13 Sharp Facts About Hook

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People of a certain age remember it fondly, but Steven Spielberg's Hook was not well-received when it was released in December of 1991. Critics found it overlong and curiously lacking in imagination, and though it was profitable, it wasn't the mega-hit everyone expected from a Spielberg movie about a grown-up Peter Pan played by Robin Williams. (It was the sixth highest-grossing movie of 1991. Among Spielberg movies, it ranks 15th out of 30.) Home video earned Hook some more young fans, and it eventually became something of a cult favorite for '90s kids.

1. THE FILM WAS DELAYED, APPROPRIATELY, BY STEVEN SPIELBERG'S DESIRE NOT TO BE AN ABSENTEE FATHER.

Steven Spielberg had been thinking about a live-action version of Peter Pan through the first half of the 1980s, but put it on hold in 1985, when his first child, Max, was born. "I guess it was just bad timing," the director later said, according to Joseph McBride's Steven Spielberg: A Biography. "I didn't want to go to London and have seven kids on wires in front of blue screens swinging around. I wanted to be home as a dad, not a surrogate dad."

2. IT WAS INSPIRED BY A 3-YEAR-OLD'S DRAWING.

Screenwriter Jim V. Hart had been trying to find a new angle to the Peter Pan story for years when, in 1982, his 3-year-old son produced a drawing. "He said it was a crocodile eating Captain Hook," Hart recalled in Steven Spielberg: A Biography, "but that the crocodile really didn't eat him, he got away ... So I went, 'Wow, Hook is not dead. The crocodile is. We've all been fooled.'" A few years later, Hart's son brought up the subject of Peter Pan again, asking whether he'd ever grown up. "I realized that Peter did grow up, just like all of us Baby Boomers who are now in our forties," Hart said. "I patterned him after several of my friends on Wall Street, where the pirates wear three-piece suits and ride in limos."

3. MICHAEL JACKSON WAS SPIELBERG'S FIRST CHOICE FOR THE LEAD.

Vinnie Zuffante/Hulton Archive/Getty Images

"Michael had always wanted to play Peter Pan," Spielberg told Entertainment Weekly in 2011. "But I called Michael and said, 'This is about a lawyer [who used to be Peter Pan],' so he understood at that point it wasn't the same Peter Pan he wanted to make." However, Vanity Fair reported in 2003 that Jackson had paid a witch doctor to put a curse on Spielberg (among others), so perhaps there was lingering resentment.

4. NICK CASTLE WAS PAID $500,000 NOT TO DIRECT IT.

The director of The Last Starfighter and The Boy Who Could Fly (not to mention an episode of Spielberg's Amazing Stories) was working with screenwriter Hart to get the movie made at Columbia-TriStar when Sony bought the company and put someone new in charge—Mike Medavoy, who'd been Spielberg's first agent. Medavoy sent Spielberg the Hook script for perusal, and Spielberg jumped at the chance to direct it. Castle was taken off the project with a $500,000 settlement and a "story by" credit along with Hart. (As the story goes, Dustin Hoffman and Robin Williams weren't willing to make the film with Castle anyway, so it wasn't a matter of Spielberg "stealing" a movie from another director.)

5. IT WAS ALMOST A MUSICAL.

The most famous previous adaptations of Peter Pan (the Disney cartoon and the Broadway show) had been musicals, so Spielberg had that in mind for his version. John Williams wrote several songs for it before the idea was discarded, later incorporating their tunes into the musical score. Two songs (with lyrics by Leslie Bricusse) did make it into the final film: "We Don't Wanna Grow Up" and "When You're Alone." 

6. PRINCESS LEIA WROTE SOME OF IT.

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Though Spielberg liked Hart's screenplay overall, he thought the characters of Captain Hook and Tinkerbell were underwritten. To work on Hook's dialogue, he brought in a writer named Malia Scotch Marmo (who later helped on Jurassic Park, too). For Tinkerbell, Spielberg called on Carrie Fisher—actress, novelist, and screenwriter. Marmo got a writing credit, but Fisher remained uncredited.

7. IT WENT WAY OVER SCHEDULE AND WAY OVER BUDGET.

Spielberg had been a careful and conscientious director ever since the disastrous excesses of 1941, but he let the size of the Hook production get the better of him. Shooting was supposed to last 76 days; it lasted 116. It was supposed to cost $48 million; it cost somewhere between $60 and $80 million. Hoffman and Julia Roberts's perfectionism were contributing factors, along with the general difficulties of working with children, employing huge live-action special effects, and coordinating scenes with hundreds of extras. Still, Spielberg accepted all the blame himself. "It was all my fault," he said. "Nobody else made it go over budget."

8. GWYNETH PALTROW GOT HER PART THE OLD-FASHIONED WAY: CONNECTIONS.

Gwyneth Paltrow, who was 18 years old at the time, was cast as the teenage version of Wendy when Spielberg—her godfather and a close family friend—noticed she looked like Maggie Smith, who plays the elderly Wendy. Spielberg said he realized it when the Paltrow and Spielberg families were driving home from seeing The Silence of the Lambs

9. GLENN CLOSE HAS A CAMEO.

Glenn Close plays the (male) pirate who displeases Captain Hook and gets locked in a chest with a scorpion. 

10. THE KIDS ARE NAMED AFTER HANSEL AND GRETEL.

Peter Banning's kidnapped children are called Jack and Maggie, which are nicknames for John and Margaret. The German equivalents of those names, Johannes and Margarete, have the familiar diminutives of Hansel and Gretel. 

11. IT HAS MORE HOFFMAN THAN YOU REALIZED.

In addition to playing Captain Hook, Dustin Hoffman provides the voice of the airline pilot when the Bannings fly to England—appropriate, of course, because he says, "This is your captain speaking." Young Peter Pan is played by Hoffman's son, Max, then not quite 7 years old, and Max's older brother, Jake, appears as a Little League player. 

12. JULIA ROBERTS WAS HAVING A TERRIBLE TIME.

Her million-watt smile notwithstanding, America's sweetheart was miserable for much of the shoot because of problems in her personal life. She'd recently had a nasty breakup with Kiefer Sutherland, was beginning a new romance with Jason Patric, and was generally frail and exhausted. Defending her, Spielberg said, "Her biggest problem was timing. Her personal life fell apart, and she reported to work on the same weekend." She freaked out one day on the set when someone called for "Kieffo" (the name of Hoffman's stunt double) and Roberts misheard it as "Kiefer," i.e., Sutherland. "Call security. How did he get on the lot?" she asked the set coordinator, who cleared up the confusion. 

13. THE SET WAS CRAWLING WITH STARS, EVEN ONES WHO WEREN'T IN THE MOVIE.

One of Hollywood's top directors working with some of its biggest stars on one of the most expensive sets ever built—naturally, everyone wanted to stop by Sony Pictures Studios and see what all the fuss was about. Among the celebrities sighted on set were Tom Cruise, Demi Moore, Whoopi Goldberg, Michelle Pfeiffer, Warren Beatty, Annette Bening, Mel Gibson, Prince, and actual royalty: Queen Noor of Jordan. 

Additional sources: Steven Spielberg: A Biography, by Joseph McBride

Fans Think the Spider-Man: Far From Home Trailer Hints at Iron Man's Death

© 2018 - Marvel Studios
© 2018 - Marvel Studios

Marvel fans are seriously concerned for Iron Man. While Tony Stark is one of the few Avengers we know survived Thanos's snap at the end of Avengers: Infinity War, the new trailer for Spider-Man: Far From Home seems to imply that the sarcasm-prone superhero might not make it out of Avengers: Endgame alive.

The detail in question comes from the first Far From Home movie trailer, which features Happy Hogan (Jon Favreau) carrying a large check from the Stark Relief Foundation.

The panic regarding Stark’s fate is over the signature on the check—which belongs to Pepper Potts (Gwyneth Paltrow), the co-founder of the foundation. Fans became concerned when they saw that Stark hadn’t signed the check, with many jumping to the conclusion that Stark wasn’t able to sign the check himself because he had died at some point during the events of Avengers: Endgame. While it’s not confirmed whether Far From Home happens after Infinity War or Endgame, fans aren't willing to take any chances.

A few in-the-know viewers pointed out that a relief foundation is not the same as a memorial foundation, and that the organization was most likely set up for Stark industries, not for a deceased Tony Stark. As Potts was named the CEO of Stark Industries in Iron Man 2, it would make sense that she is the one signing the checks. These are valid points, but anxious MCU fans won't rest easy until they know that Stark is alive and well.

While Spider-Man: Far From Home doesn't arrive in theaters until July 5, 2019, Marvel fans will get the answers to at least some of their key questions when Avengers: Endgame hits theaters on April 26, 2019.

New Game of Thrones Teaser Might Hint at Jon Snow's Fate

HBO
HBO

The latest Game of Thrones teaser was released on Sunday evening and fans are still finding new details to theorize about. The 90-second promo, which features Jon Snow and Sansa and Arya Stark, doesn't give much away, but one tiny detail has got people talking.

Fans were quick to notice that when Sansa, Arya, and Jon approach the statues that appear to be designed for them in the Crypts of Winterfell, Jon's looks particularly different. While Sansa and Arya's likenesses mimic what they currently look like, Jon's looks more mature, as if he's a much older man. While it may be a meaningless detail to some viewers, for others it seems to be pretty convincing proof that Jon will make it out of the final season alive, while his "sisters" may not be so lucky.

But would the creators of Game of Thrones—who have managed to keep seemingly all of the series' biggest secrets under wraps for going on eight seasons now—really drop that big a spoiler so far ahead of the final season's premiere date? Not everyone is convinced.

"I think people read into things too much," Redditor AprilUofA wrote. "I think them finding the statues in the crypt just symbolizes the fact that all three are going to be facing death next season. Jon's statue just looks 'older' because of his usual broody expression."

Another Redditor, Fried_Cthulhumari, attributed Jon's more mature look to his famously long locks. "It is notoriously hard to depict hair in sculptures," he wrote. "This is why ancient statues often had stylized hair or beards, and even when the hair is sculpted correctly, it tends to obscure the age or likeness the artist intended."

Whether the statue is a hint that Jon will prevail or just an imperfect likeness, we'll have to wait until Game of Thrones returns on April 14, 2019 to learn more.

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