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11 Twisted Facts About ‘The Far Side’

For 15 years, "The Far Side" added a dash of irreverence to the funny pages. Offbeat, macabre, and sometimes controversial, Gary Larson’s trailblazing cartoon was a gigantic success that ran in nearly 2000 newspapers at the height of its popularity. It also gave an entire generation of humorists a renewed appreciation for cow jokes.

Here are 11 things you should know about this highly-evolved comic strip.

1. IT EVOLVED FROM AN EARLIER STRIP CALLED NATURE’S WAY.

A native of Tacoma, Washington, Gary Larson was born on August 14, 1950. At a very young age, he developed the passion for wildlife that would give "The Far Side" its unique flavor. In his early years, Larson spent countless hours chasing amphibians and nurturing pet snakes. So when he enrolled at Washington State University, his decision to major in biology surprised no one. But halfway through college, Larson’s focus shifted. “I didn’t want to go to school for more than four years, and I didn’t know what you did with a bachelor’s degree in biology, so I switched over and got my degree in communications,” he told The New York Times. “It was one of the most idiotic things I ever did.” Had he pursued a scientific career, Larson says that he’d want to become an entomologist.

After graduating, he landed a job at a record store. Dissatisfied with the gig, Larson began to draw bizarre, single-panel cartoons in his spare time. One day in 1976, he presented six of these to the editor of the popular Seattle magazine Pacific Search. The half-dozen comics were swiftly bought up (for $3 apiece) and published under the title "Nature’s Way." Following his print debut, Larson took a three-year hiatus from cartooning. Then, in 1979, The Seattle Times agreed to revive "Nature’s Way" as a weekly comic strip. Riding high on newfound success, Larson decided to see if any other publications might be interested in his work. The quest began—and ended—with a visit to the San Francisco Chronicle’s headquarters. Editor Stan Arnold took an immediate liking to Larson’s comic strip and successfully got it syndicated nationwide.

Early on in the process, Larson was asked if he’d mind changing the title from "Nature’s Way" to "The Far Side." Mildly put, this wasn’t a problem; Larson once joked that for all he cared, “They could have called it ‘Revenge of the Zucchini People.’” "The Far Side" that we all know and love made its grand debut in newspapers across America in January, 1980.

2. FROM THE GET-GO, GARY LARSON DIDN’T WANT "THE FAR SIDE" TO INCLUDE RECURRING CHARACTERS.

Chronicle Features syndicated "The Far Side" and asked Larson to embrace at least one aspect of the standard comic strip formula before it was distributed nationally. “They… wanted me to develop characters like Charlie Brown or something [who] would always come back,” the cartoonist said in a 1998 NPR interview. At the time, he explains, it was widely believed that every strip needed a cast in order to be successful. Larson felt otherwise.

“I instinctively thought of that as very limiting,” Larson explained. “And I also just didn’t see humor as something that had to be confined to one particular character. To me, what was exciting was trying to do something that would crack someone up. And I didn’t see how characters or a particular character enhanced that. In fact, I think it would work against it in some cases. A certain face on a character would work in one instance but not in another. Although admittedly, as the years went by, all my stuff got boiled down to about six faces.”

3. AN ODD CHILDREN’S BOOK WAS ONE OF LARSON’S BIGGEST INSPIRATIONS.

You need a fairly warped imagination to come up with things like teenage dragons lighting their sneezes. "The Far Side" brand of comedy took some of its cues from Larson’s family and what he has described as their “morbid sense of humor.” Older brother Dan Larson left a particularly big impact on his developing mind: When the two weren’t out collecting tadpoles or salamanders together, Dan would pull all sorts of pranks on his younger sibling. “[He’d] scare the hell out of me,” the cartoonist said.

Another influence was the picture book Mr. Bear Squash-You-All-Flat by Morrell Gipson. True to its title, the story is about a large bear who goes around sitting on other animals' houses. In 1986, the TV program 20/20 ran a feature on Larson. Halfway through the interview, he was visibly delighted when Lynn Sherr surprised him with a copy of the then-out-of-print book. “There was something so mesmerizing about the image of this big bear going through the forest and squashing the homes of these little animals,” Larson said. “I just thought that was the coolest thing in the world.”

4. ONE EARLY STRIP CONFUSED SO MANY READERS THAT LARSON HAD TO EXPLAIN ITS MEANING IN A PRESS RELEASE. 

With "The Far Side," Larson turned bovine jokes into a real cash cow. From gags about vacationing cattle to the exploits of a bloodthirsty vampcow, the strip was loaded with heifer hilarity. “I’ve always thought the word cow was funny,” Larson said. “And cows are sort of tragic figures. Cows blur the line between tragedy and humor.”

Every so often, though, this affinity for the hoofed mammals got him into trouble. In 1982, Larson drew a cartoon that was supposed to satirize the outdated anthropological belief that, of all creatures, only Homo sapiens makes tools. The strip in question shows a cow presenting an assortment of low-tech gadgets she’s built. Larson’s caption reads, simply, “Cow Tools.” Some people didn’t get the joke. In fact, hardly anyone did. Chronicle Features was bombarded with letters and phone calls from confused readers begging for an explanation. Within 24 hours of the strip's publication, Larson was asked to write a press release explaining its significance to the masses.

That October, his official statement appeared in newspapers throughout the U.S. “The cartoon was meant to be an exercise in silliness,” it claims. Larson goes on to say “I regret that my fondness for cows, combined with an overactive imagination, may have carried me beyond what is comprehensible to the average ‘Far Side’ reader.” Embarrassing as this incident was, Larson got the last laugh. On more than one occasion, he’s credited the "Cow Tools" debacle with boosting the popularity of "The Far Side."

5. "THE FAR SIDE" GAVE BIRTH TO A WIDELY-USED PALEONTOLOGY TERM.

Stegosaurus is world-famous for its lime-sized brain and the quartet of nasty-looking spikes on its tail. A 1982 "Far Side" strip decided to have a little fun with the latter attribute. In that cartoon, we find an early human anachronistically lecturing his fellow cavemen about dinosaur-related hazards. Pointing at the rear end of a Stegosaurus diagram, he says “Now this end is called the thagomizer … after the late Thag Simmons.” Without meaning to, Larson’s strip plugged a gap in the scientific lexicon. Previously, nobody had ever given a name to the unique arrangement of tail spikes found on Stegosaurus and its relatives. But today, many paleontologists use the word “thagomizer” when describing this apparatus, even in scientific journals.

6. FANS OF THE STRIP HAVE NAMED THREE DIFFERENT INSECTS AFTER GARY LARSON.

In 1989, entomologist Dale Clayton discovered a brand new species of biting louse that exclusively targets owls. When the time came to name it, his first choice was Strigiphilus garylarsoni. Clayton wrote the cartoonist to ask for his blessing. This proposed insect name, he explained, was the scientist’s way of recognizing the “enormous contribution that my colleagues and I feel you have made to biology through your cartoons.” Larson happily gave Clayton the green light. “I considered this an extreme honor,” the "Far Side" creator said in retrospect. “Besides, I knew that nobody was going to write and ask to name a new species of swan after me.”

Indeed, scientific nomenclature has yet to give us a “Larson’s swan.” However, in addition to Strigiphilus garylarsoni, there’s now a beetle called Garylarsonus and a butterfly known as Serratoterga larsoni.

7. ONE COMIC TOOK SOME HEAT FROM THE JANE GOODALL INSTITUTE.  

“Well, well—another blonde hair … Conducting a little more ‘research’ with that Jane Goodall tramp?” A sassy chimpanzee makes this remark while grooming her mate in a 1987 "Far Side" comic. The one-liner started a controversy that erupted and then vanished in record time. Shortly after the cartoon ran, Larson’s syndicate received an angry letter from the Jane Goodall Institute’s executive director. Its author minced no words. “To refer to Dr. Goodall as a tramp is inexcusable—even by a self-described ‘loony’ such as Larson,” read the dispatch.

“I was horrified,” Larson wrote in The Prehistory of The Far Side: A 10th Anniversary Collection. “Not so much from a fear of being sued … but because of my deep respect for Jane Goodall and her well-known contributions to primatology. The last thing in the world I would have intentionally done was offend Dr. Goodall in any way.”

But in a stunning turn of events, it turns out that Goodall herself loved the comic. “I thought it was very funny. And I think if you make a Gary Larson cartoon, boy you’ve made it,” she said. The chimpanzee expert claimed that she was away in Africa when the director lashed out at Larson’s syndicate without her knowledge. Later, the “offending” cartoon appeared on special T-shirts that generated cash for the Institute. Also, Larson got the chance to visit one of Goodall’s research facilities in 1988. Here, he met a chimp named Frodo—who apparently wasn’t a "Far Side" fan. Without warning, Frodo pounced on an unsuspecting Larson, leaving the artist with a patchwork of scrapes and bruises.  

8. AN OHIO NEWSPAPER SWITCHED THE CAPTIONS FROM "DENNIS THE MENACE" AND "THE FAR SIDE"—TWICE.

The Dayton Daily News committed an unforgettable funny page blunder in August, 1981. Back then, the paper would run "The Far Side" right next to the more traditional "Dennis the Menace." On that fateful August day, their captions were switched. "The Far Side" strip now showed a young snake who kvetches at the family dinner table by saying “Lucky I learned to make peanut butter sandwiches or we woulda starved to death by now.” Elsewhere, Dennis Mitchell—who’s munching on a sandwich of his own—groans “Oh brother … Not hamsters again!”

“What’s most embarrassing about this is how immensely improved both cartoons turned out to be,” Larson opined in The Prehistory of The Far Side. Somebody at the Dayton Daily News made the same mistake two years later. This time, readers were confronted with a psychic cavewoman asking “If I get as big as Dad, won’t my skin be too TIGHT?” Dennis Mitchell, meanwhile, casually looked his mother in the eye and said “I see your little, petrified skull … labeled and resting on a shelf somewhere.”

9. TWO ANIMATED "FAR SIDE" SHORTS EXIST.

CBS aired a 20-minute program called Gary Larson’s Tales From the Far Side in 1994. Conceived as a Halloween special, the film was essentially an animated reinterpretation of several classic "Far Side" cartoons. Marv Newland—an animator whose best-known work is the Larson-esque short film Bambi Meets Godzilla (1969)—directed Tales, which won a Grand Prix award at the Annecy International Animated Film Festival. The year 1997 brought with it a sequel, Gary Larson’s Tales From the Far Side II. By then, the comic strip which inspired both movies had been laid to rest, as Larson retired in 1995. He has said that the two animated projects presented an interesting challenge because he “didn’t want any dialogue” in the finished products.

10. A "FAR SIDE" MUSEUM EXHIBIT OPENED IN 1985.

Natural History Magazine once called Gary Larson “the unofficial cartoonist laureate of the scientific community.” For physicists, biologists, and naturalists around the world, his work is the subject of near-universal admiration. By the mid-1980s, numerous hallways in the San Francisco-based California Academy of Sciences had basically been wallpapered with "Far Side" cartoons. Inspired by this décor, the facility got the bright idea to set up a special exhibit in Larson’s honor. Dubbed "The Far Side of Science," it featured some 600 individual cartoons. The display first opened at the CAS in December, 1985 then traveled through such cities as Los Angeles, Denver, and Orlando—often breaking attendance records along the way.

11. LARSON HAS LIKENED HIS OTHER BIG PASSION—MUSIC—TO CARTOONING.

A lifelong jazz fan, Larson would frequently listen to the work of genre maestros when he needed to generate ideas for "Far Side" comics. He ranks legendary guitarist Herb Ellis among his favorite musicians. In 1989, Ellis asked Larson if he’d design the cover of his next album, which was to be named “Doggin’ Around.” The humorist took the job—in exchange for a guitar lesson. Nowadays, with "The Far Side" (mostly) in his rear view mirror, Larson dedicates a portion of each day to honing his skills as a jazz guitarist.

This new pursuit, he says, isn’t all that different from drawing comics. “It has some parallels to cartooning because it’s improvisational—you never know exactly how something is going to turn out,” Larson told the Associated Press. “Taking a solo on a tune is always a little bit scary. Yet it has structure, there are certain rules to follow, and you try to create something with those rules.”

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13 Fantastic Museums You Can Visit for Free on Saturday
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On Saturday, September 23, museums and cultural institutions across the United States will open their doors to the public for free, as part of Smithsonian magazine’s annual Museum Day Live! event. Hundreds of museums are set to participate, ranging from world-famous institutions in major cities to tiny, local museums in small towns. While the full list of museums can be viewed, and tickets can be reserved, on the Smithsonian website, we’ve collected a small selection of the fantastic museums you can visit for free this Saturday.

1. NEWSEUM // WASHINGTON, D.C.

The Newseum in Washington, D.C. is an entire museum dedicated to the First Amendment. Celebrating freedom of religion, speech, press, assembly and petition, the museum features exhibits on civil rights, the Berlin Wall, and the history of news media in America. Their latest special exhibitions take a look back at the event of September 11, 2001 and go inside the FBI's crime-fighting tactics.

2. INTREPID SEA, AIR & SPACE MUSEUM // NEW YORK CITY, NEW YORK

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New York's Intrepid Sea, Air & Space Museum doesn’t just showcase America’s military and maritime history—it is a piece of that history. The museum itself is one of the Essex-class aircraft carriers built by the United States Navy during World War II. Visitors can explore its massive deck and interior, and view historic airplanes, a real World War II submarine, and a range of interactive exhibits. Normally, a ticket will set you back a whopping $33 (or $19 for New York City residents), but on Saturday, general admission is free with a Museum Day Live! ticket.

3. AUTRY MUSEUM OF THE AMERICAN WEST // LOS ANGELES, CALIFORNIA

Perfect for art lovers, history buffs, and cinephiles alike, the Autry Museum of the American West (named for legendary singing cowboy Gene Autry) offers up an eclectic mix of art, historical artifacts from the real American West, and Western film memorabilia and props.

4. MUSEUM OF ARTS AND SCIENCES // DAYTONA BEACH, FLORIDA

A massive art, science, and history museum located on a 90-acre nature preserve, the Museum of Arts and Sciences features the largest collection of Florida art anywhere in the world, as well as the largest collection of Coca-Cola memorabilia in all of Florida. Its diverse exhibits are alternately awe-inspiring, informative, and quirky, ranging from an exploration of 2000 years of sculpture art to an exhibition of 19th and 20th century advertising posters.

5. INTERNATIONAL MUSEUM OF THE HORSE AT THE KENTUCKY HORSE PARK // LEXINGTON, KENTUCKY

The International Museum of the Horse explores the history of—you guessed it!—the horse. That might sound like a narrow scope, but the museum doesn’t just display horse racing artifacts or teach you about modern horse breeds. Instead, it endeavors to tackle the 50-million-year evolution of the horse and its relationship with humans from ancient times to modern times.

6. THE PEGGY NOTEBAERT NATURE MUSEUM // CHICAGO, ILLINOIS

Pete LaMotte, Flickr // CC BY-NC-ND 2.0

The 160-year-old Peggy Notebaert Nature Museum is pulling out all the stops for this year’s Museum Day Live! In addition to their vast exhibits of animal specimens and cultural artifacts, the museum will be hosting a live animal feeding and a butterfly release throughout the day.

7. OGDEN MUSEUM OF SOUTHERN ART // NEW ORLEANS, LOUISIANA

The Ogden Museum of Southern Art aims to teach visitors about the rich culture and diverse visual arts of the American South. Right now, visitors can view a collection of William Eggleston's photographs and check out the museum's 10th annual invitational exhibition of ceramic teacups and teapots.

8. BALTIMORE MUSEUM OF INDUSTRY // BALTIMORE, MARYLAND

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Located in a 19th century oyster cannery on the Baltimore waterfront, the Baltimore Museum of Industry tells the story of American manufacturing from garment making to video game design. Visitors this weekend can meet video game designers and create custom games at the museum’s interactive “Video Game Wizards” exhibit.

9. SYLVAN HEIGHTS BIRD PARK // SCOTLAND NECK, NORTH CAROLINA

You can meet 2000 birds from around the world this weekend at the 18-acre Sylvan Heights Bird Park. Visitors to the massive garden can walk through aviaries displaying birds from every continent except Antarctica, including ducks, geese, swans, and exotic birds from all over the world.

10. DELTA BLUES MUSEUM // CLARKSDALE, MISSISSIPPI

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Visitors to the Delta Blues Museum can learn about the unique American musical art form in “the land where blues began,” with audiovisual exhibits centered on blues and rock legend Don Nix, as well as Paramount Records illustrator Anthony Mostrom.

11. NATIONAL MUSEUM OF NUCLEAR SCIENCE & HISTORY // ALBUQUERQUE, NEW MEXICO

America’s only congressionally chartered museum dedicated to the story of the Atomic Age, the National Museum of Nuclear Science & History features exhibits on everything from nuclear medicine to representations of atomic power in pop culture. Adult visitors to the museum will delight in its impressively nuanced take on nuclear technology, while kids will love the museum’s outdoor airplane exhibit and hands-on science activities at Little Albert’s Lab.

12. MUSEUM OF THE MOUNTAIN MAN // PINEDALE, WYOMING

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Dedicated to the mountain men who explored and settled Wyoming in the 19th century, the Museum of the Mountain Man brings American folklore and legends to life. The museum features exhibits on the Rocky Mountain fur trade and tells the story of American folk legend and famed mountain man Hugh Glass (the man Leonardo DiCaprio won an Oscar playing in 2015's The Revenant).

13. BESH BA GOWAH ARCHAEOLOGICAL PARK AND MUSEUM // GLOBE, ARIZONA

Arizona’s Besh Ba Gowah Archaeological Park and Museum lets visitors connect with history firsthand. The museum is home to the ruins and artifacts of the Salado Indians who inhabited Arizona from the 13th century through the 15th century, and even lets visitors wander through an 800-year-old Salado pueblo.

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20 Facts About Your Favorite Coen Brothers Movies
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Ethan Coen turns 60 years old today, if you can believe it. Since bursting onto the scene in 1984 with the cult classic Blood Simple, the younger half of (arguably) the most dynamic moviemaking sibling duo in Hollywood has helped create some of the most memorable and quirky films in cinematic history, from Raising Arizona to Fargo and The Big Lebowski to No Country For Old Men. To celebrate the monumental birthday of one of the great writer-directors of our time (though he’s mostly uncredited as a director), here are some facts about your favorite Coen brothers movies.

1. THE COENS THINK BLOOD SIMPLE IS “PRETTY DAMN BAD.”

Fifteen years after Blood Simple’s release, the Coens reflected upon their first feature in the 2000 book My First Movie. “It’s crude, there’s no getting around it,” Ethan said. “On the other hand, it’s all confused with the actual process of making the movie and finishing the movie which, by and large, was a positive experience,” Joel said. “You never get entirely divorced from it that way. So, I don’t know. It’s a movie that I have a certain affection for. But I think it’s pretty damn bad!”

2. KEVIN COSTNER AND RICHARD JENKINS AUDITIONED FOR RAISING ARIZONA.

Kevin Costner auditioned three times to play H.I., only to see Nicolas Cage snag the role. Richard Jenkins had his first of many auditions for the Coens for Raising Arizona. He also (unsuccessfully) auditioned for Miller's Crossing (1990) and Fargo (1996) before calling it quits with the Coens. In 2001, Joel and Ethan cast Jenkins in The Man Who Wasn't There, even though he had never auditioned for it.

3. THE BROTHERS TURNED DOWN BATMAN TO MAKE MILLER’S CROSSING.

20th Century Fox Home Entertainment

After Raising Arizona’s success established them as more than one-hit indie film wonders, the Coens had some options with regard to what project they could tackle next. Reportedly, their success meant that they were among the filmmakers being considered to make Batman for Warner Bros. Of course, the Coens ultimately decided to go the less commercial route, and Tim Burton ended up telling the story of The Dark Knight on the big screen.

4. BARTON FINK AND W.P. MAYHEW WERE LOOSELY BASED ON CLIFFORD ODETS AND WILLIAM FAULKNER.

The Coens acknowledge that Fink and Odets had similar backgrounds, but they had different personalities: Odets was extroverted, for one thing. John Turturro, not his directors, read Odets’s 1940 journal. The Coens acknowledged that John Mahoney (Mayhew) looks a lot like the The Sound and the Fury author.

5. THE COENS' WEB OF DECEPTION IN FARGO GOES EVEN FURTHER THAN THE OPENING CREDITS. 

While the tag on the beginning of the movie reads “This is a true story. The events depicted in this film took place in Minnesota in 1987,” Fargo is, by no stretch of the imagination, a true story. During the film's press tour, the Coens admitted that while not pinpoint accurate, the story was indeed inspired by a similar crime that occurred in Minnesota, with Joel stating, “In its general structure, the film is based on a real event, but the details of the story and the characters are fictional.”

However, any and all efforts to uncover anything resembling such a crime ever occurring in Minnesota come up empty, and in an introduction to the published script, Ethan pretty much admitted as much, writing that Fargo “aims to be both homey and exotic, and pretends to be true." 

6. THEY WANTED MARLON BRANDO TO PLAY JEFFREY LEBOWSKI.

According to Alex Belth, who wrote the e-book The Dudes Abide on his time spent working as an assistant to the Coens, casting the role of Jeffrey Lebowski was one of the last decisions made before filming. Names tossed around for the role included Robert Duvall (who passed because he wasn’t fond of the script), Anthony Hopkins (who passed since he had no interest in playing an American), and Gene Hackman (who was taking a break at the time). A second “wish list” included an oddball “who’s who," including Norman Mailer, George C. Scott, Jerry Falwell, Gore Vidal, Andy Griffith, William F. Buckley, and Ernest Borgnine.

The Coens’ ultimate Big Lebowski, however, was the enigmatic Marlon Brando, who by that time was reaching the end of his career (and life). Apparently, the Coens amused themselves by quoting some of their favorite Jeffrey Lebowski lines (“Strong men also cry”) in a Brando accent. The role would eventually go to the not-particularly-famous—albeit pitch-perfect—veteran character actor David Huddleston. In true Dude fashion, it all worked out in the end.

7. JOEL COEN WOOED FRANCES MCDORMAND ON THE SET OF BLOOD SIMPLE.

Ethan Coen, Frances McDormand and Joel Coen at the Oscars
Ethan Coen, Frances McDormand, and Joel Coen celebrate their Oscar wins in 1997.
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Coen and McDormand fell in love while making Blood Simple and got married a couple of years later, after production wrapped. McDormand told The Daily Beast about the moment when she roped him in. “I’d only brought one book to read to Austin, Texas, where we were filming, and I asked him if there was anything he’d recommend,” she said. “He brought me a box of James M. Cain and Raymond Chandler paperbacks, and I said, ‘Which one should I start with?’ And he said, ‘The Postman Always Rings Twice.’ I read it, and it was one of the sexiest f*ckin’ books I’ve ever read. A couple of nights later, I said, ‘Would you like to come over and discuss the book?’ That did it. He seduced me with literature. And then we discussed books and drank hot chocolate for several evenings. It was f*ckin’ hot. Keep it across the room for as long as you can—that’s a very important element.”

8. O BROTHER, WHERE ART THOU? WAS ORIGINALLY INSPIRED BY THE WIZARD OF OZ.

Joel Coen revealed as much at the 15th anniversary reunion. “It started as a 'three saps on the run' kind of movie, and then at a certain point we looked at each other and said, 'You know, they're trying to get home—let's just say this is The Odyssey. We were thinking of it more as The Wizard of Oz. We wanted the tag on the movie to be: 'There's No Place Like Home.’”

9. THE ACTORS IN FARGO WENT THROUGH EXTENSIVE TRAINING TO GET THEIR ACCENTS RIGHT.

Having grown up in Minnesota, the Coens were more than familiar with the idiosyncrasies of the “Minnesota nice” accent, but much of the cast—including Frances McDormand and William H. Macy—needed coaching to get the intricacies right. Actors were even given copies of the scripts with extensive pronunciation notes. According to dialect coach Larissa Kokernot, who also appeared as one of the prostitutes Gaear and Carl rendezvous with in Brainerd, the “musicality” of the Minnesota nice accent comes from a place of “wanting people to agree with each other and get along.” This homey sensibility, contrasted with the ugly crimes committed throughout the movie, is, of course, one of the major reasons why the dark comedy is such an enduring classic.

10. NICOLAS CAGE'S HAIR REACTED TO H.I.'S STRESS LEVEL IN RAISING ARIZONA.

Ethan claimed that Cage was "crazy about his Woody Woodpecker haircut. The more difficulties his character got in, the bigger the wave in his hair got. There was a strange connection between the character and his hair."

11. A PROP FROM THE HUDSUCKER PROXY INSPIRED THE MAN WHO WASN’T THERE.

Billy Bob Thornton in the Coen brothers' 'The Man Who Wasn't There' (2001)
© 2001 - USA Films

A bit of set dressing from 1994’s The Hudsucker Proxy eventually led to 2001’s The Man Who Wasn’t There. In a barbershop scene, there’s a poster hanging in the background that features a range of men’s hairstyles from the 1940s. The brothers liked the prop and kept it, and it’s what eventually served as the inspiration for The Man Who Wasn’t There.

12. GEORGE CLOONEY SIGNED ON TO O BROTHER, WHERE ART THOU? BEFORE EVEN READING THE SCRIPT.

The brothers visited George Clooney in Phoenix while he was making Three Kings (1999), wanting to work with him after seeing his performance in Out of Sight (1998). Moments after they put their script on Clooney’s hotel room table, the actor said “Great, I’m in.”

13. A SNAG IN THE MILLER’S CROSSING SCRIPT ULTIMATELY LED TO BARTON FINK.

Miller’s Crossing is a complicated beast, full of characters double-crossing each other and scheming for mob supremacy. In fact, it’s so complicated that at one point during the writing process the Coens had to take a break. It turned out to be a productive one: While Miller’s Crossing was on pause, the brothers wrote the screenplay for Barton Fink, the story of a writer who can’t finish a script.

14. INTOLERABLE CRUELTY IS THE FIRST COEN MOVIE THAT WASN’T THE BROTHERS’ ORIGINAL IDEA.

In 1995, the Coens rewrote a script originally penned by other screenwriters, Robert Ramsey, Matthew Stone, and John Romano. They didn’t decide to direct the movie, which became Intolerable Cruelty, until 2003.

15. THE LADYKILLERS WAS WRITTEN FOR BARRY SONNENFELD TO DIRECT.

A still from the Coen Brothers' 'The Ladykillers.'
Melinda Sue Gordon, SMPSP - © 2004 - Touchstone Pictures. All rights reserved.

The Coens effortlessly jump from crime thriller to comedy without missing a beat. So when they were commissioned to write a remake of the British black comedy The Ladykillers for director Barry Sonnenfeld, it seemed to fall in line with their cinematic sensibilities. When Sonnenfeld dropped out of the project, the Coens were hired to direct the film.

16. BURN AFTER READING MARKED THE FIRST TIME SINCE MILLER’S CROSSING THAT THE COENS DIDN’T WORK WITH THEIR USUAL CINEMATOGRAPHER, ROGER DEAKINS.

Instead, eventual Academy Award-winner Emmanuel Lubezki acted as the director of photography. The Coens would work with Deakins again on every one of their films until 2013’s Inside Llewyn Davis.

17. IT TOOK SOME CONVINCING TO GET JAVIER BARDEM TO SAY “YES” TO NO COUNTRY FOR OLD MEN

Though it’s hard to imagine No Country for Old Men without Javier Bardem’s menacing—and Oscar-winning—performance as antagonist Anton Chigurh, he almost passed on the role. “It’s not something I especially like, killing people—even in movies,” Bardem said of his disdain for violence. “When the Coens called, I said, ‘Listen, I’m the wrong actor. I don’t drive, I speak bad English, and I hate violence.’ They laughed and said, ‘Maybe that’s why we called you.”’

18. PATTON OSWALT AUDITIONED FOR A SERIOUS MAN.

Patton Oswalt auditioned for the role of the obnoxious Arthur Gopnik in A Serious Man, a part that ultimately went to Richard Kind. Oswalt talked about his audition while appearing on Marc Maron’s WTF podcast, in which it was also revealed that Maron was being considered for the lead role of Larry Gopnik (the role that earned Michael Stuhlbarg his first, and so far only, Golden Globe nomination).

19. THE CAT IN INSIDE LLEWYN DAVIS WAS “A NIGHTMARE.”

A photo of Oscar Isaac in the Coen brothers' 'Inside Llewyn Davis' (2013).
© 2013 - CBS Films

Ulysses, the orange cat who practically stole Inside Llewyn Davis away from Oscar Isaac, was reportedly a bit of a diva. “The cat was a nightmare,” Ethan Coen said on the DVD commentary. “The trainer warned us and she was right. She said, uh, ‘Dogs like to please you. The cat only likes to please itself.’ A cat basically is impossible to train. We have a lot of footage of cats doing things we don't want them to do, if anyone's interested; I don't know if there's a market for that.”

20. THE COEN BROTHERS PROBABLY DON’T LOVE THE BIG LEBOWSKI AS MUCH AS YOU DO. 

We’re assuming the Coen brothers are plenty fond of The Dude; after all, he doesn’t end up facing imminent death or tragedy, which is more than most of their protagonists have going for them. But in a rare Coen brothers interview in 2009, Joel Coen flatly stated, “That movie has more of an enduring fascination for other people than it does for us.”

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