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13 Rabid Facts About Cujo

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It may have temporarily given Saint Bernards a bad name, but this 1983 thriller is still fondly remembered by many horror fans for its relentless suspense and impressively trained stunt dogs. Here are 13 facts about Cujo that you can really sink your teeth into.

1. STEPHEN KING CAN BARELY REMEMBER WRITING THE ORIGINAL NOVEL.

The story of Cujo began in the summer of 1977. At the time, King was living in Bridgton, Maine with his wife, Tabitha. When his motorcycle broke down one day, he took it to a backwoods mechanic who owned what King calls “the biggest Saint Bernard I ever saw in my life.” Four years later, the master of horror published Cujo. A grim masterpiece, the book was written during a tumultuous chapter in its author’s life. During the 1980s, King struggled with alcohol and drug addictions—which spiraled out of control until his family staged an intervention.

In the year 2000, he opened up about the ordeal in his now-classic memoir On Writing. Before his loved ones confronted him, King admitted, he was “drinking a case of sixteen-ounce tallboys a night.” That experience robbed the novelist of some memories he’d like to have back. “[There’s] one novel, Cujo, that I barely remember writing at all. I don’t say that with pride or shame, only with a vague sense of sorrow and loss,” King revealed. “I like that book. I wish I could remember enjoying the good parts as I put them down on the page.”

2. DOG TRAINER KARL MILLER BEGGED A PRODUCER TO CHANGE CUJO’S BREED.

“There are no Saint Bernards who are trained,” Miller noted during pre-production. In the DVD documentary Dog Days: The Making of Cujo, producer Daniel H. Blatt reveals that Miller was hesitant about the prospect of working with this difficult breed in the film. In a conversation with Blatt, the animal handler asked “Why don’t you use a different kind of dog? I have lots of Dobermans and things like that that are trained.” Obviously, the producer wasn’t sold.

3. KING LOBBIED TO HAVE LEWIS TEAGUE DIRECT THE MOVIE.

As a horror movie buff, King really appreciated the unique directing style Teague exhibited in the 1980 creature feature Alligator. So when Taft International picked up the film rights to Cujo, he suggested that they hire Teague to take the helm. Instead, the studio chose veteran director Peter Medak. However, a few days after principal photography started, Medak left the project due to creative differences with Blatt. Teague was then brought in as a replacement.  

4. THE TITLE CHARACTER WAS PLAYED BY MULTIPLE CANINES (AND SOME MAN-MADE STUNT DOUBLES).

How many live Saint Bernards were used in the filming of Cujo? “Everybody says a different number,” observes Dee Wallace, who portrayed Donna Trenton. In various interviews, members of the cast and crew have claimed that Cujo relied on the services of anywhere from five to 13 individual dogs that all received specialized training.

“Each dog had a different talent,” Teague said at the 2014 Monster Mania Convention in southern New Jersey. For example, one pooch would bark on command in front of the camera. Another was taught to run along pre-determined routes. There were also certain moments—such as the shot where Cujo rams his head into a car door—that called for a synthetic canine. “We had a man in a dog suit, we had a mechanical dog, and we had as a backup a dog suit we could put on a Labrador retriever, which we never actually used,” Teague says.

5. TEAGUE CHOSE TO OMIT THE BOOK’S SUPERNATURAL UNDERTONES.

The novel implies that Cujo himself might be the reincarnation of a human serial killer. It also hints at the possibility of an otherworldly force lurking in Tad’s closet, which would help explain his recurring nightmares. During the DVD commentary, Teague says that he’d toyed with the latter concept. “We actually experimented with having special effects that showed something did exist… in the closet and Tad wasn’t just imagining things,” reveals the director. Specifically, in this deleted footage, the boy’s toys and coat hangers merge together into a frightening, monster-like shape. “But it didn’t work, on film it was hokey,” Teague claims.

6. CHILLY TEMPERATURES MADE FOR AN UNCOMFORTABLE SHOOT.

Although the story takes place in coastal Maine during an oppressively hot summer, Cujo was shot in northern California over the months of October, November, and December, 1982. Of course, this part of the country isn’t noted for its balmy winters. Wallace says that in many scenes, she and Danny Pintauro (Tad Trenton) “were freezing to death… They had to put a heater in the car for us during the production because we were freezing.”

This discomfort was exacerbated by the fact that the script called for both actors to wear very little clothing in all of the Pinto sequences. Low temperatures even marred some of the indoor scenes. Case in point: During the climax, Donna douses Tad with what appears to be cold tap water. But actually, Wallace used warm water to keep her young co-star from getting too chilly. 

7. ONE DOG HOSPITALIZED WALLACE’S STUNTWOMAN.  

In a discussion panel at the Monster Mania con, Teague and Wallace discussed a gruesome on-set injury. The incident occurred during the big attack scene that sees Cujo tackling Donna. When certain shots were deemed too dangerous for Wallace, the decision was made to intercut footage of her stuntwoman, Jean Coulter. Acting alongside the double was a trained dog named Cubby, who’d been taught to lurch forward whenever Coulter lunged towards him. Together, the two nailed an important shot on the very first take. Unfortunately, though, the situation was about to go downhill in a hurry.

“We [heard] ‘Cut! We got it!’” Wallace remembered. At that point, Coulter shouted “Yeah!” In her excitement, she suddenly jerked forward. Big mistake. “The dog lunged… and bit off the end of her nose,” Wallace said. Coulter was rushed to a hospital, where doctors reattached the lobbed-off nasal flesh. By the way, this wasn’t the first time she’d been injured or otherwise harmed during a shoot: On the set of Jaws 2 (1978), Coulter lost her eyelashes and brows when a flare gun mishap set her wig ablaze.  

8. THE SAINT BERNARDS WERE CONSTANTLY WAGGING THEIR TAILS.

Don’t let their big proportions scare you: In real life, Saint Bernards are famously friendly dogs—and the ones that appeared in Cujo were no different. “We had to literally tie their tails down [with fishing wire] because they would wag them,” Wallace remembers. “It was a big game for them!”

9. WALLACE FOUGHT TO KEEP A POWERFUL LINE OF DIALOGUE.  

Late in the film, an inconsolable Tad starts hollering for his father until Donna finally snaps and screams “Alright, I’ll get your daddy!” at the top of her lungs. The take that we see in the movie almost ended up on the cutting room floor. When Dan Blatt saw this footage, he approached Wallace and wondered aloud if the actress’ tone might cause the audience to turn against her character. “Every parent everywhere in the world will identify with that reaction,” Wallace countered. “Let’s have the balls to go with it.” Hearing this, Blatt relented and the take was incorporated into the final version of the film.  

10. KING APPROVED OF THE MOVIE’S HAPPY ENDING.

SPOILER ALERT: The Cujo novel ends with a devastating twist. In the book, an anguished Donna kills her canine oppressor moments before she’s rescued by her husband, Vic. Only then does she learn that little Tad—having succumbed to prolonged trauma and dehydration—has perished in the back seat of their Pinto. But in the movie version, Tad lives. It was a change that Taft International insisted upon, and King completely understood the studio’s rationale. As the novelist told Cinefantastique magazine, “Films exist on a much more emotional level. It’s all happening right in front of you.” Negative reactions to the final pages of his novel might also help explain why he was so willing to let the filmmakers cook up a happier ending. When the Cujo novel was released, King informed the cast and crew that he’d “never gotten more hate mail” than he did after killing off Tad Trenton.

11. AFTER PRODUCTION ENDED, WALLACE WAS TREATED FOR EXHAUSTION.

It’s no secret that King was greatly disappointed by Stanley Kubrick’s cinematic take on his classic novel, The Shining. On the other hand, he very much enjoyed what Teague and company did with Cujo. The author’s even written that Dee Wallace deserved an Oscar nomination for her “absolutely terrific” performance as Donna. For the record, Wallace cites Cujo as her favorite of all the movies she’s worked on. Yet, the lead role took a massive toll on her health.

“I don’t think I’ve ever done anything as emotionally and physically taxing as that film,” she says. “On the set… they picked me up at 5 AM every morning and I was lucky to get home by 8 PM,” Wallace explains. And as if this wasn’t fatiguing enough, the intense nature of her scenes sent a near-constant supply of adrenaline coursing through the actress’s body. Consequently, Wallace spent three weeks being treated for exhaustion after Cujo wrapped.

12. CUJO AND BEETHOVEN (1992) EMPLOYED THE SAME DOG TRAINER.  

“When Cujo came out, I wasn’t exactly the most popular dog trainer in the world among Saint Bernard owners,” Miller told the Los Angeles Times. In 1992 however, he redeemed himself in their eyes by lending his talents to a more upbeat Saint Bernard flick called Beethoven. To find the perfect dog for that anarchic family comedy, Lewis auditioned roughly two dozen different specimens before selecting a big male named Kris, who ended up starring in both Beethoven and its 1993 sequel, Beethoven’s 2nd.

13. CUJO’S DIRECTOR DIDN’T GRADUATE FROM FILM SCHOOL UNTIL 2016.

Teague had dropped out of New York University in 1963. “At the end of my second year at NYU… I accidentally took a film production class, loved it, got hit by a bolt of lightning,” he explains in the above clip. “I knew [that was] what I wanted to do for the rest of my life.” Eager to pursue his newfound passion, Teague put together a short film titled It’s About This Carpenter. In turn, that little picture earned him a scholarship at Universal Studios, along with a director’s contract.

Upon arriving at their Los Angeles facility, he dropped out of NYU altogether and started executing various jobs in the film industry. By the early 2000s, Teague had directed several films, including The Jewel of the Nile, Cat’s Eye, and—of course—Cujo. The filmmaker recently went back to NYU, where he finally earned his bachelor’s degree in 2016 at the age of 78.

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10 Surprising Facts About The Babadook
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In 2014, The Babadook came out of nowhere and scared audiences across the globe. Written and directed by Aussie Jennifer Kent, and based on her short film Monster, The Babadook is about a widow named Amelia (played by Kent’s drama schoolmate Essie Davis) who has trouble controlling her young son Samuel (Noah Wiseman), who thinks there’s a monster living in their house. Amelia reads Samuel a pop-up book, Mister Babadook, and Samuel manifests the creature into a real-life monster. The Babadook may be the villain, but the film explores the pitfalls of parenting and grief in an emotional way. 

“I never approached this as a straight horror film,” Kent told Complex. “I always was drawn to the idea of grief, and the suppression of that grief, and the question of, how would that affect a person? ... But at the core of it, it’s about the mother and child, and their relationship.”

Shot on a $2 million budget, the film grossed more than $10.3 million worldwide and gained an even wider audience via streaming networks. Instead of creating Babadook out of CGI, a team generated the images in-camera, inspired by the silent films of Georges Méliès and Lon Chaney. Here are 10 things you might not have known about The Babadook (dook, dook).

1. THE NAME “BABADOOK” WAS EASY FOR A CHILD TO INVENT.

Jennifer Kent told Complex that some people thought the creature’s name sounded “silly,” which she agreed with. “I wanted it to be like something a child could make up, like ‘jabberwocky’ or some other nonsensical name,” she explained. “I wanted to create a new myth that was just solely of this film and didn’t exist anywhere else.”

2. JENNIFER KENT WAS WORRIED PEOPLE WOULD JUDGE THE MOTHER.

Amelia isn’t the best mother in the world—but that’s the point. “I’m not a parent,” Kent told Rolling Stone, “but I’m surrounded by friends and family who are, and I see it from the outside … how parenting seems hard and never-ending.” She thought Amelia would receive “a lot of flak” for her flawed parenting, but the opposite happened. “I think it’s given a lot of women a sense of reassurance to see a real human being up there,” Kent said. “We don’t get to see characters like her that often.”

3. KENT AND ESSIE DAVIS TONED DOWN THE CONTENT FOR THE KID.

Noah Wiseman was six years old when he played Samuel. Kent and Davis made sure he wasn’t present for the more horrific scenes, like when Amelia tells Samuel she wishes he was the one who died, not her husband. “During the reverse shots, where Amelia was abusing Sam verbally, we had Essie yell at an adult stand-in on his knees,” Kent told Film Journal. “I didn’t want to destroy a childhood to make this film—that wouldn’t be fair.”

Kent explained a “kiddie version” of the plot to Wiseman. “I said, ‘Basically, Sam is trying to save his mother and it’s a film about the power of love.’”

4. THE FILM IS ALSO ABOUT “FACING OUR SHADOW SIDE.”

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Kent told Film Journal that “The Babadook is a film about a woman waking up from a long, metaphorical sleep and finding that she has the power to protect herself and her son.” She noted that everybody has darkness to face. “Beyond genre and beyond being scary, that’s the most important thing in the film—facing our shadow side.”

5. THE FILM SCARED THE HELL OUT OF THE DIRECTOR OF THE EXORCIST.

In an interview with Uproxx, William Friedkin—director of The Exorcist—said The Babadook was one of the best and scariest horror films he’d ever seen. He especially liked the emotional aspect of the film. “It’s not only the simplicity of the filmmaking and the excellence of the acting not only by the two leads, but it’s the way the film works slowly but inevitably on your emotions,” he said.

6. AN ART DEPARTMENT ASSISTANT SCORED THE ROLE AS THE BABADOOK.

Tim Purcell worked in the film’s art department but then got talked into playing the titular character after he acted as the creature for some camera tests. “They realized they could save some money, and have me just be the Babadook, and hence I became the Babadook,” Purcell told New York Magazine. “In terms of direction, it was ‘be still a lot,’” he said.

7. THE MOVIE BOMBED IN ITS NATIVE AUSTRALIA.

Even though Kent shot the film in Adelaide, Australians didn’t flock to the theaters; it grossed just $258,000 in its native country. “Australians have this [built-in] aversion to seeing Australian films,” Kent told The Cut. “They hardly ever get excited about their own stuff. We only tend to love things once everyone else confirms they’re good … Australian creatives have always had to go overseas to get recognition. I hope one day we can make a film or work of art and Australians can think it’s good regardless of what the rest of the world thinks.”

8. YOU CAN OWN A MISTER BABADOOK BOOK (BUT IT WILL COST YOU). 

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In 2015, Insight Editions published 6200 pop-up books of Mister Babadook. Kent worked with the film’s illustrator, Alexander Juhasz, who created the book for the movie. He and paper engineer Simon Arizpe brought the pages to life for the published version. All copies sold out but you can find some Kent-signed ones on eBay, going for as much as $500.

9. THE BABADOOK IS A GAY ICON.

It started at the end of 2016, when a Tumblr user started a jokey thread about how he thought the Babadook was gay. “It started picking up steam within a few weeks,” Ian, the Tumblr user, told New York Magazine, “because individuals who I presume are heterosexual kind of freaked out over the assertion that a horror movie villain would identify as queer—which I think was the actual humor of the post, as opposed to just the outright statement that the Babadook is gay.” In June, the Babadook became a symbol for Gay Pride month. Images of the character appeared everywhere at this year's Gay Pride Parade in Los Angeles.

10. DON'T HOLD YOUR BREATH FOR A SEQUEL.

Kent, who owns the rights to The Babadook, told IGN that, despite the original film's popularity, she's not planning on making any sequels. “The reason for that is I will never allow any sequel to be made, because it’s not that kind of film,” she said. “I don’t care how much I’m offered, it’s just not going to happen.”

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15 Fascinating Facts About Amelia Earhart
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Amelia Earhart was a pioneer, a legend, and a mystery. To celebrate what would be her 120th birthday, we've uncovered 15 things you might not know about the groundbreaking aviator.

1. THE FIRST TIME SHE SAW AN AIRPLANE, SHE WASN'T IMPRESSED.

In Last Flight, a collection of diary entries published posthumously, Earhart recalled feeling unmoved by "a thing of rusty wire and wood" at the Iowa State Fair in 1908. It wasn't until years later that she discovered her passion for aviation, when she worked as a nurse's aide at Toronto's Spadina Military Hospital. She and some friends would spend time at hangars and flying fields, talking to pilots and watching aerial shows. Earhart didn't actually get on a plane herself until 1920, and even then she was just a passenger.

2. SHE WAS A GOOD STUDENT WITH NO PATIENCE FOR SCHOOL.

After working with the Voluntary Aid Detachment in Toronto, Earhart took pre-med classes at Columbia University in 1919. She made good grades, but dropped out after just a year. Earhart re-enrolled at Columbia in 1925 and left school again. She took summer classes at Harvard, but gave up on higher education for good after she didn't get a scholarship to MIT.

3. ANOTHER PIONEERING FEMALE AVIATOR TAUGHT EARHART HOW TO FLY.

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Neta Snook was the first woman to run her own aviation business and commercial airfield. She gave Earhart flying lessons at Kinner Field near Long Beach, California in 1921, reportedly charging $1 in Liberty Bonds for every minute they spent in the air.

4. EARHART BOUGHT HER FIRST PLANE WITHIN SIX MONTHS OF HER FIRST FLYING LESSON.

Wikimedia Commons // Public Domain

She named it The Canary. The used yellow Kinner Airster biplane was the second one ever built. Earhart paid $2000 for it, despite Snook's opinion that it was underpowered, overpriced, and too difficult for a beginner to land.

5. AMY EARHART ENCOURAGED HER DAUGHTER'S PASSION. HER FATHER, ON THE OTHER HAND, WAS AFRAID OF FLYING.

Earhart's mom used some of her inheritance to pay for The Canary. She was a bit of an adventurer herself: the first woman to ever climb Pikes Peak in Colorado.

6. EARHART HAD A LOT OF ODD JOBS.

In addition to volunteering as a nurse's aide, Earhart also worked early jobs as a telephone operator and tutor. Earhart was a social worker at Denison House in Boston when she was invited to fly across the Atlantic for the first time (as a passenger) in 1928. At the height of her career, Earhart spent time making speeches, writing articles, and providing career counseling at Purdue University's Department of Aeronautics. Oh, and flying around the world.

7. SHE WASN'T SURE ABOUT MARRIAGE, BUT SHE DEFINITELY BELIEVED IN PRE-NUPS.

When promoter George Putnam contacted Earhart about flying across the Atlantic Ocean in 1928, it was her first big break ... and the beginning of their love story. The two began a working relationship, which soon turned into attraction. When Putnam's marriage to Dorothy Binney fell apart, he eventually proposed to Earhart. She said yes, albeit reluctantly.

Earhart wasn't worried about safeguarding financial assets so much as she wanted the two of them to maintain separate identities. Earhart asked Putnam to agree to a trial marriage. If they weren't happy after a year, they'd be free to go their separate ways, no hard feelings. He agreed. They lived happily until her disappearance.

8. SHE WROTE ABOUT FLYING FOR COSMOPOLITAN.

In 1928, Earhart was appointed Cosmopolitan's Aviation Editor. Her 16 published articles—among them "Shall You Let Your Daughter Fly?" and "Why Are Women Afraid to Fly?"—recounted her adventures and encouraged other women to fly, even if they just did so commercially. (Commercial flights date back to 1914, but they wouldn't really take off until after World War II.)

9. FIRST LADY ELEANOR ROOSEVELT WAS SO INSPIRED BY EARHART THAT SHE SIGNED UP FOR FLYING LESSONS.

The two became friends in 1932. Roosevelt got a student permit and a physical examination, but never followed through with her plan.

10. EARHART WAS THE FIRST WOMAN TO GET A PILOT'S LICENSE FROM THE NATIONAL AERONAUTIC ASSOCIATION (NAA).

That was in 1923, when pilots and aircrafts weren't legally required to be licensed. Earhart was the sixteenth woman to get licensed by the Fédération Aéronautique Internationale (FAI), which was required to set flight records. Still, the FAI didn't maintain women's records until 1928.

11. SHE ACCOMPLISHED A LOT OF "FIRSTS."

Earhart eventually became the first woman to fly across the Atlantic as a passenger (1928) and then solo (1932) and nonstop from coast to coast (1932) as a pilot. She also set records, period: Earhart was the first person to ever fly solo from Honolulu to Oakland, Los Angeles to Mexico City, and Mexico City to Newark, all in 1935.

What do John Glenn, George H.W. Bush, and Amelia Earhart have in common? They all earned an Air Force Distinguished Flying Cross. But only Earhart was the first woman—and one of few civilians—to do so.

12. SHE WAS ONE OF THE FIRST CELEBRITIES TO LAUNCH A CLOTHING LINE.

Amelia Earhart Fashions were affordable separates sold exclusively at Macy's and Marshall Field's. The line's dresses, blouses, pants, suits, and hats were made of cotton and parachute silk and featured aviation-inspired details, like propeller-shaped buttons. Earhart studied sewing as a girl and actually made her own samples.

13. THE U.S. GOVERNMENT SPENT $4 MILLION SEARCH FOR EARHART.

At the time, it was the most expensive air and sea search in history. Earhart's plane disappeared July 2, 1937. The official search ended a little over two weeks later on July 19. Putnam then financed a private search, chartering boats to the Phoenix Islands, Christmas Island, Fanning Island, the Gilbert Islands, and the Marshall Islands.

14. THE SEARCH ISN'T OVER.

There are several theories about what happened to Earhart's plane during her last flight. Most people believe she ran out of fuel and crashed into the Pacific Ocean. Others believe she landed on an island and died of thirst, starvation, injury, or at the hands of Japanese soldiers in Saipan. In 1970, one man even claimed that Earhart was alive and well and living a secret life in New Jersey.

The International Group for Historic Aircraft Recovery (TIGHAR) has explored the theory that Earhart and her navigator Fred Noonan lived as castaways before dying on Gardner Island, now called Nikumaroro, in the western Pacific. Over the years, they've found a few potential artifacts, including evidence of campfire sites, pieces of Plexiglas, and an empty jar of the brand of freckle cream that Earhart used.

In early July 2017, a photo surfaced that seemed to confirm the theory that Earhart and Noonan crashed and were captured by Japanese soldiers, but that photo was quickly debunked.

15. TODAY, ANOTHER AMELIA EARHART IS MAKING HISTORY.

In 2014, another pilot named Amelia Earhart took to the skies to set a world record. The then-31-year-old California native became the youngest woman to fly 24,300 miles around the world in a single-engine plane. Her namesake never completed the journey, but the younger Earhart landed safely in Oakland on July 11, 2014. We think "Lady Lindy" would be proud.

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