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11 Dashing Facts About Robin Hood: Men In Tights

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A charming spoof, Mel Brooks's Robin Hood: Men in Tights introduced the world to Dave Chappelle and extolled the virtues of form-fitting legwear. Here’s everything you need to know about the arrow-slinging 1993 comedy.

1. MEL BROOKS HAD PREVIOUSLY WORKED ON A COMEDIC ROBIN HOOD TV SERIES.

In 1974, Mel Brooks’ smash-hit genre parodies Blazing Saddles and Young Frankenstein became two of the highest grossing movies of the year—with Blazing Saddles beating out The Towering Inferno and The Godfather: Part II for the top spot. Having secured a lasting career for himself in Hollywood, Brooks took a break from cinema so he could pursue a new TV project. The comic joined forces with Norman Stiles and John Boni to co-create ABC’s When Things Were Rotten, a fast-paced, gag-driven sitcom that put a satirical spin on Robin Hood. Starring Get Smart alum Dick Gautier in the lead role, the show relied heavily on anachronistic pop culture references; in one episode, for example, a character named Lord McDonald of the Golden Archers dons a T-shirt reading “Over 1,000,000 Dispatched.”

When Things Were Rotten premiered on September 10, 1975. After three months of lackluster ratings and mixed reviews, the show was canceled just 13 episodes into its run. Brooks would, of course, take another stab at the legendary hero of Sherwood Forest when Robin Hood: Men in Tights was released 18 years later. Incidentally, that 1993 comedy starred a familiar face: Dick Van Patten, who plays an abbot in the film, had portrayed Friar Tuck in When Things Were Rotten.

2. A DENTIST’S KID INSPIRED THE MOVIE.

Despite its impressive showing at the box office, Kevin Costner’s Robin Hood: Prince of Thieves (1991) didn’t win universal praise. Many took issue with the movie’s inconsistent tone and Costner’s half-baked attempt at an English accent. When 11-year-old Jordi Chandler saw it, he told his father, Evan, that the flick deserved to be parodied. As it happened, Evan Chandler was a Beverly Hills dentist whose clientele included Hollywood screenwriter J. David Shapiro. During an appointment, the DDS pitched the idea of a Robin Hood spoof movie to Shapiro, who loved the concept. Together, they put together a screenplay that was later sold to—and heavily revised by—Brooks.

3. MADELINE KAHN MIGHT’VE PLAYED LATRINE.

Madeline Kahn made a name for herself by starring in several of Brooks's comedies, including Blazing Saddles, Young Frankenstein, High Anxiety, and History of the World, Part 1. Kahn’s family has stated that she was offered the part of Latrine—Prince John’s manic soothsayer—in Robin Hood: Men in Tights, but turned the role down over salary concerns. On the other hand, Brooks himself says he didn’t cast Kahn because the character wouldn’t receive much screen time. Regardless, Tracey Ullman ended up landing the part.

4. SEAN CONNERY WANTED TO PORTRAY KING RICHARD—IN WOMEN’S CLOTHING.

Robin Hood: Prince of Thieves had an all-star cast that boasted Costner, Morgan Freeman, and Alan Rickman. Sean Connery also made a brief appearance as King Richard, a part he reportedly wanted to reprise in Men in Tights. According to James Robert Parish's It's Good to Be the King: The Seriously Funny Life of Mel Brooks, Connery told the director “that he would repeat his role of the monarch—but this time in drag. However, intriguing as this comic prospect was, he wanted a $1 million salary, which he planned to donate to Scottish charities.” Unable to afford this king’s ransom, Brooks cast Patrick Stewart instead. For better or for worse, the cross-dressing angle was scrapped entirely.

5. BROOKS WROTE THE LYRICS TO ALL OF THE ORIGINAL SONGS.

From The Producers's “Springtime for Hitler” to a Sinatra-esque lounge number in High Anxiety, Brooks’s comedies are loaded with songs that the filmmaker either wrote or co-wrote himself. Robin Hood: Men in Tights continued this musical tradition. The legendary director penned the lyrics for Maid Marian’s song, the titular “Men in Tights” number, and both versions of the "Sherwood Forest Rap." Meanwhile, their melodies were provided by composer Hummie Mann. However, neither man can take any credit for “The Night is Young and You’re So Beautiful,” which Robin (Cary Elwes) belts out during a romantic scene with Marian (Amy Yasbeck). Famously covered by Dean Martin, that amorous ballad was written way back in 1937 by Dana Suesse, Billy Rose, and Irving Kahal.

6. WHEN BROOKS FIRST REACHED OUT TO CARY ELWES ABOUT PLAYING ROBIN HOOD, THE ACTOR ASSUMED HE WAS BEING PRANKED.

Early on in the Men in Tights casting process, Brooks called Elwes at his home to discuss the project. "He actually called me at home and I thought someone was pulling my leg so I hung up on him," Elwes told Den of Geek in 2014. "He called back and he said 'don’t hang up, it’s really me!' I apologized, but I couldn’t believe he was calling me." In short order, Elwes was cast as the film’s hero. Once he came aboard, Elwes helped Brooks choose an actor to play Ahchoo, Robin’s sidekick. In the end, the part went to an unknown 19-year-old comedian named Dave Chappelle. “We actually cast [him] together,” Elwes recalled. “We saw a lot of actors and when Dave came in, he was just so amazing and we knew right then and there [that] this guy was a star.”

7. IT SHARED A FILMING LOCATION WITH TWO OTHER WELL-KNOWN ROBIN HOOD MOVIES.

A body of water in Southern California’s Santa Monica mountains that was formerly known as Lake Canterbury was renamed Lake Sherwood in 1921, when a Robin Hood movie starring Douglas Fairbanks shot a few scenes on its shores. Subsequently, this same lake was utilized as a backdrop for certain outdoor sequences in 1938’s The Adventures of Robin Hood, and Robin Hood: Men in Tights did some filming there as well.

8. THE ACTORS ATTENDED A SWORDPLAY BOOT CAMP.

“If you put the name Robin Hood on a marquee, then it’s incumbent upon you—nay, it behooves you—to have horses and sword fighting,” Brooks declared in the HBO making-of documentary Robin Hood: Men in Tights: The Legend Had it Coming. “The actors came in every weekend and they worked Saturdays and Sundays just on their sword fights,” Brooks said. These sessions were overseen by fencing coordinator Victor Paul, who also did stunt work on big-budget action films like Die Hard and Armageddon. The bladed weapon specialist found that Elwes was particularly easy to train because The Princess Bride star already had plenty of fencing experience under his belt. “All I had to do was teach him the routines, he knew how to fence,” Paul said in the documentary.

However, Elwes wasn’t quite as adept at archery. Right before the training montage, we see Robin hit a bull's-eye from a few yards away while his merry men look on. At the 2013 Motor City Comic Con, Elwes shed some light on the scene—which turned out to be a rather triumphant moment for him. “I was quite proud of the fact that I got a bull's-eye shooting the bow and arrow because there was a lot of pressure from Mel to get that in a few takes. He said ‘Okay, you’ve got three takes. Get a bull's-eye, let’s go!,'" Elwes shared during a Q&A session. “And I’m like ‘Really, Mel? I’ve only got three? Really?’ And I got it on the third one, thank god.”

9. LATE IN THE SHOOT, RICHARD LEWIS CAME DOWN WITH A 106-DEGREE FEVER.

Richard Lewis, who played the neurotic Prince John, opened up about his experiences on the set in a 2013 PBS documentary titled Mel Brooks: Make a Noise. Apparently, as production came to a close, Lewis’s health took a sharp turn for the worse. “I was almost done with the film, I had one scene left, [and then] I got Hepatitis A,” the actor recalled. Stricken with a 106-degree fever, Lewis was hospitalized. Amazingly though, this development didn’t stop Brooks from trying to complete his villain’s final scene on schedule.

Completely undeterred, the director called Lewis’s hospital room and announced an elaborate plan to lay Lewis in a stretcher, drive him to the set, and prop the immobilized performer up against some wood so that he could deliver a pair of lines. “You’ll do your two lines, we’ll carry you right back into the stretch, you’ll be back [at the hospital] in 20 minutes,” Brooks told him. “Mel,” a weary Lewis responded, “I’m dying. I think I’m dying. I have a 106 fever. I’m jaundiced.” He then hung up on Brooks, who proceeded to call him back “about 15 times with the same riff” in Lewis’s estimation.

10. THE MOVIE MADE GENE SISKEL’S “WORST OF '93” LIST.

When it came to the film critics, "most of them reamed it,” according to Lewis. “It was disappointing.” Leading the chorus of derision was Gene Siskel, who counted Robin Hood: Men in Tights among his worst films of 1993. “Movie comedy, I think, is threatening to pass Mel Brooks by,” the late critic opined. “When comedies don’t work and everybody in the audience knows it, that is about as low as it gets ... [Brooks] has clearly lost his way.”

Still, like many of Brooks’s later pictures, Robin Hood: Men in Tights has slowly developed a cult following over the years. It has even received some faint praise from a more contemporary Robin Hood: In 2016, Russell Crowe called Men in Tightsthe most entertaining version” of the heroic character’s timeless story.

11. JACK BLACK ONCE SERENADED BROOKS WITH A RENDITION OF THE FILM'S THEME SONG.

Along with Bruce Springsteen, Dave Brubeck, Robert De Niro, and opera singer Grace Bumby, Brooks was named one of the 2009 Kennedy Center honorees. When asked to comment on this development, Brooks told The Washington Post, “I hope you never find my award on eBay, because you never know ... You run out of cash and wherewithal.” Seated near President Barack Obama and the First Lady, Brooks was presented with a medley of his unforgettable songs. Among other acts, this star-studded revue featured Martin Short’s take on the Blazing Saddles theme while Richard Kind led a jazzy rendition of the Spanish Inquisition number from History of The World, Part 1. Jack Black also took the stage in full Robin Hood regalia to lead a chorus in singing “Men in Tights.” All the while, a gleeful Brooks could be seen mouthing the lyrics to every song from the audience.

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23 Things David Letterman Invented for Our Amusement
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This week, nearly three years after bidding farewell to Late Night, David Letterman is making his triumphant return to the small screen via Netflix with My Next Guest Needs No Introduction with David Letterman (where he'll interview two people who need no introduction: Barack Obama and George Clooney). If the series is anything like Letterman's career thus far, you can expect plenty of innovation.

Here are 23 recurring bits, features, and moments that the former Indiana weatherman (and his writers) invented for our amusement.

1. THE SHORT, NON-TOPICAL MONOLOGUE

Carson Productions, as in Johnny Carson’s production company, co-produced Late Night with David Letterman, and as the upcoming lead-out programming for The Tonight Show, it was important to Carson’s people that Letterman not copy Carson. Letterman’s people were told that among other things, they couldn’t have a sidekick sitting next to the host like Ed McMahon, a band with horns like Doc Severinsen’s, or a monologue. So instead, Letterman opened his show by standing in front of the audience and viewers at home with “opening remarks,” a monologue consisting of just one or two jokes with weird imagery, like tattoos melting in warm weather.

2. POST-INTERVIEW INTERVIEWS

On February 3, 1982—his third-ever broadcast—Late Night conducted two interviews with baseball hall-of-famer Hank Aaron: One was a standard talk show back-and-forth between host and guest. The other occurred after that conversation ended, where NBC Sports reporter Al Albert (son of Marv Albert) asked Aaron how he felt his last few minutes with Letterman went, with the idea that it was the equivalent of a post-game interview.

3. STUPID PET TRICKS

“Stupid Pet Tricks” began on Letterman’s short-lived but Emmy-winning morning show, and was a consistently popular segment on both Late Night and The Late Show. The idea came from original head writer Merrill Markoe, who "remembered how in college my friends and I would be hanging around in the evenings, talking, and drinking. One form of constant entertainment was to put socks on this one dog. Everyone I knew did some version of a silly thing like that with their pets, so we ran an ad to see if we could pull a segment together like that."

4. WORLD’S LARGEST VASE CONTESTS

After questioning people who claimed to have the “world’s largest vase” over the phone in what New York Magazine described as a “longish” segment, the vase was brought into the studio and displayed on Late Night from May 30 through June 2, 1983. On its third night, a 35-inch radio transmitting tower was added to the case when it was discovered that it was shorter than one in Canada. On its final night of national exhibition, Letterman read alleged letters from children addressed to the Vase, and the vase “spoke” to wish for peace for mankind.

5. CATCHPHRASE CONTESTS

Two on-air catchphrase contests, which aired a little over a month apart in the summer of 1984, gave lucky studio audiences the power to make “They pelted us with rocks and garbage” the first rallying cry, before it was displaced by "I do and do and do for you kids, and this is the thanks I get!"

6. A CAMERA FROM THE HOST'S P.O.V.

The February 15, 1982 installment of Late Night began with one continuous five minute and 17 second take through Letterman’s P.O.V. called “Dave Cam.” Cameos included that night’s guest Andy Rooney, Merrill Markoe, and Calvert DeForest, who played Larry “Bud” Melman on Late Night, as “Bert the Human Caboose.”

7. A CAMERA FROM THE GUEST’S P.O.V.

Letterman favorite Tom Hanks was the first wearer of the “Late Night Guest-Cam.” Hanks was on the show the night of December 12, 1985 to promote The Money Pit, which was initially supposed to debut the next day, but would be delayed until the following March. “The Late Night Sky-Cam” makes a cameo.

8. A CAMERA FROM A MONKEY’S P.O.V.

After a false start with a 30-year-old chimp named Bo, who was too small to handle the camera, “Monkey Cam” got its start on March 19, 1986. Zippy, who was on the cover of The Ramones' Animal Boy album, would return on roller skates with the “Late Night Monkey Cam Mobile Unit.”

9. PURPOSELY FUNNY TOP 10 LISTS

The very first Top Ten—“The Top Ten Things That Almost Rhyme With Peas"—aired on September 18, 1985, as a satire of the random lists publications like Good Housekeeping were starting to produce at the time. Credit for who thought up the idea for Late Night is disputed; over the years, head writer Steve O’Donnell, former head writer and longtime SNL scribe Jim Downey, Late Night writer Randy Cohen, and producer Robert Morton have all gotten some or all of the credit. Top Ten made it to the end of Late Show’s run, even though the writers were already tiring of it by the February 6, 1986 show, which had the Top Ten list “Top Ten Reasons to Continue the Top Ten Lists Just a Little Longer.”

10. WEARING SUITS OF VELCRO, ALKA-SELTZER, MAGNETS, SPONGES, SUET, AND FOODS

On February 28, 1984, Letterman slipped into a “Suit of Velcro” and ushered in an era of strange outfits including a magnet get-up, which Letterman wore to attach himself to a huge GE fridge. Lowering himself into a 1000-gallon tank of water, Letterman’s suit of Alka-Seltzer fizzed and vaporized. There were also suits of suet, marshmallows, chips, and Rice Krispies, the latter of which made David “snap, crackle, and pop” in a large tub of milk. An influence was Steve Allen, the original host of The Tonight Show, who threw himself into Jell-O vats on television. Allen’s “Man on the Street” interviews were also something Letterman took to new levels of absurdity.

11. HOSTING A SHOW ABOARD AN AIRPLANE

Late Night’s fourth anniversary was celebrated onboard a flight from New York City to Miami.

12. AN EPISODE THAT ROTATES 360 DEGREES

Writers Randy Cohen and Kevin Curran came up with the unique way to celebrate the 800th episode of Late Night. NBC received “several hundred” phone calls about the December 9, 1986 show from viewers complaining that it was giving them headaches, dizziness, and nausea. Carson Productions executives were apparently not informed of the stunt beforehand and were reportedly “furious.”

13. FEUDING WITH BRYANT GUMBEL

After Letterman interrupted an August 19, 1985 broadcast of Today co-hosted by Bryant Gumbel, Gumbel called out the Late Night host for being “unprofessional” and didn’t publicly forgive him for four years. (Letterman claimed it was a Today producer who invited him to pull the stunt.)

14. FEUDING WITH OPRAH WINFREY

In the 16 years between Oprah's 1989 appearance on Late Night and her December 1, 2005 Late Show interview, rumors swirled about a feud between Winfrey and Letterman. The reasons why—and even if—there was a “feud” at all remain unclear.

15. CO-HOSTING AN EPISODE WITH A CORNY MORNING SHOW THEME

On February 27, 1985, Letterman shared hosting duties with “Tawny Harper Reynolds,” with guests Michael Palin, a Pet Psychic, and an exercise segment with Carol Channing.

16. AN HOUR-LONG PARODY OF 1970s PRIMETIME VARIETY SHOWS

“Dave Letterman's Summertime Sunshine Happy Hour” graced the NBC airwaves on the night of August 29, 1985. Early in his TV career, Letterman wrote and was a part of the cast of The Starland Vocal Band Show.

17. AN HOUR-LONG PARODY OF CHRISTMAS SPECIALS

December 19, 1984’s "Christmas With the Lettermans," featuring Pat Boone, won Late Night a 1985 Emmy for Outstanding Writing in a Variety, Music or Comedy Program.

18. "CUSTOM-MADE" SHOWS

On November 15, 1983, Late Night relinquished control of the show to the audience, giving them a choice on everything from the furniture to the theme song. On March 27, 1984’s version, the show opened with the theme to Bonanza, the announcer was the New York Lieutenant Governor, and Jane Pauley was interviewed in a dentist's chair.

19. DUBBING A RERUN FROM ENGLISH TO ENGLISH

When the February 17, 1986 episode re-aired on September 25th of that year, 250 confused viewers called the network. After 60 hours and four professional dubbers, everyone on the episode (Raquel Welch was the main guest) magically had different voices. Even Letterman's voice was dubbed (by Speed Racer's Peter Fernandez).

20. 4 A.M. SHOWS

May 14, 2004’s Late Show was taped at four in the morning, on purpose. Amy Sedaris, rat expert Robert Sullivan, and Modest Mouse were the guests. Letterman rode a horse, Sedaris gave an unsafe late night tour of her neighborhood, and Modest Mouse played in their pajamas.

21. DEDICATING MOST OF AN EPISODE TO A DECEASED COMEDIAN AND HIS FAMILY

Letterman invited Bill Hicks’s mother, Mary, to appear on the January 30, 2009 episode to apologize face-to-face for not airing Hicks’s controversial October 1, 1993, stand-up performance. In February of 1994, Hicks passed away from pancreatic cancer at age 32. After talking to Mary, Letterman finally presented Bill’s set.

22. DEDICATING AN ENTIRE EPISODE TO A COMEDY HERO

On the first new Late Show after Johnny Carson's passing, Letterman's monologue was filled with jokes that the retired Carson had anonymously submitted to David over the years. Long-time The Tonight Show executive producer Peter Lassally and bandleader Doc Severinsen were that night's only guests.

23. THE ‘WILL IT FLOAT?’ GAME

The first installment of “Will It Float?” was on February 6, 2002. A brick of Velveeta cheese sank. Dave got it right, whereas Paul got it wrong.

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15 Fun Facts About When Harry Met Sally
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Nora Ephron's most beloved romantic comedy opened in theaters more than 25 years ago. We'll (still) have what she's having.

1. HARRY AND SALLY WERE MODELED AFTER DIRECTOR ROB REINER AND SCREENWRITER NORA EPHRON—EXCEPT FOR THE FALLING IN LOVE PART.

Rob Reiner divorced fellow director Penny Marshall in 1981 after 10 years of marriage. When he met with Nora Ephron in the mid-1980s, he pitched a number of ideas for movies, including a comedy based on his dating experiences. Ephron agreed to write it after extensively interviewing Reiner. The two had many discussions about how men and women view sex, love, and relationships differently.

2. THOSE SWEET "HOW WE MET" INTERLUDES THROUGHOUT THE MOVIE ARE REAL LOVE STORIES.

Reiner interviewed elderly couples about how they fell in love in preparation for the movie. He hired actors to re-tell their stories on the big screen.

3. NORA EPHRON HATED THE TITLE.


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It was extremely difficult for Ephron to settle on a title for her screenplay. She tried several, including Boy Meets Girl, How They Met, and Harry, This Is Sally. Reiner eventually turned the naming process into a contest among the crew members. Whoever picked the title would win a case of champagne. We don't know who came up with When Harry Met Sally, but let's hope he or she shared all that bubbly.

4. IN THE SCRIPT'S FIRST DRAFT, HARRY AND SALLY DIDN'T END UP TOGETHER.

Ephron felt that was the most realistic ending, but hey, this is the movies!

5. REINER ALSO FELL IN LOVE BY THE END OF THE MOVIE.


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During filming, Reiner was introduced to photographer Michelle Singer by the film's director of photography. The two married in 1989, the same year When Harry Met Sally came out. Reiner has said that finding his own happy ending helped make one for Harry and Sally more believable.

6. BILLY CRYSTAL AND MEG RYAN WEREN'T THE FIRST CHOICES FOR HARRY AND SALLY.


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Albert Brooks turned down the role of Harry, because he thought the movie was too reminiscent of Woody Allen. (Brooks also turned down the lead role in Big and Pretty Woman. D'oh!) Rob Reiner initially wanted Susan Dey of the TV show L.A. Law to play Sally. He also considered Elizabeth Perkins from Big and Elizabeth McGovern from Ordinary People. John Hughes movie queen Molly Ringwald was nearly cast, but declined due to a scheduling conflict.

7. MOLLY RINGWALD DID EVENTUALLY PLAY SALLY ALBRIGHT, THOUGH.

In 2004, the popular film was adapted into an unpopular stage play on London's West End. Luke Perry (yes, really) and Alyson Hannigan from How I Met Your Mother played Harry and Sally in its first run and were later replaced by Michael Landes from Final Destination 2 and Molly Ringwald.

8. MEG RYAN SORT OF PAVED THE WAY FOR JULIA ROBERTS.


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Ryan's first leading role would've been as Shelby in Steel Magnolias, but she turned down the part to play Sally instead. Another up-and-coming actress named Julia Roberts took her place and later starred in Pretty Woman—another part Meg Ryan turned down.

9. BILLY CRYSTAL AND ROB REINER HAVE BEEN GOOD FRIENDS SINCE 1975.


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Reiner and Crystal met when they played best friends on All in the Family. Many conversations between Harry and his best male friend Jess, played by Bruno Kirby, were inspired by the friendship between Crystal and Reiner. So were the scenes in which Harry and Sally watch the same movie from different apartments. Bromance, anyone?

Meanwhile, Carrie Fisher, who plays Sally's best female friend Marie, was BFFs with Reiner's ex-wife Penny Marshall. Hmmm, wonder if that ever got awkward...

10. THE SPLIT-SCREEN SCENES ARE AN IRONIC HOMAGE TO 1959'S PILLOW TALK.

At the time Pillow Talk was made, the Motion Picture Production Code, also known as the Hays Code, set moral guidelines for all the films released by major studios. Movies weren't allowed to show a couple in bed (or bath or beyond) together, or any sort of sexual relationship between unmarried partners. (The code was abandoned in 1968.) Harry and Sally were kept apart to show how close they were as "just friends.

11. REINER'S MOTHER, ESTELLE, HAD ONE LINE—AND IT WAS PROBABLY THE MOVIE'S MOST MEMORABLE.

She's the older woman who says, "I'll have what she's having" at Katz's Delicatessen. The American Film Institute ranked it #33 in its list of the top 100 movie quotations. The famous line wasn't in the original script. Crystal suggested it after he and Ryan improvised the entire scene. The two were originally supposed to discuss "faking it" without an actual demonstration.

12. KATZ'S IS PROUD OF ITS FAMOUS SCENE.

This sign appears above the table where it was shot:

13. CRYSTAL IMPROVISED THROUGHOUT THE MOVIE.

Watch closely at 0:29; Ryan laughs out of character and looks at Reiner off-camera. The director decided to keep the scene.

Crystal also improvised much of the scene when he admits he loves Sally, including the line, "When you realize you want to spend the rest of your life with someone, you want the rest of your life to start as soon as possible." Swoon.

14. THE REAL-LIFE BOOKSTORE WHERE HARRY AND SALLY MEET FOR THE THIRD TIME INSPIRED ANOTHER EPHRON MOVIE.

Harry and Sally finally become friends when they spot each other at Shakespeare and Co. on Broadway and 79th. When the store closed after a Barnes & Noble opened on the Upper West Side, Ephron was inspired to write a romantic comedy around the David and Goliath struggle between local stores and large national chains. You've Got Mail came out in 1998, nearly a decade after when Harry Met Sally.

15. NO ONE EXPECTED WHEN HARRY MET SALLY TO BE A HIT.

The film was up against the summer blockbusters Batman, Ghostbusters II, Licence to Kill, and Indiana Jones and the Last Crusade. When Harry Met Sally opened in just 41 theaters on July 12, grossing $1 million. It opened nationwide July 21. And the rest is romantic comedy history.

Additional Source: DVD Commentary by Nora Ephron and Rob Reiner

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