10 Wild Facts About Major League


If you were to ask one thousand Cleveland Indians fans to name their all-time favorite player, a decent percentage might say Willie Mays Hayes or Ricky “Wild Thing” Vaughn. Such is the enduring appeal of Major League. Although there have been hundreds of baseball movies over the years, few have resonated so strongly with fans and players alike, or had such an impact on the game itself. As the real-life Tribe suits up for the 2016 World Series, let’s take a moment to revisit the greatest fictional team in Indians history.


“I’ve been a long-suffering Cleveland Indians fan since I was five years old,” said< /a>Major League writer-director David S. Ward. When Major League premiered in 1989, the Indians hadn’t finished a season within 11 games of first place since 1960, which is what inspired the film. “I felt at that point, if the Indians were ever going to win anything during my lifetime, I would have to write a movie where they did,” he recalled in 2016. “And obviously, given their futility at that time, it had to be a comedy.”

Although Major League is something of a love letter to Ohio’s second largest city, very few scenes were filmed there. Early on, the producers realized that it wouldn’t be easy to shoot a movie at Cleveland’s Municipal Stadium while working around the Indians’ and the Browns’ schedules. “We were shooting late in the summer and the Browns were already playing pre-season games and there were football lines on the field all the time and that didn’t look real good,” Ward told ESPN. “There were also some union issues in Cleveland … So we went to Milwaukee.”

Most of Major League’s principal photography was filmed in Milwaukee, although Ward did manage to shoot the opening credits sequence in Cleveland, along with some establishing shots of Municipal Stadium. In Arizona, Tucson’s Hi Corbett Field—which was used by the Cleveland Indians from 1946 to 1992—provided the backdrop for some of the spring training scenes.


Juuust a bit outside!” Colorful MLB player-turned-announcer (then actor) Bob Uecker was always Ward’s first choice for the role of Harry Doyle. “There was never anybody else up for this job,” Ward said. “I said, ‘Get me Uecker, I don’t care what it takes. We’ve got to have him.’ He contributed ad libs that were sensational.”

Ward actively encouraged Uecker to make up his lines on the spot. “David let me go,” Uecker once said. “He said, ‘I want you to be Harry Doyle. Say whatever comes into your head.’” Before the cameras started rolling, Uecker would be given “general directions” about whatever topic Doyle was supposed to be prattling on about. Then he’d improvise the actual dialogue. “Most of it was stuff I heard guys say in dugouts and clubhouses,” Uecker explained. “Like the line about the Pete Vuckovich character leading the American League in home runs and nose hair. Ball players rag on each other like that all the time.”


A few of Major League’s stars had at least some baseball experience under their belts. Tom Berenger (Jake Taylor) had played the game in high school, as had Corbin Bernsen (Roger Dorn). Meanwhile, Chelcie Ross (Eddie Harris) suited up for Southwest Texas State’s team during his college years. Then there was Charlie Sheen (Ricky “Wild Thing” Vaughn), who pitched so well as a teenager that he once received an athletic scholarship offer from the University of Kansas. “He could’ve played pro ball,” Uecker said of Sheen (who had starred in John Sayles’s Eight Men Out, about the Black Sox scandal, a year before Major League’s release).

Still, athletically gifted as some of his performers were, Ward decided that everyone could benefit from some professional assistance. So he brought on longtime Dodgers catcher Steve Yeager to organize a training camp for the actors. Under his guidance, Sheen and company fine-tuned their pitching, fielding, and hitting over the span of a few weeks.


Wesley Snipes was still a relative unknown in 1989; at that point, one of his career highlights had been starring in the iconic, Martin Scorsese-directed music video for Michael Jackson’s “Bad.” Impressed by Snipes’s performance, Spike Lee offered the actor a minor part in Do the Right Thing. The actor declined so that he could take on a much bigger role: Willie Mays Hayes in Major League. However, Lee would later cast Snipes in Mo’ Better Blues (1990) and Jungle Fever (1991). In 2010, Snipes said that he considers himself “indebted to Spike for considering me and opening me up to that world.”


Being a 1980s comedy, Major League comes with plenty of montages. These allow the film to showcase some running gags; for example, the sequences repeatedly cut to two groundskeepers who disparage the Indians at Municipal Stadium. The two were portrayed by actor Kurt Uchima and his son, Keith.

Speaking of bit players: Jeremy Piven was cast as an irritable Cleveland bench jockey—but don’t bother looking for him in the film. To shorten the run time, his scenes were deleted. “I have the claim to fame of cutting a future star,” Ward jokes on the DVD commentary.


Best known today as 24’s President David Palmer and Allstate’s resident celebrity spokesman, Dennis Haysbert exudes an air of mystery in Major League as the Cuban-born slugger Pedro Cerrano. The character was loosely based on some real-life MLB stars—brothers Matty, Jesus, and Felipe Alou—who briefly became teammates as members of the San Francisco Giants. It was rumored (though never confirmed) that the three were deeply superstitious and would talk to their bats, just as Cerrano does onscreen.

During the shoot, Haysbert proved to be a talented ballplayer, as well as a great actor. Whenever the script called for his character to hit a homer, he actually did. “Every home run I was supposed to hit out, I hit out,” Haysbert said in the DVD documentary My Kinda Team: Making Major League. He kept this streak going through the climactic sequence, which sees Cerrano knock one out of the park at the bottom of the seventh. During the take, Haysbert sent the ball flying over the left field fence at Milwaukee County Stadium. His co-stars were awestruck. “Everyone stopped and applauded,” Ward told Sports Illustrated.


Question: If Rachel Phelps, the Indians’s ex-showgirl owner (played by Margaret Whitton) wanted the team to stink, why didn’t she just fire her manager? Or send her best players down to the minors? Or cut the club’s rising stars? The theatrical version of Major League never explains this glaring plot hole, but there’s a deleted scene that does. In the original script, the Indians manager confronts Phelps right before the huge playoff game against the Yankees. Calmly, she reveals that she secretly cares about the club and hoped they’d win all along. Moreover, Phelps claims to have personally scouted all of the players (except Hayes, whom she calls “a surprise”). “They all had flaws which concealed their real talent, or I wouldn’t have been able to get them,” Phelps tells the manager. “But I knew if anyone could straighten them out, you could. And if you tell them any of this, I will fire you.”

The scene was shot and incorporated into the first cut of the film. Once test audiences saw it, they didn’t react well to Major League’s third act twist. By the movie’s end, viewers had come to love hating Phelps. So in accordance with their wishes, Ward and producer Chris Chesser deleted the owner’s redemption scene. This forced them to re-shoot parts of the final Yankees sequence. Footage of Phelps cheering on the Indians was hastily replaced with new clips that showed her sneering, cussing, and—most memorably—criticizing Vaughn’s entry music.


“Let’s just say I was enhancing my performance a little bit,” Sheen revealed in a 2011 interview. The actor claims that he took PEDs for roughly “six or eight weeks” while Major League was being made. “It was the only time I ever did steroids … My fastball went from 79 to like 85.”


Since its release in the spring of 1989, Major League has given rise to the modern trend of MLB closers choosing their own entrance songs as they strut out onto the field.

Relief pitcher Mitch Williams drew Sheen’s ire when he adopted the nickname “Wild Thing” and changed his jersey number from 28 to 99—which happened to be Ricky Vaughn’s number. On top of all that, he chose the hit Troggs song “Wild Thing” as his personal theme, just like a certain Major League character did. Instead of seeing Williams’s antics as a tribute, Sheen felt that they stole his thunder. “I was pissed for years at Mitch Williams and said he never gave me credit,” the actor once fumed.


Maybe the Indians should thank Pedro Cerrano for their recent winning ways. This past summer, second baseman Jason Kipnis and first baseman Mike Napoli converted an empty locker in the team clubhouse into a shrine to Jobu, the fictional deity Cerrano worships. Their ensemble includes a tiny figurine of the religious figure, along with a sweater that quotes Pedro’s famous line, “It’s very bad to steal Jobu’s rum.” Evidently, this shrine is having the desired effect. “We’ve had Jobu there for a little bit,” Kipnis said after a win in late June, “He’s been working. He didn’t like the airport vodka we left him. So we tried Bacardi and that seems to be working.”

What Happens to the Losing Team's Pre-Printed Championship Shirts?

Adam Glanzman, Getty Images
Adam Glanzman, Getty Images

Following a big win in the Super Bowl, World Series, NBA Finals, or any other major sporting event, fans want to get their hands on championship merchandise as quickly as possible. To meet this demand and cash in on the wallet-loosening "We’re #1" euphoria, manufacturers and retailers produce and stock two sets of T-shirts, hats, and other merchandise that declare each team the champ.

On Super Bowl Sunday, that means apparel for the winner—either the New England Patriots or the Los Angeles Rams—will quickly fill clothing racks and gets tossed to players on the field once the game concludes. But what happens to the losing team's clothing? It's destined for charity.

Good360, a charitable organization based in Alexandria, Virginia, handles excess consumer merchandise and distributes it to those in need overseas. The losing team's apparel—usually shirts, hats, and sweatshirts—will be held in inventory locations across the U.S. Following the game, Good360 will be informed of exactly how much product is available and will then determine where the goods can best be of service.

Good360 chief marketing officer Shari Rudolph tells Mental Floss there's no exact count just yet. But in the past, the merchandise has been plentiful. Based on strong sales after the Chicago Bears’s 2007 NFC Championship win, for example, Sports Authority printed more than 15,000 shirts proclaiming a Bears Super Bowl victory well before the game even started. And then the Colts beat the Bears, 29-17.

Good360 took over the NFL's excess goods distribution in 2015. For almost two decades prior, an international humanitarian aid group called World Vision collected the unwanted items for MLB and NFL runners-up at its distribution center in Pittsburgh, then shipped them overseas to people living in disaster areas and impoverished nations. After losing Super Bowl XLIII in 2009, Arizona Cardinals gear was sent to children and families in El Salvador. In 2010, after the New Orleans Saints defeated Indianapolis, the Colts gear printed up for Super Bowl XLIV was sent to earthquake-ravaged Haiti.

In 2011, after Pittsburgh lost to the Green Bay Packers, the Steelers Super Bowl apparel went to Zambia, Armenia, Nicaragua, and Romania.

Fans of the Super Bowl team that comes up short can take heart: At least the spoils of losing will go to a worthy cause.

An earlier version of this story appeared in 2009. Additional reporting by Jake Rossen.

All images courtesy of World Vision, unless otherwise noted.

Super Bowl 2019: How to Live Stream the Big Game

Andy Lyons, Getty Images
Andy Lyons, Getty Images

How big is the Super Bowl? Last year, 103.4 million viewers watched as the Philadelphia Eagles pulled an upset victory over the New England Patriots. Previous editions from 2010 to 2017 rank among the 10 most-watched television programs of all time, dominating a list with only one non-NFL entry: the 1983 series finale of M*A*S*H.

This Sunday’s Super Bowl LIII meeting between the returning Patriots and the Los Angeles Rams also promises to be a tremendous attraction for viewers, but the 6:30 p.m. ET kickoff on CBS won’t necessarily require you to have a broadcast antenna or cable subscription. There are a number of ways to live stream the big game.

You can point your browser to CBSSports.com, where the network will be offering the entire event at no charge. If you prefer to use an app, the CBS Sports App can be downloaded and used on your Android or iOS smartphone or via one of the major TV devices like Roku, Chromecast, or Amazon Fire TV.

CBS also has a paid streaming service, CBS All Access, that will broadcast the game to subscribers. Why opt for the $9.99 service when the game is free elsewhere? CBS All Access offers a huge library of content, including original series like Star Trek: Discovery and The Good Fight. It also offers a one-week free trial.

Want more options? Both Hulu and YouTube are rolling out live television options with local affiliates. You’ll have to check the services to see whether CBS is one of the options in your area. Hulu charges $44.99 a month for more than 60 channels of live television. YouTube’s services, dubbed YouTubeTV, run $40. You can also find similar cable bundle-type plans with DirecTV Now and Playstation Vue.

If you’re unsure which to choose, remember that not all of them carry Animal Planet, which will broadcast Puppy Bowl XV at 3 p.m. ET.