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U.S. Breaks Off Relations With Germany

Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 265th installment in the series.  

February 3, 1917: U.S. Breaks Off Relations With Germany

Germany’s fateful decision to resume unrestricted submarine warfare on February 1, 1917, allowing U-boat commanders to sink unarmed neutral vessels without warning, sent shockwaves around the world after it was publicly announced on the last day of January. Coming close on the heels of President Wilson’s offer to host peace talks, the new U-boat campaign was a slap in the face to the United States, which had twice threatened to break off diplomatic relations with Germany over this precise issue; there was now no way to avoid an open breach, setting the stage for America’s entry into the war. 

This wasn’t for lack of effort by Johann Heinrich von Bernstorff, the German ambassador to America, who frantically tried to persuade Berlin to delay the U-boat campaign, dispatching a flurry of secret telegrams up to the very last moment. On January 26, 1917 he sent a message marked “Most urgent,” asking to be allowed time to consider Wilson’s proposals, or at least give the appearance of doing so: 

After having had very important conference request most urgently postponement till my next two messages received… To begin U-boat war without previous negotiations regarding above proposals would among other things put us seriously in the wrong, and owing to Wilson’s personal sensitiveness, would make prevention of rupture quite impossible. 

The following day, January 27, Bernstorff again warned Berlin: 

If the U-boat campaign is opened now with any further ado, the President will regard this as a smack in the face, and war with the United States will be inevitable. The war party here will gain the upper hand, and the end of the war will be quite out of sight, as, whatever people may say to the contrary, the resources of the United States are enormous… At present, therefore, it is only a matter of postponing the declaration for a little while so that we may improve our diplomatic position. 

On January 29, however, Chancellor Bethmann-Hollweg brushed off Bernstorff’s warnings with the breezy assertion that Wilson’s proposal for peace negotiations came too late:

If his offer had only reached us a few days earlier, we should have been able to postpone opening of the new U-boat war. Now, however, in spite of the best will in the world, it is, owing to technical reasons, unfortunately too late, as far-reaching military preparations have already been made which cannot be undone, and U-boats have already sailed with new instructions… [I]n view of the life and death struggle which has once again been proclaimed against us, we cannot any longer delay the use of those means which appear to us best calculated to end the war quickly… 

In short, the die was cast. 

“Enemy Of Mankind” 

The American reaction was exactly as Bernstorff predicted. Although Wilson and Secretary of State Robert Lansing had heard rumors that Germany was preparing to resume unrestricted U-boat warfare through diplomatic and intelligence channels, they may have been surprised by the lack of warning in the latest declaration, which opened the campaign immediately. In any event both men were outraged, and Lansing, who had long been sympathetic to the Allies, advocated an immediate declaration of war. 

On February 2, Lansing sent Wilson a lengthy memorandum about “Germany’s broken promise and the crime of submarine warfare,” laying out several possible responses before making his own recommendation. First of all, he wrote, “I am firmly convinced that we must without taking any preliminary step break off diplomatic relations by sending Bernstorff and his suite home and by recalling [U.S. ambassador] Gerard and closing our Embassy at Berlin.

After this step, Lansing continued, the White House could attempt to minimize American casualties by advising U.S. citizens and merchant vessels to avoid traveling on the high seas – but he quickly pointed out that this would essentially mean the U.S. was submitting to Germany’s demands by severing its connections with Britain. In addition to undermining the Allied war effort and possibly handing Germany victory, tolerating the actions of an “outlaw” nation would be an obvious affront to American prestige (although Lansing didn’t feel the need to state this explicitly). 

Thus Lansing recommended the second, more extreme course of action: 

To follow up the severance of relations by announcing to Congress this action with a statement that Germany has forfeited every consideration by reason of her breach of faith, that the full criminality of her previous acts is revived and that no honorable course remains but for this country to employ every resource which it possesses to punish the guilty nation and to make it impotent to commit in the future crimes against humanity. 

In other words, Lansing was pushing Wilson to declare war on Germany, and marshaled a number of arguments in favor of the second course of action, appealing to Wilson’s fervent belief in democracy (which Lansing shared): “It amounts to a frank declaration that an outlaw Government is an enemy of mankind, and will show that the present military oligarchy must be eliminated for the sake of civilization and the future peace of the world… It will give tremendous moral weight to the cause of human liberty and the suppression of Absolutism.” 

On February 3, 1917 Wilson announced that the United States was breaking off diplomatic relations with Germany to a special session of Congress (top), by expelling the German ambassador and recalling the American ambassador to Berlin. For the time being diplomatic relations would continue with the other members of the Central Powers (in fact the U.S. didn’t declare war on Austria-Hungary until December 1917, long after it went to war with Germany, and never declared war on the Ottoman Empire). 

The New York Times 

Everyone understood that breaking off relations with Germany was the final step before a declaration of war, but Wilson remained understandably reluctant to embroil his country in the bloodiest conflict in human history; for one thing, in an age before opinion polls it was unclear where the American people stood, and he needed time to read the national mood. He may also have decided to wait for the first German U-boat attacks on American shipping in order to be able to present a firm case to Congress.

Unbeknownst to Wilson, British intelligence was about to make the task of convincing America to go to war much easier, with the disclosure of the Zimmermann Telegram.  

See the previous installment or all entries.

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10 Things You Might Not Know About Tina Fey
Jenny Anderson, Getty Images for Tony Awards Productions
Jenny Anderson, Getty Images for Tony Awards Productions

Tina Fey has transformed modern comedy more than just about anyone else. From the main stage of Second City to the writer’s room of SNL to extremely fetch comedy blockbusters, Elizabeth Stamatina Fey has built a national stage with a dry, eye-popping sarcasm and political satire where no one is safe. She has a slew of Emmys, Golden Globes, SAG, PGA, and WGA awards to prove it—plus a recent Tony nomination (her first). But, more importantly, she’s the closest thing we have to a national comic laureate.

Here are 10 facts about a fantastically blorft American icon.

1. SHE DID A BOOK REPORT ON COMEDY WHEN SHE WAS 11.

Fey got a very early start in comedy, watching a lot of The Mary Tyler Moore Show, Bob Newhart, and Norman Lear shows as a kid. Her father and mother sneaked her in to see Young Frankenstein and would let her stay up late to watch The Honeymooners. So it’s no surprise that she chose comedy as the subject of a middle school project. The only book she could get her hands on was Joe Franklin’s Encyclopedia of Comedians, but at least she made a friend. "I remember me and one other girl in my 8th grade class got to do an independent study because we finished the regular material early, and she chose to do hers on communism, and I chose to do mine on comedy," Fey told The A.V. Club. "We kept bumping into each other at the card catalog."

2. THE SCAR ON HER FACE CAME FROM A BIZARRE ATTACK THAT OCCURRED WHEN SHE WAS A CHILD.

Fey’s facial scar had been recognizable but unexplained for years until a profile in Vanity Fair revealed that the mark on her left cheek came from being slashed by a strange man when she was five years old. “She just thought somebody marked her with a pen,” her husband Jeff Richmond said. Fey wrote in Bossypants that it happened in an alleyway behind her Upper Darby, Pennsylvania, home when she was in kindergarten.

3. HER FIRST TV APPEARANCE WAS IN A BANK COMMERCIAL.

Saturday Night Live hired Fey as a writer in 1997. In 1995 she had the slightly more glamorous job of pitching Mutual Savings Bank with a radical floral applique vest and a handful of puns on the word “Hi.” In a bit of life imitating art, just as Liz Lemon’s 1-900-OKFACE commercial was unearthed and mocked on 30 Rock, the internet discovered Fey’s stint awkwardly cheering on high interest rates a few years ago and had a lot to say about her '90s hair.

4. SHE WAS THE FIRST WOMAN TO BE NAMED HEAD WRITER OF SNL.

Four years after that commercial and two after she joined Saturday Night Live’s writing staff, Fey earned a promotion to head writer. Up until that point, the head writers were named Michael, Herb, Bob, Jim, Steve. You get the picture. She acted as head writer for six seasons until moving on to write and executive produce 30 Rock. Since her departure, two more women (Paula Pell and Sara Schneider) have been head writers for the iconic show.

5. SHE’S THE YOUNGEST MARK TWAIN PRIZE WINNER.

Established in 1998, the Kennedy Center’s hilarious honor has mostly been awarded to funny people in the twilight of their careers. Richard Pryor was the first recipient, and comedians who made their marks decades prior like Lily Tomlin, Whoopi Goldberg, and George Carlin followed. Fey earned the award in 2010 when she was 40 years old, and the age of her successors (Carol Burnett, Bill Murray, Eddie Murphy, David Letterman ...) signals that she may hold the title of youngest recipient for some time.

6. SHE WROTE SATIRE FOR HER HIGH SCHOOL NEWSPAPER.

Fey was an outstanding student who was involved in choir, drama, and tennis, and co-edited the school’s newspaper, The Acorn. She also wrote a satirical column addressing “school policy and teachers” under the pun-tastic pseudonym “The Colonel.” Fey also recalled getting in trouble because she tried to make a pun on the phrase “annals of history.” Cheeky.

7. SHE MADE HER RAP DEBUT WITH CHILDISH GAMBINO ON "REAL ESTATE."

Donald Glover (a.k.a. Childish Gambino) first gained notice as a member of Derrick Comedy in college, and Fey hired him at the age of 23 to write for 30 Rock. Before jumping from that show to Community, Glover put out his first mixtape under his stage name. After releasing his debut album, Camp, in 2011, Gambino dropped a sixth mixtape called Royalty that featured Fey rapping on a song called “Real Estate.” “My president is black, and my Prius is blue!"

8. SHE VOICED PRINCESSES IN A BELOVED PINBALL GAME.

Between the bank commercial and Saturday Night Live, Fey has an intriguing credit on her resume: the arcade pinball machine “Medieval Madness.” Most of the game’s Arthurian dialogue was written by Second City members Scott Adsit (Pete Hornberger on 30 Rock) and Kevin Dorff, who pulled in fellow Second City castmate Fey to voice for an “Opera Singer” princess, Cockney-speaking princesses, and a character with a southern drawl. (You can hear some of the outtakes here.)

9. SHE USED MEAN GIRLS TO PUSH BACK AGAINST STEREOTYPES OF WOMEN IN MATH.

Tina Fey and Lindsay Lohan in 'Mean Girls' (2004)
Paramount Home Entertainment

There’s a ton of interesting trivia about Mean Girls, Fey’s first foray into feature film screenwriting. She bid on the rights to Rosalind Wiseman’s book that inspired the movie without realizing it didn’t have a plot. She initially wrote a large part for herself but kept whittling it down to focus on the teenagers, and her first draft was “for sure R-rated.” Fey also chose to play a math teacher to fight prejudice. “It was an attempt on my part to counteract the stereotype that girls can’t do math. Even though I did not understand a word I was saying.” Fey used a friend’s calculus teacher boyfriend’s lesson plans in the script.

10. SHE SET UP A SCHOLARSHIP IN HER FATHER’S NAME TO HELP VETERANS.

Fey’s father Donald was a Korean War veteran who also studied journalism at Temple University. When he died in 2015, Fey and her brother Peter founded a memorial scholarship in his name that seeks to aid veterans who want to study journalism at Temple.

"He was really inspiring," Fey said. "A lot of kids grow up with dreams of doing those things and their parents are fearful and want them to get a law degree and have things to fall back on, but he and our mom always encouraged us to pursue whatever truly interested us." Fey also supports Autism Speaks, Mercy Corps, Love Our Children USA, and other charities.

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Deadpool Fans Have a Wild Theory About Who Cable Really Is
Twentieth Century Fox Film Corporation
Twentieth Century Fox Film Corporation

Deadpool 2 is officially in theaters and ruling the box office just like its predecessor did back in 2015. But this installment is about more than just crude jokes and over-the-top action scenes; it also includes the debut of a longtime Marvel character that fans have been clamoring to see on the big screen since 2000’s X-Men hit theaters: Cable.

But the Cable in Deadpool 2 isn’t quite the one fans have gotten used to in the books—for starters, his powers and backstory are reined in considerably. While it’s easy to assume that’s by design, so that audiences can better relate to the character (which is played by Josh Brolin), some fans have speculated that the changes are because, well, this character isn’t really Cable at all; instead, Screen Rant has a theory that this version of the character is actually none other than an older Wolverine from the future.

So how can Wolverine be Cable? Well, it’s actually quite easy, considering that Wolverine was Cable in Marvel’s Ultimate Universe comics, which was a series of books in the 2000s that completely reimagined the regular Marvel Universe. In this reality, a grizzled, aged Wolverine takes on the Cable nickname and travels back in time to prevent a takeover of Earth from the villain Apocalypse.

We were already introduced to Apocalypse in 2016’s X-Men: Apocalypse, and while he was defeated in the end, Screen Rant theorizes that he could return like he does in the Ultimate X-Men comics: by inhabiting the body of Nathaniel Essex, a.k.a. Mister Sinister. Essex was already name-dropped in Apocalypse and Deadpool 2, so it stands to reason that there might be some larger story on the horizon for him.

This would, of course, lead to more X-Men movies down the road, with Cable revealing his true nature and teaming with a crew of mutants that includes the classic X-Men cast as well as their younger selves to battle a newly formed Apocalypse. It’d also allow the character of Wolverine to live on in Brolin, leaving Hugh Jackman to enjoy a retired life without claws.

Obviously this is just one fan theory based on a comic storyline from over a decade ago. It would also have to ignore a whole host of continuity problems—including the events of Logan. But having a twist with Cable actually being Wolverine from the future (and likely from a different reality) is the type of headache-inducing madness the comics are known for.

[h/t: Screen Rant]

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