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The 12 Most Interesting Comics of November

Each month, we round up the most interesting comics, graphic novels, webcomics, digital comics and comic-related Kickstarters that we think you should check out.

1. A.D.: AFTER DEATH BOOK ONE

By Scott Snyder and Jeff Lemire
Image Comics


Most wouldn’t expect formal comics experimentation to come from the writers of Batman and the X-Men, but, to be fair, Scott Snyder and Jeff Lemire are two of the most celebrated creators in comics and both have had a lot of success outside of their work for Marvel and DC. In this three-part prestige format series, they are collaborating to tell a story about a future in which death has been cured. Jonah Cooke, the story’s protagonist, has been alive for centuries and in this first chapter, reflects on his life and his culpability in an event that changed the world.

The format of this book is not entirely a comic; it's a combination of sequential art, prose, and illustrations. Lemire, who lately has been writing for other artists, provides the art in his discernibly loose, outsider art style while Snyder handles the considerable sections of prose with a novelist’s skill. The result is an ominous and contemplative read about memory and mortality.

2. MUHAMMAD ALI

By Sybille Titeux and Amazing Ameziane
Dark Horse Comics


Some biography subjects were born to be in comics and the brash, super-heroic figure of the boxing world known as Muhammad Ali is one of them. He famously appeared in a comic with Superman back in 1978, but in this 2015 French graphic novel, being released for the first time in English, he gets a 128-page bio-comic all his own. Ali’s life—from his youth as Cassius Clay through his storied boxing career, his conversion to Islam, and his rise as an early hero of the civil rights movement to his final battle with Parkinson’s disease—is all covered here. Titeux gives many of the biographical events some proper historical context by providing some details of the Nation of Islam, Malcolm X, and the conflict in Vietnam. Ameziane’s photo-realistic artwork depicts these events with accuracy and an appropriate sense of drama equal to Ali’s legend.

3. SUPER POWERS #1

By Art Baltazar and Franco Aureliani
DC Comics


Art Baltazar and Franco Aureliani are responsible for some of the most popular all-ages comics and their work for DC, like Tiny Titans, is just about the best option you can find out there for early reader superhero comics. Their newest series, Super Powers, stars some of the biggest heroes in the DC Universe and begins with a story in which Batman has gone missing, leaving Superman and Wonder Woman to not only find their friend, but to also fill in for him in Gotham City while he’s gone.

4. WHO KILLED KURT COBAIN?

By Nicolas Otero
IDW Publishing


For Gen Xers, Kurt Cobain’s death by apparent suicide in 1994 was a “where were you when…” moment that is forever burned into their memories. Over 20 years later, the mystique around his death has sparked conspiracy theories and a number of books including the French novel Le Roman de Boddah by Héloïse Guay de Bellissen, which focuses on Cobain’s suicide note and its reference to his imaginary childhood friend “Boddah." French artist Nicolas Otero has adapted that book into a graphic novel that captures the feeling of the ‘90s—both the grunge aesthetic and even the page layout-driven style of the comics from that decade—while depicting a dramatized version of the real events of Cobain’s life. We see Nirvana’s sudden rises to success, Cobain's passionate relationship with Courtney Love, his struggle with heroin addiction. and his early death, all told from the point of view of Boddah.

5. ETHER #1

By Matt Kindt and David Rubin
Dark Horse Comics 


Writer Matt Kindt isn't a fan of the supernatural genre, so the protagonist of his new book is himself a skeptic who prefers science over magic. However, Boone Dias is a scientist-adventurer who is often brought from our world to a magical dimension called the Ether to solve a murder. In a world where seemingly anything can happen, the inhabitants of that world lean on Dias to find explanations for the unexplainable. Kindt is one of the smartest genre writers in comics right now and he’s paired with astounding new talent David Rubin (The Rise of Aurora West), whose richly colored art is like an hallucinatory children’s book that you’ll want to spend some time admiring.

6. BLACK PANTHER: WORLD OF WAKANDA #1

By Ta-Nehisi Coates, Roxane Gay, Yona Harvey, Afua Richardson, and Alitha Martinez
Marvel Comics


After his cinematic debut in Captain America: Civil War, an upcoming solo film, and a new comic series written by acclaimed writer Ta-Nehisi Coates, Black Panther has now become a high-profile character in the Marvel Universe—enough to warrant a spinoff series focusing on his supporting characters. The Dora Milage is the King of Wakanda’s elite all-female guard, made famous during Christopher Priest’s iconic run on the Black Panther series in the 1990s. Two of the members, Ayo and Aneka, have been a major part of Coates's run and will now be the focus of this book. 

Neither of the big two comics publishers have been a model for hiring diverse creators—especially when it comes to African American women—but this particular book boasts an interesting creative team of women of color, led by professor and op-ed writer Roxanne Gay who readers of Bitch Planet will know from her essays in that comic. She is joined by artist Alitha E. Martinez, while a 10-page backup story co-written by Coates and poet Yona Harvey features art by Afua Richardson, who made a splash this past year drawing the politically charged Image series Genius.

7. MAYDAY #1

By Alex DeCampi, Tony Parker, and Blond
Image Comics


This is the first issue of a proposed trilogy of mini-series that mix Cold War espionage with unexpected elements like ‘70s drug culture, Alice Cooper, and Krautrock. The series will follow a pair of CIA agents through different exploits in the 1970s. The first issue begins with the murder of a Soviet general while he is in the act of defecting to the United States. Rather than a John le Carré-style of complex spy maneuvering, it quickly veers into the unexpectedly violent and weird vibe of a Coen brothers film when the two Russian assassins hook up with a bunch of hippies and fall victim to some LSD-laced vodka.

DeCampi employs a number of neat writing tricks here, including a clever way of showing how someone trying to understand another language may miss every few words as they’re trying to keep up with a conversation. She also manages to integrate a ‘70s era soundtrack into the story, along with a recommended playlist at the end and some notes about the musical choices.

8. SUGAR & SPIKE VOL. 1

By Keith Giffen, Bilquis Evely, and Ivan Plascencia
DC Comics


Sugar Plumm and Spike Wilson are private investigators for superheroes. When someone like Alfred the butler needs someone to track down a stash of embarrassing zebra and rainbow-colored Batsuits that has been stolen or Green Lantern needs to investigate whether an alien flower on display in a museum is the same sentient being he used to wear on his lapel for a time back in the ‘80s, they turn to Sugar and Spike for help. This series, which ran in the recent Legends of Tomorrow anthology and is now collected on its own in a trade paperback edition, is representative of DC Comics's new, brighter outlook on its properties; one that embraces the silliness of the past and lets their superheroes be superheroes (Sugar and Spike themselves are meant to be grown-up versions of a couple of toddler characters that ran in a strip of the same name back in the 1950s). It’s a clever yet ridiculous concept that is played for laughs and works well, thanks to the physical comedy and character acting by artist Bilquis Evely. Amidst all the broad comedy, there are also subtle hints at a complicated but affectionate relationship between the two protagonists that leaves you wanting to know more.

9. SUNNY VOL. 6

By Taiyo Matsumoto
Viz Media


The final volume of Taiyo Matsumoto’s award-winning manga series reaches English-speaking audiences this month (it came out in Japan last year). The poignant, slice-of-life series about a group of foster children who only find solace and escape when sitting in an abandoned yellow car they’ve named “Sunny” is considered a masterwork by many. This series has been nominated for numerous awards and won the Shogakukan Manga Award this year, one of Japan’s highest honors for manga.

10. THE PLUNGE

By Emi Gennis
Kilgore Books & Comics


In 1901, Annie Edson Taylor was the first person to survive a trip over Niagara Falls in a barrel. And she did it at the age of 63. Emi Gennis tells her story in this beautiful new black-and-white comic, released through brand-new publisher Kilgore Books & Comics. Taylor’s life story is both an uplifting example of can-do feminism and an anti-climactic tragedy, as she would eventually die poor and alone, gaining nothing from her death-defying feat. Gennis’s crisply inked cartooning style has an appropriately old-timey feel and her depiction of the horrific ride down the falls is captivating and surreal.

11. LEGEND

By Samuel Sattin and Chris Koehler
Z2 Comics


After humans have been wiped out by a biological terror attack, dogs and cats are left to rebuild the world in their absence. But there is something else out there—a mysterious creature called the Endark—that has killed Ransom, the leader of the dogs, requiring an English Pointer named Legend to step up and take his place. Chris Koehler is an accomplished editorial illustrator who has worked for publications such as The Atlantic and Variety. His style exhibits a high level of photorealism and a designer’s sense of minimal color. He manages to translate that style to his first piece of sequential comics without losing any of his technical polish. This collaboration with novelist Samuel Sattin, also a comics newbie, should please most domestic animal adventure fans of stories like The Incredible Journey or We3.

12. Off Season

By James Sturm
Slate.com


Acclaimed cartoonist and director of the Center for Cartoon Studies James Sturm (The Golem's Mighty Swing) has been creating a webcomic for Slate that began in September and will continue through the end of the year. It is about 2016, with a focus on the election and now on its aftermath. Set in New England, it follows a down-on-his-luck divorced dad who was a Bernie Sanders supporter raising a daughter who is excited about the prospect of electing the first female president. Sturm draws everyone—including real-life players like Donald Trump—as anthropomorphic dogs, trudging through the same reality we’re all currently living in real time.

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Twentieth Century Fox Film Corporation
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Deadpool Fans Have a Wild Theory About Who Cable Really Is
Twentieth Century Fox Film Corporation
Twentieth Century Fox Film Corporation

Deadpool 2 is officially in theaters and ruling the box office just like its predecessor did back in 2015. But this installment is about more than just crude jokes and over-the-top action scenes; it also includes the debut of a longtime Marvel character that fans have been clamoring to see on the big screen since 2000’s X-Men hit theaters: Cable.

But the Cable in Deadpool 2 isn’t quite the one fans have gotten used to in the books—for starters, his powers and backstory are reined in considerably. While it’s easy to assume that’s by design, so that audiences can better relate to the character (which is played by Josh Brolin), some fans have speculated that the changes are because, well, this character isn’t really Cable at all; instead, Screen Rant has a theory that this version of the character is actually none other than an older Wolverine from the future.

So how can Wolverine be Cable? Well, it’s actually quite easy, considering that Wolverine was Cable in Marvel’s Ultimate Universe comics, which was a series of books in the 2000s that completely reimagined the regular Marvel Universe. In this reality, a grizzled, aged Wolverine takes on the Cable nickname and travels back in time to prevent a takeover of Earth from the villain Apocalypse.

We were already introduced to Apocalypse in 2016’s X-Men: Apocalypse, and while he was defeated in the end, Screen Rant theorizes that he could return like he does in the Ultimate X-Men comics: by inhabiting the body of Nathaniel Essex, a.k.a. Mister Sinister. Essex was already name-dropped in Apocalypse and Deadpool 2, so it stands to reason that there might be some larger story on the horizon for him.

This would, of course, lead to more X-Men movies down the road, with Cable revealing his true nature and teaming with a crew of mutants that includes the classic X-Men cast as well as their younger selves to battle a newly formed Apocalypse. It’d also allow the character of Wolverine to live on in Brolin, leaving Hugh Jackman to enjoy a retired life without claws.

Obviously this is just one fan theory based on a comic storyline from over a decade ago. It would also have to ignore a whole host of continuity problems—including the events of Logan. But having a twist with Cable actually being Wolverine from the future (and likely from a different reality) is the type of headache-inducing madness the comics are known for.

[h/t: Screen Rant]

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King Features Syndicate
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8 Things You Might Not Know About Hi and Lois
King Features Syndicate
King Features Syndicate

A comics page staple for nearly 65 years, Mort Walker and Dik Browne’s Hi and Lois is a celebration of the mundane. Married couple Hiram “Hi” Flagston, wife Lois, and their four children balance work, school, and family dynamics, all of it with few punchlines but plenty of relatable situations. This four-panel ode to suburbia might appear simple, but it still has a rich history involving a beef with The Flintstones, broken noses, and one very important candy bar wrapper.

1. IT’S A SPINOFF OF BEETLE BAILEY.

Beetle Bailey creator Mort Walker had been drawing that military-themed strip for four years when a friend of his named Lew Schwartz approached him in 1954 with a new idea: Why not create a strip about a nuclear family? Around the same time, the Korean War was ending, and Walker had sent Beetle home on furlough to visit his sister, Lois. Drawing a line between the two, Walker decided to pursue the suburbia idea using Lois as connective tissue. Hi and Lois was born: The two strips would see their respective characters visit one another over the years.

2. A CANDY BAR HELPED DEFINE THE STRIP’S LOOK.

Already working on Beetle Bailey, Walker decided to limit his work on Hi and Lois to writing. He wanted to collaborate with an artist, and so both he and his syndicate, King Features, went searching for a suitable partner. Walker soon came across ads for both Lipton’s tea and Mounds candy bars that had the same signature: Dik Browne. Coincidentally, a King Features executive named Sylvan Byck saw a strip in Boy’s Life magazine also signed by Browne. The two agreed he was a talent and invited Browne to work on the strip.

3. HI ORIGINALLY HAD A BROKEN NOSE.

As an artist, Walker had plenty of input into the style of Hi and Lois: Browne would later recall that trying to merge his own approach with Walker’s proved difficult. “When you draw a character like Hi, for instance, you immediately set the style for the whole strip,” he said. “You have already dictated what a tree will look like or how a dog will look, just by sketching that one head.” In his earliest incarnation, Hi had a broken, upturned nose to make him seem virile, puffed on a pipe, and wore a vest. Through trial and error, the two artists eventually settled on the softer lines the strip still uses today, an aesthetic some observers refer to as the “Connecticut school style” of cartooning.

4. EDITORS WERE WARY AT FIRST.

When Hi and Lois debuted on October 18, 1954, only 32 papers carried the strip. The reason, Walker later explained, had to do with concerns that he was spreading himself too thin. At the time, cartoonists rarely worked on two strips at once. Between Hi and Lois and Beetle Bailey, there was fear that the quality of one or both would suffer. Editors were also worried that having two artists on one project would dilute the self-expression of both. Walker stuck to his intentions—to make Hi and Lois a strip about the small pleasures of suburban life—and newspapers slowly came on board. By 1956, 131 papers were running the strip.

5. TRIXIE MAY HAVE SAVED THE STRIP.

With readers a little slow to respond to Hi and Lois, Walker had an idea: At the time, it was unusual for characters who don’t normally speak—like Snoopy—to express themselves with thought balloons. Walker decided to have baby Trixie think “out loud,” giving readers insight into her perspective. Shortly after Trixie began having a voice, Hi and Lois took off.

6. CHIP IS THE ONLY CHARACTER TO HAVE AGED.

Like most comic strip casts, the Hi and Lois family has found a way to stop the aging process. Baby Trixie is eternally in diapers; the parents seem to hover around 40 without any wrinkles. But oldest son Chip has been an exception. Roughly eight years old when the strip debuted, he’s currently 16, a nod to Walker's need for a character who can address teenage issues like driving, school, and dating.

7. IT LED TO HAGAR THE HORRIBLE.

Browne might be more well-known for his Hägar the Horrible, a strip about a beleaguered Viking. That strip, which debuted in 1973, was the result of Browne’s sons advising their father that Hi and Lois was really Walker’s brainchild and that Browne should consider a strip that could be a “family business.” By 1985, Hägar was in 1500 newspapers, while Hi and Lois was in 1000. Following Browne’s death in 1989, his son Chris continued the strip.

8. IT ALSO HAD A BONE TO PICK WITH THE FLINTSTONES.

The Flintstones, Hanna-Barbera’s modern stone-age family, premiered in primetime in 1960, but not exactly the way the animation studio had intended. Fred and Wilma were initially named Flagstone, not Flintstone, and the series was to be titled Rally ‘Round the Flagstones. But Walker told executives he felt the name was too close to the Flagstons of Hi and Lois fame. Sensing a possible legal issue, they agreed.

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