10 Fearsome Facts about Gargoyles

Dan Kitwood/Getty Images
Dan Kitwood/Getty Images

They conjure images of hideous, brooding creatures perched high above the cities and villages of the world. The most terrifying ones look as though they might break from their stone moorings and take flight. But gargoyles, it turns out, are full of surprises. Read on to learn the origin of their name, their very functional purpose, and what makes a gargoyle different from a grotesque.

1. THEY SERVE A PRACTICAL PURPOSE.

Gargoyle
Fred Tanneau/AFP/Getty Images

When gargoyles began appearing on churches throughout Europe in the 13th century, they served as decorative water spouts, engineered to preserve stone walls by diverting the flow of rainwater outward from rooftops. This function, technically speaking, distinguishes gargoyles from other stone beasts like grotesques and bosses, although these days the term encompasses all sorts of decorative creature carvings.

2. THE NAME COMES FROM A DRAGON-SLAYING LEGEND.

The word gargoyle derives from the French gargouille, meaning "throat." This would appear to take its inspiration from the statues' water-siphoning gullets, but in fact the name comes from the French legend of "La Gargouille," a fearsome dragon that terrorized the inhabitants of the town of Rouen. For centuries, according to the story, the dragon swallowed up ships and flooded the town, until around 600 BCE, when a priest named Romanus came along and agreed to vanquish the beast in exchange for the townspeople's conversion to Christianity. Romanus tamed the dragon by making the sign of the cross, then led it into town where it was burned at the stake. The creature’s head, however, wouldn’t burn, so the townspeople cut it off and affixed it to their church. The gargouille’s head became a ward against evil and a warning to other dragons.

3. THEY WERE MEANT TO INSPIRE FEAR IN PARISHIONERS.


Fred Tanneau/AFP/Getty Images

Because most Medieval Europeans were illiterate, the clergy needed visual representations of the horrors of hell to drive people to the sanctuary of the church. Placing gargoyles on the building’s exterior reinforced the idea that evil dwelt outside the church, while salvation dwelt within. "How better to enforce church attendance and docility than by providing a daily reminder of the horrors to come," wrote Gary Varner in his book, Gargoyles, Grotesques and Green Men: Ancient Symbolism in European and American Architecture.

4. THEY ALSO BROUGHT PAGANS TO CHURCH.

Churches would also model gargoyles after the creatures worshipped by pagan tribes, thinking this would make their houses of worship appear more welcoming to them. It was a bit of clever marketing that worked, according to scholar Darlene Trew Crist. "Churches grew in number and influence as the pagan belief system and many of its images were absorbed into Christianity," she wrote in American Gargoyles: Spirits in Stone.

5. THEY DATE BACK TO ANCIENT EGYPT.

Although the name gargoyle dates back just a few centuries, the practice of crafting decorative, animal-themed drain spouts reaches back several millennia. The ancient Egyptians had a thing for lions, as did the Romans and the Greeks. The oldest gargoyle-like creation is a 13,000-year-old stone crocodile discovered in Turkey.

6. NOTRE DAME'S GARGOYLES ARE FAIRLY RECENT CREATIONS.

gargoyle of the Notre Dame Cathedral
Pablo Porciuncula/AFP/Getty Images)

The world’s most famous gargoyles, and the ones that most influenced the popular wings-and-horns image of the creatures, are found on Paris’s Notre Dame Cathedral. Although the cathedral was constructed in the 13th century, the gargoyles were part of an extensive restoration project in the mid 1800s. Conceived by architect Eugène Viollet-le-Duc and sculptor Victor Pyanet, the gargoyles have little in common with Medieval gargoyles, scholars contend, and were intended to represent the time period rather than recreate it.

7. PITTSBURGH IS A HOTBED FOR GARGOYLES.

In the 19th century, the Steel City embraced the Gothic architecture revival that swept across America. Many of its Gothic churches, government buildings, and other edifices remain, along with their iconic gargoyles. All told, Pittsburgh features more than 20 authentic gargoyles, and hundreds of grotesques. Many of them are featured in the city's "Downtown Dragons" tour run by the History and Landmarks Foundation.

8. SOME WERE FASHIONED AFTER BUILDERS AND CHURCH ELDERS.


Dan Kitwood/Getty Images

Cologne Cathedral in Germany features a gargoyle fashioned after the church’s longest-serving council member, while at the Cathedrale Saint Jean in Lyon, France you can see a gargoyle modeled after the building’s renovation construction manager, Ahmed Benzizine. Because nothing says "thank you" like a hideous stone creature carved in your likeness.

9. A FRENCH CATHEDRAL SWAPPED ITS GARGOYLES FOR "GREMLINS."

During the restoration of Chapel of Bethlehem back in the early '90s, sculptor Jean-Louis Boistel decided to replace the building’s crumbling gargoyles with a few pop-culture icons. This included Gizmo and a gremlin from the movie Gremlins, an Alien xenomorph, and a robot from the popular anime UFO Robot Grendizer. Many locals were put off by Boistel’s creations, which are technically grotesques, but enough young movie fans got behind the "geek chapel" idea to get it approved.

10. THERE'S A DARTH VADER GARGOYLE IN WASHINGTON D.C.

Back in the '80s, the Washington National Cathedral held a contest for kids to design its newest gargoyle. Coming on the heels of the Star Wars trilogy, of course someone proposed a Darth Vader gargoyle. The cathedral, which had already installed some off-the-wall gargoyles and grotesques during its extensive restoration work, named 13-year-old Christopher Rader's design as one of its winners, and in 1986 put Lord Vader high up on the cathedral’s "dark side" north wall. It can be difficult to spot, but the cathedral offers this handy guide.

Shanghai Is Now Home to the World’s Longest 3D-Printed Bridge

World's largest 3D-printed bridge in Shanghai, China.
World's largest 3D-printed bridge in Shanghai, China.
Tsinghua University

Small items like toys and shoes aren't the only things 3D printers can make. As a team of architects from China's Tsinghua University School of Architecture recently demonstrated, the machines can be used to print sturdy bridges large enough to span waterways.

As dezeen reports, at 86 feet in length, the new pedestrian bridge on a canal in Shanghai's Baoshan District is the longest 3D-printed bridge on Earth. Designed by the university's Zoina Land Joint Research Center for Digital Architecture (JCDA) and constructed by Shanghai Wisdom Bay Investment Management Company, it consists of 176 concrete units. The parts were printed from two robotic-arm 3D-printing systems over 19 days.

The 3D-printing technology cut down on costs as well as construction time. According to Tsinghua University, the project cost just two-thirds of what it would have using conventional materials and engineering methods.

Even though their approach was futuristic, the architecture team paid homage to a much older bridge in a different part of the country. The new bridge's arched structure is inspired by that of the 1400-year-old Anji Bridge in Zhaoxian, the oldest standing bridge in China (and the world's oldest open-spandrel arch bridge).

The bridge in Shanghai may be the longest 3D-printed bridge in the world, but it isn't the first. Last year, a 3D-printed steel bridge was unveiled in Amsterdam.

[h/t dezeen]

A Clue on the Ceiling of Grand Central Terminal Shows How Dirty It Was 30 Years Ago

iStock.com/undercrimson
iStock.com/undercrimson

The mural above the concourse at Grand Central Terminal is one of the most gawked-at ceilings in New York City, but even daily commuters may have missed a peculiar feature. Tucked at the edge of the green and gold constellations is a rectangular black mark. The apparent blemish didn't get there by mistake: As Gothamist explains in its new series WHY?, it was left there by restorers when the ceiling was cleaned more than 20 years ago.

Prior to the Metropolitan Transportation Authority's renovation of Grand Central in the 1990s, the concourse was a lot dirtier. The station itself was constructed in Manhattan in the early 1900s, and the celestial scene that's on the ceiling today was painted there in the 1940s. It took only a few decades for tobacco smoke and other pollutants to stain the mural so badly that it needed to be restored.

Using Simple Green-brand cleaning solution and cotton rags, conservators spent two years scrubbing nearly every inch of the ceiling back to its former glory; the one part they skipped was a 9-inch-by-18-inch patch in the northwest corner. Sometimes, when doing a major cleaning project, preservationists will leave a small sample of the art or artifact untouched. If the cleaning products did any damage to the paint, the patch gives future preservationists something to compare it to. It also acts as a snapshot of what the mural looked like in its old condition.

To hear more about the mural and its dirty secret, watch the video from Gothamist below.

[h/t Gothamist]

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