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Erin Darke on Her New Amazon Show, Good Girls Revolt

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Pilot season can be a stressful experience for any actor, but for Erin Darke, 2015’s pilot season was particularly depressing. “I was reading these scripts and just being like, ‘Oh my god, what if I have to sign a seven-year contract with this show?” the Kill Your Darlings actress recalls. “It was that feeling of, 'theoretically, I want these jobs, but I don’t actually want any of these jobs.'” Then, two months after pilot season had wrapped, another script landed in her hands: Amazon’s Good Girls Revolt, a show based on Lynn Povich’s book The Good Girls Revolt: How the Women of Newsweek Sued Their Bosses and Changed the Workplace. It was love at first read. “[I was] convinced that I was never going to get it because I loved it too much,” Darke says.

The structure of news magazines in the 1960s was much different than it is today: Male employees were the writers and reporters; they were paired with women, who worked as research assistants and fact checkers, often without getting credit for their work. Povich was one of 46 women working at Newsweek who, in 1970, filed a complaint with the Equal Employment Opportunity Commission alleging that management at the magazine had “systematically discriminated” against its female employees “in both hiring and promotion,” and that the women were “forced to assume a subsidiary role” just because they were female. (In the book, Povich writes that her boss, Harry Waters, explained that when he applied at the magazine, his editor told him, "The best part of the job is that you get to screw the researcher," which, Waters said, “reflected the position of women at the newsmagazines, both literally and figuratively. It reinforced in young women that that’s their position—it’s underneath. That’s as far as they can get.”)

“These women were so highly educated and so intelligent and were actually being used for that intelligence, just not in an equal way,” Darke says. Good Girls Revolt fictionalizes this fight, swapping in News of the Week magazine for Newsweek and featuring female employees in various situations in life fighting for credit and equality.

Darke was called in to audition for Cindy Reston—who, unlike a number of the characters on the show, is a married woman whose life is very neatly planned out. “In some ways, she’s already made all of the decisions to go down that path,” Darke says. “In the pilot, Cindy definitely starts a journey of realizing that this life that she signed herself up for is perhaps not exactly what she wants. For her to change her mind about that and decide she wants something else is not an easy thing.”

Darke loved the idea of being able to play a woman making those tough decisions, and fell in love with the character, who dreams of writing a novel and whose husband has allowed her to work as a caption writer at News of the Week for a couple of years before they start a family. Then, after her initial audition for Cindy, Darke was called back in to read for Jane, one of the magazine’s unmarried research assistants. “When they brought me back in for Jane, I was a little bit like, ‘Well, I still really love the show, and I’m still super excited about it,’” Darke says. But when Pitch Perfect actress Anna Camp was ultimately cast as Jane, Darke landed the role of Cindy—and she was overjoyed.

“I was so happy because I had fallen in love with the character of Cindy,” Darke says. “She’s so different from me, but I think maybe in her I can see this alternate universe version of me where, if I had been raised in a different time by different people, that could be the person I ended up being. Imagine growing up without ever having anyone tell you that you can pursue your dream, and then, as an adult, making that discovery on your own and trying to deal with that. I have so much compassion and love for her in that journey that she’s on because it’s a journey that I didn't have to go on.”

Good Girls Revolt filmed its pilot episode in New York City in August 2015. If the pilot had been filmed for network TV, executives would have decided whether or not to pick it up, but Amazon’s system works differently. In November, the company released Revolt online along with a few other pilots, and asked its users to rate, vote, and comment on the show. That feedback factors into the company’s decision about whether or not to order a pilot to series.

“It was a crazy thing to have the pilot out there, knowing that your future and the future of the show depends on people watching it and liking it,” Darke says. “But there was also something great about it, because most network pilots that don’t get picked up disappear. I shot a pilot a few years ago with David Schwimmer that I loved, and it didn't get picked up. I’ve never seen it. I don’t know anyone who actually ever got to see it. It just disappeared into the ether. This thing that you put all this work into—if it doesn't get picked up, it’s gone. So there was something actually really lovely about the Amazon system and knowing that even if our show didn't get picked up, the pilot would still be out there, and this thing that we had worked so hard on would at least get to be seen.” Revolt’s pilot currently has a rating of 4.6 stars out of five, and the full season—which was shot in Los Angeles—will be available on October 28.

After she booked the show and before filming the pilot, Darke did her research. She read Povich’s book and watched CNN’s series The Sixties and The Seventies. But she still found that there were gaps in her knowledge of that time period, which often spurred other research during filming—especially when the show’s fictional magazine covered real-life events. The pilot, for example, opens with the murder of Meredith Hunter during the Rolling Stones’s set at the Altamont Free Concert in 1969, and other episodes deal with aspects of Vietnam and the Black Panther movement.

“One time we talked about the Tet Offensive ... I realized that I actually didn't know that much about it,” she says. “I think in general, this time period has been one of those things for me. I just had this moment of realizing, holy s***, the things that were happening in this country at the time—I have this broad surface knowledge of them, but did not know the details. There are a few episodes that deal with the Black Panthers. I obviously, theoretically, knew who they were, but I’ve been very interested in them since then because I think there’s a correlation between that and Black Lives Matter today.”

And although it's a period show, certain aspects of Good Girls Revolt will feel familiar, particularly to its female viewers. Women still make less than men in the same jobs, are less likely to be given raises even when they ask for them, and account for less than 5 percent of the CEOs at S&P 500 companies. “I keep telling people that I find the show horrifyingly relevant,” Darke says. “I definitely came out of shooting Good Girls Revolt with a renewed sense of the need to fight for feminism. It was both a reminder for me of how far we’ve come, but also that it’s not done.”

Good Girls Revolt hits Amazon on October 28, 2016.

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Why the Film You're Watching on HBO Might Not Be the Whole Movie
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In the days before widescreen televisions, most of the movies you watched on VHS or on cable looked a little different than their big-screen versions. The sides of the image had to be cropped out so that you could watch a movie made for a rectangular screen on the small screen. Today, those little black bars on the top and bottom of the screen that allow you to watch the same movie scaled to any shape of screen are everywhere. But it turns out, cropping for aspect ratios is alive and well—on HBO, as YouTube film vlogger Patrick Willems explains.

In his latest video, which we spotted on Digg, Willems explains why aspect ratios matter, and how the commonly used aspect ratios can fundamentally change a movie.

Most old-school televisions have 4:3 aspect ratios, meaning movies had to be significantly cropped to fit wide-screen films on the small screen. Now, most computers and televisions use 16:9 aspect ratios, which is approximately the same as the one used for movies, typically 1.85:1, so many movies expand to fit TV screens perfectly. The catch: Some Hollywood movies are shot with even wider angles to show even more of an image at once. And even though viewers are familiar with the sight of those black bars, it seems the streaming sites are determined to limit their use, even for movies that don’t fit on a normal screen. As a result, you may only be seeing the central part of the image, not the whole thing. You could be missing characters, action, and landscape that’s happening on the far sides of the screen.

Since 1993, the Motion Picture Association of America has mandated that any film that’s been altered in a way that changes the original vision of its creators—say, to edit out swear words, adjust the run time, or to make it fit a certain screen—run with a disclaimer that says as much. That’s why before movies run on TV, they usually show a note that says something like “This film has been modified from its original version. It has been formatted to fit this screen.” But this doesn’t seem to apply to streaming.

In 2013, Netflix was accused of cropping films, too, showing wide-angle movies to fit the standard 16:9 screen instead of running the original version with black bars. The streaming giant claimed it was a mistake due to distributors sending them the cropped version, and those films would be replaced with the originals. However, as of 2015, users were still complaining of the problem. According to Willems, it’s a problem that still plagues not just HBO, but Starz and Hulu, too, and there isn’t any clear rationale for it other than that perhaps people don’t like looking at black bars. But frankly, that seems better than seeing a version of a film that the director never intended.

You can get all the details in the video below:

[h/t Digg]

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22 Things You Might Not Know About Dawson's Creek
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Hulton Archive, Getty Images

On January 20, 1998, teenagers found a new small-screen obsession when Dawson's Creek made its debut. Created by Kevin Williamson, the series centered around a tight-knit group of friends—Dawson Leery (James Van Der Beek), Joey Potter (Katie Holmes), Pacey Witter (Joshua Jackson), and Jen Lindley (Michelle Williams)—living in the picturesque (and fictional) town of Capeside, Massachusetts.

It didn't take long for the series, which ran for six seasons, to become a bona fide pop culture phenomenon. On the 20th anniversary of its premiere, here are 22 things you might not know about Dawson's Creek.

1. IT FOUND ITS INSPIRATION IN SEVERAL OTHER MOVIES AND TV SHOWS.

"I pitched it as Some Kind of Wonderful, meets Pump Up the Volume, meets James at 15, meets My So-Called Life, meets Little House on the Prairie,” said creator Kevin Williamson. “I sort of threw everything in there." Fox passed on the show, so Williamson brought his pitch to a younger network, The WB, which got its start in 1995. In an attempt to reach a younger audience, the network picked up Dawson’s Creek.

2. KATIE HOLMES'S MOM PLAYED DAWSON IN HER AUDITION TAPE.

Katie Holmes as Joey Potter in 'Dawson's Creek'
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Williamson actually wanted to cast Selma Blair as Joey, but he decided to audition other actresses—including Katie Holmes, who he'd seen in Ang Lee’s film The Ice Storm. Still a high school student at the time, Holmes refused to fly to Los Angeles to audition because she had another commitment: playing Lola in her school’s production of Damn Yankees. So, in their sewing room, Holmes and her mother acted out the scene and filmed it. "I had the camera, and my mom would read Dawson's lines," Holmes told Rolling Stone.

3. JOSHUA JACKSON AUDITIONED FOR BOTH PACEY AND DAWSON.

Joshua Jackson actually auditioned for both lead roles. He originally read for Pacey, but the producers were interested in hearing him read for Dawson as well. Then, they switched him back to auditioning for Pacey. Despite an exec falling asleep during one of his auditions, Jackson got the role. One of his competitors for that role, by the way, was future American Pie star Jason Biggs.

4. KEVIN WILLIAMSON HAD TO FIGHT FOR JAMES VAN DER BEEK TO BE CAST.

James Van Der Beek
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Dawson was the last role to be cast. On the way to the audition in Los Angeles, James Van Der Beek actually sat next to future Entourage star Adrian Grenier on the plane, only to discover that he was also auditioning for the part of Dawson Leery. After watching the auditions, the head of Sony didn’t believe that Van Der Beek had star quality. But Williamson was convinced that Van Der Beek could do it, so they kept having him read the scene over and over again. Finally, Williamson yelled, “I wrote Dawson! I am Dawson! This is Dawson!” Two days before filming was scheduled to begin, Van Der Beek was officially cast.

5. WILLIAMSON PUT PROPS FROM SCREAM AND I KNOW WHAT YOU DID LAST SUMMER IN DAWSON'S BEDROOM.

Williamson wrote the screenplays for all the Scream movies as well as I Know What You Did Last Summer. Sometimes he used Dawson’s world to wink at his own work. For example, in the season one episode “The Scare,” Dawson and Joey watch I Know What You Did Last Summer together. Later, in the season finale, there’s a poster for the movie hanging on Dawson’s wall. “The Scare” also has a few Scream references and contains the iconic Ghostface mask. 

6. WILLIAMSON LOVED STEVEN SPIELBERG AS MUCH AS DAWSON DID.

Steve Spielberg
Hulton Archive, Getty Images

Dawson’s passion for Spielberg movies came from Williamson’s direct childhood experience. “In fifth grade, Jaws came out," Williamson once said. "It began my love affair with Steven Spielberg. I took out a spiral notebook and I wrote the sequel to Jaws.” Sound familiar?

Unsurprisingly, it was tough to get the rights to all of the Spielberg posters that hang in Dawson’s room. In fact, Spielberg watched the pilot to personally approve the use of his work. He did ask that they remove a line about Jen looking like Kate Capshaw, but other than that, he was fine with the references. According to Van Der Beek, Spielberg later approached him at a Lakers game to say, “I like the posters on your wall.”

7. THEY WEREN'T ALLOWED TO SAY THE WORD "MASTURBATE" IN THE PILOT.

In the original script, Joey plainly asked Dawson, “How often do you masturbate?” After examining the pilot, Standards and Practices told them that they couldn’t say the word “masturbate” on television. In the final version of the episode, she asks, “How often do you walk your dog?”

8. DAWSON'S HAIRCUT WAS INSPIRED BY BRAD PITT'S HAIRSTYLE IN THE DEVIL'S OWN.

Brad Pitt in 'The Devil's Own' (1997)
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The studio insisted that Van Der Beek change his hair for the role. The crew paged through an Entertainment Weekly and saw an ad for The Devil’s Own, and Dawson’s infamous haircut was born. 

9. THE SHOW LOST A SPONSOR FOR BEING CONTROVERSIAL.

The show shocked audiences and critics with its blunt dialogue about sex—and a first season plot line about an affair between a teacher and a high school student didn’t detract from the controversy. Procter & Gamble was supposed to be a sponsor of the show but pulled out before it aired.

"As we have learned more about the episodes over the long term and the content that will unfold over time, the majority of the content within the majority of the episodes walks a fine line and bumps up against what we think is appropriate," a spokesperson for the company said.

10. WILLIAMSON KNEW HE WANTED JACK TO BE GAY, BUT HE DIDN'T TELL ANYONE AT FIRST.

Kerr Smith in 'Dawson's Creek'
Hulton Archive, Getty Images

In the second season, two new characters were introduced: siblings Jack and Andie McPhee. Williamson claimed that while creating the characters, there was a voice in the back of his head saying, “God, I wish Jack could be gay. That would be so great to write a gay character.” But he decided not to mention it to anyone, including the writers. Jack quickly became one of the show's most popular characters and halfway through the season, Williamson had him come out to his friends. 

11. THE "TRUE LOVE" EPISODE FEATURED THE FIRST MALE GAY KISS ON U.S. PRIMETIME TELEVISION.

“True Love” was the third season finale, which aired in May 24, 2000. In the episode, Jack kisses his boyfriend, Ethan. Ten years later, Kerr Smith, who played Jack, recalled, “I did know how historic it was and he did too. I’ll never forget the day that we were filming that. I was quite nervous, as was he ... We knew what we were doing. We knew what we were addressing. We knew that it was important and that a lot of people were going to be looking up to the show now for this particular type of storyline. I think we did a good thing.”

12. MEREDITH MONROE WAS 29 WHEN SHE PLAYED 16-YEAR-OLD ANDIE.


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Meredith Monroe, who played Andie McPhee, was nine years older than Katie Holmes and 10 years older than Michelle Williams. But her on-screen brother, Kerr Smith, was also a little old for high school. He was 27 when he was cast.

13. HALFWAY THROUGH THE SERIES, A HURRICANE WREAKED HAVOC ON THE SET.

One of the downsides to filming on the Wilmington, North Carolina coastline was the possibility of hurricanes. In fact, one took down the pier outside the Leerys' home. It was only halfway through the series and the crew had to rebuild the pier because it had already become a beloved part of the show.

14. VAN DER BEEK'S MEME-WORTHY CRY WAS AN AD LIB.

Years after Dawson cried on a pier in the first season finale, his cry-face became a meme. Van Der Beek had a good sense of humor about it and even admitted that his tears were organic. “It wasn’t scripted, I don’t think,” he said. “You know, it was just high drama; you've been living with this character for a while and a scene like that just kind of drops in your lap and you just lose it.”

15. JACKSON USED TO MOON PEOPLE TO EASE TENSION BEFORE FILMING SCENES.

In an interview on Late Night with Conan O’Brien, Holmes said, “I think he really thinks he’s doing a service to everyone ... It doesn’t even faze us anymore. We have different directors every week that come in and he’ll do it and some people will give a chuckle. The rest of us are like, ‘Oh,’ you know. The directors get a kick out of it.”

16. MICHELLE WILLIAMS WAS OFTEN INSECURE ABOUT NOT GETTING ENOUGH SCREEN TIME.

Michelle Williams and James Van Der Beek in 'Dawson's Creek'
The WB

“The show was primarily a love triangle between Dawson, Pacey, and Joey," Michelle Williams later explained. "For the most part. At times I felt, ‘What’s not good enough about me? Am I doing something wrong?’ Flipping through the script you’re only in three pages, ‘Oh, boy. Okay.’ And maybe I had questions about why that was.” Van Der Beek helped her through these times by reminding her that her career would be easier because she would be the least associated with the show in the future. (Given the fact that she has been nominated for four Oscars—and counting—since her Dawson's days, Van Der Beek was clearly onto something.)

17. THE CAST MODELED IN A J. CREW CATALOG.

In a beautiful cross-marketing moment, Holmes, Jackson, Van Der Beek, and Williams did a photo shoot for J. Crew in 1998. You can find pictures online, but if you’d like a copy of your own, they usually sell for over $100 on eBay.

18. SOME OF BUSY PHILIPPS'S SCENES HAD TO BE REWRITTEN AFTER A WILD NIGHT OUT.

In an interview with Wendy Williams, Busy Philipps confessed that she liked to party during her Dawson’s Creek days. One drunken night out resulted in an emergency room visit and a dislocated knee. This was an inconvenience for the writing staff who, according to Philipps, “had to rewrite the show so that I was laying down and sitting down for two weeks.”

19. THE SHOW HAD SIX HEAD WRITERS, ONE FOR EACH SEASON.

After the second season, even Williamson went off to focus on other projects. During a Reddit AMA, someone asked Van Der Beek why there were so many writer shifts over the course of the series. He responded, “I think it was more a function of our writers being in such high demand that they were eventually wooed with offers [to do] their own shows, or just a matter of someone coming into an already established show with a very specific voice and everyone realizing a few steps down the road that it just wasn't quite the right fit.”

20. JOHN WESLEY SHIPP'S CHARACTER WAS KILLED OFF BECAUSE HE DIDN'T LIKE WHERE THE SHOW WAS GOING.

John Wesley Shipp
Diane Freed, Getty Images

John Wesley Shipp, who played Dawson’s dad, grew disappointed with the show, especially after Williamson left. He didn’t like how small the roles of the parents were becoming. “At the end of the four seasons and the kids were going to be going to college, I saw the handwriting on the wall,” Shipp explained. “We would be standing in the background with Lily and waving at Parents Day and I really had no interest in doing that. So when they wanted to renegotiate our contact, I set my price really high.” Executive producer Paul Stupin asked if he would return to do the death storyline and Shipp agreed.

21. WILLIAMS DIDN'T WANT JEN TO DIE.

According to Williamson, “Michelle was a little scared and nervous. She goes, ‘Well, what if we do a reunion show? What if we do a movie or something?’ I’m like, ‘Well, then you’ll be a ghost.’” He noted that Jen’s death “was that last bit of growth that pushed [the characters] into adulthood.”

22. ANDIE WAS CUT FROM THE FINALE.

The cast of 'Dawson's Creek'
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Meredith Monroe did return for the finale, but her scenes were not aired. Andie was a medical resident in Boston, who came back to Capeside to say goodbye to Jen. She also had a sentimental scene in the hospital cafeteria with ex-boyfriend Pacey. Her scenes can be found on the Dawson’s Creek DVDs.

In 2015, Williamson and several members of the Dawson's Creek team reunited for a panel discussion about the show in which it was revealed that the panel's moderator, Julie Plec—a longtime friend and collaborator of Williamson's who was also a writer on Dawson's Creek—was the one who wanted Andie to appear in the finale. "She felt it was incredibly important for Pacey and his first love Andie to have some sort of a resolution," wrote The Hollywood Reporter.

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