’re outlandish and illogical, or signal where the plot is headed. Not all of these films are entirely successful, but they have one important attribute in common: From the classic to the cultishly beloved, they involve hard-to-predict twists that really do blow viewers’ minds, then linger there for days, if not life. (Warning: Massive spoilers below.)

1. PSYCHO (1960)

Alfred Hitchcock often constructed his movies like neat games that manipulated the audience. The Master of Suspense delved headfirst into horror with Psycho, which follows a secretary (Janet Leigh) who sneaks off with $40,000 and hides in a motel. The ensuing jolt depends on Leigh’s fame at the time: No one expected the ostensible star and protagonist to die in a gory (for the time) shower butchering only a third of the way into the running time. Hitchcock outdid that feat with the last-act revelation that Anthony Perkins’s supremely creepy Norman Bates is embodying his dead mother.

2. PLANET OF THE APES (1968)

No, not the botched Tim Burton remake that tweaked the original movie’s famous reveal in a way that left everyone scratching their heads. The Charlton Heston-starring sci-fi gem continues to stupefy anyone who comes into its orbit. Heston, of course, plays an astronaut who travels to a strange land where advanced apes lord over human slaves. It becomes clear once he finds the decrepit remains of the Statue of Liberty that he’s in fact on a future Earth. The anti-violence message, especially during the political tumult of 1968, shook people up as much as the time warp.

3. DEEP RED (1975)

It’s not rare for a horror movie to flip the script when it comes to unmasking its killer, but it’s much rarer that such a film causes a viewer to question their own perception of the world around them. Such is the case for Deep Red, Italian director Dario Argento’s (Suspiria) slasher masterpiece. A pianist living in Rome (David Hemmings) comes upon the murder of a woman in her apartment and teams up with a female reporter to find the person responsible. Argento’s whodunit is filled to the brim with gorgeous photography, ghastly sights, and delirious twists. But best of all is the final sequence, in which the pianist retraces his steps to discover that the killer had been hiding in plain sight all along. Rewind to the beginning and you’ll discover that you caught an unknowing glimpse, too.

4. SLEEPAWAY CAMP (1983)

Sleepaway Camp is notorious among horror fans for a number of reasons: the bizarre, stilted acting and dialogue; hilariously amateurish special effects; and ‘80s-to-their-core fashions. But it’s best known for the mind-bending ending, which—full disclosure—reads as possibly transphobic today, though it’s really hard to say what writer-director Robert Hiltzik had in mind. Years after a boating accident that leaves one of two siblings dead, Angela is raised by her aunt and sent to a summer camp with her cousin, where a killer wreaks havoc. In the lurid climax, we see that moody Angela is not only the murderer—she’s actually a boy. Her aunt, who always wanted a daughter, raised her as if she were her late brother. The final animalistic shot prompts as many gasps as cackles.

5. THE USUAL SUSPECTS (1995)

The Usual Suspects has left everyone who watches it breathless by the time they get to the fakeout conclusion. Roger "Verbal" Kint (Kevin Spacey), a criminal with cerebral palsy, regales an interrogator in the stories of his exploits with a band of fellow crooks, seen in flashback. Hovering over this is the mysterious villainous figure Keyser Söze. It’s not until Verbal leaves and jumps into a car that customs agent David Kujan realizes that the man fabricated details, tricking the law and the viewer into his fake reality, and is in fact the fabled Söze.

6. PRIMAL FEAR (1996)

No courtroom movie can surpass Primal Fear’s discombobulating effect. Richard Gere’s defense attorney becomes strongly convinced that his altar boy client Aaron (Edward Norton) didn’t commit the murder of an archbishop with which he’s charged. The meek, stuttering Aaron has sudden violent outbursts in which he becomes "Roy" and is diagnosed with dissociative identity disorder, leading to a not guilty ruling. Gere’s lawyer visits Aaron about the news, and as he’s leaving, a wonderfully maniacal Norton reveals that he faked the multiple personalities.

7. FIGHT CLUB (1999)

Edward Norton is no stranger to taking on extremely disparate personalities in his roles, from Primal Fear to American History X. The unassuming actor can quickly turn vicious, which led to ideal casting for Fight Club, director David Fincher’s adaptation of the Chuck Palahniuk novel. Fincher cleverly keeps the audience in the dark about the connections between Norton’s timid, unnamed narrator and Brad Pitt’s hunky, aggressive Tyler Durden. After the two start the titular bruising group, the plot significantly increases the stakes, with the club turning into a sort of anarchist terrorist organization. The narrator eventually comes to grips with the fact that he is Tyler and has caused all the destruction around him.

8. THE SIXTH SENSE (1999)

Early in his career, M. Night Shyamalan was frequently (perhaps a little too frequently) compared to Hitchcock for his ability to ratchet up tension while misdirecting his audience. He hasn’t always earned stellar reviews since, but The Sixth Sense remains deservedly legendary for its final twist. At the end of the ghost story, in which little Haley Joel Osment can see dead people, it turns out that the psychologist (Bruce Willis) who’s been working with the boy is no longer living himself, the result of a gunshot wound witnessed in the opening sequence.

9. THE OTHERS (2001)

The Sixth Sense’s climax was spooky, but not nearly as unnerving as Nicole Kidman’s similarly themed ghost movie The Others, released just a couple years later. Kidman gives a superb performance in the elegantly styled film from the Spanish writer-director Alejandro Amenábar, playing a mother in a country house after World War II protecting her photosensitive children from light and, eventually, dead spirits occupying the place. Only by the end does it become clear that she’s in denial about the fact that she’s a ghost, having killed her children in a psychotic break before committing suicide. It’s a bleak capper to a genuinely haunting yarn.

10. MULHOLLAND DRIVE (2001)

David Lynch’s surrealist movies may follow dream logic, but that doesn’t mean their plots can’t be readily discerned. Mulholland Drive is his most striking work precisely because, in spite of its more wacko moments, it adds up to a coherent, tragic story. The mystery starts innocently enough with the dark-haired Rita (Laura Elena Harring) waking up with amnesia from a car accident in Los Angeles and piecing together her identity alongside the plucky aspiring actress Betty (Naomi Watts). It takes a blue box to unlock the secret that Betty is in fact Diane, who is in love with and envious of Camilla (also played by Harring) and has concocted a fantasy version of their lives. The real Diane arranges for Camilla to be killed, leading to her intense guilt and suicide. Only Lynch can go from Nancy Drew to nihilism so swiftly and deftly.

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