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Diagnosing the Home Alone Burglars' Injuries: A Professional Weighs In

By Lauren Hansen

Since its debut in 1990, Home Alone has become as much a part of the Christmas cinematic ritual as It's a Wonderful Life. But unlike that uplifting tale about the good of mankind, Home Alone tells a rather unsettling Christmas story of a precocious 8-year-old who, accidentally abandoned by his family, is forced to defend his home from two dimwitted burglars. Kevin McCallister (Macaulay Culkin) turns his family's home into a veritable funhouse of torturous booby traps that so-called Wet Bandits Marv (Daniel Stern) and Harry (Joe Pesci) hilariously stumble through, and the transformation of a suburban Chicago home into a relentless injury machine is nothing short of spectacular. But it does require quite a suspension of disbelief. Can a man really be hit square in the face with a steam iron and walk away unfazed? What kind of permanent physical damage would a blow torch to the head really do? To answer these questions and officially dissolve Home Alone's Hollywood magic, I spoke with my friend Dr. Ryan St. Clair of the Weill Cornell Medical College. Enjoy.

THE INJURY: BB GUN TO THE FOREHEAD

The Set-Up: Marv and Harry try to sneak into the McCallister home by sweet talking Kevin from the back door. Kevin, meanwhile, points his BB gun through the doggie door and directly at Harry's groin—and shoots. When Marv goes to investigate the source of Harry's pain, he is met by the same BB gun, which is fired at extremely close range to his forehead.

The Doctor's Diagnosis: "Classic air-powered projectile weapons typically have muzzle velocities of 350 feet per second or less. A BB fired at close range from such a weapon could break the skin, but will not penetrate the skull, and is unlikely to penetrate Harry's scrotum, especially through fabric."

THE INJURY: IRON TO THE FACE

The Set-Up: Thwarted by the BB gun at the back door, Marv runs around to the basement stairwell—which Kevin has deliberately iced. Once he has stumbled his way down into the dark basement, Marv grabs for what he thinks is the light bulb cord. It's actually a rope attached to a steam iron that is propped up on the laundry chute door. The heavy iron comes plummeting down and smacks Marv in the face.

The Doctor's Diagnosis: "Let's estimate the distance from the first floor to the basement at 15 feet, and assume the steam iron weighs 4 pounds. And note that the iron strikes Marv squarely in the mid-face. This is a serious impact, with enough force to fracture the bones surrounding the eyes. This is also known as a 'blowout fracture,' and can lead to serious disfigurement and debilitating double vision if not repaired properly."

THE INJURY: HANDLING A BURNING-HOT DOORKNOB

The Set-Up: While Marv is getting an iron to the face, Harry tries to enter the home through the front door. The first attempt doesn't go well, as the stocky burglar slips on the icy steps and falls to the ground, landing with a thud on his back. Easing up a second time with the help of the railing, Harry makes it to the front door, reaches for the doorknob—which we see is literally burning red—and grasps the searing handle, the pain of which forces him once again down the icy steps.

The Doctor's Diagnosis: "If this doorknob is glowing visibly red in the dark, it has been heated to about 751 degrees Fahrenheit, and Harry gives it a nice, strong, one- to two-second grip. By comparison, one second of contact with 155 degree water is enough to cause third degree burns. The temperature of that doorknob is not quite hot enough to cause Harry's hand to burst into flames, but it is not that far off ... Assuming Harry doesn't lose the hand completely, he will almost certainly have other serious complications, including a high risk for infection and 'contracture' in which resulting scar tissue seriously limits the flexibility and movement of the hand, rendering it less than 100 percent useful. Kevin has moved from 'defending his house' into sheer malice, in my opinion."

THE INJURY: A BLOWTORCH TO THE SCALP

The Set-Up: Unable to get through the front door, Harry returns to the back. He kicks his foot through the doggy door to disarm a potential BB gun threat, delicately taps at the doorknob to test its temperature, and, finding it cool, opens the back door—only to unknowingly arm a blowtorch that fires at the top of his head.

The Doctor's Diagnosis: "Harry has an interesting reaction to having a lit blowtorch aimed directly at his scalp. Rather than remove himself from danger, he keeps the top of his skull directly in the line of fire for about seven seconds. What was likely a simple second-degree skin burn is now a full thickness burn likely to cause necrosis of the calavarium (skull bone)." That means the skin and bone tissue on Harry's skull will be so damaged and rotted that his skull bone is essentially dying and will likely require a transplant.

THE INJURY: WALKING BAREFOOT ON CHRISTMAS TREE ORNAMENTS

The Set-Up: After surviving the iron to the face, getting his shoes and socks peeled off by tar, and stepping onto a 3-inch nail, Marv abandons the basement entrance and enters the home through a conveniently opened window. Without looking down, however, and still barefoot, Marv jumps in, putting his full weight on a dozen pointy ornaments littered on the wood floor.

The Doctor's Diagnosis: "Walking on ornaments seems pretty insignificant compared to everything else we've seen so far. If I was Marv, I'd be more concerned about my facial fractures."

THE INJURY: PAINT CAN TO THE FACE

The Set-Up: Although severely injured, both the burglars are finally inside the house, and have forgone their looting plan for one of revenge. Hearing the taunts of Kevin's pre-pubescent voice, they scamper into the foyer only to slip dramatically on scores of Micro Machines, landing, once again, on their backs. Kevin cruelly mocks them from the top step: "You guys give up yet? Or are you thirsty for more?" Marv and Harry scramble up the staircase, where they are met by a speeding paint can attached to a rope. Harry manages to duck and evade the first hit, but Marv gets a paint can square in the face. Harry continues up the stairs but is hit by a second paint can. Both burglars end up back on the ground floor.

The Doctor's Diagnosis: "Assuming the paint can is full (roughly 10 pounds) and the rope is 10 feet long, Marv and Harry each take a roughly 2 kilo-newton hit to the face. That is easily enough to fracture multiple facial bones, and is probably going to knock you out cold. Also, I wouldn't expect either of the Wet Bandits to walk away from this with all of their teeth."

THE INJURY: SHOVEL TO THE BACK OF THE HEAD

The Set-Up: Kevin eventually lures the Wet Bandits through his house of injurious horrors, across the street, and into a neighbor's house. But Marv and Harry have clued into the fact that following the little tyke has provided them nothing but pain. They enter the neighbor's house their own way and meet little Kevin at the top of the basement steps. They hang him by his sweater from a hook on the back of a door and outline all the ways in which they will pay him back for the pain he caused, beginning with biting "every one of these little fingers, one at a time." Just before Harry can take the first bite, Kevin's elderly neighbor saves the day, coming up behind the burglars and hitting each one over head with his shovel, knocking them out cold.

The Doctor's Diagnosis: "Seriously? At this point, Marv and Harry have both suffered potentially crippling hand and foot injuries. Harry has proved to be nearly impervious to burns, and both managed to retain consciousness after taking a flying paint can straight to the face. Suddenly, a frail elderly man appears and weakly slaps them in turn with a flimsy aluminum Home Depot snow shovel. And, somehow, this is too much for them, and they collapse. This movie was way more believable when I was 8."

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14 Deep Facts About Valley of the Dolls
The Criterion Collection
The Criterion Collection

Based on Jacqueline Susann's best-selling 1966 novel (which sold more than 30 million copies), Valley of the Dolls was a critically maligned film that somehow managed to gross $50 million when it was released 50 years ago, on December 15, 1967. Both the film and the novel focus on three young women—Neely O’Hara (Patty Duke), Jennifer North (Sharon Tate), and Anne Welles (Barbara Parkins)—who navigate the entertainment industry in both New York City and L.A., but end up getting addicted to barbiturates, a.k.a. “dolls.”

Years after its original release, the film became a so-bad-it’s-good classic about the perils of fame. John Williams received his first of 50 Oscar nominations for composing the score. Mark Robson directed it, and he notoriously fired the booze- and drug-addled Judy Garland, who was cast to play aging actress Helen Lawson (Susan Hayward took over), who was supposedly based on Garland. (Garland died on June 22, 1969 from a barbituate overdose.) Two months after Garland’s sudden demise, the Manson Family murdered the very pregnant Tate in August 1969.

Despite all of the glamour depicted in the movie and novel, Susann said, “Valley of the Dolls showed that a woman in a ranch house with three kids had a better life than what happened up there at the top.” A loose sequel, Beyond the Valley of the Dolls—which was written by Roger Ebert—was released in 1970, but it had little to do with the original. In 1981, a TV movie updated the Dolls. Here are 14 deep facts about the iconic guilty pleasure.

1. JACQUELINE SUSANN DIDN'T LIKE THE MOVIE.

To promote the film, the studio hosted a month-long premiere party on a luxury liner. At a screening in Venice, Susann said the film “appalled” her, according to Parkins. She also thought Hollywood “had ruined her book,” and Susann asked to be taken off the boat. At one point she reportedly told Robson directly that she thought the film was “a piece of sh*t.”

2. BARBARA PARKINS WAS “NERVOUS” TO WORK WITH JUDY GARLAND.

Barbara Parkins had only been working with Judy Garland for two days when the legendary actress was fired for not coming out of her dressing room (and possibly being drunk). “I called up Jackie Susann, who I had become close to—I didn’t call up the director strangely enough—and I said, ‘What do I do? I’m nervous about going on the set with Judy Garland and I might get lost in this scene because she knows how to chew up the screen,’” Parkins told Windy City Times. “She said, ‘Honey, just go in there and enjoy her.’ So I went onto the set and Judy came up to me and wrapped her arms around me and said, ‘Oh, baby, let’s just do this scene,’ and she was wonderful.”

3. WILLIAM TRAVILLA BASED THE FILM'S COSTUMES ON THE WOMEN’S LIKES.

Costume designer William Travilla had to assemble 134 outfits for the four leading actresses. “I didn't have a script so I read the book and then the script once I got one,” he explained of his approach to the film. “I met with the director and producer and asked how they felt about each character and then I met with the girls and asked them what they liked and didn’t like and how they were feeling. Then I sat down with my feelings and captured their feelings, too.”

4. SUSANN THOUGHT GARLAND “GOT RATTLED.”

In an interview with Roger Ebert, Susann offered her thoughts on why Garland was let go. “Everybody keeps asking me why she was fired from the movie, as if it was my fault or something,” she said. “You know what I think went wrong? Here she was, raised in the great tradition of the studio stars, where they make 30 takes of every scene to get it right, and the other girls in the picture were all raised as television actresses. So they’re used to doing it right the first time. Judy just got rattled, that’s all.”

5. PATTY DUKE PARTIALLY BLAMES THE DIRECTOR’S BEHAVIOR FOR GARLAND’S EXIT.

During an event at the Castro Theatre, Duke discussed working with Garland. “The director, who was the meanest son of a bitch I ever met in my life ... the director, he kept this icon, this sparrow, waiting and waiting,” Duke said. “She had to come in at 6:30 in the morning and he wouldn’t even plan to get to her until four in the afternoon. She was very down to earth, so she didn’t mind waiting. The director decided that some guy from some delicatessen on 33rd Street should talk to her, and she crumbled. And she was fired. She shouldn’t have been hired in the first place, in my opinion.”

6. DUKE DIDN’T SING NEELY’S SONGS.

All of Neely’s songs in the movie were dubbed, which disappointed Duke. “I knew I couldn’t sing like a trained singer,” she said. “But I thought it was important for Neely maybe to be pretty good in the beginning but the deterioration should be that raw, nerve-ending kind of the thing. And I couldn’t convince the director. They wanted to do a blanket dubbing. It just doesn’t have the passion I wanted it to have.”

7. GARLAND STOLE ONE OF THE MOVIE'S COSTUMES.

Garland got revenge in “taking” the beaded pantsuit she was supposed to wear in the movie, and she was unabashed about it. “Well, about six months later, Judy’s going to open at the Palace,” Duke said. “I went to opening night at the Palace and out she came in her suit from Valley of the Dolls.”

8. A SNEAK PREVIEW OF THE FILM HID THE TITLE.

Fox held a preview screening of the film at San Francisco’s Orpheum Theatre, but the marquee only read “The Biggest Book of the Year.” “And the film was so campy, everyone roared with laughter,” producer David Brown told Vanity Fair. “One patron was so irate he poured his Coke all over Fox president Dick Zanuck in the lobby. And we knew we had a hit. Why? Because of the size of the audience—the book would bring them in.”

9. IT MARKED RICHARD DREYFUSS'S FILM DEBUT.


Twentieth Century Fox

Richard Dreyfuss made his big-screen debut near the end of Valley of the Dolls, playing an assistant stage manager who knocks on Neely’s door to find her intoxicated. After appearing on several TV shows, this was his first role in a movie, but it was uncredited. That same year, he also had a small role in The Graduate. Dreyfuss told The A.V. Club he was in the best film of 1967 (The Graduate) and the worst (Valley of the Dolls). “But then one day I realized that I had never actually seen Valley of the Dolls all the way through, so I finally did it,” he said. “And I realized that I was in the last 45 seconds of the worst film ever made. And I watched from the beginning with a growing sense of horror. And then I finally heard my line. And I thought, ‘I’ll never work again.’ But I used to make money by betting people about being in the best and worst films of 1967: No one would ever come up with the answer, so I’d make 20 bucks!”

10. THE DIRECTOR DIDN’T DIG TOO DEEP.

In the 2006 documentary Gotta Get Off This Merry Go Round: Sex, Dolls & Showtunes, Barbara Parkins scolded the director for keeping the film’s pill addiction on the surface. “The director never took us aside and said, look this is the effect,” she said. “We didn’t go into depth about it. Now, if you would’ve had a Martin Scorsese come in and direct this film, he would’ve sat you down, he would’ve put you through the whole emotional, physical, mental feeling of what that drug was doing to you. This would’ve been a whole different film. He took us to one, maybe two levels of what it’s like to take pills. The whole thing was to show the bottle and to show the jelly beans kinda going back. That was the important thing for him, not the emotional part.”

11. A STAGE ADAPTATION MADE IT TO OFF-BROADWAY.

In 1995, Los Angeles theater troupe Theatre-A-Go-Go! adapted the movie into a stage play. Kate Flannery, who’d go on to play Meredith Palmer on The Office, portrayed Neely. “Best thing about Valley of the Dolls to make fun of it is to actually just do it,” Flannery said in the Dolls doc. “You don’t need to change anything.” Parkins came to a production and approved of it. Eventually, the play headed to New York in an Off-Broadway version, with Illeana Douglas playing the Jackie Susann reporter role.

12. JACKIE SUSANN BARELY ESCAPED THE MANSON FAMILY.


By 20th Century-Fox - eBayfrontback, Public Domain, Wikimedia Commons

The night the Manson Family murdered Tate, the actress had invited Susann to her home for a dinner party. According to Vanity Fair, Rex Reed came by The Beverly Hills Hotel, where Susann was staying, and they decided to stay in instead of going to Tate’s. The next day Susann heard about the murder, and cried by the pool. A few years later, when Susann was diagnosed with cancer for the second time, she joked her death would’ve been quicker if she had gone to Tate’s that night.

13. PATTY DUKE LEARNED TO EMBRACE THE FILM.

Of all of the characters in the movie, Duke’s Neely is the most over-the-top. “I used to be embarrassed by it," Duke said in a 2003 interview. "I used to say very unkind things about it, and through the years there are so many people who have come to me, or written me, or emailed who love it so, that I figured they all can’t be wrong." She eventually appreciated the camp factor. “I can have fun with that,” she said. “And sometimes when I’m on location, there will be a few people who bring it up, and then we order pizza and rent a VCR and have a Valley night, and it is fabulous.”

14. LEE GRANT DOESN’T THINK IT’S THE WORST MOVIE EVER MADE.

In 2000, Grant, Duke, and Parkins reunited on The View. “It’s the best, funniest, worst movie ever made,” Grant stated. She then mentioned how she and Duke made a movie about killer bees called The Swarm. “Valley of the Dolls was like genius compared to it,” Grant said.

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How to Perform the Star Wars Theme—On Calculators
Star Wars © & TM 2015 Lucasfilm Ltd. All Rights Reserved.
Star Wars © & TM 2015 Lucasfilm Ltd. All Rights Reserved.

The iconic Star Wars theme has been recreated with glass harps, theremins, and even cat meows. Now, Laughing Squid reports that the team over at YouTube channel It’s a small world have created a version that can be played on calculators.

The channel’s math-related music videos feature covers of popular songs like Luis Fonsi’s "Despacito," Ed Sheeran’s "Shape of You," and the Pirates of the Caribbean theme, all of which are performed on two or more calculators. The Star Wars theme, though, is played across five devices, positioned together into a makeshift keyboard of sorts.

The video begins with a math-musician who transcribes number combinations into notes. Then, they break into an elaborate practice chord sequence on two, and then four, calculators. Once they’re all warmed up, they begin playing the epic opening song we all know and love, which you can hear for yourself in all its electronic glory below.

[h/t Laughing Squid]

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