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8 Things We Know About The Crown Season 2

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Since making its premiere on November 4, 2016, The Crown—which won the 2017 Golden Globe for Best Drama—has become an indisputable hit for Netflix. The 10-part series, created by two-time Oscar nominee Peter Morgan (The Queen, Frost/Nixon), follows the ascension and early reign of Queen Elizabeth II (played by Claire Foy, who won a Golden Globe and SAG Award for her portrayal of the legendary royal) and the challenges it creates in her personal life, particularly in her marriage to Prince Philip (played by former Doctor Who star Matt Smith). Fans binge-watched the show as quickly as it was dropped, and have spent the better part of this year clamoring for details on the second season, which will return on December 8, 2017. Here’s what we know.

1. PRODUCTION ON SEASON TWO BEGAN BEFORE SEASON ONE EVEN PREMIERED.

In November 2016, while speaking on a panel for the nonprofit organization Visionary Women, Netflix’s chief content officer Ted Sarandos confirmed that production on The Crown's second season was already underway. "We're in production now on the second season," Sarandos said. "This is going to take Queen Elizabeth from age 29 to, presumably, the current day. We'll see it lay out over decades. We've seen a lot of things about Queen Elizabeth, but we've already learned more about her than we ever had by watching the first 10 hours."

In an interview with Vanity Fair, published on November 18, 2016, Foy revealed that they were already a month into shooting. “We literally pick up where we left off—in 1956," she said. “I think Peter’s taking [us up to] '63 or '64. We get into the '60s, and it is a whole other world happening. It’s really exciting, especially because we’ve had such a positive response and everyone’s been really encouraging. It just makes everybody, especially the crew, work even harder. When we first started shooting, and it hadn’t come out. We were like, ‘Oh god, what if they hate it?’ And then we’ll [still have to film a second season] knowing that everyone hated it."

2. SEASON TWO WILL FOCUS ON THE SUEZ CRISIS.

Season two will focus largely on the Suez Crisis of 1956. “Initially, I thought this would only be three seasons,” Morgan told The Hollywood Reporter. “It would be one season of her as the Young Queen, one season of her as the Middle-Aged Queen, one season of her as an Old Queen. It's only in the writing of it that I said, ‘Oh, my God I need more time.’ The truth of the matter is, I could've written three or even four seasons of her as the Young Queen. I did get to the point where I thought, ‘Actually no, let's leave it on the knife's edge of Suez because Suez feels like a changing point for the country. Britain was never the same again after Suez.’ Therefore, I was going to deal with that at the beginning of season two. Which we do.”

3. PRINCES PHILIP AND CHARLES WILL HAVE BIGGER ROLES.

Though Elizabeth's family was a major part of The Crown's first season, season two will devote more screen time to both Prince Philip and a young Prince Charles.

"We start to focus on Charles as a young boy and his education, and on Philip and his back story,” Morgan told People in December. Earlier this month, while discussing the show at a Royal Television Society event in London, Morgan gave a few more details on season two: "Its soul is about Prince Philip's complexity. "I find him extraordinarily interesting—his childhood, again, you couldn't make it up. The soul of season two is about his complexity."

4. PRINCESS MARGARET IS GOING TO BE "NAUGHTY."

Though audiences got to see a bit about Princess Margaret's lust for life, and complicated romantic entanglements, in the first season, we'll get an even wilder version of her in season two. "She’s naughty," Foy told W Magazine. "Very minxy. She gets even naughtier even though she gets married. The naughtiness just continues." (Margaret's husband, Antony Armstrong-Jones—a.k.a. Lord Snowdon—will be played by Downton Abbey star Matthew Goode.)

In discussing Vanessa Kirby, the actress who plays Margaret, Morgan told Vanity Fair that, “Vanessa explodes this season. We always knew she was a great actress, but she explodes. It’s a very identifiable tragedy, to have someone in the family with more apparent charisma and yet no use for it ... I love writing her.”

5. NETFLIX WOULD LIKE TO SEE A TOTAL OF SIX SEASONS.

Though it’s the most expensive television series ever made, Sarandos seems rather pleased with the results of The Crown—and the audience's reaction to it. Even if season two does bring viewers up to the present day, the series won’t stop there. In fact, from the get-go, Netflix saw the series as a long-term investment. "The idea is to do this over six decades, in six seasons presumably, and make the whole show over eight to 10 years," Sarandos said.

6. FUTURE SEASONS COULD SEE SOME MAJOR CAST CHANGES.

Though Foy and Smith are both back for season two of The Crown, it will reportedly be their last. Because of the chronological nature of the narrative, seasons three and beyond would focus on the Queen in the later years of her reign, which would require an older actress. According to Digital Spy, if all six seasons of the series shake out as planned, the cast will change for season three then again in season five, for the final two seasons. Producer Andrew Eaton said that he and the rest of the team have had some “conversations” about who might play the royal couple next, but right now they are firmly focused on Foy.

"We saw a number of actresses in the beginning [to play the young Elizabeth] who were all brilliant, but Claire ... there was something about her," Eaton said.

"If you're going to take this character—and she's doing all of the first two seasons, so it's 20 hours with the same character—it's got to be someone that you can identify with and feels vulnerable and sympathetic and she has that quality as a person.”

7. JOHN AND JACKIE KENNEDY WILL PLAY A PART IN SEASON TWO.

As season two ventures into the 1960s, we do know that John and Jackie Kennedy will be a part of the narrative. On February 9, 2017, Variety confirmed that Michael C. Hall will play JFK, while Quarry's Jodi Balfour will play his wife, Jackie. 

"I absolutely fell in love with Jodi Balfour," Foy told Entertainment Weekly in July. "She’s just brilliant, and Michael C. Hall is just incredible. You really see how amazing it is to put Philip and Elizabeth—their marriage and their world—suddenly into the 1960s. You see how the royal family has to start changing and move with the times and realize that things and people are different, and you start to see the evolution of the modern monarchy."

8. A THIRD SEASON HAS YET TO BE CONFIRMED, BUT MORGAN'S ALREADY THINKING ABOUT IT.

If audience response to the first season told us anything, season two of The Crown is bound to be a hit. Still, Netflix has yet to confirm that a third season will be coming. "We're talking [to Netflix] all the the time but we just want to see how the second series goes," Morgan said in early August. "We're pretty swamped at the moment. I've started thinking about a third season—you have to be responsible, you can't say you'll do it and then suddenly go, 'Actually I found out it's really dull.' I have done some preparatory work, I'd be happy to do it, but at the moment I'm swamped."

The Crown is streaming now on Netflix.

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30 Memorable Quotes from Carrie Fisher
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Just days after suffering a heart attack aboard a flight en route to Los Angeles, beloved actress, author, and screenwriter Carrie Fisher passed away at the age of 60 on December 27, 2016. Though she’ll always be most closely associated with her role as Princess Leia in Star Wars, Fisher’s life was like something out of its own Hollywood movie. Born in Beverly Hills on this day in 1956, Fisher was born into show business royalty as the daughter of singer Eddie Fisher and actress Debbie Reynolds.

In addition to her work in front of the camera, Fisher built up an impressive resume behind the scenes, too, most notably as a writer; in addition to several memoirs and semi-autobiographical novels, including Wishful Drinking, Surrender the Pink, Delusions of Grandma, The Best Awful, Postcards from the Edge, and The Princess Diarist (which was released last month), she was also an in-demand script doctor who counted Sister Act, Hook, Lethal Weapon 3, and The Wedding Singer among her credits.

Though she struggled with alcoholism, drug addiction, and mental illness, Fisher always maintained a sense of humor—as evidenced by the 30 memorable quotes below.

ON GROWING UP IN HOLLYWOOD

“I am truly a product of Hollywood in-breeding. When two celebrities mate, someone like me is the result.”

“I was born into big celebrity. It could only diminish.”

“At a certain point in my early twenties, my mother started to become worried about my obviously ever-increasing drug ingestion. So she ended up doing what any concerned parent would do. She called Cary Grant.”

“I was street smart, but unfortunately the street was Rodeo Drive.”

“If anything, my mother taught me how to sur-thrive. That's my word for it.”

ON AGING

“As you get older, the pickings get slimmer, but the people don't.”

ON INSTANT GRATIFICATION

“Instant gratification takes too long.”

ON THE LEGACY OF STAR WARS

“People are still asking me if I knew Star Wars was going to be that big of a hit. Yes, we all knew. The only one who didn't know was George.”

“Leia follows me like a vague smell.”

“I signed my likeness away. Every time I look in the mirror, I have to send Lucas a couple of bucks.”

“People see me and they squeal like tropical birds or seals stranded on the beach.”

“You're not really famous until you’re a Pez dispenser.”

ON THE FLEETING NATURE OF SUCCESS

“There is no point at which you can say, 'Well, I'm successful now. I might as well take a nap.'”

ON DEALING WITH MENTAL ILLNESS

“I'm very sane about how crazy I am.”

ON RESENTMENT

“Resentment is like drinking poison and waiting for the other person to die."

ON LOVE

“Someone has to stand still for you to love them. My choices are always on the run.”

“I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience, and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture.”

“I don’t hate hardly ever, and when I love, I love for miles and miles. A love so big it should either be outlawed or it should have a capital and its own currency.”

ON EMOTIONS

“The only thing worse than being hurt is everyone knowing that you're hurt.”

ON RELATIONSHIPS

“I envy people who have the capacity to sit with another human being and find them endlessly interesting, I would rather watch TV. Of course this becomes eventually known to the other person.”

ON HOLLYWOOD

“Acting engenders and harbors qualities that are best left way behind in adolescence.”

“You can't find any true closeness in Hollywood, because everybody does the fake closeness so well.”

“It's a man's world and show business is a man's meal, with women generously sprinkled through it like overqualified spice.”

ON FEAR

“Stay afraid, but do it anyway. What’s important is the action. You don’t have to wait to be confident. Just do it and eventually the confidence will follow.”

ON LIFE

“I don’t want life to imitate art. I want life to be art.”

“No motive is pure. No one is good or bad-but a hearty mix of both. And sometimes life actually gives to you by taking away.”

“If my life wasn't funny it would just be true, and that is unacceptable.”

“I shot through my twenties like a luminous thread through a dark needle, blazing toward my destination: Nowhere.”

“My life is like a lone, forgotten Q-Tip in the second-to-last drawer.”

ON DEATH

“You know what's funny about death? I mean other than absolutely nothing at all? You'd think we could remember finding out we weren't immortal. Sometimes I see children sobbing at airports and I think, 'Aww. They've just been told.'”

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12 Surprising Facts About Bela Lugosi
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On October 20, 1882—135 years ago today—one of the world's most gifted performers was born. In his heyday, Bela Lugosi was hailed as the undisputed king of horror. Eighty-five years after he first donned a vampire’s cape, Lugosi's take on Count Dracula is still widely hailed as the definitive portrayal of the legendary fiend. But who was the man behind the monster?

1. HE WORKED WITH THE NATIONAL THEATER OF HUNGARY.

To the chagrin of his biographers, the details concerning Bela Lugosi’s youth have been clouded in mystery. (In a 1929 interview, he straight-up admitted “for purposes of simplification, I have always thought it better to tell [lies] about the early years of my life.”) That said, we do know that he was born as Béla Ferenc Dezső Blaskó on October 20, 1882 in Lugoj, Hungary (now part of Romania). We also know that his professional stage debut came at some point in either 1901 or 1902. By 1903, Lugosi had begun to find steady work with traveling theater companies, through which he took part in operas, operettas, and stage plays. In 1913, Lugosi caught a major break when the most prestigious performing arts venue in his native country—the Budapest-based National Theater of Hungary—cast him in no less than 34 shows. Most of the characters that he played there were small Shakespearean roles such as Rosencrantz in Hamlet and Sir Walter Herbert in Richard III.

2. HE FOUGHT IN WORLD WAR I.

The so-called war to end all wars put Lugosi’s dramatic aspirations on hold. Although being a member of the National Theater exempted him from military service, he voluntarily enlisted in the Austro-Hungarian Army in 1914. Over the next year and a half, he fought against Russian forces as a lieutenant with the 43rd Royal Hungarian Infantry. While serving in the Carpathian mountains, Lugosi was wounded on three separate occasions. Upon healing from his injuries, he left the armed forces in 1916 and gratefully resumed his work with the National Theater.

3. WHEN HE MADE HIS BROADWAY DEBUT, LUGOSI BARELY KNEW ANY ENGLISH.

In December 1920, Lugosi boarded a cargo boat and emigrated to the United States. Two years later, audiences on the Great White Way got their first look at this charismatic stage veteran. Lugosi was cast as Fernando—a suave, Latin lover—in the 1922 Broadway stage play The Red Poppy. At the time, his grasp of the English language was practically nonexistent. Undaunted, Lugosi went over all of his lines with a tutor. Although he couldn’t comprehend their meaning, the actor managed to memorize and phonetically reproduce every single syllable that he was supposed to deliver on stage.

4. UNIVERSAL DIDN’T WANT TO CAST HIM AS COUNT DRACULA.

The year 1927 saw Bela Lugosi sink his teeth into the role of a lifetime. A play based on the novel Dracula by Bram Stoker had opened in London in 1924. Sensing its potential, Horace Liveright, an American producer, decided to create an U.S. version of the show. Over the summer of 1927, Lugosi was cast as the blood-sucking Count Dracula. For him, the part represented a real challenge. In Lugosi’s own words, “It was a complete change from the usual romantic characters I was playing, but it was a success.” It certainly was. Enhanced by his presence, the American Dracula remained on Broadway for a full year, then spent two years touring the country.

Impressed by its box office prowess, Universal decided to adapt the show into a major motion picture in 1930. Horror fans might be surprised to learn that when the studio began the process of casting this movie’s vampiric villain, Lugosi was not their first choice. At the time, Lugosi was still a relative unknown, which made director Tod Browning more than a little hesitant to offer him the job. A number of established actors were all considered before the man who’d played Dracula on Broadway was tapped to immortalize his biting performance on film.

5. MOST OF HIS DRACULA-RELATED FAN MAIL CAME FROM WOMEN.

The recent Twilight phenomenon is not without historical precedent. Lugosi estimated that, while he was playing the Count on Broadway, more than 97 percent of the fan letters he received were penned by female admirers. A 1932 Universal press book quotes him as saying, “When I was on the stage in Dracula, my audiences were composed mostly of women.” Moreover, Lugosi contended that most of the men who’d attended his show had merely been dragged there by female companions.   

6. HE TURNED DOWN THE ROLE OF FRANKENSTEIN’S MONSTER.

Released in 1931, Dracula quickly became one of the year's biggest hits for Universal (some film historians even argue that the movie single-handedly rescued the ailing studio from bankruptcy). Furthermore, its astronomical success transformed Lugosi into a household name for the first time in his career. Regrettably for him, though, he’d soon miss the chance to star in another smash. Pleased by Dracula’s box office showing, Universal green-lit a new cinematic adaptation of Mary Shelley’s Frankenstein. Lugosi seemed like the natural choice to play the monster, but because the poor brute had few lines and would be caked in layers of thick makeup, the actor rejected the job offer. As far as Lugosi was concerned, the character was better suited for some “half-wit extra” than a serious actor. Once the superstar tossed Frankenstein aside, the part was given to a little-known actor named Boris Karloff.

Moviegoers eventually did get to see Lugosi play the bolt-necked corpse in the 1943 cult classic Frankenstein Meets the Wolf Man. According to some sources, he strongly detested the guttural scream that the script forced him to emit at regular intervals. “That yell is the worst thing about the part. You feel like a big jerk every time you do it!” Lugosi allegedly complained.

7. LUGOSI’S RELATIONSHIP WITH BORIS KARLOFF WAS MORE CORDIAL THAN IT’S USUALLY MADE OUT TO BE.

It’s often reported that the two horror icons were embittered rivals. In reality, however, Karloff and Lugosi seemed to have harbored some mutual respect—and perhaps even affection for one another. The dynamic duo co-starred in five films together, the first of which was 1934’s The Black Cat; Karloff claimed that, on set, Lugosi was “Suspicious of tricks, fearful of what he regarded as scene stealing. Later on, when he realized I didn’t go in for such nonsense, we became friends.” During one of their later collaborations, Lugosi told the press “we laughed over my sad mistake and his good fortune as Frankenstein is concerned.”

That being said, Lugosi probably didn’t appreciate the fact that in every single film which featured both actors, Karloff got top billing. Also, he once privately remarked, “If it hadn’t been for Boris Karloff, I could have had a corner on the horror market.”

8. HE LOVED SOCCER.

In 1935, Lugosi was named Honorary President of the Los Angeles Soccer League. An avid fan, he was regularly seen at Loyola Stadium, where he’d occasionally kick off the first ball during games held there. Also, on top of donating funds to certain Hungarian teams, Lugosi helped finance the Los Angeles Magyar soccer club. When the team won a state championship in 1935, one newspaper wrote that the players were “headed back to Dracula’s castle with the state cup.” [PDF]

9. HE WAS A HARDCORE STAMP COLLECTOR.

Lugosi's fourth wife, Lillian Arch, claimed that Lugosi maintained a collection of more than 150,000 stamps. Once, on a 1944 trip to Boston, he told the press that he intended to visit all 18 of the city's resident philately dealers. “Stamp collecting,” Lugosi declared, “is a hobby which may cost you as much as 10 percent of your investment. You can always sell your stamps with not more than a 10 percent loss. Sometimes, you can even make money.” Fittingly enough, the image of Lugosi’s iconic Dracula appeared on a commemorative stamp issued by the post office in 1997.

10. LUGOSI ALMOST DIDN’T APPEAR IN ABBOTT AND COSTELLO MEET FRANKENSTEIN—BECAUSE THE STUDIO THOUGHT HE WAS DEAD.

The role of Count Dracula in this 1948 blockbuster was nearly given to Ian Keith—who was considered for the same role in the 1931 Dracula movie. Being a good sport, Lugosi helped promote the horror-comedy by making a special guest appearance on The Abbott and Costello Show. While playing himself in one memorable sketch, the famed actor claimed to eat rattlesnake burgers for dinner and “shrouded wheat” for breakfast.

11. A CHIROPRACTOR FILLED IN FOR HIM IN PLAN 9 FROM OUTER SPACE.

Toward the end of his life, Lugosi worked on three ultra-low-budget science fiction pictures with Ed Wood, a man who’s been posthumously embraced as the worst director of all time. In the 1953 transvestite picture Glen or Glenda?, Lugosi plays a cryptic narrator who offers such random and unsolicited bits of advice as “Beware of the big, green dragon who sits on your doorstep.” Then came 1955’s Bride of the Monster, in which Lugosi played a mad scientist who ends up doing battle with a (suspiciously limp) giant octopus.

Before long, Wood had cooked up around half a dozen concepts for new films, all starring Lugosi. At some point in the spring of 1956, the director shot some quick footage of the actor wandering around a suburban neighborhood, clad in a baggy cloak. This proved to be the last time that the star would ever appear on film. Lugosi died of a heart attack on August 16, 1956;  he was 73 years old.

Three years after Lugosi's passing, this footage was spliced into a cult classic that Wood came to regard as his “pride and joy.” Plan 9 From Outer Space tells the twisted tale of extraterrestrial environmentalists who turn newly-deceased human beings into murderous zombies. Since Lugosi could obviously no longer play his character, Wood hired a stand-in for some additional scenes. Unfortunately, the man who was given this job—California chiropractor Tom Mason—was several inches taller than Lugosi. In an attempt to hide the height difference, Wood instructed Mason to constantly hunch over. Also, Mason always kept his face hidden behind a cloak.

12. HE WAS BURIED IN HIS DRACULA CAPE.

Although Lugosi resented the years of typecasting that followed his breakout performance in Dracula, he asked to be laid to rest wearing the Count’s signature garment. Lugosi was buried under a simple tombstone at California's Holy Cross Cemetery.

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