December is a very good month for movie lovers—and this year is no exception. In addition to being the studios’ favorite month for releasing potential Oscar contenders (see: La La Land), a bevy of beloved standards are making their way back to the big screen over the next several weeks, many of them with a holiday slant. If you weren’t quick enough to get your hands on a pair of tickets for Rogue One, here are 10 equally tempting alternatives.
1. HOME ALONE (1990)
By now, you’ve probably seen the Wet Bandits take on 8-year-old Kevin McCallister a couple of dozen times. But when was the last time you saw Home Alone in a theater? Chris Columbus’s delightfully sadistic holiday classic is popping back up at theaters big and small across the country, including several Regal and Alamo Drafthouse Cinemas.
2. SPIRITED AWAY (2001)
In mid-November, Oscar-winning moviemaker Hayao Miyazaki announced that he is coming out of retirement (again) to make one final film, Boro the Caterpillar (look for it in theaters in 2019). Just a few days later, Miyazaki fans got another treat when Fathom Events confirmed that Spirited Away would be making its way back into theaters across the country in honor of the film’s 15th anniversary. Though screenings were originally scheduled for December 4 and 5 only, a third event—on December 8—has been added.
3. EDWARD SCISSORHANDS (1990)
Beginning with his debut feature, Pee-wee’s Big Adventure, Tim Burton has proven himself to be a master of creating lovable outcasts. Nowhere is this more evident than with Edward Scissorhands, in which Johnny Depp manages to find acceptance—well, some acceptance—despite wielding lethal weapons for fingers. The film is coming back to select Landmark Theatres, including locations in Detroit, Philadelphia, and San Diego.
4. IT’S A WONDERFUL LIFE (1946)
As It’s a Wonderful Life prepares to celebrate its 70th anniversary later this month, several theaters around the country are paying tribute to Frank Capra’s Christmas classic, which just might be the definitive holiday movie. It will be playing at select Regal theaters on Christmas Eve, and will make its annual return to New York City’s IFC Center from December 9 to December 27, with Donna Reed’s daughter, Mary Owen, in attendance and offering commentary at several screenings throughout the month.
5. GREMLINS (1984)
Six years before he directed Home Alone, Chris Columbus’s semi-dark holiday sensibilities were on full display in Gremlins, which he penned for director Joe Dante and executive producer Steven Spielberg. If you need a refresher on the rules of what not to do with a Mogwai, several Alamo Drafthouse Cinemas will be showing the movie, including locations in Brooklyn, San Francisco, and Austin.
6. THE ROOM (2003)
In 2003, aspiring superstar Tommy Wiseau wrote, directed, produced, and starred in the awesomely terrible indie The Room. It’s so inexplicably bad that it’s good, and we’re not only still talking about it, but still regularly screening it in theaters nationwide. In December, that includes Landmark Theatres in Denver and Minneapolis.
7. FROM HERE TO ETERNITY (1953)
As part of Turner Classic Movies’s commitment to, well, classic movies, they regularly bring classic films back to theaters for special showings. On December 11 and December 14, Fred Zinnemann’s From Here to Eternity, which follows the lives of three Army soldiers stationed in Hawaii in the months leading up to the attack on Pearl Harbor, will be back on the big screen. Burt Lancaster, Montgomery Clift, and Frank Sinatra star in the wartime drama, which won a whopping eight Oscars.
8. THE SHINING (1980)
In addition to being one of the world’s most celebrated filmmakers, Quentin Tarantino is a bona fide movie geek—and a movie theater owner. At his New Beverly Cinema in Los Angeles, the lineup is always full of classic films and overlooked gems. And while December’s schedule has plenty of holiday fare to offer—including screenings of Elf, A Christmas Story, Scrooged, Santa Claus: The Movie, National Lampoon’s Christmas Vacation, and Santa Claus Conquers the Martians—there’s also a very non-yuletide theme: Stanley Kubrick. Throughout the month, the theater will highlight the acclaimed director’s most impressive pictures, including several showings of The Shining toward the end of the month, from December 28 to December 31.
9. ELF (2003)
Grab your maple syrup—Buddy the Elf is headed back into theaters. The beloved Will Ferrell comedy Elf will see some one-off screenings across the country, including at several Alamo Drafthouse outposts (including Yonkers, San Francisco, Brooklyn, and Austin).
10. THE ROCKY HORROR PICTURE SHOW (1975)
The Rocky Horror Picture Show is the world’s most famous midnight movie. More than 40 years after the film’s original release, it’s still a regular late-night fixture at theaters across the country, including Landmark Theatres in Los Angeles, Houston, and Milwaukee. Let’s do the time warp again.
Though it's officially classified as a romantic comedy, Love Actually—Richard Curtis's intertwining tale of love and loss in London in the midst of the Christmas season—has become a staple of holiday movie marathons everywhere. Here are 24 things you might not have known about the hit 2003 film, including what we know about its upcoming (sort of) sequel.
1. The airport opening and closing was shot with hidden cameras.
Footage of passengers being welcomed and embraced by loved ones at Heathrow Airport was shot on location with hidden cameras for a week. In the film's DVD commentary, writer-director Richard Curtis explains that when something special was caught on camera, a crewmember would race out to have its subjects sign a waiver so the moment might be included in Love Actually. This was a fitting production device, as Curtis claims that watching the love expressed at the arrival gate of LAX is what inspired him to write the ensemble romance in the first place.
2. Four plot lines were cut from the film.
Curtis initially aimed to include 14 love stories in the film. Two were clipped in the scripting phase, but two were shot and cut in post. Those lost before production involved a girl with a wheelchair, and one about a boy who records a love song for a classmate who ultimately hooks up with his drummer. Shot but cut for time was a brief aside featuring an African couple supporting each other during a famine, and another storyline that followed home a school headmistress, revealing her long-time commitment to her lesbian partner.
3. A fifth of the movie is commonly cut from television broadcasts.
It might be of little surprise that the raciest element of this holiday movie rarely makes it on TV. The love story of John and Judy has Martin Freeman and Joanna Page playing a pair of stand-ins on an erotic drama. Their scenes have the pair mimicking sex acts, but even as simulations of simulated sex, their storyline is usually deemed too hot for TV.
4. Martine McCutcheon's part was penned just for her.
Curtis wrote his screenplay with some stars in mind, including Hugh Grant, Emma Thompson, and McCutcheon, the charismatic English ingénue best known for her role on BBC drama EastEnders. So sure was Curtis that he wanted McCutcheon for the role of the love interest to the Prime Minister that he had the character's name as "Martine" in early drafts. Curtis explained in the DVD commentary that the name was changed to "Natalie" before McCutcheon's audition, "so she wouldn't get cocky."
5. Bill Nighy didn't realize he'd auditioned for the film.
This was the first collaboration between Nighy and Curtis, with the former playing the shameless, comeback-seeking rocker Billy Mack. On the film's 10-year anniversary, Nighy recalled to The Daily Beast, "I did a rehearsal reading of the script as a favor to the great casting director, Mary Selway, who had been trying to get me into a film for a long time. I thought it was simply to help her hear the script aloud and to my genuine surprise I was given the job."
6. Curtis sent request letters to his American talent.
Laura Linney, Billy Bob Thornton, and Denise Richards received letters asking them to consider a role in the film. Both actresses were impressed by the unconventional move, but Linney told The Daily Beast she was even more flattered by its contents. "I got a letter in the mail from Richard Curtis saying that he’d been trying to cast this part, and he’d kept saying to his partner, Emma Freud, that he’d been looking for a ‘Laura Linney-type,’ and she said, 'Why don’t you ask Laura Linney?'"
7. The actors had their own trailer park village during production.
Nighy told The Guardian, "We didn't all film together, but we had a big trailer park for all the cast. There were so many famous people in there, we used to talk about being on Liam Neeson Way or Emma Thompson Road or Hugh Grant Avenue. And it was a masterpiece of diplomacy, too; we all had the same size and type of trailer." Linney remembered the place having a warm sense of community.
8. One scene was lifted directly from Four Weddings and a Funeral.
In Four Weddings and a Funeral, also penned by Curtis, Grant's character Charles flirts with a woman at a wedding by mocking the terrible catering, only to discover she is the caterer. The scene was cut from the 1994 film, but was reshot nearly a decade later with Kris Marshall acting out the flirtatious faux pas. In the commentary track, Curtis admits that some drafts of the Love Actually script still had Charles's name on portions of the scene.
9. The late Joanna was played by a real-life Curtis crush.
In the commentary, Curtis also confessed his affection and admiration for writer-director Rebecca Frayn and how it led to a heartbreaking scene in Love Actually. She's uncredited in the film because she never has a scene to perform. But when Curtis needed images to create a slideshow of Sam's beloved mum/Daniel's departed wife, he turned to Frayn, asking for "all the prettiest pictures of her from her whole life." In real-life, Frayn is married to Oscar-nominated Scottish producer Andy Harries.
10. Emma Thompson shot her crying scene 12 times.
Arguably the saddest moment in Love Actually is when Thompson's character realizes her husband is unfaithful. In the privacy of their bedroom, she listens to Joni Mitchell's "Both Sides Now" and weeps. "We decided to do it like how Mike Newell did it in Four Weddings—I shot in medium-wide, and didn’t move the camera," Curtis recalled. "We just let it happen, and Emma walked into the room 12 times in a row and sobbed. It was an amazing feat of acting." He also noted this was the only scene she was asked to perform that day.
11. Hugh Grant did not want to dance.
Though he and Curtis had worked together on Notting Hill, Bridget Jones's Diary, and Four Weddings and a Funeral, they had a deep disagreement on how the Prime Minister should be played. Grant wanted it to be a grounded performance and resented Curtis's push to make the part more whimsical. This came to a head when shooting the dance number, which Grant refused to rehearse. "He kept on putting it off, and he didn’t like the song—it was originally a Jackson 5 song, but we couldn’t get it—so he was hugely unhappy about it," Curtis explained. "We didn’t shoot it until the final day and it went so well that when we edited it, it had gone too well, and he was singing along with the words!" It was a tricky thing to cut, but the final result with Girls Aloud’s cover of “Jump (For My Love)” speaks for itself.
12. Real PM Tony Blair found it impossible to live up to Grant's fictional one.
In 2005, when facing criticism for his dealings with the United States, Blair responded by saying, "I know there's a bit of us that would like me to do a Hugh Grant in Love Actually and tell America where to get off. But the difference between a good film and real life is that in real life there's the next day, the next year, the next lifetime to contemplate the ruinous consequences of easy applause."
13. It took 45 minutes to pick out Aurelia's underwear.
When the loose pages of Jamie's in-progress novel blow into a nearby lake, Aurelia (Lúcia Moniz) is quick to strip down and dive in to rescue them. But in the DVD commentary, Curtis admits that what she wore beneath her cozy sweater was a major matter of debate that involved a lengthy meeting with his producers and 20 different sets of bras and panties to be considered.
14. Simon Pegg auditioned for the film.
Before he broke out with 2004's Shaun of the Dead, Pegg was best known for his work on the British sitcom Spaced. It was in this stage of his career that he was eyed for the role of Rufus, the jewelry salesman in Love Actually. However, Curtis ended up casting Rowan Atkinson, who was not only a bigger star but a longtime friend from their college days; the two had previously worked together on Four Weddings and A Funeral, Mr. Bean, and Black Adder.
15. Rowan Atkinson's character was meant to be an angel.
Rather than just an overenthusiastic gift wrapper with a good Samaritan streak at the airport, Atkinson's Rufus was initially written as a heavenly helper in disguise. A scene was even shot were he'd evaporate after helping Sam get past security at Heathrow. "But in the end," Curtis said in commentary, "the film turned out so sort of multiplicitous that the idea of introducing an extra layer of supernatural beings was (too much)."
16. Sarah's apartment is based on Helen Fielding's.
When Sarah (Laura Linney) takes her office crush Karl (Rodrigo Santoro) back to her flat, a crane shot reveals that her bedroom is perched above the first floor, with a half-wall serving as a sort of balcony. In the DVD commentary track, Curtis mentioned this layout was poached from the Bridget Jones's Diary author's home. To him, it seemed a charming staging place for this tender seduction scene.
17. Test audiences spurred a change to the ending of Sarah's story.
Curtis originally intended for Sarah and Karl's love story to fizzle out after the phone call from her brother. However, when Love Actually was screened to test audiences, the feedback begged for a clearer resolution. So Curtis provided it, creating an extra scene in reshoots that made it unmistakable that Sarah and Karl would not end up together. "Be careful what you wish for," he warned on the DVD commentary.
18. Andrew Lincoln hand-wrote those romantic signs.
In 2013, The Walking Dead star reminisced about his climactic gesture in Love Actually with Entertainment Weekly, and revealed, "It is my handwriting! It’s funny, because the art department did it, and then I said, 'Well, can I do it?' because I like to think that my handwriting is really good. Actually, it ended up with me having to sort of trace over the art department’s, so it is my handwriting, but with a sort of pencil stencil underneath."
19. The American bar scene included some improv.
Regarding the scene where three American girls (Elisha Cuthbert, January Jones, and Ivana Milicevic) flirt with Kris Marshall, Cuthbert told VH1, "It was such a creative space and we were allowed to improvise and try different things and it wasn’t just completely set into Richard’s writing. I mean we were allowed to sort of venture … It was nice that we got to sort of play around.” Curtis remembers it differently, noting in the commentary track that the Brits were "respectful" with his script, but these Americans wanted to "pep it up a bit."
20. Bernard is a running joke based on a real man.
Every film Curtis writes contains a "Bernard," and he's always the butt of a joke. In Love Actually, he's the son of Thompson's character who is described as "horrid." This all dates back to a love triangle that didn't turn in Curtis's favor. Bernard was the name of a young man who won the heart of Curtis's crush Anne, and so he will forever be lampooned. In real life, Bernard is a successful politician, namely Bernard Jenkin, Member of Parliament for Harwich and North Essex.
21. Olivia Olson was too good for the role of Sam's crush.
Over 200 girls auditioned for the part of Joanna, the talent show star that young Sam (Thomas Brodie-Sangster) falls hard for. But with pipes that blew away the casting director, Olson won the part with aplomb. In the commentary track, Curtis notes that Olson sang the song "All I Want For Christmas Is You" so flawlessly that he feared it sounded manufactured. He had sound editors cut in breaths to the performance to make it more believable.
22. Sam and the other Joanna reunited on kids' television.
Child stars Thomas Brodie-Sangster and Olivia Olson were utterly adorable together as drum-playing Sam and his grade school crush Joanna. But Love Actually wasn't the end of the pair's onscreen romance. They were reunited in 2008 when Olson joined the voice cast of the Disney Channel cartoon show Phineas and Ferb. While Brodie-Sangster lends his voice to the oft-silent Ferb, Olson often sings as Ferb's crush, the sleek and cool Vanessa Doofenshmirtz.
23. Love Actually has been remade three times already.
The central concept of a movie packed with stars and intertwining love stories has been translated into a trio of films. The first is the Indian offering A Tribute To Love, an unofficial remake in the Hindi language. Next, Poland took a turn with Letters to St. Nicolas. The most recent version is Japan's It All Began When I Met You, which borrows the concept as well as the film's poster layout.
24. It's about to get a sequel.
Earlier this week, word spread that Love Actually would be getting a sequel—at least a very short one. In celebration of Red Nose Day, Curtis and several members of the original cast—including Hugh Grant, Keira Knightley, Colin Firth, Liam Neeson, Bill Nighy, Andrew Lincoln and Rowan Atkinson—confirmed that they would be reprising their characters for a short film, Red Nose Day Actually, that would catch us up on what the characters are doing today. "I would never have dreamt of writing a sequel to Love Actually, but I thought it might be fun to do 10 minutes to see what everyone is now up to," Curtis said. "Who has aged best?—I guess that’s the big question ... or is it so obviously Liam?" While fans of the film will be able to catch the short on March 24, American audiences won't get a chance to see it until May 25, 2017.
You’ve probably seen A Christmas Story enough times that you never really need to watch it again. But watch it you will. And enjoy it, too. Even though you know every twist and turn it will take for our young hero Ralphie to finally get his hands on his much-desired Red Ryder Carbine-Action 200-Shot Range Model Air Rifle. (An item he repeats 28 times throughout the film’s 94-minute running time; you could make an eggnog drinking game out of that.)
This Christmas, when you inevitably tune into catch at least one airing of Bob Clark’s holiday classic during TBS’ 24-hour marathon, we’ve got a way for you to watch A Christmas Story in a whole new light: by keeping your eyes—and ears—peeled for these 25 blink-and-you’ll-miss-‘em gaffes, anachronisms, and other fun facts that make watching the classic film an entirely new experience.
1. RALPHIE DOESN’T KNOW HOW TO SPELL “CHRISTMAS.”
At least it doesn’t appear that way when he gets his Christmas theme—or shall we call it a Chistmas theme—back from Mrs. Shields, who also didn’t notice that the “R” is missing from the word.
2. JEAN SHEPHERD MAKES AN ON-SCREEN APPEARANCE.
If the voice of the man who brusquely informs Ralphie and Randy that the line to sit on Santa’s lap begins about two miles further back than they had anticipated sounds familiar, that’s because it’s the voice of the narrator, a.k.a. Adult Ralphie, who also happens to be Jean Shepherd, the man upon whose short stories the film itself is based. The woman behind Shepherd is his wife, Leigh Brown.
3. BOB CLARK JOINS IN THE CAMEO FUN.
Not to be outdone, director Bob Clark pops up in front of the camera, too, as Ralphie’s neighbor, Swede. He’s the guy who seems awfully curious about how Ralphie’s dad managed to snag himself a leg lamp. When The Old Man Parker informs him that it’s a Major Award, Swede responds: “Shucks, I wouldn’t know that. It looks like a lamp."
4. RALPHIE’S DAD IS NEVER GIVEN A NAME.
Over the years, a gaggle of sharp-eared A Christmas Story fans have pointed out that in Bob Clark’s scene, Ralphie’s dad is given a name: Hal. This is because they believed that in the brief exchange between the two neighbors, Swede asks of the leg lamp, “Damn Hal, you say you won it?” But a quick confer with the film’s original screenplay confirms that Swede’s actual query is, “Damn, hell, you say you won it?”
5. SPEAKING OF THE LEG LAMP…
The continuity folks must have been taking a coffee break during the unveiling of the leg lamp. Watch closely as the amount of packing debris covering The Old Man’s back and head changes from shot to shot. In one shot, his back is covered in the stuff; cut back and there’s nothing there.
6. IS THE LEG LAMP REALLY A LAMP?
In addition to being stumped by the word “fragile,” The Old Man—and the rest of the family—is initially confused as to what the leg’s purpose is. Is it a statue? (“Yeah, statue!”) One can’t blame them, as there’s no electrical cord to be seen. It’s just a leg. Yet, once the lampshade is discovered, the Parker clan is magically able to plug that titillating little fixture right in.
7. ONE FINAL THING ABOUT THE LEG LAMP…
After witnessing the moment that Ralphie explains would become “a family controversy for years”—the breaking of the leg lamp—Mrs. Parker balks at her husband’s accusation that she would be jealous of a plastic lamp. But just moments before the “accident” in question, we hear the sound of breaking glass. And lots of it. Plastic doesn’t sound (or break) like that.
8. IS IT TORONTO OR IS IT INDIANA?
Though the film is set in Hohman, Indiana—a fictionalized town based on Shepherd’s hometown of Hammond, Indiana—parts of the film were shot in Toronto. This becomes apparent in some of the outdoor scenes, such as when the family is shopping for a Christmas tree, as one of the Toronto Transit Commission’s signature red trolley cars zooms by.
9. BOLTS VERSUS NUTS.
We all remember Ralphie’s reaction when his attempt to help his father fix a flat tire goes terribly awry. But here’s a fun fact that only true motorheads would pick up on: In the scene, Ralphie’s dad implores him to hold the hubcap horizontally so that he can put the “nuts” in it. But the 1938 Oldsmobile that he’s driving actually uses removable bolts. A fact that Shepherd confirms in his narration of the scene when he recalls that, “For one brief moment I saw all the bolts silhouetted against the lights of the traffic—and then they were gone.” Oh, fudge!
10. SCOTT SCHWARTZ IS NOT SCHWARTZ. BUT HE IS.
Ralphie’s two best friends are Schwartz, played by R.D. Robb, and Flick, played by Scott Schwartz. As if this tale of two Schwartzes weren’t confusing enough, when Ralphie tells his mom that it’s Schwartz who taught him how to drop the F-bomb, Mrs. Parker immediately calls the boy’s mother. But the voice we hear of fictional Schwartz taking a whooping is actually the voice of Scott Schwartz. Got it?
11. SCHWARTZ’S WHEREABOUTS.
Immediately following his unceremonious (and totally false) ratting out of his buddy, Ralphie remembers how “three blocks away, Schwartz was getting his.” In the original story, that may have very well been the case. But the film’s production called for Schwartz’s home to be just a few doors down from Ralphie’s, as we see as the kids walk to school together. Not three blocks away.
12. RALPHIE’S NOT A VERY GOOD LISTENER.
Ralphie felt understandably ripped off when, after weeks of waiting for his Little Orphan Annie decoder ring, the first message he decoded was simply an advertisement for Ovaltine. But he’s lucky he could decipher the message at all, because a few of the numbers that he wrote down don’t match the numbers that announcer Pierre Andre broadcast, most notably the last one; Pierre said 25, Ralphie wrote 11.
13. UPPERCASE OR LOWERCASE?
Perhaps it’s that very error above that made it necessary for Ralphie to decode Annie’s message on at least two pieces of paper. How do we know that? Check out the difference in the “E” in the word “Be.” In the earlier shot, it’s an uppercase E; in the final message, the letter is lowercase. We’re on to you, Ralphie.
14. FOR A SPORTS FAN, OLD MAN PARKER DOESN’T KNOW SPORTS.
Though the exact year of A Christmas Story’s setting is never stated, many of its context clues—including the makes and models of the cars we see and the popularity of The Wizard of Oz and Little Orphan Annie—put its year around 1939 or 1940. Yet in the beginning of the film, Mr. Parker becomes irate after reading in the paper that the White Sox “traded Bullfrog.” But the White Sox never traded Bill “Bullfrog” Dietrich, though they did release him on September 18, 1946, which would make this comment six years premature. He also refers to the Chicago Bears as the “Terror of the Midway,” when in fact their nickname is “Monsters of the Midway.”
15. THE CASE OF THE MYSTERIOUS LEVERS.
Old Man Parker seems to have a lot of non-human enemies—his car, the Bumpus hounds, and a seemingly possessed furnace among them. In one scene, The Old Man yells upstairs for someone to open the damper, which Mom does rather reluctantly. But watch closely when the camera cuts back to the levers, which are in the opposite position as Mom set them just seconds earlier.
16. DIVERSITY AS AN ANACHRONISM.
By the time A Christmas Story was released in 1983, racial segregation in Indiana public schools was a thing 34 years in the past. But if Ralphie’s story takes place any time before 1949, he would not have had any African American classmates, as he does in the film.
17. THE ROTATING BANANA.
Hoping to score some extra points with his teacher, Ralphie presents Mrs. Shields with the world’s largest fruit basket. It’s so large, in fact, that its individual pieces of fruit seem to have a mind of their own. Watch the way the banana shifts position each time the camera cuts back to Ralphie.
18. A DRAWER FULL OF UNIMAGINABLE MISCHIEF.
Ralphie and his classmates are a troublemaking lot. And when they decide to launch a classroom-wide prank in which they’re all wearing a set of false teeth, Mrs. Shields is well-prepared. She’s got a drawer full of pranks past, including a pair of chattering teeth … a gag gift that wasn’t actually invented until 1949.
19. SPEAKING OF TOOTHY ANACHRONISMS…
In his attempts to make Ralphie’s life a living hell, we get an up-close view of the braces worn by Scut the bully. They’re the kind that are directly bonded to the front of his teeth, a process that wasn’t invented until the 1970s. Until then, metal braces were wrapped around the teeth.
20. THREE-BARREL HINGED GLASSES WEREN’T A THING EITHER.
After nearly shooting his eye out on Christmas morning, Ralphie steps on his own glasses, revealing them to use a three-barrel hinge connector, which would not have been possible until the 1980s.
21. RALPHIE SHOOTS THREE TIMES, HITS FOUR.
When Ralphie is forced to defend his family against the rascally Black Bart (in his own imagination), he shoots three bad guys before his nemesis Bart escapes. But when the pile of bad guys is shown with their eyes X’ed out, there are four of them.
22. A VERY BING CHRISTMAS.
On Christmas morning, the Parkers kick back with that most classic of Christmas albums—Bing Crosby’s Merry Christmas—in the background. As cherished a tradition as that may be, the album wasn’t released until 1945.
23. A BOWLING BALL FOR CHRISTMAS.
Old Man Parker is thrilled when his wife gifts him with a shiny new blue bowling ball for Christmas. There’s just one problem: colored bowling balls weren’t introduced until the 1960s.
24. MELINDA DILLION GETS TOP BILLING.
Getting top billing must have been quite a thrill for actress Melinda Dillon… until the actual credits rolled and her name was spelled incorrectly!
25. FLASH GORDON GETS CREDIT, TOO.
Keep watching the end credits roll and you’ll see Flash Gordon and Ming the Merciless among the names that scroll by. Though it never made the final cut, the credits for an additional fantasy sequence in which Ralphie and his trusty firearm help Flash Gordon face off against Ming remain.