8 Things We Know About The Crown Season 2

Netflix
Netflix

Since making its premiere on November 4, 2016, The Crown—which won the 2017 Golden Globe for Best Drama—has become an indisputable hit for Netflix. The 10-part series, created by two-time Oscar nominee Peter Morgan (The Queen, Frost/Nixon), follows the ascension and early reign of Queen Elizabeth II (played by Claire Foy, who won a Golden Globe and SAG Award for her portrayal of the legendary royal) and the challenges it creates in her personal life, particularly in her marriage to Prince Philip (played by former Doctor Who star Matt Smith). Fans binge-watched the show as quickly as it was dropped, and have spent the better part of this year clamoring for details on the second season, which will return on December 8, 2017. Here’s what we know.

1. PRODUCTION ON SEASON TWO BEGAN BEFORE SEASON ONE EVEN PREMIERED.

In November 2016, while speaking on a panel for the nonprofit organization Visionary Women, Netflix’s chief content officer Ted Sarandos confirmed that production on The Crown's second season was already underway. "We're in production now on the second season," Sarandos said. "This is going to take Queen Elizabeth from age 29 to, presumably, the current day. We'll see it lay out over decades. We've seen a lot of things about Queen Elizabeth, but we've already learned more about her than we ever had by watching the first 10 hours."

In an interview with Vanity Fair, published on November 18, 2016, Foy revealed that they were already a month into shooting. “We literally pick up where we left off—in 1956," she said. “I think Peter’s taking [us up to] '63 or '64. We get into the '60s, and it is a whole other world happening. It’s really exciting, especially because we’ve had such a positive response and everyone’s been really encouraging. It just makes everybody, especially the crew, work even harder. When we first started shooting, and it hadn’t come out. We were like, ‘Oh god, what if they hate it?’ And then we’ll [still have to film a second season] knowing that everyone hated it."

2. SEASON TWO WILL FOCUS ON THE SUEZ CRISIS.

Season two will focus largely on the Suez Crisis of 1956. “Initially, I thought this would only be three seasons,” Morgan told The Hollywood Reporter. “It would be one season of her as the Young Queen, one season of her as the Middle-Aged Queen, one season of her as an Old Queen. It's only in the writing of it that I said, ‘Oh, my God I need more time.’ The truth of the matter is, I could've written three or even four seasons of her as the Young Queen. I did get to the point where I thought, ‘Actually no, let's leave it on the knife's edge of Suez because Suez feels like a changing point for the country. Britain was never the same again after Suez.’ Therefore, I was going to deal with that at the beginning of season two. Which we do.”

3. PRINCES PHILIP AND CHARLES WILL HAVE BIGGER ROLES.

Though Elizabeth's family was a major part of The Crown's first season, season two will devote more screen time to both Prince Philip and a young Prince Charles.

"We start to focus on Charles as a young boy and his education, and on Philip and his back story,” Morgan told People in December. Earlier this month, while discussing the show at a Royal Television Society event in London, Morgan gave a few more details on season two: "Its soul is about Prince Philip's complexity. "I find him extraordinarily interesting—his childhood, again, you couldn't make it up. The soul of season two is about his complexity."

4. PRINCESS MARGARET IS GOING TO BE "NAUGHTY."

Though audiences got to see a bit about Princess Margaret's lust for life, and complicated romantic entanglements, in the first season, we'll get an even wilder version of her in season two. "She’s naughty," Foy told W Magazine. "Very minxy. She gets even naughtier even though she gets married. The naughtiness just continues." (Margaret's husband, Antony Armstrong-Jones—a.k.a. Lord Snowdon—will be played by Downton Abbey star Matthew Goode.)

In discussing Vanessa Kirby, the actress who plays Margaret, Morgan told Vanity Fair that, “Vanessa explodes this season. We always knew she was a great actress, but she explodes. It’s a very identifiable tragedy, to have someone in the family with more apparent charisma and yet no use for it ... I love writing her.”

5. NETFLIX WOULD LIKE TO SEE A TOTAL OF SIX SEASONS.

Though it’s the most expensive television series ever made, Sarandos seems rather pleased with the results of The Crown—and the audience's reaction to it. Even if season two does bring viewers up to the present day, the series won’t stop there. In fact, from the get-go, Netflix saw the series as a long-term investment. "The idea is to do this over six decades, in six seasons presumably, and make the whole show over eight to 10 years," Sarandos said.

6. FUTURE SEASONS COULD SEE SOME MAJOR CAST CHANGES.

Though Foy and Smith are both back for season two of The Crown, it will reportedly be their last. Because of the chronological nature of the narrative, seasons three and beyond would focus on the Queen in the later years of her reign, which would require an older actress. According to Digital Spy, if all six seasons of the series shake out as planned, the cast will change for season three then again in season five, for the final two seasons. Producer Andrew Eaton said that he and the rest of the team have had some “conversations” about who might play the royal couple next, but right now they are firmly focused on Foy.

"We saw a number of actresses in the beginning [to play the young Elizabeth] who were all brilliant, but Claire ... there was something about her," Eaton said.

"If you're going to take this character—and she's doing all of the first two seasons, so it's 20 hours with the same character—it's got to be someone that you can identify with and feels vulnerable and sympathetic and she has that quality as a person.”

7. JOHN AND JACKIE KENNEDY WILL PLAY A PART IN SEASON TWO.

As season two ventures into the 1960s, we do know that John and Jackie Kennedy will be a part of the narrative. On February 9, 2017, Variety confirmed that Michael C. Hall will play JFK, while Quarry's Jodi Balfour will play his wife, Jackie. 

"I absolutely fell in love with Jodi Balfour," Foy told Entertainment Weekly in July. "She’s just brilliant, and Michael C. Hall is just incredible. You really see how amazing it is to put Philip and Elizabeth—their marriage and their world—suddenly into the 1960s. You see how the royal family has to start changing and move with the times and realize that things and people are different, and you start to see the evolution of the modern monarchy."

8. A THIRD SEASON HAS YET TO BE CONFIRMED, BUT MORGAN'S ALREADY THINKING ABOUT IT.

If audience response to the first season told us anything, season two of The Crown is bound to be a hit. Still, Netflix has yet to confirm that a third season will be coming. "We're talking [to Netflix] all the the time but we just want to see how the second series goes," Morgan said in early August. "We're pretty swamped at the moment. I've started thinking about a third season—you have to be responsible, you can't say you'll do it and then suddenly go, 'Actually I found out it's really dull.' I have done some preparatory work, I'd be happy to do it, but at the moment I'm swamped."

The Crown is streaming now on Netflix.

13 Great Rockumentaries Every Music (and Movie) Fan Should See

The Criterion Collection
The Criterion Collection

More people are watching documentaries these days, which likely means that more people are rocking their faces off with nonfiction. Far from Ken Burns’s soothing tones, these music-filled films demand amplification and an unseemly amount of perspiration.

Rock documentaries are tricky beasts. Though they often have the built-in advantage of following around famous people, they aren’t immune to boredom and eye-rolling faux depth. Keeping it simple by showcasing the music can be good, but it’s no way to be great. The best of the best manage to deliver a stellar soundscape, offer a backstage pass to the real humans who make it, and hold our ears even if we aren’t already devoted fans. If a little history gets made in the process, even better.

Grab a seat next to Penny Lane on the bus. Here are 13 of the best documentaries that every music—and film—fan should add to their Must Watch list.

1. WHAT’S HAPPENING! THE BEATLES IN THE U.S.A. (1964)

A singular piece of filmmaking where nonfiction talent met transcendent musical genius on the threshold of gargantuan stardom, this is the best Beatles documentary ever produced. Directed by legendary documentarians Albert and David Maysles, the film captures the band’s first frivolous jaunt through America, where they raised the screaming decibel level in The Ed Sullivan Show theater and goofed off in hotel rooms. It’s an explosion of youth before they changed music forever.

2. DON’T LOOK BACK (1967)

Another marriage of style, skill, and subject, Don't Look Back helped shape how the rockumentary genre could provide insights into the people who shape our popular culture. That so many iconic moments emerged from D.A. Pennebaker’s watershed work, which strolled with Bob Dylan through England in 1965, is a testament to the legendary musician's infinite magnetism. The cue cards, singing with Joan Baez in a hotel room on the edge of breaking up, the Mississippi voter registration rally, and on and on. Since it portrayed fame’s effect on the artist, the art, and the audience, most every other rock doc has been chasing its brilliance.

3. GIMME SHELTER (1970)

The rockumentary has evolved to be as diverse as the sonic landscape itself, which is why Popstar: Never Stop Never Stopping can send up the current scene just like This Is Spinal Tap! did in the 1980s. Still, 1970 feels like the year that defined the rockumentary. Another Maysles joint, this profound doc captured The Rolling Stones touring at a time when they were one of the biggest bands in the world and only getting bigger. The music is powerful and immediate, and the film closes with their appearance at the Altamont Free Concert, which turned deadly when—after a day of skirmishes between concertgoers and the Hell’s Angels acting as security—a fan with a gun was stabbed to death when he tried to get on stage during “Under My Thumb.”

4. WOODSTOCK (1970)

The other 1970 film that helped define the genre allowed thousands to claim they’d been to the biggest concert event of the generation without actually going. If rock ‘n’ roll emerged from unruly teenage years into conflicted young adulthood in the 1960s, nothing stamped that image in henna ink better than Woodstock and the documentary that accompanied it. The bands that appear are legendary: Crosby, Stills & Nash; The Who; Joe Cocker singing The Beatles; Janis Joplin; Jimi Hendrix; and many more. It’s a fly-by of the three days of peace and music that you could play on repeat with summery ease.

5. ZIGGY STARDUST AND THE SPIDERS FROM MARS (1973)

Rock doc royalty D.A. Pennebaker captured David Bowie’s final performance in his red-domed sci-fi persona at London's Hammersmith Odeon with a flair that captures the frenetic energy of the room. The crowd is as much a part of the moment as the band is, as the camera places you in the middle of a transitional moment in music history. To see Bowie that close up now is a wonder. And, naturally, the music is out of this world.

6. THE DECLINE OF WESTERN CIVILIZATION (1981)

Instead of following the famous, Penelope Spheeris’s debut dug its nails deep into the Los Angeles punk scene at the turn of the decade. Black Flag, The Circle Jerks, and other bands your parents have never heard of perform mosh pit-sparking anthems and show off their living conditions like a grungy proto-version of MTV Cribs. There’s a purity here missing from most music docs—a chronicle of people whose passion far, far outweighs their paychecks, and a screening that led the LAPD to request that the movie never be shown in LA again.

7. SIGN "☮" THE TIMES (1987)

Having Prince at the center of your concert doc is a shortcut to ensuring it’s one of the best of all time. There’s the music, of course. Hits like “Little Red Corvette” and “U Got the Look,” and Sheila E. beating the hell out of her drum kit. There’s also The Purple One's inexhaustible energy and stage presence. As a bonus, the film jumps between concert footage and (instead of candid hotel conversations) a sci-fi narrative where we get to go to Prince Planet. It’s a rocky, disorienting experience that could have only been held so tightly together by a master showman.

8. MADONNA: TRUTH OR DARE (1991)

It might be hard to explain to a younger audience just how dominant Madonna was as an artist coming out of the 1980s or the kind of landmark event this film represented because of her status. The travelogue of her Blonde Ambition Tour was like peeking into the insane world of the ultra-famous—not least because Madonna was dating Warren Beatty at the time and part of the film involves her hanging out with Al Pacino, Lionel Richie, and more. There are threats that the Canadian police will arrest her for simulating masturbation in her show, the Pope trying to get the tour canceled in Italy, and a slightly awkward return home to see family. All par for the course for someone whose personal life was carved up for public consumption.

9. RHYME & REASON (1997)

An unparalleled look into the lyricism and lifestyle of rap musicians from the genre’s rise through its global domination of the 1990s, the concert and party footage is fantastic, and the number of interviews is staggering. Peter Spirer spoke with more than 80 rap and hip-hop artists to craft a snapshot of what life was like for a group of musicians who discovered their voices could echo across the world as well as those who followed after to even greater success. Instead of going deep on one person behind the music, it’s a historical document of the culture itself as seen through the eyes of those at its very center.

10. THE DEVIL AND DANIEL JOHNSTON (2005)

For those who don’t know Daniel Johnston’s music, this doc is a crash course not only in its stripped-down, anti-folk vibes but the head it all comes spilling out of. Instead of romanticizing or ignoring his bipolar disorder, Jeff Feuerzeig’s movie engages with it directly, drawing beautiful gems from a troubled mind. An absolute masterpiece, it’s less a vision of a musician giving glimpses into his real life than it is a vision of a human being who makes music.

11. AWESOME; I F*CKIN’ SHOT THAT! (2006)

Rockumentaries follow two major formats: the raw concert doc that’s like a ticket to a show you couldn’t attend, and the profile where artists drop quotables in between performances. They’re safe and familiar, which is probably why the Beastie Boys gave both styles the middle finger in favor of a grand experiment. A year before YouTube launched, the rap trio gave 50 fans in their Madison Square Garden audience camcorders to capture the concert. The result is a genuine, fans’-eye-view of the experience, and a chaotic mashup of perspectives.

12. THE PUNK SINGER (2013)

It’s astonishing how much time and ground Sini Anderson’s portrait of Bikini Kill leader Kathleen Hanna covers. It’s so much that labeling her Bikini Kill’s leader is woefully reductive. Artist, pioneer, feminist, activist, and a dozen other titles swirl around Hanna’s sweat-covered brow as we get to know her both as an artist and as a person. It’s also a punk fever dream of riot grrrl greatness, featuring incendiary archival footage and excellent talks with members of Le Tigre, Bikini Kill, and Julie Ruin, as well as Carrie Brownstein and the Beastie Boys’s Adam Horovitz (who is also Hanna’s husband).

13. JANIS: LITTLE GIRL BLUE (2015)

A fairly recent addition to the pantheon, Amy J. Berg’s doc is a stirring tour of archival footage of the gravel-throated songstress. Narrated by musician Cat Power, instead of losing perspective to the fog of history, a blend of modern conversations and ghosts from the past offer fresh eyes and ears to create a heartsick celebration of one of music history's most beloved artists, whose career was cut woefully short.

20 Memorable Elvis Presley Quotes

Hulton Archive/Getty Images
Hulton Archive/Getty Images

More than 40 years after his death, Elvis Presley remains a rock ‘n' roll icon and has yet to be ousted from his position as “The King.” Yet the Tupelo, Mississippi-born, Memphis, Tennessee-raised superstar never took his fame for granted, nor did he forget his roots. Here are 20 memorable quotes about Elvis’s life and legacy.

ON AMBITION

“Ambition is a dream with a V8 engine.”

ON MAINTAINING YOUR VALUES

“It's not how much you have that makes people look up to you, it's who you are.”

“Values are like fingerprints. Nobody's are the same, but you leave 'em all over everything you do.”

ON THE MUSIC INDUSTRY

“I happened to come along in the music business when there was no trend.”

“I've never written a song in my life. It's all a big hoax.”

“I don't know anything about music. In my line you don't have to.”

ON THE ARMY

“After a hard day of basic training, you could eat a rattlesnake.”

“The army teaches boys to think like men.”

ON TRUTH

“Truth is like the sun. You can shut it out for a time, but it ain't goin' away.”

ON THOSE LEGENDARY DANCE MOVES

“Rock and roll music, if you like it, if you feel it, you can't help but move to it. That's what happens to me. I can't help it.”

“Some people tap their feet, some people snap their fingers, and some people sway back and forth. I just sorta do 'em all together, I guess.”

ON KEEPING POSITIVE

“When things go wrong, don't go with them.”

ON STARDOM

“If you let your head get too big, it'll break your neck.”

“I have no use for bodyguards, but I have very specific use for two highly trained certified public accountants.”

“The image is one thing and the human being is another. It's very hard to live up to an image, put it that way.”

“The Lord can give, and the Lord can take away. I might be herding sheep next year.”

ON LOVE

“Sad thing is, you can still love someone and be wrong for them.”

ON THE PITFALLS OF HOLLYWOOD

“I sure lost my musical direction in Hollywood. My songs were the same conveyer belt mass production, just like most of my movies were.”

ON GETTING OLDER

“Every time I think that I'm getting old, and gradually going to the grave, something else happens.”

ON LEAVING A LEGACY

“Do something worth remembering.”

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