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Greece Splits Into Rival Factions

Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 253rd installment in the series.

October 18, 1916: Greece Splits Into Rival Factions

Like a growing vortex, the First World War sucked in more and more countries as the conflict spiraled ever further out of control. From 1915-1916 first Italy then Bulgaria, Portugal, and Romania abandoned neutrality to throw in their lot with one of the two opposing coalitions – and this was only the beginning.

After refusing to help its erstwhile ally Serbia when hostilities broke out, as the fighting dragged on Greece – one of the last neutral states in the Balkan Peninsula – gradually edged closer to war, motivated in part by irredentist claims to ethnically Greek areas of Bulgaria and the Ottoman Empire, and even more by unrelenting pressure from the Allies. 

The pressure became literally overpowering in October 1915, when the French and British occupied the northern Greek port city of Salonika in a belated attempt to aid Serbia, doomed by the Central Powers’ autumn offensive. Their arrival in violation of Greek neutrality (nobody seemed to worry about respecting the neutrality of small states anymore) precipitated a dramatic falling out between the country’s pro-German King Constantine and its most powerful politician, the pro-Allied Prime Minister Eleutherios Venizelos, a popular elder statesman who invited the Allies to occupy Salonika (top, the view from a British battleship in Salonika harbor).

After being forced to resign for overstepping his authority, Venizelos went into open opposition and began plotting with his powerful foreign patrons to bring Greece into the war. Meanwhile, after their conquest of Serbia the Central Powers invaded northern Greece in May 1916, citing the Allied presence in Salonika. For their part the Allies reinforced their position with troops withdrawn from Gallipoli, despite British misgivings (in diplomatic terms the occupation of Salonika was always a French project, reflecting France’s senior role in the alliance as well as the political connections of General Maurice Sarrail, the French commander in Salonika, who had the support of the powerful socialist bloc in Parliament; above, Allied troops in Salonika).

For the Allied troops their time in the ancient polyglot city, which also played host to the provisional governments of Serbia and Albania, was a colorful experience to say the least. One observer, the British war correspondent Vincent O’Connor, described the scene in the marketplace: “Frenchmen, Englishmen, Canadians, Australians, Servians, Greeks, Jews, Turks, all are here in bewildering variety, and there are others to come. Generals, colonels, subalterns, corporals, rank and file; little boys and girls who go to and fro selling papers and furtively collecting those left behind sell again…”

A Forgotten Front

Greece somehow maintained a precarious neutrality through the mounting tension, but in May 1916 the Greeks surrendered the key fortress of Rupel to the Bulgarians without a shot, spurring Allied suspicions that the Greeks might be about to go over to the enemy. They responded by ratcheting up the pressure with a naval blockade of the country, followed by an ultimatum to King Constantine demanding that he demobilize the Greek Army in June 1916. The following month the Allies expanded their occupation of northern Greece with the arrival of the Serbian Army, revived after its disastrous retreat through Albania with six months of rest and resupply on the Greek island of Corfu. 

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In August 1916 the Central Powers clashed with Allied forces in northern Greece, where the Bulgarians captured Florina and forced Sarrail’s French Armée d'Orient back in the Vardar River Valley, before the Allies eventually halted the offensive; the Bulgarians were also briefly distracted by the entry of Romania into the war on the side of the Allies. Then in September the Allies launched a counteroffensive in a futile attempt to help the beleaguered Romanians, pushing the Bulgarians and German Eleventh Army back and threatening the Central Powers’ control of Monastir (now Bitola, Macedonia).

While the fighting in this region is often viewed as a sideshow or “forgotten front” of the First World War, it certainly didn’t seem that way to the ordinary soldiers stationed in the mountainous foothills and plateaus of southern Macedonia, and indeed the Monastir Offensive from September 12-December 11, 1916, was no less bloody than other theatres, with hardships amplified by primitive terrain, disease and harsh weather. As elsewhere, misery was general. Ruth Farnam, an American woman volunteering as a nurse in the Allied armies, visited a recently captured area just behind the Serbian-held portion of the front near Florina:

Everywhere were rolls of cruel barbed-wire, neatly stacked shell cases and the baskets in which they are handled, broken rifles, scraps of metal and all the various debris of battle. The earth looked like rudely plowed land, so pitted and torn with shell holes was it, and everywhere were the rude earthworks which had been thrown up by Serb and Bulgar. Sometimes these were a long line of mud embankments behind which many men could shelter; but more often the earth was scooped out in a tiny nest like a hare’s “form.” Some of these faced North and some South. There were many into which the earth had been roughly shoveled back and we knew that these held Bulgarian dead.

A correspondent, G. Ward Price, recorded similar impressions of the Bulgarian retreat:

All the rubbish that a hastily retreating army leaves behind were scattered right and left. Bullet-pierced caps and helmets, greatcoats, broken rifles, ammunition pouches, marked the trail of the retreating enemy, and from the top of the hill at Banitza, where the roads steeply down to the plain, you could see the Serbian infantry spread out on the green turf, each in his little individual shelter-trench, while the enemy shrapnel burst above and among them; and beyond, right away in the distance, loomed faintly the white minarets and walls of Monastir, their goal on the threshold of Serbia, gleaming faintly through the haze, like the towers of an unreal fairy city.

The stark beauty of the natural surroundings only highlighted the horrors of the battlefield, also described by Price:

You came upon little piles of dead in every gully; behind every clump of rocks you found them, not half-buried in mud or partly covered by the ruins of a blown-in trench or shattered dugout, but lying like men asleep on the clean, hard stones… Not only for days but for weeks after dead Bulgars lay there, preserved in the semblance of life by the cold mountain air, looking with calm, unseeing eyes across the battleground…

An Open Split

As the fighting intensified along the frontier between Greece, Serbia and Bulgaria, the Allies once again sought to bring their host country into the war on their side, with the increasingly aggressive French taking the lead. After landing on the island of Crete and announcing the formation of a provisional government in September 1916, on October 9 Venizelos returned to Salonika from Crete with his supporters on Allied ships, proclaiming that they were taking over the duty of national defense from the passive monarchy.

On October 18, 1916 Venizelos formally installed his new provisional government in Salonika, completing the split with King Constantine in Athens. The Allies also forced Constantine’s new prime minister, Nikolaos Kalogeropoulos, to resign while issuing fresh demands that Constantine withdraw the portion of the Greek Army which remained mobilized south to Thessaly, thus reducing the threat to their own troops. In the crowning humiliation, French marines surrounded the Royal Palace in Athens, and the Allies demanded that Constantine give up the ships of the Greek Navy, which he duly turned over to French control.

By November 1916 the Allies were effectively in control of northern Greece, while the new government organized by Venizelos was drawing support away from King Constantine. But the country remained divided, with two governments ruling in parallel from their respective capitals, in a chaotic period that became known as the “National Schism” or “Greek Vespers” (referring to a dark time in the nation’s history). It would have to endure several more upheavals before unity could be restored.

See the previous installment or all entries.

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20 Things You Might Not Know About Mr. Show
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You never need an excuse to look back at Mr. Show with Bob and David, but given that today is co-creator Bob Odenkirk's 55th birthday, now seems to be as good a time as any.

1. BOB ODENKIRK AND DAVID CROSS’S FIRST MEETING DID NOT GO VERY WELL.

Following four years of writing on Saturday Night Live, Odenkirk was in Los Angeles in 1992 as a writer for the Chris Elliott Fox cult classic Get a Life. David Cross was a comedian in L.A. after performing for years in Boston. One boring afternoon, Cross asked friend and fellow stand-up Janeane Garofalo if she knew anybody that played basketball. The two went to Odenkirk’s house, and Garofalo introduced David to Bob and then asked if he wanted to play basketball. He said no.

2. ODENKIRK AND CROSS FIRST WORKED TOGETHER ON THE BEN STILLER SHOW.

Despite their inauspicious beginning, the two ended up having numerous fruitful collaborations, starting with their work on The Ben Stiller Show. Odenkirk was a writer/performer on the short-lived but Emmy award-winning sketch show with Garofalo, Stiller, and Andy Dick. Cross was brought in in the middle of the show’s 13-episode run as a writer.

3. THE CO-STARS FIRST PERFORMED ON STAGE TOGETHER AS "THE THREE GOOFBALLZ."

Odenkirk and Cross performed sketch comedy together at the Diamond Club in Los Angeles, with a third improviser that, the joke went, would either be deceased or out elsewhere getting high.

4. "THE THREE GOOFBALLZ' WAS ALMOST THE TITLE OF MR. SHOW

Odenkirk also pitched the title Grand National Championships, but David Cross was never a fan of it.

5. JACK BLACK, SARAH SILVERMAN, AND OTHER FUTURE STARS APPEARED ON THE SHOW BEFORE THEY WERE FAMOUS.

Black was in four episodes of Mr. Show, starring in the classic Jesus Christ Superstar parody “Jeepers Creepers.” Silverman was a performer in 10 episodes. Mary Lynn Rajskub, best known as Chloe on 24, was a featured actress in the first two years. Tom Kenny, the voice of SpongeBob SquarePants, was a series regular for a majority of the run. Scott Adsit, a.k.a. 30 Rock’s Pete Hornberger, was in six episodes.

6. PATTON OSWALT WARMED UP THE MR. SHOW CROWD.

In addition to performing stand-up before tapings and keeping the studio audience interested in between scenes, Oswalt played Famous Mortimer in the episode “Operation: Hell on Earth” (but was credited as “Patton Oswald.”)

7. HOMELESS PEOPLE WERE NOT KIND TO THE ORIGINAL SETS.

Because the pilot episode was shot at a “down and dirty,” small Central Hollywood club, the sets had to be placed outside, where homeless people defecated on them.

8. YOU MIGHT ALSO RECOGNIZE SOME OF THE WRITING STAFF.

Dino Stamatopoulos was already on the original writing staff of Late Night with Conan O’Brien and had written for David Letterman before writing for Cross and Odenkirk. He would later create three shows and play Starburns on Community. Writer/performer Scott Aukerman co-created and executive produces Between Two Ferns, and created and stars on Comedy Bang! Bang!. Writer/performer Paul F. Tompkins hosted VH-1’s Best Week Ever! and currently hosts the satirical debate show No, You Shut Up!, where he moderates discussions by a panel full of puppets. Bob Odenkirk’s brother Bill has written ten episodes of The Simpsons.

9. THE DIRECTORS OF LITTLE MISS SUNSHINE LEARNED HOW TO DIRECT COMEDY FROM MR. SHOW.

Valerie Faris and Jonathan Dayton were known for directing music videos like The Smashing Pumpkins’ “Tonight, Tonight” and Jane’s Addiction’s “Been Caught Stealing,” and decided to direct two Mr. Show episodes to expand their filming vocabulary. The husband and wife team were behind the camera for the classic sketch “Monk Academy.”

10. ONE SKETCH WAS INFLUENCED BY LOUIS C.K.

One of the first sketches in the show’s history involved Odenkirk playing a priest forced to do rather unpleasant and un-priestly things. The idea sprang from a conversation David Cross had with fellow young Boston comic Louis C.K., where Louis talked about annoying people that try to claim a prize on a bet that their friends never agreed to in the first place.

11. HBO ONLY CENSORED THE SHOW ONCE.

Throughout four years and 30 episodes, the lone note Odenkirk and Cross got from HBO was to get rid of a line where one character tells another to have sex with a baby. Odenkirk admitted that being told to edit it out “wasn’t too much to ask.”

12. THEY ONLY RECEIVED ONE VIEWER COMPLAINT.

The only angry letter that Odenkirk and Cross were ever made aware of was from a military veteran who was offended by the sketch in “Who Let You In?” where Cross’s performance artist character attempts to defecate on the American flag. The two stars actually called the viewer and discovered that he didn’t watch the entire sketch, and therefore never realized that Cross’ character was never able to actually go through with it.

13. ONE SKETCH WAS CUT FROM THE SHOW SIX TIMES AND NEVER MADE IT TO AIR.

A sketch called “Party Car,” a joke on old, low-quality shows filled with '70s celebrities was cut from half a dozen scripts and never filmed. It would have featured Nipsey Russell, Zsa Zsa Gabor, (or reasonable facsimiles), and a baby in a balloon-filled car.

14. BOB ODENKIRK GOT IN TROUBLE FOR USING A PICTURE OF HIS DEAD GRANDFATHER.

Because the sketch “Old Man In House” needed a photo of an old man, and the elderly gentleman was not the butt of the joke, Odenkirk thought it would be fine. Instead, some Odenkirks were “very upset.”

15. CROSS WAS PAYING OFF HIS STUDENT LOAN DEBTS THROUGHOUT MOST OF THE SERIES.

David Cross and Amber Tamblyn
Frazer Harrison/Getty Images

Despite executive producing and co-creating a series on television, Cross had trouble paying off his student loan debts from his time at Emerson College. Figuring that the person calling from the bill collection agency wouldn’t believe that he couldn’t pay if he knew his job status, Cross pretended that he worked at Mr. Show as a messenger.

16. ONE PERSON WAS GIVEN A "SPECIAL THANKS" IN THE CLOSING CREDITS OF EVERY EPISODE AS A JOKE.

As Cross once explained, Rick Dees was thanked in the credits of the pilot episode, even though he was “certainly nobody we would ever thank, or be in a position to thank.” Some personalities that were thanked for no discernable reason were Greg Maddux, Rodion Romanovich Raskolnikov, Gabe Kaplan, and Howard Zinn.

17. HBO CHANGED THE TIME SLOT FOR ITS FINAL SEASON, AND IT WAS "DEMORALIZING."

After airing Fridays at midnight for the first three seasons, HBO moved the show to Mondays at the same time, confusing some loyal viewers, and the ratings decreased as a result. Bob Odenkirk told a reporter that, after 30 episodes, HBO was still treating the cast and crew as “second-class citizens,” and that they were “demoralized” by the slot shift.

18. BOB AND DAVID TOLD A STUDIO AUDIENCE THAT THEY HAD JUST WITNESSED THE FINAL EPISODE, AND THEY WEREN'T JOKING.

“Patriotism, Pepper, and Professionalism,” the 40th and final episode of Mr. Show, was taped on November 21, 1998. After the final sketch was filmed, Odenkirk and Cross made their announcement, although the show’s cancellation wasn’t made official for another few months.

19. THERE WAS A MR. SHOW MOVIE THAT WENT STRAIGHT TO VIDEO.

Run Ronnie Run focused on David Cross’s redneck criminal character Ronnie Dobbs. It was filmed in 2001, but never made it to theaters. Bob Odenkirk admitted that the movie wasn’t perfect, but he blamed the poor quality on director Troy Miller, for not allowing himself and Cross to edit the movie.

20. THE TWO HAVE REUNITED A FEW OTHER TIMES.

David Cross and Bob Odenkirk star in 'W/ Bob and David'
Saeed Adyani/Netflix

In 2002, Bob, David, and Mr. Show writer/performers Brian Posehn, John Ennis, and Stephanie Courtney (Flo in the Progressive commercials) toured the country to perform some of the show’s sketches and material from their unproduced screenplay Mr. Show: Hooray For America! The next year, Odenkirk guest starred as Dr. Phil Gunty on a season one episode of Arrested Development, alongside Cross’ character Tobias Fünke.

In 2012, Odenkirk, Cross, and Posehn went on a six-city tour to promote their book filled with more unproduced material. Bob and David appeared briefly together the next year on an episode of Aukerman’s Comedy Bang! Bang! In 2015, 20 years after Mr. Show's debut, Netflix premiered W/ Bob and David, a five-episode sketch comedy show created by and starring the duo.

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30 Memorable Quotes from Carrie Fisher
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Just days after suffering a heart attack aboard a flight en route to Los Angeles, beloved actress, author, and screenwriter Carrie Fisher passed away at the age of 60 on December 27, 2016. Though she’ll always be most closely associated with her role as Princess Leia in Star Wars, Fisher’s life was like something out of its own Hollywood movie. Born in Beverly Hills on this day in 1956, Fisher was born into show business royalty as the daughter of singer Eddie Fisher and actress Debbie Reynolds.

In addition to her work in front of the camera, Fisher built up an impressive resume behind the scenes, too, most notably as a writer; in addition to several memoirs and semi-autobiographical novels, including Wishful Drinking, Surrender the Pink, Delusions of Grandma, The Best Awful, Postcards from the Edge, and The Princess Diarist (which was released last month), she was also an in-demand script doctor who counted Sister Act, Hook, Lethal Weapon 3, and The Wedding Singer among her credits.

Though she struggled with alcoholism, drug addiction, and mental illness, Fisher always maintained a sense of humor—as evidenced by the 30 memorable quotes below.

ON GROWING UP IN HOLLYWOOD

“I am truly a product of Hollywood in-breeding. When two celebrities mate, someone like me is the result.”

“I was born into big celebrity. It could only diminish.”

“At a certain point in my early twenties, my mother started to become worried about my obviously ever-increasing drug ingestion. So she ended up doing what any concerned parent would do. She called Cary Grant.”

“I was street smart, but unfortunately the street was Rodeo Drive.”

“If anything, my mother taught me how to sur-thrive. That's my word for it.”

ON AGING

“As you get older, the pickings get slimmer, but the people don't.”

ON INSTANT GRATIFICATION

“Instant gratification takes too long.”

ON THE LEGACY OF STAR WARS

“People are still asking me if I knew Star Wars was going to be that big of a hit. Yes, we all knew. The only one who didn't know was George.”

“Leia follows me like a vague smell.”

“I signed my likeness away. Every time I look in the mirror, I have to send Lucas a couple of bucks.”

“People see me and they squeal like tropical birds or seals stranded on the beach.”

“You're not really famous until you’re a Pez dispenser.”

ON THE FLEETING NATURE OF SUCCESS

“There is no point at which you can say, 'Well, I'm successful now. I might as well take a nap.'”

ON DEALING WITH MENTAL ILLNESS

“I'm very sane about how crazy I am.”

ON RESENTMENT

“Resentment is like drinking poison and waiting for the other person to die."

ON LOVE

“Someone has to stand still for you to love them. My choices are always on the run.”

“I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience, and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture.”

“I don’t hate hardly ever, and when I love, I love for miles and miles. A love so big it should either be outlawed or it should have a capital and its own currency.”

ON EMOTIONS

“The only thing worse than being hurt is everyone knowing that you're hurt.”

ON RELATIONSHIPS

“I envy people who have the capacity to sit with another human being and find them endlessly interesting, I would rather watch TV. Of course this becomes eventually known to the other person.”

ON HOLLYWOOD

“Acting engenders and harbors qualities that are best left way behind in adolescence.”

“You can't find any true closeness in Hollywood, because everybody does the fake closeness so well.”

“It's a man's world and show business is a man's meal, with women generously sprinkled through it like overqualified spice.”

ON FEAR

“Stay afraid, but do it anyway. What’s important is the action. You don’t have to wait to be confident. Just do it and eventually the confidence will follow.”

ON LIFE

“I don’t want life to imitate art. I want life to be art.”

“No motive is pure. No one is good or bad-but a hearty mix of both. And sometimes life actually gives to you by taking away.”

“If my life wasn't funny it would just be true, and that is unacceptable.”

“I shot through my twenties like a luminous thread through a dark needle, blazing toward my destination: Nowhere.”

“My life is like a lone, forgotten Q-Tip in the second-to-last drawer.”

ON DEATH

“You know what's funny about death? I mean other than absolutely nothing at all? You'd think we could remember finding out we weren't immortal. Sometimes I see children sobbing at airports and I think, 'Aww. They've just been told.'”

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