10 Fascinating Facts About Space Invaders

iStock
iStock

by Ryan Lambie

With its seemingly endless army of aliens slowly marching down the screen, the thump-thump-thump of its sound effects, and its dodge-and-shoot action, Space Invaders was one of the earliest icons in video gaming.

Made at a time when the industry was still in its infancy, Space Invaders could easily have looked and sounded very different. It was a worldwide hit and sparked a moral panic, yet for years, its designer remained anonymous. Here's a look at some of the fascinating facts behind the story of Space Invaders.

1. ITS CREATOR HAD NO INTENTION OF ENTERING THE GAMING INDUSTRY.

Fascinated by science and electronics as a child, Tomohiro Nishikado studied engineering at Tokyo Denki University and graduated in 1968. Nishikado initially specialized in television circuitry, but a year after his graduation, he managed to get a job at Taito, an electronics company just moving into making video games.

2. IT WAS INSPIRED BY BREAKOUT.

Nishikado created some of the earliest home-grown games in Japan, including Davis Cup and Soccer. These were both bat-and-ball games, inspired by the seminal Pong. By 1976, Nishikado became fascinated by Atari's Breakout, itself an evolution of the bat-and-ball mechanics of Pong.

“I was determined to come up with something that was even better than Breakout,” Nishikado told The New Yorker. What if, he thought, the bricks at the top of the screen didn't just wait to be struck by the player's bouncing ball, but actually moved and fired back?

3. EARLY VERSIONS OF THE GAME WERE MUCH DIFFERENT.

With this inspiration at the front of his mind, Nishikado began to devise a dynamic shooting game, with the player hunkered down at the bottom of the screen and an army of enemies slowly advancing from the top. The space theme didn't arrive until later in development.

Nishikado's initial idea had the player shooting down planes, tanks, and soldiers; the latter idea was rejected by Nishikado's bosses at Taito, who did not want a game featuring "the image of war." Nishikado was inspired to use a space setting once news of the popularity of Star Wars began to reach Japan. He also found the idea for the aquatic alien invaders from H.G. Wells's sci-fi classic The War of the Worlds. He modeled his sprite designs on various sea creatures, including squids, crabs, and octopuses.

4. IT FEATURED A NUMBER OF INNOVATIVE IDEAS.

At a time when game design was still in its nascent stages in Japan, Nishikado spent a year building what would become Space Invaders. But while he wrestled with the limitations of technology, he managed to work a number of innovations into his concept: Space Invaders's introduction of barriers which slowly dissolved under enemy fire had never been seen before. It also saved the previous highest score, thus daring the next player to try to beat it.

Even the game's technical limitations positively affected the gameplay: As the invaders are destroyed, the load on the microprocessor decreases and the aliens' movement—and accompanying soundtrack—speed up. For perhaps the first time, a video game didn't just feel challenging—it felt intimidating.

5. SALES WERE INITIALLY SLOW.

Space Invaders's success was by no means assured from day one. Within Taito, management was unconvinced by it; when the game was shown to arcade operators, their response was similarly muted. "The feedback was almost entirely negative," Nishikado recalled. "Very few orders were placed."

6. IT REVERSED A SLUMP IN THE VIDEO GAME INDUSTRY.

Players, as we now know, responded ecstatically to Space Invaders. Popular within months, some 100,000 Space Invaders cabinets were installed in arcades and Pachinko parlors up and down Japan by the end of 1978. An industry which had begun to slump under the weight of Pong and Breakout clones was suddenly revived by Space Invaders, and the game grossed $600 million in 1978.

7. IT SPARKED A MINOR MORAL PANIC.

With any phenomenon comes a backlash. While oft-repeated tales of a coin shortage in Japan are a myth, it was but one story attached to the game at the height of Space Invaders mania. Soon after the arcade game came out, a 12-year-old boy in Japan, armed with a shotgun, tried to relieve a bank of its coins so that he could spend them on Space Invaders. The moral panic spread to the UK, where Space Invaders was blamed for an increase in burglaries. In 1981, Labour MP George Foulkes put a bill through parliament called Control of Space Invaders (and other Electronic Games).

8. MARTIN AMIS WROTE A BOOK ON THE GAME.

While some politicians and newspaper columnists got in a lather over Space Invaders, the game was championed by Martin Amis, author of Time's Arrow and London Fields.

Published in 1982, Invasion Of The Space Invaders offered an essay on video gaming's cultural impact, and also tips on how to get high scores in Taito's hit and other arcade machines. "Advice: position your tank under the eave of a defensive and keep your eye on the aliens," Amis wrote, "not on the bombs."

Now out of print, the book is a sought-after collector's item.

9. FOR YEARS, ITS CREATOR REMAINED ANONYMOUS.

Although Space Invaders was a phenomenon, Nishikado was far from a celebrity as a result. His name was never put on the game, and for many years, he was contractually obliged not to reveal that he'd even made Space Invaders. The New Yorker reported that, sadly, Nishikado's promotion after Space Invaders was released took him away from creating games. "I spent most of my time managing other employees," he said.

10. ITS CREATOR WAS NEVER ANY GOOD AT THE GAME.

While Tomohiro Nishikado was responsible for making one of the most influential games ever, he admits to never being able to make it much further than the first screen. "Had it been up to me," he says, "Space Invaders would have been a far easier game."

Harry Potter and the Goblet of Fire Almost Had a Different Title

Harry Potter and the Goblet of Fire is a favorite for fans of both the Harry Potter book series and its film franchise. In addition to offering readers a more mature outing for Harry and the gang, the stakes are far more dangerous—and the characters’ hormones are all over the place.

The name Goblet of Fire is a pretty literal title, as that’s how Harry is forced into the Triwizard Tournament. In addition to being accurate, the title has a nice ring to it, but it was previously revealed that JK Rowling had some other names in the running.

In JK Rowling: A Bibliography 1997-2013, author Philip W. Errington reveals tons of unknown details about the Harry Potter series, so much so that Rowling herself described it as "slavishly thorough and somewhat mind-boggling." In it, Errington revealed that Goblet of Fire had at least three alternate titles: Harry Potter and the Death Eaters, Harry Potter and the Fire Goblet, and Harry Potter and the Three Champions were all working titles before the final decision was made.

While Death Eaters sounds far too depressing and scary to market as a children’s book, Fire Goblet just doesn’t have the elegance of Goblet of Fire. As for Three Champions? It's as boring as it is vague. So kudos to Rowling and her editor for definitely making the correct choice here.

It's not the only time a Harry Potter title led to a larger discussion—and some confusion. In 1998, readers around the world were introduced to Harry through the first book in the series: Harry Potter and the Sorcerer's Stone. But elsewhere around the world, it was known as Harry Potter and the Philosopher's Stone.

As Errington explains in his book, the book's publisher wanted “a title that said ‘magic’ more overtly to American readers." They were concerned that Philosopher's Stone would feel "arcane," and proposed some alternatives. While Rowling agreed to Harry Potter and the Sorcerer's Stone, she later admitted that she regretted the decision.

"To be honest, I wish I hadn't agreed now," she explained. "But it was my first book, and I was so grateful that anyone was publishing me I wanted to keep them happy."

The 20 Best-Selling Movie Soundtracks of All Time

Warner Home Video
Warner Home Video

Movie soundtracks can be big business—sometimes bigger than the movie itself. (And sometimes better than the film itself.) In early December 2018, three soundtracks were in the Billboard Top 10, and Mariah Carey’s Glitter soundtrack has been in the news recently for reentering the charts. But they have a long way to go before entering the top echelon.

Here are the 20 best-selling movie soundtracks of all time—many of which have been on the list for decades.

(The following list is based on RIAA certified units).

1. The Bodyguard (1992)

Certified units: 18 million

Elvis Presley originally wanted to record Dolly Parton’s “I Will Always Love You,” but his people wanted half the publishing rights. Parton refused and later commented that “when Whitney [Houston’s version] came out, I made enough money to buy Graceland."

2. Saturday Night Fever (1977)

Certified units: 16 million

CPR will never be the same.

3. Purple Rain (1984)

Certified units: 13 million

Prince wrote around 100 songs for the movie—and "Purple Rain" wasn’t even in that original group.

4. Forrest Gump (1994)

Certified units: 12 million

Like a box of chocolates, except songs, with everything from Jefferson Airplane to Lynyrd Skynyrd featured in Robert Zemeckis's Oscar-winning hit.

5. Dirty Dancing (1987)

Certified units: 11 million

Maybe don’t rush to get the album if you love the film’s songs: According to executive producer Jimmy Ienner, “We needed different mixes for the film and record ... For example, the guitars were dropped way down for the film because guitars weren’t a dominant instrument back then; saxophones were. We took out most of the synthesized stuff and replaced it with organs in the film version.”

6. Titanic (1997)

Certified units: 11 million

Céline Dion told Billboard that when she was recording "My Heart Will Go On," her thoughts were: “Sing the song, then get the heck out of there."

7. The Lion King (1994)

Certified units: 10 million

"Nants ingonyama" apparently translates to “Here comes a lion.” And if you've seen this Disney classic—which is about to get a live-action remake—you certainly know what "Hakuna Matata" means.

8. Footloose (1984)

Certified units: 9 million

When Ann Wilson of Heart was prepping to duet for the song “Almost Paradise” for Footloose, she broke her wrist. But she refused painkillers because they’d affect her singing voice.

9. Top Gun (1986)

Certified units: 9 million

The songs of Top Gun “still define the bombastic, melodramatic sound that dominated the pop charts of the [mid-80s],” according to AllMusic

10. O Brother, Where Art Thou? (2000)

Certified units: 8 million

According to Marcus Mumford of Mumford and Sons, they were introduced to bluegrass through the Coen brothers's O Brother, Where Art Thou, saying “That movie kind of heralded the advent of bluegrass in mainstream British culture."

11. Grease (1978)

Certified units: 8 million

According to Box Office Mojo, Grease is the second highest-grossing musical of all time, beaten only by 2017’s Beauty and the Beast.

12. Waiting To Exhale (1995)

Certified units: 7 million

The song “Exhale” is famous for its "shoop" chorus. But writer Kenneth “Babyface” Edmonds explained that it’s a result of every time he wanted to write actual lyrics, they just got in the way.

13. The Little Mermaid (1989)

Certified units: 6 million

According to co-directors Ron Clements and John Musker, “Part of Your World” was nearly cut from The Little Mermaid after a black-and-white and sometimes sketched version made a test audience squirm with boredom. Everyone kept with it until a more polished version solved the problem.

14. Pure Country (1992)

Certified units: 6 million

Not bad for a movie that only grossed $15 million (and one you've probably never heard of).

15. Flashdance (1983)

Certified units: 6 million

The song “Maniac” was originally inspired by a horror film the songwriters saw (the lyrics were rewritten for Flashdance).

16. Space Jam (1996)

Certified units: 6 million

Not only was "I Believe I Can Fly" the best-selling soundtrack single of 1997, but third place was Monica’s “For You I Will”—which is also from Space Jam.

17. The Big Chill (1983)

Certified units: 6 million

By RIAA certified units, The Big Chill soundtrack is the fifth biggest Motown album of all time.

18. City of Angels (1998)

Certified units: 5 million

One of the chief songs from the soundtrack—“Uninvited” by Alanis Morissette—caused some piracy issues. A California radio station got their hands on a bootlegged copy and played it. Someone recorded the song off the radio and uploaded it to the internet (this was in 1998) and even radio stations began playing illegally downloaded versions. As a result, Warner Music was forced to release the album to radio stations a week earlier than planned.

19. The Jazz Singer (1980)

Certified units: 5 million

Fun Fact: Neil Diamond won the first Razzie for Worst Actor for this movie and was also nominated for the Golden Globe for Best Performance by an Actor.

20. Evita (1996)

Certified units: 5 million

Evita started off as a concept album in 1976. Then two years later it premiered on London’s West End. In 1979 it debuted on Broadway and an album was released that went platinum in the U.S. before Madonna got to it.

Honorable Mention: Hamilton (Original Broadway Cast Recording)

Certified units: 5 million

Whether a Broadway cast recording counts as a soundtrack or not is debatable, but Lin-Manuel Miranda’s cultural powerhouse managed to shift as many units as Madonna and Neil Diamond, according to the RIAA .

SECTIONS

arrow
LIVE SMARTER