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11 Twisted Facts About ‘The Far Side’

For 15 years, "The Far Side" added a dash of irreverence to the funny pages. Offbeat, macabre, and sometimes controversial, Gary Larson’s trailblazing cartoon was a gigantic success that ran in nearly 2000 newspapers at the height of its popularity. It also gave an entire generation of humorists a renewed appreciation for cow jokes.

Here are 11 things you should know about this highly-evolved comic strip.

1. IT EVOLVED FROM AN EARLIER STRIP CALLED NATURE’S WAY.

A native of Tacoma, Washington, Gary Larson was born on August 14, 1950. At a very young age, he developed the passion for wildlife that would give "The Far Side" its unique flavor. In his early years, Larson spent countless hours chasing amphibians and nurturing pet snakes. So when he enrolled at Washington State University, his decision to major in biology surprised no one. But halfway through college, Larson’s focus shifted. “I didn’t want to go to school for more than four years, and I didn’t know what you did with a bachelor’s degree in biology, so I switched over and got my degree in communications,” he told The New York Times. “It was one of the most idiotic things I ever did.” Had he pursued a scientific career, Larson says that he’d want to become an entomologist.

After graduating, he landed a job at a record store. Dissatisfied with the gig, Larson began to draw bizarre, single-panel cartoons in his spare time. One day in 1976, he presented six of these to the editor of the popular Seattle magazine Pacific Search. The half-dozen comics were swiftly bought up (for $3 apiece) and published under the title "Nature’s Way." Following his print debut, Larson took a three-year hiatus from cartooning. Then, in 1979, The Seattle Times agreed to revive "Nature’s Way" as a weekly comic strip. Riding high on newfound success, Larson decided to see if any other publications might be interested in his work. The quest began—and ended—with a visit to the San Francisco Chronicle’s headquarters. Editor Stan Arnold took an immediate liking to Larson’s comic strip and successfully got it syndicated nationwide.

Early on in the process, Larson was asked if he’d mind changing the title from "Nature’s Way" to "The Far Side." Mildly put, this wasn’t a problem; Larson once joked that for all he cared, “They could have called it ‘Revenge of the Zucchini People.’” "The Far Side" that we all know and love made its grand debut in newspapers across America in January, 1980.

2. FROM THE GET-GO, GARY LARSON DIDN’T WANT "THE FAR SIDE" TO INCLUDE RECURRING CHARACTERS.

Chronicle Features syndicated "The Far Side" and asked Larson to embrace at least one aspect of the standard comic strip formula before it was distributed nationally. “They… wanted me to develop characters like Charlie Brown or something [who] would always come back,” the cartoonist said in a 1998 NPR interview. At the time, he explains, it was widely believed that every strip needed a cast in order to be successful. Larson felt otherwise.

“I instinctively thought of that as very limiting,” Larson explained. “And I also just didn’t see humor as something that had to be confined to one particular character. To me, what was exciting was trying to do something that would crack someone up. And I didn’t see how characters or a particular character enhanced that. In fact, I think it would work against it in some cases. A certain face on a character would work in one instance but not in another. Although admittedly, as the years went by, all my stuff got boiled down to about six faces.”

3. AN ODD CHILDREN’S BOOK WAS ONE OF LARSON’S BIGGEST INSPIRATIONS.

You need a fairly warped imagination to come up with things like teenage dragons lighting their sneezes. "The Far Side" brand of comedy took some of its cues from Larson’s family and what he has described as their “morbid sense of humor.” Older brother Dan Larson left a particularly big impact on his developing mind: When the two weren’t out collecting tadpoles or salamanders together, Dan would pull all sorts of pranks on his younger sibling. “[He’d] scare the hell out of me,” the cartoonist said.

Another influence was the picture book Mr. Bear Squash-You-All-Flat by Morrell Gipson. True to its title, the story is about a large bear who goes around sitting on other animals' houses. In 1986, the TV program 20/20 ran a feature on Larson. Halfway through the interview, he was visibly delighted when Lynn Sherr surprised him with a copy of the then-out-of-print book. “There was something so mesmerizing about the image of this big bear going through the forest and squashing the homes of these little animals,” Larson said. “I just thought that was the coolest thing in the world.”

4. ONE EARLY STRIP CONFUSED SO MANY READERS THAT LARSON HAD TO EXPLAIN ITS MEANING IN A PRESS RELEASE. 

With "The Far Side," Larson turned bovine jokes into a real cash cow. From gags about vacationing cattle to the exploits of a bloodthirsty vampcow, the strip was loaded with heifer hilarity. “I’ve always thought the word cow was funny,” Larson said. “And cows are sort of tragic figures. Cows blur the line between tragedy and humor.”

Every so often, though, this affinity for the hoofed mammals got him into trouble. In 1982, Larson drew a cartoon that was supposed to satirize the outdated anthropological belief that, of all creatures, only Homo sapiens makes tools. The strip in question shows a cow presenting an assortment of low-tech gadgets she’s built. Larson’s caption reads, simply, “Cow Tools.” Some people didn’t get the joke. In fact, hardly anyone did. Chronicle Features was bombarded with letters and phone calls from confused readers begging for an explanation. Within 24 hours of the strip's publication, Larson was asked to write a press release explaining its significance to the masses.

That October, his official statement appeared in newspapers throughout the U.S. “The cartoon was meant to be an exercise in silliness,” it claims. Larson goes on to say “I regret that my fondness for cows, combined with an overactive imagination, may have carried me beyond what is comprehensible to the average ‘Far Side’ reader.” Embarrassing as this incident was, Larson got the last laugh. On more than one occasion, he’s credited the "Cow Tools" debacle with boosting the popularity of "The Far Side."

5. "THE FAR SIDE" GAVE BIRTH TO A WIDELY-USED PALEONTOLOGY TERM.

Stegosaurus is world-famous for its lime-sized brain and the quartet of nasty-looking spikes on its tail. A 1982 "Far Side" strip decided to have a little fun with the latter attribute. In that cartoon, we find an early human anachronistically lecturing his fellow cavemen about dinosaur-related hazards. Pointing at the rear end of a Stegosaurus diagram, he says “Now this end is called the thagomizer … after the late Thag Simmons.” Without meaning to, Larson’s strip plugged a gap in the scientific lexicon. Previously, nobody had ever given a name to the unique arrangement of tail spikes found on Stegosaurus and its relatives. But today, many paleontologists use the word “thagomizer” when describing this apparatus, even in scientific journals.

6. FANS OF THE STRIP HAVE NAMED THREE DIFFERENT INSECTS AFTER GARY LARSON.

In 1989, entomologist Dale Clayton discovered a brand new species of biting louse that exclusively targets owls. When the time came to name it, his first choice was Strigiphilus garylarsoni. Clayton wrote the cartoonist to ask for his blessing. This proposed insect name, he explained, was the scientist’s way of recognizing the “enormous contribution that my colleagues and I feel you have made to biology through your cartoons.” Larson happily gave Clayton the green light. “I considered this an extreme honor,” the "Far Side" creator said in retrospect. “Besides, I knew that nobody was going to write and ask to name a new species of swan after me.”

Indeed, scientific nomenclature has yet to give us a “Larson’s swan.” However, in addition to Strigiphilus garylarsoni, there’s now a beetle called Garylarsonus and a butterfly known as Serratoterga larsoni.

7. ONE COMIC TOOK SOME HEAT FROM THE JANE GOODALL INSTITUTE.  

“Well, well—another blonde hair … Conducting a little more ‘research’ with that Jane Goodall tramp?” A sassy chimpanzee makes this remark while grooming her mate in a 1987 "Far Side" comic. The one-liner started a controversy that erupted and then vanished in record time. Shortly after the cartoon ran, Larson’s syndicate received an angry letter from the Jane Goodall Institute’s executive director. Its author minced no words. “To refer to Dr. Goodall as a tramp is inexcusable—even by a self-described ‘loony’ such as Larson,” read the dispatch.

“I was horrified,” Larson wrote in The Prehistory of The Far Side: A 10th Anniversary Collection. “Not so much from a fear of being sued … but because of my deep respect for Jane Goodall and her well-known contributions to primatology. The last thing in the world I would have intentionally done was offend Dr. Goodall in any way.”

But in a stunning turn of events, it turns out that Goodall herself loved the comic. “I thought it was very funny. And I think if you make a Gary Larson cartoon, boy you’ve made it,” she said. The chimpanzee expert claimed that she was away in Africa when the director lashed out at Larson’s syndicate without her knowledge. Later, the “offending” cartoon appeared on special T-shirts that generated cash for the Institute. Also, Larson got the chance to visit one of Goodall’s research facilities in 1988. Here, he met a chimp named Frodo—who apparently wasn’t a "Far Side" fan. Without warning, Frodo pounced on an unsuspecting Larson, leaving the artist with a patchwork of scrapes and bruises.  

8. AN OHIO NEWSPAPER SWITCHED THE CAPTIONS FROM "DENNIS THE MENACE" AND "THE FAR SIDE"—TWICE.

The Dayton Daily News committed an unforgettable funny page blunder in August, 1981. Back then, the paper would run "The Far Side" right next to the more traditional "Dennis the Menace." On that fateful August day, their captions were switched. "The Far Side" strip now showed a young snake who kvetches at the family dinner table by saying “Lucky I learned to make peanut butter sandwiches or we woulda starved to death by now.” Elsewhere, Dennis Mitchell—who’s munching on a sandwich of his own—groans “Oh brother … Not hamsters again!”

“What’s most embarrassing about this is how immensely improved both cartoons turned out to be,” Larson opined in The Prehistory of The Far Side. Somebody at the Dayton Daily News made the same mistake two years later. This time, readers were confronted with a psychic cavewoman asking “If I get as big as Dad, won’t my skin be too TIGHT?” Dennis Mitchell, meanwhile, casually looked his mother in the eye and said “I see your little, petrified skull … labeled and resting on a shelf somewhere.”

9. TWO ANIMATED "FAR SIDE" SHORTS EXIST.

CBS aired a 20-minute program called Gary Larson’s Tales From the Far Side in 1994. Conceived as a Halloween special, the film was essentially an animated reinterpretation of several classic "Far Side" cartoons. Marv Newland—an animator whose best-known work is the Larson-esque short film Bambi Meets Godzilla (1969)—directed Tales, which won a Grand Prix award at the Annecy International Animated Film Festival. The year 1997 brought with it a sequel, Gary Larson’s Tales From the Far Side II. By then, the comic strip which inspired both movies had been laid to rest, as Larson retired in 1995. He has said that the two animated projects presented an interesting challenge because he “didn’t want any dialogue” in the finished products.

10. A "FAR SIDE" MUSEUM EXHIBIT OPENED IN 1985.

Natural History Magazine once called Gary Larson “the unofficial cartoonist laureate of the scientific community.” For physicists, biologists, and naturalists around the world, his work is the subject of near-universal admiration. By the mid-1980s, numerous hallways in the San Francisco-based California Academy of Sciences had basically been wallpapered with "Far Side" cartoons. Inspired by this décor, the facility got the bright idea to set up a special exhibit in Larson’s honor. Dubbed "The Far Side of Science," it featured some 600 individual cartoons. The display first opened at the CAS in December, 1985 then traveled through such cities as Los Angeles, Denver, and Orlando—often breaking attendance records along the way.

11. LARSON HAS LIKENED HIS OTHER BIG PASSION—MUSIC—TO CARTOONING.

A lifelong jazz fan, Larson would frequently listen to the work of genre maestros when he needed to generate ideas for "Far Side" comics. He ranks legendary guitarist Herb Ellis among his favorite musicians. In 1989, Ellis asked Larson if he’d design the cover of his next album, which was to be named “Doggin’ Around.” The humorist took the job—in exchange for a guitar lesson. Nowadays, with "The Far Side" (mostly) in his rear view mirror, Larson dedicates a portion of each day to honing his skills as a jazz guitarist.

This new pursuit, he says, isn’t all that different from drawing comics. “It has some parallels to cartooning because it’s improvisational—you never know exactly how something is going to turn out,” Larson told the Associated Press. “Taking a solo on a tune is always a little bit scary. Yet it has structure, there are certain rules to follow, and you try to create something with those rules.”

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10 Witty Facts About The Marx Brothers
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Talented as individuals and magnificent as a team, the Marx Brothers conquered every medium from the vaudeville stage to the silver screen. Today, we’re tipping our hats (and tooting our horns) to Groucho, Harpo, Chico, Zeppo, and Gummo—on the 50th anniversary of Groucho's passing.

1. A RUNAWAY MULE INSPIRED THEM TO TAKE A STAB AT COMEDY.

Julius, Milton, and Arthur Marx originally aspired to be professional singers. In 1907, the boys joined a group called “The Three Nightingales.” Managed by their mother, Minnie, the ensemble performed covers of popular songs in theaters all over the country. As Nightingales, the brothers enjoyed some moderate success, but they might never have found their true calling if it weren’t for an unruly equid. During a 1907 gig at the Nacogdoches Opera House in East Texas, someone interrupted the performance by barging in and shouting “Mule’s loose!” Immediately, the crowd raced out to watch the newly-liberated animal. Back inside, Julius seethed. Furious at having lost the spotlight, he skewered his audience upon their return. “The jackass is the finest flower of Tex-ass!” he shouted, among many other ad-libbed jabs. Rather than boo, the patrons roared with laughter. Word of his wit soon spread and demand for these Marx brothers grew.

2. THEY RECEIVED THEIR STAGE NAMES DURING A POKER GAME.

In May of 1914, the five Marxes were playing cards with standup comedian Art Fisher. Inspired by a popular comic strip character known as “Sherlocko the Monk,” he decided that the boys could use some new nicknames. Leonard’s was a no-brainer. Given his girl-crazy, “chick-chasing” lifestyle, Fisher dubbed him “Chicko” (later, this was shortened to “Chico”). Arthur loved playing the harp and thus became “Harpo.” An affinity for soft gumshoes earned Milton the alias “Gummo.” Finally, Julius was both cynical and often seen wearing a “grouch bag”—wherein he’d store small objects like marbles and candy—around his neck. Thus, “Groucho” was born. For the record, nobody knows how Herbert Marx came to be known as “Zeppo.”

3. GROUCHO WORE HIS TRADEMARK GREASEPAINT MUSTACHE BECAUSE HE HATED MORE REALISTIC MODELS.

Michael Ochs Archives/Hulton Archive/Getty Images

Phony, glue-on facial hair can be a pain to remove and reapply, so Groucho would simply paint a ‘stache and some exaggerated eyebrows onto his face. However, the mustache he later rocked as the host of his famous quiz show You Bet Your Life was 100 percent real.

4. HARPO WAS A SELF-TAUGHT HARPIST.

Without any formal training (or the ability to read sheet music), the second-oldest Marx brother developed a unique style that he never stopped improving upon. “Dad really loved playing the harp, and he did it constantly,” his son, Bill Marx, wrote. “Maybe the first multi-tasker ever, he even had a harp in the bathroom so he could play when he sat on the toilet!”

5. THE VERY FIRST MARX BROTHERS MOVIE WAS NEVER RELEASED.

Financed by Groucho, Chico, Harpo, Zeppo, and a handful of other investors, Humor Risk was filmed in 1921. Accounts differ, but most scholars agree that the silent picture—which would have served as the family’s cinematic debut—never saw completion. Despite this, an early screening of the work-in-progress was reportedly held in the Bronx. When Humor Risk failed to impress there, production halted. By Marx Brothers standards, it would’ve been an unusual flick, with Harpo playing a heroic detective opposite a villainous Groucho character.

6. GUMMO AND ZEPPO BECAME TALENT AGENTS.

World War I forced Gummo to quit the stage. Following his return, the veteran decided that performing was no longer for him and instead started a raincoat business. Zeppo—the youngest brother—then assumed Gummo’s role as the troupe’s straight-talking foil. A brilliant businessman, Zeppo eventually break away to found the talent agency Zeppo Marx Inc., which grew into Hollywood’s third-largest, representing superstars like Clark Gable, Lucille Ball, and—of course—the other three Marx Brothers. Gummo, who joined the company in 1935, was charged with handling Groucho, Harpo, and Chico’s needs.

7. CHICO ONCE LAUNCHED A BIG BAND GROUP.

Chico took advantage of an extended break between Marx brothers movies to realize a lifelong dream. A few months before The Big Store hit cinemas in 1941, he co-founded the Chico Marx Orchestra: a swinging jazz band that lasted until July of 1943. Short-lived as the group was, however, it still managed to recruit some amazing talent—including singer/composer Mel Tormé, who would go on to help write the “The Christmas Song (Chestnuts Roasting on an Open Fire)” in 1945.

8. THEY TESTED OUT NEW MATERIAL FOR A NIGHT AT THE OPERA IN FRONT OF LIVE AUDIENCES.

With the script still being drafted, MGM made the inspired choice to let the brothers perform key scenes in such places as Seattle, Salt Lake City, and San Francisco. Once a given joke was made, the Marxes meticulously timed the ensuing laughter, which let them know exactly how much silence to leave after repeating the gag on film. According to Harpo, this had the added benefit of shortening A Night at the Opera’s production period. “We didn’t have to rehearse,” he explained. “[We just] got onto the set and let the cameras roll.”

9. GROUCHO TEMPORARILY HOSTED THE TONIGHT SHOW.

Jack Paar bid the job farewell on March 29, 1962. Months before their star’s departure, NBC offered Paar’s Tonight Show seat to Groucho, who had established himself as a razor-sharp, well-liked host during You Bet Your Life’s 14-year run. Though Marx turned the network down, he later served as a guest host for two weeks while Johnny Carson prepared to take over the gig. When Carson finally made his Tonight Show debut on October 1, it was Groucho who introduced him.

10. SPY MAGAZINE USED A MARX BROTHERS MOVIE TO PRANK U.S. CONGRESSMEN.

Duck Soup takes place in Freedonia, a fictional country over which the eccentric Rufus T. Firefly (Groucho) presides. In 1993, 60 years after the movie’s release, this imaginary nation made headlines by embarrassing some real-life politicians. Staffers from Spy got in touch with around 20 freshmen in the House of Representatives, asking some variation on the question “Do you approve of what we’re doing to stop ethnic cleansing in Freedonia?” A few lawmakers took the bait. Representative Corrine Brown (D-Florida) professed to approve of America’s presence in Freedonia, saying “I think all of those situations are very, very sad, and I just think we need to take action to assist the people.” Across the aisle, Steve Buyer (R-Indiana) concurred. “Yeah,” he said, “it’s a different situation than the Middle East.”

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12 Facts About the Smithsonian's Collections
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With 19 museums spread along the East Coast, the Smithsonian Institution has become the country’s richest repository of American history. From culture to science, zoos to space exploration, the federally-backed archive has spent nearly 200 years preserving and educating. Check out some facts on its history, how a new species of dolphin was found hiding in its archives, and how the founder eventually became part of the collection.

1. ITS FOUNDER NEVER SET FOOT IN THE STATES.

Wealthy British globe-trotter James Smithson (1765-1829) had acquired an estate worth roughly $500,000 at the time of his death and ordered that all of his assets be inherited by his nephew, Henry James Dickinson. There was one twist: The estate was to be turned over to the United States in the event Dickinson died without an heir of his own so the country could build a hub for the “increase and diffusion of knowledge.” Henry, then 18, died just six years later, and so President James Polk signed the act approving the Smithsonian Institution into law in 1846. Curiously, Smithson had never even visited the U.S. Why leave such a legacy to a foreign nation? Smithson never commented on his decision, leaving people to guess that it was either because he was impressed by democracy or because he wanted to enrich a country that, at the time, had only a few educational hubs.

2. NO ONE WAS REALLY SURE WHAT SMITHSON WANTED.

A portrait of James Smithson

“Increase and diffusion of knowledge” can be interpreted pretty broadly, and it took the United States a long time—roughly 10 years—before anyone could agree on what to do with Smithson’s gift. Educators, politicians, and civilians all had a unique notion of how to spend his fortune, including opening a university, a library, or an observatory. Ultimately, the Smithsonian Institution was a compromise, involving many of these ideas. By 1855, construction on the main building was complete at the National Mall in Washington; it was designated as a National Museum in 1858 [PDF].

3. THEY HAD TO HIDE THEIR COLLECTION FROM AXIS FORCES.

At the height of U.S. involvement in World War II, museum curators knew that Axis forces would have designs on destroying the vibrant culture housed at the museum’s main location at the National Mall. To protect these irreplaceable items, the Smithsonian arranged to have them shipped to an undisclosed location—now known to be near Luray, Virginia—and stored in a climate-controlled warehouse. They didn’t return until 1944.

4. SMOKEY BEAR LIVED AT THEIR ZOO.

Smokey Bear takes a bath at the National Zoo

Yes, that Smokey Bear. (And there’s no “the” in his name.) In 1950, a bear cub that survived a raging forest fire in Capitan, New Mexico, was adopted by the U.S. Forest Service and named Smokey after the popular ad campaign mascot of the era. As a living symbol of the effort, he spent his remaining 26 years at the National Zoo, a constant recipient of visitor attention and hundreds of jars of honey.

5. THEY DISPLAY JUST ONE PERCENT OF THEIR COLLECTION.

In order to execute Smithson’s mission statement, the Smithsonian has had to morph into the greatest display of hoarding the world has ever seen. All told, the Institution’s various artifacts, specimens, and other arcana is believed to number in the neighborhood of 137 million, with an official museum estimate of 154 million. Just 1 percent of that is available for viewing at any given time.

6. ONE CATEGORY IS USUALLY OFF-LIMITS FOR VIEWING.

17th century human remains found in Jamestown, Virginia

Evolving public attitudes over the decades have prompted the Smithsonian to be very wary of displaying human remains. While they’ve collected everything from shrunken heads to the “soap man”—a corpse whose body turned to a soap-like substance thanks to a chemical reaction to soil—most of it remains out of public view.

7. AN EXHIBIT ON NUCLEAR WAR STIRRED CONTROVERSY.

For a planned exhibit of the Enola Gay, the bomber plane that dropped an atomic bomb on Hiroshima during World War II, museum organizers drew criticism in 1994 for presenting material that some veterans groups and members of Congress felt was politically charged. The museum agreed to omit text near the display that some felt dwelled on the horrific effects of the bomb, as well as references estimating the U.S. and rival casualties that might have been suffered if the bomb had not been deployed.

8. THE WEIRDEST ITEM THEY’VE CATALOGED IS A CRAPPY VIDEO GAME.

The box art for the Atari 2600 game E.T.

Amidst many internet lists of strange Smithsonian catalog items—taxidermied animals, beards, and other miscellanea—nothing seems more incongruous than the 2014 inclusion of a 1982 Atari video game based on E.T. the Extra-Terrestrial. Renowned for being produced quickly and for helping to fuel the video game crash of the early 1980s, supplies of the cartridge were buried in a New Mexico landfill and only recently excavated. One went into the museum's archives.

9. THEY TURNED DOWN JIMMY DURANTE’S NOSE.

In the 1950s, actor and comedian Jimmy Durante was easily identified by his bulbous nose, a three-inch-long (from bridge to tip) feature that led to his nickname, “the Great Schnozzola.” Sensing a publicity opportunity, Durante’s management arranged for a makeup artist to create a plaster cast of Durante’s nose and offer it up to the Smithsonian as a piece of Americana. Frank Setzler, the museum’s head of anthropology was unimpressed. “Heavens, no,” he was quoted as saying. “Who would want that? The only place we could use it would be in the elephant display.”

10. AN UNDISCOVERED SPECIES OF DOLPHIN WAS LURKING IN THEIR INVENTORY.

A dolphin skull from a recently-discovered species

With so many specimens, the bowels of the Smithsonian almost certainly harbor secrets that can surprise even scientists. In 2016, two researchers in search of fossilized marine mammals stumbled across the skull of a 25-million-year-old river dolphin they named Arktocara yakataga. Said to have been found in Alaska, the dolphin may have dwelled in the Arctic. It was estimated that the skull—plucked from obscurity because one of the researchers found it “cute”—sat on the shelf for 50 years before being identified.

11. THEY’RE COMMITTED TO PRESERVING DOROTHY’S SLIPPERS.

Possibly the most iconic pair of footwear in pop culture, Dorothy’s ruby slippers from the 1939 film adaptation of The Wizard of Oz have become a Smithsonian trademark. In 2016, the Institution successfully raised over $300,000 on Kickstarter to build a state-of-the-art preservation case to protect the kicks from deterioration. While star Judy Garland wore several pairs during filming and the Smithsonian’s are mismatched, it’s clear that visitors want to keep them in condition for any future travels along the yellow brick road.

12. SMITHSON EVENTUALLY BECAME PART OF THE COLLECTION.

James Smithson's final resting place within the walls of the Smithsonian

In 1904, some 75 years after his death in Italy, Smithson’s remains were about to be disturbed. U.S. Smithsonian officials were alerted that his grave site would be displaced because of a nearby stone quarry expansion. The Institution took the opportunity to have his casket shipped to America so he could be interred at the site of his legacy—the Smithsonian itself. Escorted by Alexander Graham Bell, the casket traveled 14 days by sea. The body was entombed and topped off by a marker in the Smithsonian, where it remains viewable by the general public.

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