The Brutal Letter John Lennon Wrote to Paul McCartney Post-Breakup

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John Lennon and Paul McCartney are one of the most famous—if not the most famous—songwriting duos of all time. But their magical chemistry turned into bitter resentment when The Beatles disbanded in 1970. In an undated letter signed from John and Yoko Ono to Paul and his wife Linda, that post-breakup animosity is on full display. The letter was sold for $30,000 in a 2016 auction.

The typed letter, which includes several handwritten annotations from John, is believed to date back to 1971, around the time when John and Yoko moved to New York. It was written in response to a previous letter from Linda, with John writing, "I was reading your letter and wondering what middle-aged cranky Beatle fan wrote it."

The letter features some colorful language, with John making digs at both Paul and Linda. Despite the salty tone, John insists that he doesn’t resent Paul, as you can see in the passage below:

"Don’t give me that Aunty Gin shit about 'in five years I’ll look back as a different person'—don’t you see that’s what’s happening NOW!—If I only knew THEN what I know NOW—you seemed to have missed that point….

Excuse me if I use 'Beatle Space' to talk about whatever I want—obviously if they keep asking Beatle questions—I’ll answer them—and get as much John and Yoko Space as I can—they ask me about Paul and I answer—I know some of it gets personal—but whether you believe it or not I try and answer straight—and the bits they use are obviously the juicy bits—I don’t resent your husband—I’m sorry for him. I know the Beatles are 'quite nice people'—I’m one of them—they’re also just as big bastards as anyone else—so get off your high horse!—by the way—we’ve had more intelligent interest in our new activities in one year than we had throughout the Beatle era."

He ended the letter on the most conciliatory note possible, writing, "inspite of it all love to you both." But he couldn’t resist adding a post-script calling them out for not addressing their letters to Yoko as well as himself (as he had specifically addressed his letter "Dear Linda and Paul").

[h/t NME]

You Can Now Visit the Recreated Cottage of a Famous Unsolved Murder Victim

Joe the Quilter's rebuilt cottage at the Beamish Museum
Joe the Quilter's rebuilt cottage at the Beamish Museum
Beamish Museum, YouTube

Joe the Quilter led a quiet life in the English countryside, where he tended his gooseberry garden and earned something of a reputation as a hermit. Born Joseph Hedley, he had earned his moniker by attaining “a greater proficiency in quilting than any ever known in the north of England,” according to a postcard recently spotlighted by Museum Crush. When he wasn’t at home in Warden, Northumberland, he was traveling around the country selling his homemade quilts, some of which were shipped across the pond to America.

Old Joe was well known, and well-liked. It was quite a shock, then, when he was found murdered in his home.

The quilter was last seen alive on the evening of January 3, 1826. A few days later, when they hadn't heard from him, concerned neighbors broke down his door. They found the walls of his cottage—which had been ransacked—stained with blood. A bloody handprint marked a quilt that was stretched out in a frame. Joe's body was found in the outhouse; his head, face, and neck had been slashed 44 times by a sharp object. He was 76 years old at the time of his death.

“The only possible motive for the crime was considered to have been a hope of securing money, as it was foolishly believed that old Joe was rich, although he was receiving parish relief,” according to an 1891 issue of The Monthly Chronicle of North-country Lore and Legend.

Although rewards were offered for information leading to an arrest, no one was ever brought to justice, and the event became another one of the country’s unsolved murders. Now, nearly two centuries later, Joe’s story is once again being told thanks to the Beamish Museum, which has rebuilt a version of Joe’s cottage.

Although Joe’s cottage was torn down in 1872, museum staff and community members unearthed some clues about what his humble abode may have looked like during a recent archaeological dig. The model was built with stones from Joe’s original home, and the interior furnished with items similar to ones he once owned. The aforementioned postcard, as well as historic records of an auction that was held to sell Joe’s belongings after his death, aided museum staff in this process.

The cottage, which is now open to the public, is part of the museum’s $13.9 million “Remaking Beamish” project. The museum focuses on Northeastern England’s history, particularly during the key decades of the 1820s, 1900s, and 1940s. The exhibition of Joe’s cottage not only tells the story of his personal history and demise, but also highlights the history of quilting and England's cottage industry boom in the early 1800s.

Museum director Richard Evans told Museum Crush that the “beautifully-crafted, heather-thatched cottage gives us a rare chance to understand what everyday life was like in the Northeast during the early part of the 19th century.” It also brings visitors just a little closer to one of the area's most terrible historical crimes.

[h/t Museum Crush]

11 Sharp Facts About Annie Oakley

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Getty

You probably know that Annie Oakley was an outstanding sharpshooter who became famous while performing in Buffalo Bill’s Wild West Show. But if your knowledge of her life is limited to Annie Get Your Gun, we’ve got you covered. In honor of her birthday, here are 11 facts about Oakley, the Little Sure Shot of the Wild West.

1. SHE MADE HER FIRST SHOT AT 8 YEARS OLD.

Born on August 13, 1860 in a rural part of western Ohio, Phoebe Ann Moses grew up poor. Her father’s death in 1866 meant that she had to contribute to help her family survive, so she trapped small animals such as quail for food. At eight years old, she made her first shot when she killed a squirrel outside her house. “It was a wonderful shot, going right through the head from side to side. My mother was so frightened when she learned that I had taken down the loaded gun and shot it that I was forbidden to touch it again for eight months,” she later said.

2. SHE USED HER SHOOTING SKILLS TO PAY OFF HER MOM’S MORTGAGE.

Despite Oakley’s top-notch shooting skills, her widowed mother struggled to make ends meet. She sent Oakley to work for another family in exchange for her daughter getting an education. As a teenager, Oakley returned home (after working as a servant for an abusive family) and continued to hunt animals. She sold the meat to an Ohio grocery store, earning enough money to pay her mom’s $200 mortgage. She later wrote: "Oh, how my heart leaped with joy as I handed the money to mother and told her that I had saved enough to pay it off!"

3. SHE BEAT HER FUTURE HUSBAND IN A SHOOTING MATCH.

At 15 years old, Oakley participated in a shooting match on Thanksgiving with Frank Butler, an Irish-American professional marksman. The match, which happened in Cincinnati, was a doozy. To Butler’s surprise, the teenage girl outshot him by one clay pigeon, and he lost the $100 bet he had placed. Rather than feel embarrassed or emasculated by his loss, Butler was impressed and interested, and the two married the following year.

4. DESPITE HER PROFESSION, SHE EMPHASIZED HER FEMININITY.


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At the end of the 19th century, shooting was a predominantly male activity, and Oakley certainly stood out. But rather than dress or behave like a man to fit in, she emphasized her femininity. She wore her own homemade costumes on stage, behaved modestly, and engaged in "proper" female activities such as embroidery in her spare time.

5. SHE WAS ONLY FIVE FEET TALL.

In addition to Oakley’s gender, her diminutive stature made her stand out in the world of sharpshooting. In 1884, the Sioux chieftain Sitting Bull befriended Oakley when the two performers were traveling across the country. Acknowledging both her height and her shooting skill, Sitting Bull nicknamed Oakley Watanya Cicillia (English translation: Little Sure Shot). The American Indian warrior liked Oakley so much that he gave her his special moccasins to "adopt" her as his daughter.

6. SHE PERFORMED FOR KINGS AND QUEENS IN EUROPE.


Wikimedia Commons, Public Domain

Although the concept of the Wild West is firmly rooted in Americana, Oakley showed off her shooting skills across Europe as part of Buffalo Bill’s Wild West show. In 1887, she performed for Queen Victoria at the American Exposition in London, and the queen reportedly told Oakley that she was a "very clever little girl." In 1889, Oakley performed at the Paris Exposition and traveled to Italy and Spain. The press loved her, the king of Senegal wanted her to come help control the tiger population in his country, and Italy’s King Umberto I was a fan.

7. SHE OFFERED TO LEAD FEMALE SHOOTERS IN WORLD WAR I.

Wanting to use her shooting skills to serve her country, Oakley wrote a letter to President McKinley in 1898. She offered to provide 50 female sharpshooters (with their own arms and ammunition) to fight for the United States in the Spanish-American War, but she never got a response. Similarly, in 1917, she contacted the U.S. Secretary of War to offer her expertise to teach an army unit of women shooters to fight in World War I. She didn’t hear back, so she visited army camps, raised money for the Red Cross, and volunteered with military charities instead.

8. SHE SUED THE PRESS FOR PUBLICIZING HER (NONEXISTENT) DRUG ADDICTION.

In August 1903, two of William Randolph Hearst’s newspapers in Chicago reported that Oakley was a cocaine addict who was arrested for stealing a black man’s pants. Other newspapers ran the story, and Oakley—who was neither a drug addict nor a thief—was horrified. "The terrible piece … nearly killed me … The only thing that kept me alive was the desire to purge my character," she said.

The woman who had been arrested in Chicago was a burlesque performer whose stage name was Any Oakley. Most newspapers published retractions, but Hearst didn’t. He (unsuccessfully) hired a private investigator to uncover anything sordid about Oakley. Oakley sued 55 newspapers for libel, ultimately winning or settling 54 of them by 1910. Despite winning money from Hearst and other newspapers, costly legal expenses meant that she ultimately lost money to clear her name.

9. THANKS TO THOMAS EDISON, SHE BECAME A FILM ACTRESS.

In 1888, Oakley acted in Deadwood Dick, a financially unsuccessful play. At the Paris Exposition the next year, though, she met Buffalo Bill Cody’s friend Thomas Edison. In 1894, Oakley visited Edison in New Jersey and showed off her shooting skills for the inventor’s Kinetoscope. The resulting film, called The Little Sure Shot of the Wild West, featured Oakley shooting a rifle to break glass balls. Although she didn’t continue acting in film, she did act in The Western Girl, a play in which she portrayed a sharpshooter, in 1902 and 1903.

10. TWO SERIOUS ACCIDENTS HALTED HER CAREER.


Annie Oakley in 1922

Wikimedia Commons, Public Domain

In 1901, Oakley was injured in a train accident while traveling between North Carolina and Virginia for a performance. Although reports differ about the severity of her injuries, we do know that she took a year off from performing after the accident. Two decades later, Oakley was injured in a car accident in Florida. Her hip and ankle were fractured, and she wore a leg brace until 1926, when she passed away from pernicious anemia in Ohio at age 66. Frank Butler, her husband of 50 years, died 18 days later.

11. HER NAME BECAME AN IDIOMATIC EXPRESSION.

You know you’ve made it when your name becomes an idiom. Because of her shooting skills, the phrase "Annie Oakley" acquired a meaning of a free ticket to an event. Performing with Buffalo Bill’s Wild West show, Oakley shot holes in tiny objects, making targets out of everything from playing cards to a dime to a cigar dangling out of her husband’s mouth. Because free admission tickets for theatrical shows had holes punched in them (so they wouldn’t be sold to someone else), these tickets came to be called "Annie Oakleys."

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