When Star Trek: Voyager launched, its captain was named Elizabeth Janeway, after the American writer. That name was quickly changed to Nicole Janeway by Canadian actor Geneviève Bujold, who first played the part.
After just two days of filming, Bujold quit and producers pivoted to their second choice for the role: Kate Mulgrew, who again renamed the character—now to Kathryn Janeway—and proceeded to play the ship's captain from 1995 through 2001. (Mulgrew's most recent big TV role was as "Red" in Orange is the New Black.)
Because I wasn't paying much attention to Star Trek news in 1994, I never knew about this little casting mixup, though it's famous for serious Voyager fans. One enterprising (ahem, sorry) fan cut together several of the two Janeways' scenes from the pilot episode, so you can compare the two actors in the same role. Although the Bujold scenes lack music and other major production elements, it seems clear that Mulgrew was the right choice. Have a look:
10 Tantalizing Tidbits About Star Trek: The Next Generation
BY Mental Floss UK
April 20, 2018
by Kirsten Howard
When Star Trek: The Next Generation debuted in September 1987, no one was quite sure what to expect. After all, this was a new Enterprise with a new crew trying to revitalize a franchise that had only lasted three seasons the last time it was on television. And while the movie series was still bringing in solid box office returns, William Shatner and Leonard Nimoy would play no part in this new Trek.
The Next Generation was a gamble for Paramount, and for the first few seasons, it looked like one the studio was going to lose. But once the series got over some initial behind-the-scenes chaos, it blossomed into one of the most popular sci-fi TV shows of all time. Even as bigger and shinier installments in the franchise continue to come out, this is the definitive Star Trek for countless fans. So lean back in your captain's chair and enjoy 10 facts about Star Trek: The Next Generation.
1. THE SHOW GOT OFF TO A ROCKY START.
Things were tumultuous at best behind the scenes during the first season of the show, as writers and producers clashed with creator Gene Roddenberry over themes, characters, and ideas on a weekly basis. The in-fighting and drama became such a part of the show's legacy that William Shatner himself chronicled all of it in a 2014 documentary called Chaos on the Bridge (which is currently streaming on Netflix). In it, producers, writers, and actors recounted anecdotes about the difficulties they had dealing with Roddenberry's somewhat overbearing mandates, including his infamous rule that there never be any direct conflict between the Enterprise crew members (unless one was possessed by an alien, of course) and his habit of throwing out scripts at the last minute. This led to 30 writers leaving the show within the first season, according to story editor and program consultant David Gerrold.
As Roddenberry’s health began to deteriorate after the first season, his influence over the writers waned, freeing up ideas that were departures from the creator's original vision. He would pass away in 1991, but his presence would never completely leave the series. For years, a small bust of Roddenberry sat on executive producer Rick Berman's desk with a blindfold wrapped over its eyes. "Whenever they come up with a story I don't think Gene would like," Berman said, "I blindfold him when we discuss the story."
2. GENE RODDENBERRY REALLY DIDN’T WANT A BALD CAPTAIN.
For years, William Shatner had cast the mold by which all future Star Trek captains would be judged. And it was that image of the confident, swashbuckling James T. Kirk that Roddenberry wanted to preserve when bringing a new captain in for The Next Generation. So when Berman wanted to cast Patrick Stewart as Captain Jean-Luc Picard, the issue was clear: He was no Shatner.
Roddenberry was completely unconvinced that Stewart was right for the role, with Berman saying the Trek creator didn’t like the idea of “a bald English guy taking over.” But after countless auditions with other actors, Berman continued to bring Stewart up to Roddenberry, who eventually caved and agreed to bring him in for a final audition under one condition: He wear a wig. So Stewart had a wig Fed-Exed from London and auditioned for Roddenberry and Paramount Television head John Pike one final time.
That audition was enough to win Roddenberry over, and Stewart was finally brought aboard as Picard with the wig cast aside. Roddenberry would eventually go on to fully embrace Picard’s follicular shortcomings, and according to Stewart, when a reporter at a press conference once asked him why there wouldn’t be a cure for baldness in the 24th century, Roddenberry responded by saying, “No, by the 24th century, no one will care."
3. ONLY ONE PERSON HAS EVER PLAYED HIMSELF IN STAR TREK HISTORY.
Stephen Hawking was visiting the Paramount lot during the video release of the film A Brief History of Time when he requested a tour of the Next Generation set. After making his way onto the iconic Enterprise bridge, he stopped and began typing into his computer. Suddenly, his voice synthesizer spoke: “Would you lift me out of my chair and put me into the captain's seat?"
Hawking asking to be removed from his chair was basically unheard of, so his wishes were granted immediately. Later, with writers having become aware that he was such a huge Trekkie, Hawking himself was written into the sixth season finale episode “Descent – Part I” by Ronald D. Moore, who would later go on to reimagine the Battlestar Galactica universe.
4. A WHOLE EPISODE WAS WRITTEN FOR ROBIN WILLIAMS.
Late actor and comedian Robin Williams was also a huge fan of the show and was desperate to appear in it, so an episode of the fifth season—"A Matter of Time"—was drawn up by Berman to allow Williams to shine at the center of a mystery about Professor Berlinghoff Rasmussen, a time-traveling historian from the future visiting the past to observe the Enterprise crew completing an historic mission.
Unfortunately, when it came time to shoot the episode, Williams found himself unavailable to appear in the episode. So Max Headroom star Matt Frewer was cast as Professor Rasmussen instead.
5. PATRICK STEWART APPROACHED BEING TORTURED ON SCREEN VERY SERIOUSLY.
In the episode “Chain of Command, Part II,” Picard has been captured by Cardassians and is subjected to a variety of torture methods by his interrogators. As a member of the human rights organization Amnesty International, Stewart did not want to shy away from the realities of torture, so he watched tapes sent to him that included statements from people who had been tortured and a long interview with a torturer explaining what it was like to be the one inflicting pain on others. Stewart also insisted on being completely nude during the first torture scene, so as not to betray the experiences of those who had undergone similar horrors.
6. THEY USED SOME PRACTICAL EFFECTS.
The transporter effect on the show may look completely computer generated, but in fact it’s all done quite organically. First, a canister is filled with water and glitter and then a light is shone through it. After stirring the liquid briskly, the resulting few seconds of swirling glitter are filmed and then superimposed over footage of the actor standing in the transporter area, with an added “streak down” effect to blur the glitter further.
7. LORE WAS SUPPOSED TO BE A WOMAN.
Android Lieutenant Commander Data had many adventures during the series, on and off the Enterprise, but his evil twin brother, Lore, stands out for many fans as one of the show’s greatest antagonists. Surprisingly, Lore was originally created as a female android character for the show, but the actor who plays Data, Brent Spiner, came up with a different idea: an evil twin nemesis in the shape of a long-lost brother.
8. THERE WAS AN OPEN SUBMISSION POLICY ON SCRIPTS.
When Michael Piller took over as head writer on the show in 1989, an open submission policy was launched where absolutely anyone could submit up to two unsolicited scripts for consideration. Opening up the possibility of writing for TV to people outside of the Writers Guild of America and talent agency pool was unheard of at the time, and over 5000 spec scripts were received a year at one point. "Yesterday’s Enterprise," one of the show’s most popular episodes, was based off a spec script from the open submission policy.
9. SOME SCRIPTS WERE RECYCLED FROM THE SCRAPPED PHASE II.
A decade before The Next Generation debuted, there was a failed attempt at a revival called Star Trek: Phase II. Though a first season was mapped out, it never saw the light of day, and the movie series was produced in its place. However, the scrapped scripts and concepts lived on in various Trek projects over the years. For the second season premiere of The Next Generation, producers reclaimed the script for "The Child" as a way to get a story quickly into production during the 1988 writers' strike. The season four episode "Devil's Due" was also taken from the backlog of Phase II scripts.
More elements from Phase II would influence Trek for years, such as the pilot being reworked into Star Trek: The Motion Picture and the now-familiar elements of the Japanese-inspired Klingon culture being introduced in the shelved episode “Kitumba.”
10. THE TRANSPORTER IS THE BEST OF BOTH WORLDS.
In what was either a cost-cutting move or a sly Easter egg (or both), the ceiling of the Enterprise's transporter room in The Next Generation is actually the floor of the transporter room from the original series. That's far from the only recycling that went on between the Trek series. The orbital office complex from Star Trek: The Motion Picture was reused as the Regula I station in The Wrath of Khan, which was then itself reused as a number of different space stations on The Next Generation (plus Deep Space Nine and Voyager).
For Star Trek fans, the final frontier doesn’t end once the credits roll on a new TV show or movie. The franchise extends way beyond that to include countless conventions, board games, video games, mountains of merchandise, and even a dating website specifically for Trekkies. And if you’re a real die-hard for Gene Roddenberry’s vision of the future, you can even learn Klingon—one of many fictional languages from the franchise, and by far its most fully-realized.
Now, the popular language-learning website Duolingo is helping people master the guttural beauty of Klingon with a free online course that is currently in a public beta. To start, you can choose to either learn some useful phrases or take an online placement test—though that’s recommended for people who already have some experience in Klingon. The course was crafted with the help of CBS—both Trek and the network are owned by Viacom—as well as “some of the world’s leading Klingon experts,” according to a quote from VentureBeat.
If you’re a novice, Duolingo will start you off with some tips on how the Klingon language works, including its alphabet, capitalization rules, and the fact that there’s really no word for “hello” (apparently, a Klingon won’t waste your time with silly trivialities like greetings).
In an interview with VentureBeat, course creator Felix Malmenbeck said there are only about 30 to 50 people who can actually converse in Klingon, though there are more who can communicate through text. But there’s a chance that number can shoot up with this new course, as Malmenbeck revealed that the site has gotten around 170,000 pre-registrations. This might seem like a lot for a fictional language, but just remember that the site’s course for High Valyrian, a fictional language from Game of Thrones, was viewed by 240,000 eager learners.
Klingon made its debut as a very basic language in 1979's Star Trek: The Motion Picture and was partly devised by actor James Doohan, who played Scotty. It was further fleshed out in 1984's Star Trek III: The Search for Spock, and it has since gotten its own dictionary by the linguist Marc Okrand, the man responsible for working on the official language for the movie.
Duolingo’s Klingon course is available now for free, and if you have a Duolingo Plus subscription, you can experience the whole thing without ads and use it while offline. Just remember, be careful who you say hab sosli' Quch* to. It may not end well.
*It means “Your mother has a smooth forehead.” Trust us, that’s as insulting as it gets.