13 Sharp Facts About Hook

YouTube
YouTube

People of a certain age remember it fondly, but Steven Spielberg's Hook was not well-received when it was released in December of 1991. Critics found it overlong and curiously lacking in imagination, and though it was profitable, it wasn't the mega-hit everyone expected from a Spielberg movie about a grown-up Peter Pan played by Robin Williams. (It was the sixth highest-grossing movie of 1991. Among Spielberg movies, it ranks 15th out of 30.) Home video earned Hook some more young fans, and it eventually became something of a cult favorite for '90s kids.

1. THE FILM WAS DELAYED, APPROPRIATELY, BY STEVEN SPIELBERG'S DESIRE NOT TO BE AN ABSENTEE FATHER.

Steven Spielberg had been thinking about a live-action version of Peter Pan through the first half of the 1980s, but put it on hold in 1985, when his first child, Max, was born. "I guess it was just bad timing," the director later said, according to Joseph McBride's Steven Spielberg: A Biography. "I didn't want to go to London and have seven kids on wires in front of blue screens swinging around. I wanted to be home as a dad, not a surrogate dad."

2. IT WAS INSPIRED BY A 3-YEAR-OLD'S DRAWING.

Screenwriter Jim V. Hart had been trying to find a new angle to the Peter Pan story for years when, in 1982, his 3-year-old son produced a drawing. "He said it was a crocodile eating Captain Hook," Hart recalled in Steven Spielberg: A Biography, "but that the crocodile really didn't eat him, he got away ... So I went, 'Wow, Hook is not dead. The crocodile is. We've all been fooled.'" A few years later, Hart's son brought up the subject of Peter Pan again, asking whether he'd ever grown up. "I realized that Peter did grow up, just like all of us Baby Boomers who are now in our forties," Hart said. "I patterned him after several of my friends on Wall Street, where the pirates wear three-piece suits and ride in limos."

3. MICHAEL JACKSON WAS SPIELBERG'S FIRST CHOICE FOR THE LEAD.

Vinnie Zuffante/Hulton Archive/Getty Images

"Michael had always wanted to play Peter Pan," Spielberg told Entertainment Weekly in 2011. "But I called Michael and said, 'This is about a lawyer [who used to be Peter Pan],' so he understood at that point it wasn't the same Peter Pan he wanted to make." However, Vanity Fair reported in 2003 that Jackson had paid a witch doctor to put a curse on Spielberg (among others), so perhaps there was lingering resentment.

4. NICK CASTLE WAS PAID $500,000 NOT TO DIRECT IT.

The director of The Last Starfighter and The Boy Who Could Fly (not to mention an episode of Spielberg's Amazing Stories) was working with screenwriter Hart to get the movie made at Columbia-TriStar when Sony bought the company and put someone new in charge—Mike Medavoy, who'd been Spielberg's first agent. Medavoy sent Spielberg the Hook script for perusal, and Spielberg jumped at the chance to direct it. Castle was taken off the project with a $500,000 settlement and a "story by" credit along with Hart. (As the story goes, Dustin Hoffman and Robin Williams weren't willing to make the film with Castle anyway, so it wasn't a matter of Spielberg "stealing" a movie from another director.)

5. IT WAS ALMOST A MUSICAL.

The most famous previous adaptations of Peter Pan (the Disney cartoon and the Broadway show) had been musicals, so Spielberg had that in mind for his version. John Williams wrote several songs for it before the idea was discarded, later incorporating their tunes into the musical score. Two songs (with lyrics by Leslie Bricusse) did make it into the final film: "We Don't Wanna Grow Up" and "When You're Alone." 

6. PRINCESS LEIA WROTE SOME OF IT.

Vince Bucci/Getty Images

Though Spielberg liked Hart's screenplay overall, he thought the characters of Captain Hook and Tinkerbell were underwritten. To work on Hook's dialogue, he brought in a writer named Malia Scotch Marmo (who later helped on Jurassic Park, too). For Tinkerbell, Spielberg called on Carrie Fisher—actress, novelist, and screenwriter. Marmo got a writing credit, but Fisher remained uncredited.

7. IT WENT WAY OVER SCHEDULE AND WAY OVER BUDGET.

Spielberg had been a careful and conscientious director ever since the disastrous excesses of 1941, but he let the size of the Hook production get the better of him. Shooting was supposed to last 76 days; it lasted 116. It was supposed to cost $48 million; it cost somewhere between $60 and $80 million. Hoffman and Julia Roberts's perfectionism were contributing factors, along with the general difficulties of working with children, employing huge live-action special effects, and coordinating scenes with hundreds of extras. Still, Spielberg accepted all the blame himself. "It was all my fault," he said. "Nobody else made it go over budget."

8. GWYNETH PALTROW GOT HER PART THE OLD-FASHIONED WAY: CONNECTIONS.

Gwyneth Paltrow, who was 18 years old at the time, was cast as the teenage version of Wendy when Spielberg—her godfather and a close family friend—noticed she looked like Maggie Smith, who plays the elderly Wendy. Spielberg said he realized it when the Paltrow and Spielberg families were driving home from seeing The Silence of the Lambs

9. GLENN CLOSE HAS A CAMEO.

Glenn Close plays the (male) pirate who displeases Captain Hook and gets locked in a chest with a scorpion. 

10. THE KIDS ARE NAMED AFTER HANSEL AND GRETEL.

Peter Banning's kidnapped children are called Jack and Maggie, which are nicknames for John and Margaret. The German equivalents of those names, Johannes and Margarete, have the familiar diminutives of Hansel and Gretel. 

11. IT HAS MORE HOFFMAN THAN YOU REALIZED.

In addition to playing Captain Hook, Dustin Hoffman provides the voice of the airline pilot when the Bannings fly to England—appropriate, of course, because he says, "This is your captain speaking." Young Peter Pan is played by Hoffman's son, Max, then not quite 7 years old, and Max's older brother, Jake, appears as a Little League player. 

12. JULIA ROBERTS WAS HAVING A TERRIBLE TIME.

Her million-watt smile notwithstanding, America's sweetheart was miserable for much of the shoot because of problems in her personal life. She'd recently had a nasty breakup with Kiefer Sutherland, was beginning a new romance with Jason Patric, and was generally frail and exhausted. Defending her, Spielberg said, "Her biggest problem was timing. Her personal life fell apart, and she reported to work on the same weekend." She freaked out one day on the set when someone called for "Kieffo" (the name of Hoffman's stunt double) and Roberts misheard it as "Kiefer," i.e., Sutherland. "Call security. How did he get on the lot?" she asked the set coordinator, who cleared up the confusion. 

13. THE SET WAS CRAWLING WITH STARS, EVEN ONES WHO WEREN'T IN THE MOVIE.

One of Hollywood's top directors working with some of its biggest stars on one of the most expensive sets ever built—naturally, everyone wanted to stop by Sony Pictures Studios and see what all the fuss was about. Among the celebrities sighted on set were Tom Cruise, Demi Moore, Whoopi Goldberg, Michelle Pfeiffer, Warren Beatty, Annette Bening, Mel Gibson, Prince, and actual royalty: Queen Noor of Jordan. 

Additional sources: Steven Spielberg: A Biography, by Joseph McBride

13 Great Rockumentaries Every Music (and Movie) Fan Should See

The Criterion Collection
The Criterion Collection

More people are watching documentaries these days, which likely means that more people are rocking their faces off with nonfiction. Far from Ken Burns’s soothing tones, these music-filled films demand amplification and an unseemly amount of perspiration.

Rock documentaries are tricky beasts. Though they often have the built-in advantage of following around famous people, they aren’t immune to boredom and eye-rolling faux depth. Keeping it simple by showcasing the music can be good, but it’s no way to be great. The best of the best manage to deliver a stellar soundscape, offer a backstage pass to the real humans who make it, and hold our ears even if we aren’t already devoted fans. If a little history gets made in the process, even better.

Grab a seat next to Penny Lane on the bus. Here are 13 of the best documentaries that every music—and film—fan should add to their Must Watch list.

1. WHAT’S HAPPENING! THE BEATLES IN THE U.S.A. (1964)

A singular piece of filmmaking where nonfiction talent met transcendent musical genius on the threshold of gargantuan stardom, this is the best Beatles documentary ever produced. Directed by legendary documentarians Albert and David Maysles, the film captures the band’s first frivolous jaunt through America, where they raised the screaming decibel level in The Ed Sullivan Show theater and goofed off in hotel rooms. It’s an explosion of youth before they changed music forever.

2. DON’T LOOK BACK (1967)

Another marriage of style, skill, and subject, Don't Look Back helped shape how the rockumentary genre could provide insights into the people who shape our popular culture. That so many iconic moments emerged from D.A. Pennebaker’s watershed work, which strolled with Bob Dylan through England in 1965, is a testament to the legendary musician's infinite magnetism. The cue cards, singing with Joan Baez in a hotel room on the edge of breaking up, the Mississippi voter registration rally, and on and on. Since it portrayed fame’s effect on the artist, the art, and the audience, most every other rock doc has been chasing its brilliance.

3. GIMME SHELTER (1970)

The rockumentary has evolved to be as diverse as the sonic landscape itself, which is why Popstar: Never Stop Never Stopping can send up the current scene just like This Is Spinal Tap! did in the 1980s. Still, 1970 feels like the year that defined the rockumentary. Another Maysles joint, this profound doc captured The Rolling Stones touring at a time when they were one of the biggest bands in the world and only getting bigger. The music is powerful and immediate, and the film closes with their appearance at the Altamont Free Concert, which turned deadly when—after a day of skirmishes between concertgoers and the Hell’s Angels acting as security—a fan with a gun was stabbed to death when he tried to get on stage during “Under My Thumb.”

4. WOODSTOCK (1970)

The other 1970 film that helped define the genre allowed thousands to claim they’d been to the biggest concert event of the generation without actually going. If rock ‘n’ roll emerged from unruly teenage years into conflicted young adulthood in the 1960s, nothing stamped that image in henna ink better than Woodstock and the documentary that accompanied it. The bands that appear are legendary: Crosby, Stills & Nash; The Who; Joe Cocker singing The Beatles; Janis Joplin; Jimi Hendrix; and many more. It’s a fly-by of the three days of peace and music that you could play on repeat with summery ease.

5. ZIGGY STARDUST AND THE SPIDERS FROM MARS (1973)

Rock doc royalty D.A. Pennebaker captured David Bowie’s final performance in his red-domed sci-fi persona at London's Hammersmith Odeon with a flair that captures the frenetic energy of the room. The crowd is as much a part of the moment as the band is, as the camera places you in the middle of a transitional moment in music history. To see Bowie that close up now is a wonder. And, naturally, the music is out of this world.

6. THE DECLINE OF WESTERN CIVILIZATION (1981)

Instead of following the famous, Penelope Spheeris’s debut dug its nails deep into the Los Angeles punk scene at the turn of the decade. Black Flag, The Circle Jerks, and other bands your parents have never heard of perform mosh pit-sparking anthems and show off their living conditions like a grungy proto-version of MTV Cribs. There’s a purity here missing from most music docs—a chronicle of people whose passion far, far outweighs their paychecks, and a screening that led the LAPD to request that the movie never be shown in LA again.

7. SIGN "☮" THE TIMES (1987)

Having Prince at the center of your concert doc is a shortcut to ensuring it’s one of the best of all time. There’s the music, of course. Hits like “Little Red Corvette” and “U Got the Look,” and Sheila E. beating the hell out of her drum kit. There’s also The Purple One's inexhaustible energy and stage presence. As a bonus, the film jumps between concert footage and (instead of candid hotel conversations) a sci-fi narrative where we get to go to Prince Planet. It’s a rocky, disorienting experience that could have only been held so tightly together by a master showman.

8. MADONNA: TRUTH OR DARE (1991)

It might be hard to explain to a younger audience just how dominant Madonna was as an artist coming out of the 1980s or the kind of landmark event this film represented because of her status. The travelogue of her Blonde Ambition Tour was like peeking into the insane world of the ultra-famous—not least because Madonna was dating Warren Beatty at the time and part of the film involves her hanging out with Al Pacino, Lionel Richie, and more. There are threats that the Canadian police will arrest her for simulating masturbation in her show, the Pope trying to get the tour canceled in Italy, and a slightly awkward return home to see family. All par for the course for someone whose personal life was carved up for public consumption.

9. RHYME & REASON (1997)

An unparalleled look into the lyricism and lifestyle of rap musicians from the genre’s rise through its global domination of the 1990s, the concert and party footage is fantastic, and the number of interviews is staggering. Peter Spirer spoke with more than 80 rap and hip-hop artists to craft a snapshot of what life was like for a group of musicians who discovered their voices could echo across the world as well as those who followed after to even greater success. Instead of going deep on one person behind the music, it’s a historical document of the culture itself as seen through the eyes of those at its very center.

10. THE DEVIL AND DANIEL JOHNSTON (2005)

For those who don’t know Daniel Johnston’s music, this doc is a crash course not only in its stripped-down, anti-folk vibes but the head it all comes spilling out of. Instead of romanticizing or ignoring his bipolar disorder, Jeff Feuerzeig’s movie engages with it directly, drawing beautiful gems from a troubled mind. An absolute masterpiece, it’s less a vision of a musician giving glimpses into his real life than it is a vision of a human being who makes music.

11. AWESOME; I F*CKIN’ SHOT THAT! (2006)

Rockumentaries follow two major formats: the raw concert doc that’s like a ticket to a show you couldn’t attend, and the profile where artists drop quotables in between performances. They’re safe and familiar, which is probably why the Beastie Boys gave both styles the middle finger in favor of a grand experiment. A year before YouTube launched, the rap trio gave 50 fans in their Madison Square Garden audience camcorders to capture the concert. The result is a genuine, fans’-eye-view of the experience, and a chaotic mashup of perspectives.

12. THE PUNK SINGER (2013)

It’s astonishing how much time and ground Sini Anderson’s portrait of Bikini Kill leader Kathleen Hanna covers. It’s so much that labeling her Bikini Kill’s leader is woefully reductive. Artist, pioneer, feminist, activist, and a dozen other titles swirl around Hanna’s sweat-covered brow as we get to know her both as an artist and as a person. It’s also a punk fever dream of riot grrrl greatness, featuring incendiary archival footage and excellent talks with members of Le Tigre, Bikini Kill, and Julie Ruin, as well as Carrie Brownstein and the Beastie Boys’s Adam Horovitz (who is also Hanna’s husband).

13. JANIS: LITTLE GIRL BLUE (2015)

A fairly recent addition to the pantheon, Amy J. Berg’s doc is a stirring tour of archival footage of the gravel-throated songstress. Narrated by musician Cat Power, instead of losing perspective to the fog of history, a blend of modern conversations and ghosts from the past offer fresh eyes and ears to create a heartsick celebration of one of music history's most beloved artists, whose career was cut woefully short.

20 Memorable Elvis Presley Quotes

Hulton Archive/Getty Images
Hulton Archive/Getty Images

More than 40 years after his death, Elvis Presley remains a rock ‘n' roll icon and has yet to be ousted from his position as “The King.” Yet the Tupelo, Mississippi-born, Memphis, Tennessee-raised superstar never took his fame for granted, nor did he forget his roots. Here are 20 memorable quotes about Elvis’s life and legacy.

ON AMBITION

“Ambition is a dream with a V8 engine.”

ON MAINTAINING YOUR VALUES

“It's not how much you have that makes people look up to you, it's who you are.”

“Values are like fingerprints. Nobody's are the same, but you leave 'em all over everything you do.”

ON THE MUSIC INDUSTRY

“I happened to come along in the music business when there was no trend.”

“I've never written a song in my life. It's all a big hoax.”

“I don't know anything about music. In my line you don't have to.”

ON THE ARMY

“After a hard day of basic training, you could eat a rattlesnake.”

“The army teaches boys to think like men.”

ON TRUTH

“Truth is like the sun. You can shut it out for a time, but it ain't goin' away.”

ON THOSE LEGENDARY DANCE MOVES

“Rock and roll music, if you like it, if you feel it, you can't help but move to it. That's what happens to me. I can't help it.”

“Some people tap their feet, some people snap their fingers, and some people sway back and forth. I just sorta do 'em all together, I guess.”

ON KEEPING POSITIVE

“When things go wrong, don't go with them.”

ON STARDOM

“If you let your head get too big, it'll break your neck.”

“I have no use for bodyguards, but I have very specific use for two highly trained certified public accountants.”

“The image is one thing and the human being is another. It's very hard to live up to an image, put it that way.”

“The Lord can give, and the Lord can take away. I might be herding sheep next year.”

ON LOVE

“Sad thing is, you can still love someone and be wrong for them.”

ON THE PITFALLS OF HOLLYWOOD

“I sure lost my musical direction in Hollywood. My songs were the same conveyer belt mass production, just like most of my movies were.”

ON GETTING OLDER

“Every time I think that I'm getting old, and gradually going to the grave, something else happens.”

ON LEAVING A LEGACY

“Do something worth remembering.”

SECTIONS

arrow
LIVE SMARTER
More from mental floss studios