9 Things You Might Not Know About Defender

by Ryan Lambie

When Defender arrived in arcades back in 1980, nothing looked or sounded quite like it. The controls had a steep learning curve, and its shooting action was intense and relentlessly difficult. Yet Defender's boldness made it stand out in arcades full of Space Invaders clones, and gamers quickly fell in love with it.

Created by a designer pushing the boundaries of early '80s technology, Defender's development wasn't without its drama. Here's a look at Defender's making and its lasting effect on the games industry.

1. DEFENDER WAS WILLIAMS'S FIRST PROPER, ORIGINAL ARCADE GAME.

With its foundations tracing back to the 1940s, American company Williams specialized in making pinball machines. When Pong ushered in a new age of electronic games in the 1970s, Williams knew it had to break into the same market, but its first attempt was tentative, to say the least: 1973's Paddle Ball was, for the most part, a straight replica of Pong's bat-and-ball action. Fortunately, a young programmer named Eugene Jarvis had a more pioneering spirit.

2. IT WAS INSPIRED BY SPACE INVADERS AND CHESS.

Jarvis joined Williams in the late 1970s, where he initially worked on the software for the company's pinball machines—titles included Airborne Avenger, Gorgar, and Laser Ball. But even as those machines were making their way into arcades, they were being roundly upstaged by a new game on the block—the coin-guzzling shooter, Space Invaders. The game immediately inspired Jarvis to make his own sci-fi shooter, though one which also took in the vector graphics of the seminal Spacewar (a game he'd played while in college) and a hint of chess. He wanted his game, he later told WIRED, to be a "rich, tactical and strategic experience."

3. THE TITLE CAME FROM A 1960s TV SHOW.

As Jarvis's ideas for his game began to develop—and it moved further and further away from the straight "blast the aliens" scenario popularized by Space Invaders—he began to think about an objective that involved rescue and defense rather than straight-up shooting. And early on, he adopted the name Defender, derived from the '60s courtroom drama series, The Defenders.

"I kind of liked that show," Jarvis said in Steven Kent's book, The Ultimate History Of Video Games. "You know, if you're defending something, you're being attacked, and you can do whatever you want."

4. IT WAS ONE OF THE FIRST SIDE-SCROLLING GAMES.

Jarvis and his small team of programmers and designers, which included Larry DeMar and Sam Dicker, worked up a game design which, for its time, was hugely ambitious. Back then, most games took place on a single, static screen. What Jarvis proposed was a game which scrolled smoothly and rapidly along a map that was far larger than the display. At the top of the screen, a small mini map showed the player's current position. Both ideas were groundbreaking, and the mini map is a ubiquitous design feature in the games of today.

5. IT WAS COMPLETED JUST IN TIME FOR AN IMPORTANT TRADE SHOW.

As months of development passed, Jarvis was put under increasing pressure to get Defender finished in time for a trade show called the Amusement and Music Operators Association Expo. Jarvis worked feverishly to meet the deadline, but on the evening before the trade show, he had a horrifying realization: the game lacked an attract mode—the demo designed to show would-be customers how the game looks in action. An all-night coding session began, which, following another terror-inducing moment where the game refused to load up properly, the finished Defender was ready on the morning of the expo.

6. PLAYERS WERE INITIALLY INTIMIDATED.

Defender cut a strange and unnerving figure at the AMOA trade show. Where most games of the time had a joystick and one button, Defender had a joystick and five buttons—something which, Jarvis later suggested, left some people wary of even trying it. At first, though, Jarvis wasn't concerned, saying in an interview on the Williams Arcade's Greatest Hits game disc that the team was "proud that it intimidated everyone."

7. IT BECAME ONE OF THE HIGHEST-GROSSING GAMES OF THE GOLDEN AGE.

Everything changed when Defender appeared in arcades. Williams's first game of the '80s was also its biggest, selling 55,000 cabinets and reportedly making more than $1 billion in revenue. Players, it seems, couldn't get enough of Defender's speed, color, and sheer challenge.

8. A STRANGE BUG OCCURS WHEN YOU SCORE 990,000 POINTS

While Defender became famous for its vertical difficulty level, a certain breed of gamer rose to the challenge. The game's most dedicated players even discovered a bug: reach 990,000 points, and an error in the game's algorithm results in a sudden shower of extra lives and smart bombs. Yet even the bug added to Defender's absorbing challenge; as Jarvis told US Gamer, "Some of the richest elements of Defender [...] were bugs, things that I never even in my wildest imagination could have coded."

9. IT'S STILL INFLUENTIAL TODAY.

Defender's groundbreaking design paved the way for an entire generation of scrolling shooters, including Jarvis's 1981 sequel Stargate, Konami's Gradius series, and many more. Even today, Defender continues to inspire 21st-century game designers. Finnish developer Housemarque's side-scrolling shooter Resogun draws directly on the mechanics in Defender. In 2017, Jarvis teamed up with Housemarque to develop the game Nex Machina, which released to overwhelmingly positive reviews.

More than 30 years later, Defender's audacious design is still making an impact.

7 Things You Might Not Know About Mario Lopez

Angela Weiss, Getty Images for Oakley
Angela Weiss, Getty Images for Oakley

While several of the actors featured in the 1990s young-adult series Saved by the Bell have fared well following the show’s end in 1994, Mario Lopez is in a class by himself. The versatile actor-emcee can be seen regularly on Extra, as host of innumerable beauty pageants, and as the author of several best-selling books on fitness. For more on Lopez, check out some of the more compelling facts we’ve rounded up on the multi-talented performer.

1. A WITCH DOCTOR SAVED HIS LIFE.

Born on October 10, 1973, in San Diego, California to parents Mario and Elvia Lopez, young Mario was initially the picture of health. But things quickly took a turn for the worse. In his 2014 autobiography, Just Between Us, Lopez wrote that he began having digestive problems immediately after birth, shrinking to just four pounds. Though doctors administered IV hydration, they told his parents nothing more could be done. Desperate, his father reached out to a witch doctor near Rosarito, Mexico who had cured his spinal ailments years earlier. The healer mixed a drink made of Pedialyte, Carnation evaporated milk, goat’s milk, and other unknown substances. It worked: Lopez kept it down and began growing, so much so that his mother declared him “the fattest baby you had ever seen in your life.”

2. HE STARTED ACTING AT 10.

A highly active kid who got involved in both tap and jazz dancing and amateur wrestling, Lopez was spotted by a talent scout during a dance competition at age 10 and was later cast in a sitcom, a.k.a. Pablo, in 1984. That led to a role in the variety show Kids Incorporated and in the 1988 Sean Penn feature film Colors. In 1989, at the age of 16, he won the role of Albert Clifford “A.C.” Slater in Saved by the Bell. By 1992, Lopez was making public appearances at malls, where female fans would regularly toss their underthings in his direction.

3. HE COULD PROBABLY BEAT YOU UP.

Lopez wrestled as an amateur throughout high school. According to the Chula Vista High School Foundation, Lopez was a state placewinner at 189 pounds in 1990. (On Saved by the Bell, Slater was also a wrestler.) He later complemented his grappling ability with boxing, often sparring professionals like Jimmy Lange and Oscar De La Hoya in bouts for charity. In 2018, Lopez posted on Instagram that he received his blue belt in Brazilian jiu-jitsu under Gracie Barra Glendale instructor Robert Hill.

4. HE TURNED DOWN PLAYGIRL.

Lopez’s active lifestyle has made for a trim physique, but he’s apparently unwilling to take off more than his shirt. In 2008, Lopez said he was approached to pose for Playgirl but declined. The magazine reportedly offered him $200,000.

5. HE WAS MARRIED FOR TWO WEEKS.

Lopez had a well-publicized marriage to actress Ali Landry, but not for all the right reasons. The two were married in April 2004 and split just two weeks later, with Landry alleging Lopez had not been faithful. Lopez later disclosed he had made a miscalculation during his bachelor party in Mexico, cheating on Landry just days before the ceremony.

6. HE APPEARED ON BROADWAY.

Lopez joined the cast of Broadway’s A Chorus Line in 2008, portraying Zach, the director who coaches the cast of aspiring dancers. (It was his first stage appearance since he participated in a grade school play, where he played a tree.) His run, which lasted five months, was perceived to be part of a rash of casting choices on Broadway revolving around hunky performers to attract audiences. The role was thought to be the start of a resurgence for Lopez, who had previously appeared on Dancing with the Stars and has been a co-host of the pop culture newsmagazine show Extra since 2007.

7. HE BELIEVES HIS DOG SUFFERED FROM POSTPARTUM DEPRESSION.

In 2010, Lopez and then-girlfriend (now wife) Courtney Mazza had their first child, Gia. According to Lopez, his French bulldog, Julio César Chavez Lopez, exhibited signs of depression following the new addition to the household. Lopez also said he used his extensive knowledge of dogs to better inform his voiceover work as a Labrador retriever in 2009’s The Dog Who Saved Christmas and 2010’s The Dog Who Saved Christmas Vacation.

The Legend of Cry Baby Lane: The Lost Nickelodeon Movie That Was Too Scary for TV

Nickelodeon, Viacom
Nickelodeon, Viacom

Several years ago, rumors about a lost Nickelodeon movie branded too disturbing for children’s television began popping up around the internet. They all referenced the same plot: A father of conjoined twins was so ashamed of his sons that he hid them away throughout their childhood. (This being a made-for-TV horror movie, naturally one of the twins was evil.)

After one twin got sick the other soon followed, with both boys eventually succumbing to the illness. To keep the town from discovering his secret, the father separated their bodies with a rusty saw and buried the good one at the local cemetery and the evil one at the end of a desolate dirt road called Cry Baby Lane, which also happened to be the title of the rumored film. According to the local undertaker, anyone who ventured down Cry Baby Lane after dark could hear the evil brother crying from beyond the grave.

Cry Baby Lane then jumps to present day (well, present day in 2000), where a group of teens sneaks into the local graveyard in an effort to contact the spirit of the good twin. After holding a seance, they learn that the boys' father had made a mistake and mixed up the bodies of his children—burying the good son at the end of Cry Baby Lane and the evil one in the cemetery. Meaning those ghostly wails were actually the good twin crying out for help. But the teens realized the error too late: The evil twin had already been summoned and quickly began possessing the local townspeople.

MOVIE OR MYTH?

Parents were appalled that such dark content ever made it onto the family-friendly network, or so the story goes, and after airing the film once the Saturday before Halloween in 2000, Nickelodeon promptly scrubbed it from existence. But with no video evidence of it online for years, some people questioned whether Cry Baby Lane had ever really existed in the first place.

“Okay, so this story sounds completely fake, Nick would NEVER air this on TV,” one Kongregate forum poster said in September 2011. “And why would this be made knowing it’s for kids? This story just sounds too fake …”

While the folklore surrounding the film may not be 100 percent factual, Nickelodeon quickly confirmed that the “lost” Halloween movie was very real, and that it did indeed contained all the rumored twisted elements that have made it into a legend.

Before Cry Baby Lane was a blip in Nick’s primetime schedule, it was nearly a $100 million theatrical release. Peter Lauer, who had previously directed episodes of the Nick shows The Secret World of Alex Mack and The Adventures of Pete & Pete, co-wrote the screenplay with KaBlam! co-creator Robert Mittenthal. Cry Baby Lane, which would eventually spawn urban legends of its own, was inspired by a local ghost story Lauer heard growing up in Ohio. “There was a haunted farmhouse, and if you went up there at midnight, you could hear a baby crying and it’d make your high school girlfriend scared,” he told The Daily.

BIG SCARES ON A SMALL BUDGET

Despite Nickelodeon’s well-meaning intentions, parent company Paramount wasn’t keen on the idea of turning the screenplay into a feature film. The script was forgotten for about a year, until Nick got in touch with Lauer about producing Cry Baby Lane—only this time as a $800,000 made-for-TV movie. The director gladly signed on.

Even with the now-meager budget, Cry Baby Lane maintained many of the same elements of a much larger picture. In a bid to generate more publicity around the project, Nickelodeon cast Oscar nominee Frank Langella as the local undertaker (a role Lauer had originally wanted Tom Waits to play). All the biggest set pieces from the screenplay were kept intact, and as a result, the crew had no money left to do any extra filming.

Only two scenes from the movie ended up getting cut—one that alluded to skinny dipping and another that depicted an old man’s head fused onto the body of a baby in a cemetery. The story of a father performing amateur surgery on the corpses of his sons, however, made it into the final film.

The truth of what happened after Cry Baby Lane premiered on October 28, 2000 has been muddied over the years. In most retellings, Nickelodeon received an "unprecedented number" of complaints about the film and responded by sealing it away in its vault and acting like the whole thing never happened. But if that version of events is true, Nick has never acknowledged it.

Even Lauer wasn’t aware of any backlash from parents concerned about the potentially scarring effects of the film until The Daily made him aware of the rumors years later. “All I know is that they aired it once,” he told the paper. “I just assumed they didn’t show it again because they didn’t like it! I did it, I thought it failed, and I moved on.”

But the idea that the movie was pulled from airwaves for being too scary for kids isn’t so far-fetched. Though Cry Baby Lane never shows the conjoined twins being sawed apart on screen, it does pair the already-unsettling story with creepy images of writhing worms, broken glass, and animal skulls. This opening sequence, combined with the spooky, empty-eyed victims of possession that appear later, and multiple scenes where a child gets swallowed by a grave, may have made the film slightly more intense than the average episode of Are You Afraid of the Dark?

IMPERFECT TIMING

Cry Baby Lane premiered at a strange time in internet history: Too early for pirated copies to immediately spring up online yet late enough for it to grow into a web-fueled folktale. The fervor surrounding the film peaked in 2011, when a viral Reddit thread about Cry Baby Lane caught the attention of one user claiming to have the so-called “lost” film recorded on VHS. He later uploaded the tape for the world to view and suddenly the lost movie was lost no longer.

News of the unearthed movie made waves across the web, and instead of staying quiet and waiting for the story to die down, Nickelodeon decided to get in on the hype. That Halloween, Nick aired Cry Baby Lane for the first time in over a decade. Regardless of whether the movie had previously been banned or merely forgotten, the network used the mystery surrounding its origins to their PR advantage.

“We tried to freak people out with it,” a Nick employee who worked at The 90s Are All That (now The Splat), the programming block that resurrected Cry Baby Lane (and who wished to remain anonymous) said of the promotional campaign for the event. “They were creepy and a little glitchy. We were like, ‘This never aired because it was too scary and we’re going to air it now.’”

Cry Baby Lane now makes regular appearances on Nickelodeon’s '90s block around Halloween, which likely means Nick hasn’t received enough complaints to warrant locking it back in the vault. And during less spooky times of the year, nostalgic horror fans can find the full movie on YouTube.

The mystery surrounding Cry Baby Lane’s existence may have been solved, but the urban legend of the movie that was “too scary for kids’ TV” persists—even at the network that produced it.

“People who were definitely working at Nickelodeon in 2000, but didn’t necessarily work on [Cry Baby Lane] were like, ‘Yeah I heard about it, I remember it being a thing,'" the Nick employee says. “It’s sort of like its own legend within the company.”

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