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20 Fascinating Facts About Doctor Who

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Since making its BBC debut in 1963, Doctor Who has entranced several generations of fans (including a few of its future Doctors) with its quirky mix of history and sci-fi. Whovians are already counting down the days until December 25, when Peter Capaldi hands the keys to the TARDIS over to Jodie Whittaker, as she makes her debut as the franchise's first female Doctor. In the meantime, here are 20 fascinating facts you might not have known about the groundbreaking series.

1. IT WAS CREATED AS A KIDS’ SERIES.

Though it certainly maintains plenty of pint-sized fans to this day, the original concept for Doctor Who was specifically an educational program aimed at teaching kids about science and history.

In an interview with the BBC, Waris Hussein—who, at the age of 24, directed the very first episode of Doctor Who—said that the series “was meant to be educational for kids. We were trying to educate kids about certain things about the human condition.”

2. THE DOCTOR DIDN’T BECOME A “TIME LORD” UNTIL 1969.


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While even the most casual of Doctor Who fans can probably tell you that The Doctor is a “Time Lord,” an ancient alien species that has the power to travel through time, the term itself wasn’t actually used until the series’ sixth season episode “The War Games.” His home planet of Gallifrey wasn’t mentioned by name until 1973.

3. THE DOCTOR MAY OR MAY NOT BE A DOCTOR AT ALL.

Is the Doctor really a doctor? According to the Second Doctor (played by Patrick Troughton), the answer is yes … or at least he thinks so. In the fourth season episode “The Moonbase,” the Doctor’s companion, Polly, asked what audiences had been wondering for years: “Are you a medical doctor?” To which the Doctor replies, “Yes, I think I was once, Polly. I think I took a degree once in Glasgow. 1888 I think.”

4. THE FIRST DOCTOR’S HEALTH PROBLEMS LED TO THE IDEA OF REGENERATION.

William Hartnell, who played the First Doctor from 1963 to 1966, was having health problems toward the end of his run on the series. To ensure that the show could go on without its original star, and to avoid enraging viewers who had come to love Hartnell, the showrunners decided that, instead, they would make the ability to regenerate be a part of The Doctor’s mythology.

5. THE DOCTOR’S REGENERATION IS SUPPOSED TO FEEL LIKE A BAD ACID TRIP.

Years after it was written, an internal BBC memo was uncovered that outlined the “metaphysical change” that would take place as the First Doctor became the Second Doctor. “It is as if he had had the L.S.D. drug,” the memo explained, “and instead of experiencing the kicks, he has the hell and dank horror which can be its effect.”

6. RIDLEY SCOTT WAS SUPPOSED TO DESIGN THE DALEKS.


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Considering what he did with Alien and Blade Runner, seeing what Oscar-nominated director Ridley Scott would have dreamed up for the Daleks would have been pretty fascinating. Unfortunately, we’ll never have the chance. Though Scott, who worked for the BBC at the time of Doctor Who’s creation, was assigned the enviable task of designing the show’s devilish Daleks, he ended up leaving the network to concentrate on becoming a director.

Instead, we have the late Raymond Cusick to thank for the Daleks’ iconic design. "People do say I was inspired by a pepper pot—but I always think 'If that's all it takes to become a designer then it's a doddle,'” Cusick once said of the final design.

7. ONE OF THE SHOW’S ORIGINAL CREATORS WAS NOT HAPPY ABOUT THE DALEKS.

Sydney Newman, the BBC’s then-head of drama and one of Doctor Who’s original creators, was very specific about one thing he did not want to see in the series: “Being a real aficionado of science fiction, I hated stories which used bug-eyed monsters, otherwise known as BEMs,” he recalled. “I write in my memo that there would be no bug-eyed monsters in Doctor Who. And after a few episodes, [producer] Verity Lambert turned up with the Daleks! I bawled her out for it, but she said ‘Honest, Sydney, they’re not bug-eyed monsters—they’re human beings who are so advanced that their bodies have atrophied and they need these casings to manipulate and do the things they want!’ Of course, the Daleks took off and captured everybody’s imagination. Some of the best things I have ever done are the thing I never wanted to do.”

8. THE DALEKS ALMOST DIDN’T MAKE IT INTO THE SHOW’S REVIVAL.

When Doctor Who made its triumphant return to television in 2005, it almost happened without the Daleks. The estate of Terry Nation, who created the mutants, had initially attempted to block their return to the new series, claiming that it would “ruin the brand of the Daleks.” At one point, when negotiations between the BBC and Nation’s estate seemed to have broken down, the show’s producers even created a new villain. Fortunately, they were able to work it out.

9. DOUGLAS ADAMS WROTE SEVERAL EPISODES.

At the same time he was creating episodes of The Hitchhiker’s Guide to the Galaxy for BBC Radio 4, Douglas Adams was commissioned to do some writing for Doctor Who. According to Adams, the first episode of The Hitchhiker’s Guide “more or less coincided with the summer period at the BBC, where, in order for anything to get approved, you have to wait for people to come back from whichever beach they're lying on. So that took a long time. While I was kicking my heels, I sent in my pilot episode to the then script editor of Doctor Who, Robert Holmes, who said 'Yes, yes. Like this. Come round and see us.' So we discussed ideas for a bit, and I eventually got commissioned to write four Doctor Who episodes. It took a long time to reach that decision, and then, after all this period of nothing happening, I was suddenly commissioned to write four Doctor Whos and the next five Hitchhikers all at once."

10. THE DOCTOR HAWKED COMPUTERS IN THE 1980S.

In the 1980s, personal computers were still pretty futuristic. So it makes sense that Prime Computer would enlist Tom Baker, who played the Fourth Doctor from 1974 to 1981, to serve as their spokesperson/spokestimelord. His faithful companion Romana (Lalla Ward) made an appearance, too.

11. IT TOOK SIX YEARS TO TRADEMARK THE TARDIS.

In 1996, after years of selling TARDIS-branded merchandise, the BBC attempted to officially trademark The Doctor’s preferred mode of transportation—but the move was met with resistance from the Metropolitan Police, as the time-travel machine is essentially a police box. Six years later, in 2002, the BBC finally won the case, while the Metropolitan Police were ordered to pay £850, plus legal costs.

12. DAVID TENNANT BECAME AN ACTOR WITH THE SPECIFIC GOAL OF PLAYING THE DOCTOR.


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When the Tenth Doctor was just a kid, he knew exactly what he wanted to be when he grew up: the star of Doctor Who. It was Tom Baker’s version of The Doctor in particular that inspired David Tennant to become an actor. He carried around a Doctor Who doll and wrote Who-inspired essays at school. "Doctor Who was a massive influence," Tennant told Rolling Stone. "I think it was for everyone in my generation; growing up, it was just part of the cultural furniture in Britain in the '70s and '80s."

13. PETER CAPALDI WAS A MAJOR FAN, TOO (AND WOULDN'T LEAVE THE BBC ALONE).

Outgoing Doctor Peter Capaldi was obsessed with the series as a kid, too. As a teenager, he created a ton of Doctor Who fan art and even managed to get some of it published. More than 40 years before he was named the Twelfth Doctor, some BBC staffers already knew his name—because he used to inundate them with letters requesting production photos and begging to be named president of the show’s fan club.

“He haunted my time running the fan club, as he was quite indignant he wasn’t considered for the post,” recalled Sarah Newman, an assistant to the show’s producer at the time, who was forced to tell the teenage future-Doctor that they had already named a president.

14. CATHERINE ZETA-JONES COULD HAVE BEEN THE DOCTOR.

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Though Jodie Whittaker will be the series' first official female Doctor when she takes over the role for Capaldi later this year, she's not the first actress to be considered for the role. Back in the 1980s, Sydney Newman had an idea for how to revitalize the show: regenerate the Time Lord into a Time Lady. For years, the show’s producers have toyed with the idea of making The Doctor a woman. In 2008, showrunner Russell Davies broached the idea yet again, citing Catherine Zeta-Jones as his top pick to replace Tennant.

15. BENEDICT CUMBERBATCH AND HUGH GRANT BOTH TURNED DOWN THE CHANCE TO PLAY THE DOCTOR.

Catherine Zeta-Jones isn’t the only famous could’ve-been Doctor: Hugh Grant was offered the role of The Doctor when the show was being revitalized, but reportedly turned it down because he worried it wouldn’t be a hit. Sherlock star Benedict Cumberbatch also said no. “David and I talked about it but I thought it would have to be radically different,” Cumberbatch said.

16. MATT SMITH AUDITIONED FOR SHERLOCK A WEEK BEFORE AUDITIONING FOR DOCTOR WHO.


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Though Benedict Cumberbatch was always the first and only choice for Sherlock’s lead role, a number of actors—including Matt Smith—auditioned to play his sidekick, Dr. John Watson. Smith auditioned for the role just about a week before he went in and read for the Eleventh Doctor. Fortunately, the latter worked out for him. (Steven Moffat was the showrunner on both Doctor Who and Sherlock, though Broadchurch creator Chris Chibnall will take over those duties on Doctor Who beginning with the next season.)

17. A 2008 EPISODE FEATURED A FUTURE DOCTOR AND A FUTURE COMPANION.

The 2008 episode “The Fires of Pompeii,” which recreated the eruption of Mount Vesuvius, was notable for two of its guest stars: Peter Capaldi played a sculptor named Caecilius while his future companion, Karen Gillan, was cast as a soothsayer.

18. THE TENTH DOCTOR MARRIED THE FIFTH DOCTOR’S DAUGHTER, WHO PLAYED THE TENTH DOCTOR’S DAUGHTER.

Confused? In 2011, David Tennant married Georgia Moffett, who played his artificially created daughter, Jenny, in the 2008 episode “The Doctor’s Daughter.” In real life, Moffett really is The Doctor’s daughter; her father is Peter Davison, who played the Fifth Doctor from 1981 to 1984.

19. A PROPOSED MOVIE, STARRING MICHAEL JACKSON, WAS ABANDONED.

In the late 1980s, at the height of Michael Jackson mania, Paramount Pictures proposed a Doctor Who movie that would see The King of Pop play a Time Lord. Obviously, and unfortunately, this never happened.

20. MORE THAN 100 EPISODES ARE LOST.

Back in the 1960s and 1970s, archiving media was a much more difficult—and physical—process. As a result, more than 100 episodes of the show’s original incarnation were deleted, destroyed, or otherwise lost. Fortunately, the series’ fan base has been able to step in and help, providing the network with their own personal copies to help rebuild the Doctor Who library.

One episode in particular, “The Power of the Daleks,” saw new life in November 2016. More than 40 years after it was destroyed in 1974, the episode was recreated as a BBC-approved animated special. It screened in U.S. theaters courtesy of Fathom Events.

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30 Memorable Quotes from Carrie Fisher
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Just days after suffering a heart attack aboard a flight en route to Los Angeles, beloved actress, author, and screenwriter Carrie Fisher passed away at the age of 60 on December 27, 2016. Though she’ll always be most closely associated with her role as Princess Leia in Star Wars, Fisher’s life was like something out of its own Hollywood movie. Born in Beverly Hills on this day in 1956, Fisher was born into show business royalty as the daughter of singer Eddie Fisher and actress Debbie Reynolds.

In addition to her work in front of the camera, Fisher built up an impressive resume behind the scenes, too, most notably as a writer; in addition to several memoirs and semi-autobiographical novels, including Wishful Drinking, Surrender the Pink, Delusions of Grandma, The Best Awful, Postcards from the Edge, and The Princess Diarist (which was released last month), she was also an in-demand script doctor who counted Sister Act, Hook, Lethal Weapon 3, and The Wedding Singer among her credits.

Though she struggled with alcoholism, drug addiction, and mental illness, Fisher always maintained a sense of humor—as evidenced by the 30 memorable quotes below.

ON GROWING UP IN HOLLYWOOD

“I am truly a product of Hollywood in-breeding. When two celebrities mate, someone like me is the result.”

“I was born into big celebrity. It could only diminish.”

“At a certain point in my early twenties, my mother started to become worried about my obviously ever-increasing drug ingestion. So she ended up doing what any concerned parent would do. She called Cary Grant.”

“I was street smart, but unfortunately the street was Rodeo Drive.”

“If anything, my mother taught me how to sur-thrive. That's my word for it.”

ON AGING

“As you get older, the pickings get slimmer, but the people don't.”

ON INSTANT GRATIFICATION

“Instant gratification takes too long.”

ON THE LEGACY OF STAR WARS

“People are still asking me if I knew Star Wars was going to be that big of a hit. Yes, we all knew. The only one who didn't know was George.”

“Leia follows me like a vague smell.”

“I signed my likeness away. Every time I look in the mirror, I have to send Lucas a couple of bucks.”

“People see me and they squeal like tropical birds or seals stranded on the beach.”

“You're not really famous until you’re a Pez dispenser.”

ON THE FLEETING NATURE OF SUCCESS

“There is no point at which you can say, 'Well, I'm successful now. I might as well take a nap.'”

ON DEALING WITH MENTAL ILLNESS

“I'm very sane about how crazy I am.”

ON RESENTMENT

“Resentment is like drinking poison and waiting for the other person to die."

ON LOVE

“Someone has to stand still for you to love them. My choices are always on the run.”

“I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience, and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture.”

“I don’t hate hardly ever, and when I love, I love for miles and miles. A love so big it should either be outlawed or it should have a capital and its own currency.”

ON EMOTIONS

“The only thing worse than being hurt is everyone knowing that you're hurt.”

ON RELATIONSHIPS

“I envy people who have the capacity to sit with another human being and find them endlessly interesting, I would rather watch TV. Of course this becomes eventually known to the other person.”

ON HOLLYWOOD

“Acting engenders and harbors qualities that are best left way behind in adolescence.”

“You can't find any true closeness in Hollywood, because everybody does the fake closeness so well.”

“It's a man's world and show business is a man's meal, with women generously sprinkled through it like overqualified spice.”

ON FEAR

“Stay afraid, but do it anyway. What’s important is the action. You don’t have to wait to be confident. Just do it and eventually the confidence will follow.”

ON LIFE

“I don’t want life to imitate art. I want life to be art.”

“No motive is pure. No one is good or bad-but a hearty mix of both. And sometimes life actually gives to you by taking away.”

“If my life wasn't funny it would just be true, and that is unacceptable.”

“I shot through my twenties like a luminous thread through a dark needle, blazing toward my destination: Nowhere.”

“My life is like a lone, forgotten Q-Tip in the second-to-last drawer.”

ON DEATH

“You know what's funny about death? I mean other than absolutely nothing at all? You'd think we could remember finding out we weren't immortal. Sometimes I see children sobbing at airports and I think, 'Aww. They've just been told.'”

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12 Surprising Facts About Bela Lugosi
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On October 20, 1882—135 years ago today—one of the world's most gifted performers was born. In his heyday, Bela Lugosi was hailed as the undisputed king of horror. Eighty-five years after he first donned a vampire’s cape, Lugosi's take on Count Dracula is still widely hailed as the definitive portrayal of the legendary fiend. But who was the man behind the monster?

1. HE WORKED WITH THE NATIONAL THEATER OF HUNGARY.

To the chagrin of his biographers, the details concerning Bela Lugosi’s youth have been clouded in mystery. (In a 1929 interview, he straight-up admitted “for purposes of simplification, I have always thought it better to tell [lies] about the early years of my life.”) That said, we do know that he was born as Béla Ferenc Dezső Blaskó on October 20, 1882 in Lugoj, Hungary (now part of Romania). We also know that his professional stage debut came at some point in either 1901 or 1902. By 1903, Lugosi had begun to find steady work with traveling theater companies, through which he took part in operas, operettas, and stage plays. In 1913, Lugosi caught a major break when the most prestigious performing arts venue in his native country—the Budapest-based National Theater of Hungary—cast him in no less than 34 shows. Most of the characters that he played there were small Shakespearean roles such as Rosencrantz in Hamlet and Sir Walter Herbert in Richard III.

2. HE FOUGHT IN WORLD WAR I.

The so-called war to end all wars put Lugosi’s dramatic aspirations on hold. Although being a member of the National Theater exempted him from military service, he voluntarily enlisted in the Austro-Hungarian Army in 1914. Over the next year and a half, he fought against Russian forces as a lieutenant with the 43rd Royal Hungarian Infantry. While serving in the Carpathian mountains, Lugosi was wounded on three separate occasions. Upon healing from his injuries, he left the armed forces in 1916 and gratefully resumed his work with the National Theater.

3. WHEN HE MADE HIS BROADWAY DEBUT, LUGOSI BARELY KNEW ANY ENGLISH.

In December 1920, Lugosi boarded a cargo boat and emigrated to the United States. Two years later, audiences on the Great White Way got their first look at this charismatic stage veteran. Lugosi was cast as Fernando—a suave, Latin lover—in the 1922 Broadway stage play The Red Poppy. At the time, his grasp of the English language was practically nonexistent. Undaunted, Lugosi went over all of his lines with a tutor. Although he couldn’t comprehend their meaning, the actor managed to memorize and phonetically reproduce every single syllable that he was supposed to deliver on stage.

4. UNIVERSAL DIDN’T WANT TO CAST HIM AS COUNT DRACULA.

The year 1927 saw Bela Lugosi sink his teeth into the role of a lifetime. A play based on the novel Dracula by Bram Stoker had opened in London in 1924. Sensing its potential, Horace Liveright, an American producer, decided to create an U.S. version of the show. Over the summer of 1927, Lugosi was cast as the blood-sucking Count Dracula. For him, the part represented a real challenge. In Lugosi’s own words, “It was a complete change from the usual romantic characters I was playing, but it was a success.” It certainly was. Enhanced by his presence, the American Dracula remained on Broadway for a full year, then spent two years touring the country.

Impressed by its box office prowess, Universal decided to adapt the show into a major motion picture in 1930. Horror fans might be surprised to learn that when the studio began the process of casting this movie’s vampiric villain, Lugosi was not their first choice. At the time, Lugosi was still a relative unknown, which made director Tod Browning more than a little hesitant to offer him the job. A number of established actors were all considered before the man who’d played Dracula on Broadway was tapped to immortalize his biting performance on film.

5. MOST OF HIS DRACULA-RELATED FAN MAIL CAME FROM WOMEN.

The recent Twilight phenomenon is not without historical precedent. Lugosi estimated that, while he was playing the Count on Broadway, more than 97 percent of the fan letters he received were penned by female admirers. A 1932 Universal press book quotes him as saying, “When I was on the stage in Dracula, my audiences were composed mostly of women.” Moreover, Lugosi contended that most of the men who’d attended his show had merely been dragged there by female companions.   

6. HE TURNED DOWN THE ROLE OF FRANKENSTEIN’S MONSTER.

Released in 1931, Dracula quickly became one of the year's biggest hits for Universal (some film historians even argue that the movie single-handedly rescued the ailing studio from bankruptcy). Furthermore, its astronomical success transformed Lugosi into a household name for the first time in his career. Regrettably for him, though, he’d soon miss the chance to star in another smash. Pleased by Dracula’s box office showing, Universal green-lit a new cinematic adaptation of Mary Shelley’s Frankenstein. Lugosi seemed like the natural choice to play the monster, but because the poor brute had few lines and would be caked in layers of thick makeup, the actor rejected the job offer. As far as Lugosi was concerned, the character was better suited for some “half-wit extra” than a serious actor. Once the superstar tossed Frankenstein aside, the part was given to a little-known actor named Boris Karloff.

Moviegoers eventually did get to see Lugosi play the bolt-necked corpse in the 1943 cult classic Frankenstein Meets the Wolf Man. According to some sources, he strongly detested the guttural scream that the script forced him to emit at regular intervals. “That yell is the worst thing about the part. You feel like a big jerk every time you do it!” Lugosi allegedly complained.

7. LUGOSI’S RELATIONSHIP WITH BORIS KARLOFF WAS MORE CORDIAL THAN IT’S USUALLY MADE OUT TO BE.

It’s often reported that the two horror icons were embittered rivals. In reality, however, Karloff and Lugosi seemed to have harbored some mutual respect—and perhaps even affection for one another. The dynamic duo co-starred in five films together, the first of which was 1934’s The Black Cat; Karloff claimed that, on set, Lugosi was “Suspicious of tricks, fearful of what he regarded as scene stealing. Later on, when he realized I didn’t go in for such nonsense, we became friends.” During one of their later collaborations, Lugosi told the press “we laughed over my sad mistake and his good fortune as Frankenstein is concerned.”

That being said, Lugosi probably didn’t appreciate the fact that in every single film which featured both actors, Karloff got top billing. Also, he once privately remarked, “If it hadn’t been for Boris Karloff, I could have had a corner on the horror market.”

8. HE LOVED SOCCER.

In 1935, Lugosi was named Honorary President of the Los Angeles Soccer League. An avid fan, he was regularly seen at Loyola Stadium, where he’d occasionally kick off the first ball during games held there. Also, on top of donating funds to certain Hungarian teams, Lugosi helped finance the Los Angeles Magyar soccer club. When the team won a state championship in 1935, one newspaper wrote that the players were “headed back to Dracula’s castle with the state cup.” [PDF]

9. HE WAS A HARDCORE STAMP COLLECTOR.

Lugosi's fourth wife, Lillian Arch, claimed that Lugosi maintained a collection of more than 150,000 stamps. Once, on a 1944 trip to Boston, he told the press that he intended to visit all 18 of the city's resident philately dealers. “Stamp collecting,” Lugosi declared, “is a hobby which may cost you as much as 10 percent of your investment. You can always sell your stamps with not more than a 10 percent loss. Sometimes, you can even make money.” Fittingly enough, the image of Lugosi’s iconic Dracula appeared on a commemorative stamp issued by the post office in 1997.

10. LUGOSI ALMOST DIDN’T APPEAR IN ABBOTT AND COSTELLO MEET FRANKENSTEIN—BECAUSE THE STUDIO THOUGHT HE WAS DEAD.

The role of Count Dracula in this 1948 blockbuster was nearly given to Ian Keith—who was considered for the same role in the 1931 Dracula movie. Being a good sport, Lugosi helped promote the horror-comedy by making a special guest appearance on The Abbott and Costello Show. While playing himself in one memorable sketch, the famed actor claimed to eat rattlesnake burgers for dinner and “shrouded wheat” for breakfast.

11. A CHIROPRACTOR FILLED IN FOR HIM IN PLAN 9 FROM OUTER SPACE.

Toward the end of his life, Lugosi worked on three ultra-low-budget science fiction pictures with Ed Wood, a man who’s been posthumously embraced as the worst director of all time. In the 1953 transvestite picture Glen or Glenda?, Lugosi plays a cryptic narrator who offers such random and unsolicited bits of advice as “Beware of the big, green dragon who sits on your doorstep.” Then came 1955’s Bride of the Monster, in which Lugosi played a mad scientist who ends up doing battle with a (suspiciously limp) giant octopus.

Before long, Wood had cooked up around half a dozen concepts for new films, all starring Lugosi. At some point in the spring of 1956, the director shot some quick footage of the actor wandering around a suburban neighborhood, clad in a baggy cloak. This proved to be the last time that the star would ever appear on film. Lugosi died of a heart attack on August 16, 1956;  he was 73 years old.

Three years after Lugosi's passing, this footage was spliced into a cult classic that Wood came to regard as his “pride and joy.” Plan 9 From Outer Space tells the twisted tale of extraterrestrial environmentalists who turn newly-deceased human beings into murderous zombies. Since Lugosi could obviously no longer play his character, Wood hired a stand-in for some additional scenes. Unfortunately, the man who was given this job—California chiropractor Tom Mason—was several inches taller than Lugosi. In an attempt to hide the height difference, Wood instructed Mason to constantly hunch over. Also, Mason always kept his face hidden behind a cloak.

12. HE WAS BURIED IN HIS DRACULA CAPE.

Although Lugosi resented the years of typecasting that followed his breakout performance in Dracula, he asked to be laid to rest wearing the Count’s signature garment. Lugosi was buried under a simple tombstone at California's Holy Cross Cemetery.

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