LEGO bricks aren't just fun and games—they're also the building blocks for some incredible works of art. (The company itself even has 13 LEGO Certified Professionals that treat LEGO-building as a full-time job.) LEGO wizard Mike Doyle created a series of plastic brick houses that look like they've fallen into serious decay. The 'abandoned' residences are made with monochromatic bricks, making the creations resemble homes that could be featured in an Alfred Hitchcock film.
Doyle has three crumbling houses in his Abandoned Houses series so far: 'Victorian on Mud Heap,' 'Victorian With Tree,' and 'Two Story With Basement.' Each creation has a similar old-timey, Halloween feel to it. Impressively, all the houses are made purely with LEGO, void of any foreign objects, paint, or glue. Our favorite of the bunch, Victorian With Tree, uses 50,000 to 60,000 pieces, and took about 450 hours to build. You can check Doyle's website for details on how each structure was built.
For more of Doyle's amazing creations, check out his bookBeautiful LEGO.
Microscopic Videos Provide a Rare Close-Up Glimpse of the Natural World
BY Kirstin Fawcett
September 21, 2017
Courtesy of Nikon
Nature’s wonders aren’t always visible to the naked eye. To celebrate the miniature realm, Nikon’s Small World in Motion digital video competition awards prizes to the most stunning microscopic moving images, as filmed and submitted by photographers and scientists. The winners of the seventh annual competition were just announced on September 21—and you can check out the top submissions below.
Daniel von Wangenheim, a biologist at the Institute of Science and Technology Austria, took first place with a time-lapse video of thale cress root growth. For the uninitiated, thale cress—known to scientists as Arabidopsis thaliana—is a small flowering plant, considered by many to be a weed. Plant and genetics researchers like thale cress because of its fast growth cycle, abundant seed production, ability to pollinate itself, and wild genes, which haven’t been subjected to breeding and artificial selection.
Von Wangenheim’s footage condenses 17 hours of root tip growth into just 10 seconds. Magnified with a confocal microscope, the root appears neon green and pink—but von Wangenheim’s work shouldn’t be appreciated only for its aesthetics, he explains in a Nikon news release.
"Once we have a better understanding of the behavior of plant roots and its underlying mechanisms, we can help them grow deeper into the soil to reach water, or defy gravity in upper areas of the soil to adjust their root branching angle to areas with richer nutrients," said von Wangenheim, who studies how plants perceive and respond to gravity. "One step further, this could finally help to successfully grow plants under microgravity conditions in outer space—to provide food for astronauts in long-lasting missions."
Second place went to Tsutomu Tomita and Shun Miyazaki, both seasoned micro-photographers. They used a stereomicroscope to create a time-lapse video of a sweating fingertip, resulting in footage that’s both mesmerizing and gross.
To prompt the scene, "Tomita created tension amongst the subjects by showing them a video of daredevils climbing to the top of a skyscraper," according to Nikon. "Sweating is a common part of daily life, but being able to see it at a microscopic level is equal parts enlightening and cringe-worthy."
Third prize was awarded to Satoshi Nishimura, a professor from Japan’s Jichi Medical University who’s also a photography hobbyist. He filmed leukocyte accumulations and platelet aggregations in injured mouse cells. The rainbow-hued video "provides a rare look at how the body reacts to a puncture wound and begins the healing process by creating a blood clot," Nikon said.
In 1930, Iowan artist Grant Wood painted a simple portrait of a farmer and his wife (really his dentist and sister) standing solemnly in front of an all-American farmhouse. American Gothic has since inspired endless parodies and is regarded as one of the country’s most iconic works of art. But when it first came out, few people would have guessed it would become the classic it is today. Vox explains the painting’s unexpected path to fame in the latest installment of the new video series Overrated.
According to host Phil Edwards, American Gothic made a muted splash when it first hit the art scene. The work was awarded a third-place bronze medal in a contest at the Chicago Art Institute. When Wood sold the painting to the museum later on, he received just $300 for it. But the piece’s momentum didn’t stop there. It turned out that American Gothic’s debut at a time when urban and rural ideals were clashing helped it become the defining image of the era. The painting had something for everyone: Metropolitans like Gertrude Stein saw it as a satire of simple farm life in Middle America. Actual farmers and their families, on the other hand, welcomed it as celebration of their lifestyle and work ethic at a time when the Great Depression made it hard to take pride in anything.
Wood didn’t do much to clear up the work’s true meaning. He stated, "There is satire in it, but only as there is satire in any realistic statement. These are types of people I have known all my life. I tried to characterize them truthfully—to make them more like themselves than they were in actual life."
Rather than suffering from its ambiguity, American Gothic has been immortalized by it. The country has changed a lot in the past century, but the painting’s dual roles as a straight masterpiece and a format for skewering American culture still endure today.