10 Heartwarming Facts About Father of the Bride

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The premise of 1991's Father of the Bride seems simple: George Banks’s (Steve Martin) 22-year-old daughter, Annie (Kimberly Williams-Paisley), gets engaged to Bryan (George Newbern) after knowing him for three months. But George isn’t quite on board and quickly unravels, as his wife, Nina (Diane Keaton), and the rest of his family think he’s going insane. The film gave a peek into the 1990s return to family values, with the depiction of a normal, tightly-knit nuclear family. Former real-life couple Charles Shyer and Nancy Meyers co-wrote the script, and Shyer directed.

The movie is a remake of Vincente Minnelli's Oscar-nominated film of the same name, which starred Elizabeth Taylor, Joan Bennett, and Spencer Tracy. (A TV version aired from 1961 to 1962.) That film was adapted from Edward Streeter's 1949 novel. Both films had sequels—Father’s Little Dividend was released in 1951, and Father of the Bride Part II in 1995—and the plots of both films saw the daughters having a baby.

The remake and its sequel were rather successful: Father of the Bride grossed $89 million and became the ninth highest-grossing film of 1991; Part II grossed $76 million and ranked in 17th place for the year. Here are 10 heartwarming facts about the wedding comedy.

1. STEVE MARTIN AGREED TO PLAY GEORGE BEFORE THE SCRIPT HAD BEEN WRITTEN.

In a unusual move, Steve Martin’s casting occurred before Nancy Meyers and Charles Shyer wrote the screenplay. “It’s a gift because you know you’re writing for Steve Martin, so you know you can be funny and you can be loose and you can do all these twists and turns in the scene,” Meyers told IndieWire.

2. THE STUDIO DIDN’T WANT TO WORK WITH DIANE KEATON.

Father of the Bride was the second time Diane Keaton had worked with Meyers and Shyer; the first time was 1987’s Baby Boom, and Meyers would go on to direct Keaton in 2003’s Something’s Gotta Give. “Disney Studios—Jeffrey Katzenberg at the time—didn’t ever want to work with me,” Keaton told Film Scouts. “Charles Shyer and Nancy Myers, who’d worked with me before, had to beg to get me into Father of the Bride. I was very fortunate, because they were very staunchly for me.”

Keaton said the reason Disney/Touchstone passed on her was because her box office track record wasn’t good. “Just before Father of the Bride, I’d done a movie called The Good Mother, which was a big failure. Like, big failure. And that was it! And that was a Disney movie. So when Charles and Nancy wanted me for Father of the Bride, Disney didn’t want anything with me.”

3. IT WAS THE END TO THE “HIPPIE” WEDDING.

In an interview with The Morning Call, Martin said: “This movie represents the complete death of the hippie laurel-wreath standing-on-the-mountaintop marriage. Although it’s been dead a long time, this is the first movie to see it.” He furthered explained, “I mean, the big wedding is as much of a fad as the little wedding. So, [Father of the Bride] is a statement about something that’s probably going to be around for a long time.”

4. FRANCK EGGELHOFFER WAS BASED ON A REAL WEDDING PLANNER.

Martin Short portrayed the incomprehensible, over-the-top wedding planner Franck Eggelhoffer, who he based on Kevin Lee, who assisted with Brad Pitt and Jennifer Aniston’s wedding, and makes regular appearances on The Real Housewives of Beverly Hills. “We had a great time together,” Lee told Moviefone about working with Short.

5. A BRIDE HOUSE SOLD FOR ALMOST $2 MILLION.

The 4397-square-foot Colonial-style home, situated in Los Angeles's Alhambra neighborhood, sold for $1,998,000 in August 2016 after being on the market for only two months. The wedding reception and the basketball game were filmed at this location, but the exteriors were filmed at a Pasadena home. In 2004 the Alhambra house sold for $1.25 million, and when it sold in 2011, it increased to $1.275 million.

Owners of the Pasadena home, Sarah Bradley and Darrell Spence, told HGTV they held their wedding reception at the house. They also said couples have proposed outside of the home, and fans of the movie and house felt “protective” when the family replaced the white picket fence. “Neighbors would see the construction and panic,” Bradley said. “We had to convince them they wouldn’t be able to tell the difference once we were done.” The couple paid $950,000 for the house in 1999, but it’s now worth $2,764,841.

6. THE WEDDING COST A WHOPPING $249,323.

BeFrugal.com broke down the wedding costs of the weddings at the center of Father of the Bride, Bridesmaids, Sex and the City, and a few other movies. Because Annie and Bryan got hitched in her parents’ backyard, the venue was free. However, Annie’s dress cost $68,000. With 572 guests at $250 per head, George shelled out $143,000 on wedding reception food. The bridesmaid dresses tacked on an additional $10,000, and flying in nine relatives from Copenhagen smacked George with a $10,323 price tag. That’s a lot, considering the median American wedding costs about $15,000.

7. MARTIN SHORT “SOFTENED” FRANCK’S ACCENT FOR FATHER OF THE BRIDE PART II.

At first, Short didn’t want to do a sequel. During a 1995 interview with Charlie Rose, Short said, “Only because it seemed like the character was such an extreme spice in the first one and it kind of had been successful and you didn’t want to taint it with an appearance.” Upon reading the script, he changed his mind. “I soften the accent a little bit,” he said. “In the first one, the character really existed as a comedic bone of contention for Steve Martin,” because everyone could understand what Franck said except George. “In this one, that’s one joke,” Short continued. “In the sequel, no one at any point says, ‘What did he say?’ Because we’ve done that. So I softened the accent a little bit without losing the character.”

8. KIMBERLY WILLIAMS-PAISLEY WORE SNEAKERS TO HER OWN WEDDING.

George Banks produces athletic shoes for a living, so in the movie, he creates a special pair for Annie to wear on her wedding day. When Kimberly Williams married country star Brad Paisley in 2003, she also donned sneakers. “Down the aisle, I wore heels, but then the rest of it I wore sneakers with the heels,” she told Glamour. “It makes perfect sense to wear sneakers because it’s such a long night.”

9. FRANCK DOESN’T THINK MUCH OF KIM KARDASHIAN.

When Short appeared on the show The Talk in 2014, the hostesses asked Short, as Franck, what he thought about Kim Kardashian. “He would say, ‘She is not bright; I did her dress,’” Short said in Franck’s accent. “She thinks soy milk is Spanish for ‘I am milk.’”

10. MARTIN THINKS FATHER OF THE BRIDE IS A “PERFECT STORY.”

“Well, I tend to think there's movie families, and then there are families,” Martin told The Morning Call. “What I mean is—I’m not demeaning the movie at all—it’s kind of a wish family. It’s like the perfect statement of a beautiful problem: Your daughter’s getting married.” He said emotions swelled from the mundanity of getting married. “It’s a perfect story because what happens is so minor, and yet the emotions are so big. It’s like the birth of a baby. It’s so common, happening all the time, and yet it’s one of the most powerful, large things that can happen to you.”

15 Surprising Facts About Scarface

Universal Home Video
Universal Home Video

Say hello to our little list. Here are a few facts to break out at your next screening of Scarface, Brian De Palma’s gangsters-and-cocaine classic, which arrived in theaters on this day in 1983.

1. IT WASN'T THE FIRST SCARFACE.

Brian De Palma's Scarface is a loose remake of the 1932 movie of the same name, which is also about the rise and fall of an American immigrant gangster. The producer of the 1983 version, Martin Bregman, saw the original on late night TV and thought the idea could be modernized—though it still pays respect to the original film. De Palma's flick is dedicated to the original film’s director, Howard Hawks, and screenwriter, Ben Hecht.

2. IT COULD HAVE BEEN A SIDNEY LUMET FILM.

At one point in the film's production, Sidney Lumet—the socially conscious director of such classics as Dog Day Afternoon and 12 Angry Men—was brought on as its director. "Sidney Lumet came up with the idea of what's happening today in Miami, and it inspired Bregman," Pacino told Empire Magazine. "He and Oliver Stone got together and produced a script that had a lot of energy and was very well written. Oliver Stone was writing about stuff that was touching on things that were going on in the world, he was in touch with that energy and that rage and that underbelly."

3. OLIVER STONE WASN'T INTERESTED IN WRITING THE SCRIPT, UNTIL LUMET GOT INVOLVED.


Universal Home Video

Producer Bregman—who passed away on June 16, 2018—offered relative newcomer Oliver Stone a chance to overhaul the screenplay. But Stone, who was still reeling from the box office disappointment of his film, The Hand, wasn't interested. "I didn’t like the original movie that much," Stone told Creative Screenwriting. "It didn’t really hit me at all and I had no desire to make another Italian gangster picture because so many had been done so well, there would be no point to it. The origin of it, according to Marty Bregman, [was that] Al had seen the '30s version on television, he loved it and expressed to Marty as his long time mentor/partner that he’d like to do a role like that. So Marty presented it to me and I had no interest in doing a period piece."

But when Bregman contacted Stone again about the project later, his opinion changed. "Sidney Lumet had stepped into the deal," Stone said. "Sidney had a great idea to take the 1930s American prohibition gangster movie and make it into a modern immigrant gangster movie dealing with the same problems that we had then, that we’re prohibiting drugs instead of alcohol. There’s a prohibition against drugs that’s created the same criminal class as (prohibition of alcohol) created the Mafia. It was a remarkable idea."

4. UNFORTUNATELY, ACCORDING TO STONE, LUMET HATED HIS SCRIPT.

While the chance to work with Lumet was part of what lured Stone to the project, it was his script that ultimately led to the director's departure from the film. According to Stone: "Sidney Lumet hated my script. I don’t know if he’d say that in public himself, I sound like a petulant screenwriter saying that, I’d rather not say that word. Let me say that Sidney did not understand my script, whereas Bregman wanted to continue in that direction with Al."

5. STONE HAD FIRSTHAND EXPERIENCE WITH THE SUBJECT MATTER.

In order to create the most accurate picture possible, Stone spent time in Florida and the Caribbean interviewing people on both sides of the law for research. "It got hairy," Stone admitted of the research process. "It gave me all this color. I wanted to do a sun-drenched, tropical Third World gangster, cigar, sexy Miami movie."

Unfortunately, while penning the screenplay, Stone was also dealing with his own cocaine habit, which gave him an insight into what the drug can do to users. Stone actually tried to kick his habit by leaving the country to complete the script so he could be far away from his access to the drug.

"I moved to Paris and got out of the cocaine world too because that was another problem for me," he said. "I was doing coke at the time, and I really regretted it. I got into a habit of it and I was an addictive personality. I did it, not to an extreme or to a place where I was as destructive as some people, but certainly to where I was going stale mentally. I moved out of L.A. with my wife at the time and moved back to France to try and get into another world and see the world differently. And I wrote the script totally f***ing cold sober."

6. BRIAN DE PALMA DIDN'T WANT TO AUDITION MICHELLE PFEIFFER.


Universal Home Video

De Palma was hesitant to audition the relatively untested Pfeiffer because at the time she was best known for the box office bomb Grease 2. Glenn Close, Geena Davis, Carrie Fisher, Kelly McGillis, Sharon Stone and Sigourney Weaver were all considered for the role of Elvira, but Bregman pushed for Pfeiffer to audition and she got the part.

7. YES, THERE IS A LOT OF SWEARING.

According to the Family Media Guide, which monitors profanity, sexual content, and violence in movies, Scarface features 207 uses of the “F” word, which works out to about 1.21 F-bombs per minute. In 2014, Martin Scorsese more than doubled that with a record-setting 506 F-bombs thrown in The Wolf of Wall Street.

8. TONY MONTANA WAS NAMED FOR A FOOTBALL STAR.

Stone, who was a San Francisco 49ers fan, named the character of Tony Montana after Joe Montana, his favorite football player.

9. TONY IS ONLY REFERRED TO AS "SCARFACE" ONCE, AND IT'S IN SPANISH.

Hector, the Colombian gangster who threatens Tony with the chainsaw, refers to Tony as “cara cicatriz,” meaning “scar face” in Spanish.

That chainsaw scene, by the way, was based on a real incident. To research the movie, Stone embedded himself with Miami law enforcement and based the infamous chainsaw sequence on a gangland story he heard from the Miami-Dade County police.

10. VERY LITTLE OF THE FILM WAS ACTUALLY SHOT IN MIAMI.

The film was originally going to be shot entirely on location in Miami, but protests by the local Cuban-American community forced the movie to leave Miami two weeks into production. Besides footage from those two weeks, the rest of the movie was shot in Los Angeles, New York, and Santa Barbara.

11. ALL THAT "COCAINE" LED TO PROBLEMS WITH PACINO'S NASAL PASSAGES.

Though there has long been a myth that Pacino snorted real cocaine on camera for Scarface, the "cocaine" used in the movie was supposedly powdered milk (even if De Palma has never officially stated what the crew used as a drug stand-in). But just because it wasn't real doesn't mean that it didn't create problems for Pacino's nasal passages. "For years after, I have had things up in there," Pacino said in 2015. "I don't know what happened to my nose, but it's changed."

12. PACINO'S NOSE WASN'T HIS ONLY BODY PART TO SUFFER DAMAGE.

Still of Al Pacino as Tony Montana in 'Scarface' (1983)
Universal Home Video

In the film's very bloody conclusion, Montana famously asks the assailants who've invaded his home to "say hello to my little friend," which happens to be a very large gun. That gun took a beating from all the blanks it had to fire, so much so that Pacino ended up burning his hand on its barrel. "My hand stuck to that sucker," he said. Ultimately, the actor—and his bandaged hands—had to sit out some of the action in the last few weeks of production.

13. STEVEN SPIELBERG DIRECTED A SINGLE SHOT.

De Palma and Spielberg had been friends since the two began making studio movies in the mid-1970s, and they made a habit of visiting each other’s sets. Spielberg was on hand for one of the days of shooting the Colombians’ initial attack on Tony Montana’s house at the end of the movie, so De Palma let Spielberg direct the low-angle shot where the attackers first enter the house.

14. SOME COOL TECHNOLOGY WENT INTO THE GUN MUZZLE FLASHES.

In order to heighten the severity of the gunfire, De Palma and the special effects coordinators created a mechanism to synchronize the gunfire with the open shutter on the movie camera to show the huge muzzle flash coming from the guns in the final shootout.

15. SADDAM HUSSEIN WAS A FAN OF THE FILM.

The trust fund the former Iraqi dictator set up to launder money was called “Montana Management,” a nod to the company Tony uses to launder money in the movie.

11 Things You May Not Know About John Lennon

Hulton Archive/Getty Images
Hulton Archive/Getty Images

Before he was one of the world's most iconic musicians, John Lennon was a choir boy and a Boy Scout. Let's take a look at a few facts you might not have known about the leader and founding member of The Beatles

1. HE WAS A CHOIR BOY AND A BOY SCOUT.

Yes, John Lennon, the great rock 'n' roll rebel and iconoclast, was once a choir boy and a Boy Scout. Lennon began his singing career as a choir boy at St. Peter's Church in Liverpool, England and was a member of the 3rd Allerton Boy Scout troop.

2. HE HATED HIS OWN VOICE.

Incredibly, one of the greatest singers in the history of rock music hated his own voice. Lennon did not like the sound of his voice and loved to double-track his records. He would often ask the band's producer, George Martin, to cover the sound of his voice: "Can't you smother it with tomato ketchup or something?"

3. HE WAS DISSATISFIED WITH ALL OF THE BEATLES'S RECORDS.

Dining with his former producer, George Martin, one night years after the band had split up, Lennon revealed that he'd like to re-record every Beatles song. Completely amazed, Martin asked him, "Even 'Strawberry Fields'?" "Especially 'Strawberry Fields,'" answered Lennon.

4. HE WAS THE ONLY BEATLE WHO DIDN'T BECOME A FULL-TIME VEGETARIAN.

John Lennon (1940 - 1980) of the Beatles plays the guitar in a hotel room in Paris, 16th January 1964
Harry Benson, Express/Hulton Archive/Getty Images

George Harrison was the first Beatle to go vegetarian; according to most sources, he officially became a vegetarian in 1965. Paul McCartney joined the "veggie" ranks a few years later. Ringo became a vegetarian not so much for spiritual reasons, like Paul and George, but because of health problems. Lennon had toyed with vegetarianism in the 1960s, but he always ended up eating meat, one way or another.

5. HE LOVED TO PLAY MONOPOLY.

During his Beatles days, Lennon was a devout Monopoly player. He had his own Monopoly set and often played in his hotel room or on planes. He liked to stand up when he threw the dice, and he was crazy about the properties Boardwalk and Park Place. He didn't even care if he lost the game, as long as he had Boardwalk and Park Place in his possession.

6. HE WAS THE LAST BEATLE TO LEARN HOW TO DRIVE.

Lennon got his driver's license at the age of 24 (on February 15, 1965). He was regarded as a terrible driver by all who knew him. He finally gave up driving after he totaled his Aston-Martin in 1969 on a trip to Scotland with his wife, Yoko Ono; his son, Julian; and Kyoko, Ono's daughter. Lennon needed 17 stitches after the accident.

When they returned to England, Lennon and Ono mounted the wrecked car on a pillar at their home. From then on, Lennon always used a chauffeur or driver.

7. HE REPORTEDLY USED TO SLEEP IN A COFFIN.

According to Allan Williams, an early manager for The Beatles, Lennon liked to sleep in an old coffin. Williams had an old, abandoned coffin on the premises of his coffee bar, The Jacaranda. As a gag, Lennon would sometimes nap in it.

8. THE LAST TIME HE SAW PAUL MCCARTNEY WAS ON APRIL 24, 1976. 

Paul McCartney (left) and John Lennon (1940-1980) of the Beatles pictured together during production and filming of the British musical comedy film Help! on New Providence Island in the Bahamas on 2nd March 1965
William Lovelace, Daily Express/Hulton Archive/Getty Images

McCartney was visiting Lennon at his New York apartment. They were watching Saturday Night Live together when producer Lorne Michaels, as a gag, offered the Beatles $3000 to come on the show. Lennon and McCartney almost took a cab to the show as a joke, but decided against it, as they were just too tired. (Too bad! It would have been one of the great moments in television history.)

9. HE WAS ORIGINALLY SUPPOSED TO SING LEAD ON THE BEATLES'S FIRST SINGLE, 1962'S "LOVE ME DO."

Lennon sang lead on a great majority of the early Beatles songs, but Paul McCartney took the lead on their very first one. The lead was originally supposed to be Lennon, but because he had to play the harmonica, the lead was given to McCartney instead.

10. "ALL YOU NEED IS LOVE" WAS THE BEST LYRIC HE EVER WROTE.

A friend once asked Lennon what was the best lyric he ever wrote. "That's easy," replied Lennon, "All you need is love."

11. THE LAST PHOTOGRAPHER TO SNAP HIS PICTURE WAS PAUL GORESH.

Ironically (and sadly), Lennon was signing an album for the person who was to assassinate him a few hours later when he was snapped by amateur photographer Paul Goresh on December 8, 1980.

Lennon obligingly signed a copy of his latest album, Double Fantasy, for Mark David Chapman. Later that same day, Lennon returned from the recording studio and was gunned down by Chapman, the same person for whom he had so kindly signed his autograph.

Morbidly, a photographer sneaked into the morgue and snapped a photo of Lennon's body before it was cremated the day after his assassination. Yoko Ono has never revealed the whereabouts of his ashes or what happened to them.

This post originally appeared in 2012.

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