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Ray Burmiston/Noise In Colour/BBC America
Ray Burmiston/Noise In Colour/BBC America

20 Fascinating Facts About Doctor Who

Ray Burmiston/Noise In Colour/BBC America
Ray Burmiston/Noise In Colour/BBC America

Since making its BBC debut in 1963, Doctor Who has entranced several generations of fans (including a few of its future Doctors) with its quirky mix of history and sci-fi. Tonight, Peter Capaldi will hand the keys to the TARDIS over to Jodie Whittaker, as she makes her debut as the franchise's first female Doctor. In honor of this iconic moment, here are 20 fascinating facts you might not have known about the groundbreaking series.

1. IT WAS CREATED AS A KIDS’ SERIES.

Though it certainly maintains plenty of pint-sized fans to this day, the original concept for Doctor Who was specifically an educational program aimed at teaching kids about science and history.

In an interview with the BBC, Waris Hussein—who, at the age of 24, directed the very first episode of Doctor Who—said that the series “was meant to be educational for kids. We were trying to educate kids about certain things about the human condition.”

2. THE DOCTOR DIDN’T BECOME A “TIME LORD” UNTIL 1969.


Michael Webb/Keystone/Getty Images

While even the most casual of Doctor Who fans can probably tell you that The Doctor is a “Time Lord,” an ancient alien species that has the power to travel through time, the term itself wasn’t actually used until the series’ sixth season episode “The War Games.” His home planet of Gallifrey wasn’t mentioned by name until 1973.

3. THE DOCTOR MAY OR MAY NOT BE A DOCTOR AT ALL.

Is the Doctor really a doctor? According to the Second Doctor (played by Patrick Troughton), the answer is yes … or at least he thinks so. In the fourth season episode “The Moonbase,” the Doctor’s companion, Polly, asked what audiences had been wondering for years: “Are you a medical doctor?” To which the Doctor replies, “Yes, I think I was once, Polly. I think I took a degree once in Glasgow. 1888 I think.”

4. THE FIRST DOCTOR’S HEALTH PROBLEMS LED TO THE IDEA OF REGENERATION.

William Hartnell, who played the First Doctor from 1963 to 1966, was having health problems toward the end of his run on the series. To ensure that the show could go on without its original star, and to avoid enraging viewers who had come to love Hartnell, the showrunners decided that, instead, they would make the ability to regenerate be a part of The Doctor’s mythology.

5. THE DOCTOR’S REGENERATION IS SUPPOSED TO FEEL LIKE A BAD ACID TRIP.

Years after it was written, an internal BBC memo was uncovered that outlined the “metaphysical change” that would take place as the First Doctor became the Second Doctor. “It is as if he had had the L.S.D. drug,” the memo explained, “and instead of experiencing the kicks, he has the hell and dank horror which can be its effect.”

6. RIDLEY SCOTT WAS SUPPOSED TO DESIGN THE DALEKS.


Mike Lawn/Getty Images

Considering what he did with Alien and Blade Runner, seeing what Oscar-nominated director Ridley Scott would have dreamed up for the Daleks would have been pretty fascinating. Unfortunately, we’ll never have the chance. Though Scott, who worked for the BBC at the time of Doctor Who’s creation, was assigned the enviable task of designing the show’s devilish Daleks, he ended up leaving the network to concentrate on becoming a director.

Instead, we have the late Raymond Cusick to thank for the Daleks’ iconic design. "People do say I was inspired by a pepper pot—but I always think 'If that's all it takes to become a designer then it's a doddle,'” Cusick once said of the final design.

7. ONE OF THE SHOW’S ORIGINAL CREATORS WAS NOT HAPPY ABOUT THE DALEKS.

Sydney Newman, the BBC’s then-head of drama and one of Doctor Who’s original creators, was very specific about one thing he did not want to see in the series: “Being a real aficionado of science fiction, I hated stories which used bug-eyed monsters, otherwise known as BEMs,” he recalled. “I write in my memo that there would be no bug-eyed monsters in Doctor Who. And after a few episodes, [producer] Verity Lambert turned up with the Daleks! I bawled her out for it, but she said ‘Honest, Sydney, they’re not bug-eyed monsters—they’re human beings who are so advanced that their bodies have atrophied and they need these casings to manipulate and do the things they want!’ Of course, the Daleks took off and captured everybody’s imagination. Some of the best things I have ever done are the thing I never wanted to do.”

8. THE DALEKS ALMOST DIDN’T MAKE IT INTO THE SHOW’S REVIVAL.

When Doctor Who made its triumphant return to television in 2005, it almost happened without the Daleks. The estate of Terry Nation, who created the mutants, had initially attempted to block their return to the new series, claiming that it would “ruin the brand of the Daleks.” At one point, when negotiations between the BBC and Nation’s estate seemed to have broken down, the show’s producers even created a new villain. Fortunately, they were able to work it out.

9. DOUGLAS ADAMS WROTE SEVERAL EPISODES.

At the same time he was creating episodes of The Hitchhiker’s Guide to the Galaxy for BBC Radio 4, Douglas Adams was commissioned to do some writing for Doctor Who. According to Adams, the first episode of The Hitchhiker’s Guide “more or less coincided with the summer period at the BBC, where, in order for anything to get approved, you have to wait for people to come back from whichever beach they're lying on. So that took a long time. While I was kicking my heels, I sent in my pilot episode to the then script editor of Doctor Who, Robert Holmes, who said 'Yes, yes. Like this. Come round and see us.' So we discussed ideas for a bit, and I eventually got commissioned to write four Doctor Who episodes. It took a long time to reach that decision, and then, after all this period of nothing happening, I was suddenly commissioned to write four Doctor Whos and the next five Hitchhikers all at once."

10. THE DOCTOR HAWKED COMPUTERS IN THE 1980S.

In the 1980s, personal computers were still pretty futuristic. So it makes sense that Prime Computer would enlist Tom Baker, who played the Fourth Doctor from 1974 to 1981, to serve as their spokesperson/spokestimelord. His faithful companion Romana (Lalla Ward) made an appearance, too.

11. IT TOOK SIX YEARS TO TRADEMARK THE TARDIS.

In 1996, after years of selling TARDIS-branded merchandise, the BBC attempted to officially trademark The Doctor’s preferred mode of transportation—but the move was met with resistance from the Metropolitan Police, as the time-travel machine is essentially a police box. Six years later, in 2002, the BBC finally won the case, while the Metropolitan Police were ordered to pay £850, plus legal costs.

12. DAVID TENNANT BECAME AN ACTOR WITH THE SPECIFIC GOAL OF PLAYING THE DOCTOR.


Chris Jackson/Getty Images

When the Tenth Doctor was just a kid, he knew exactly what he wanted to be when he grew up: the star of Doctor Who. It was Tom Baker’s version of The Doctor in particular that inspired David Tennant to become an actor. He carried around a Doctor Who doll and wrote Who-inspired essays at school. "Doctor Who was a massive influence," Tennant told Rolling Stone. "I think it was for everyone in my generation; growing up, it was just part of the cultural furniture in Britain in the '70s and '80s."

13. PETER CAPALDI WAS A MAJOR FAN, TOO (AND WOULDN'T LEAVE THE BBC ALONE).

Outgoing Doctor Peter Capaldi was obsessed with the series as a kid, too. As a teenager, he created a ton of Doctor Who fan art and even managed to get some of it published. More than 40 years before he was named the Twelfth Doctor, some BBC staffers already knew his name—because he used to inundate them with letters requesting production photos and begging to be named president of the show’s fan club.

“He haunted my time running the fan club, as he was quite indignant he wasn’t considered for the post,” recalled Sarah Newman, an assistant to the show’s producer at the time, who was forced to tell the teenage future-Doctor that they had already named a president.

14. CATHERINE ZETA-JONES COULD HAVE BEEN THE DOCTOR.

Frazer Harrison/Getty Images

Though Jodie Whittaker will be the series' first official female Doctor, she's not the first actress to be considered for the role. Back in the 1980s, Sydney Newman had an idea for how to revitalize the show: regenerate the Time Lord into a Time Lady. For years, the show’s producers have toyed with the idea of making The Doctor a woman. In 2008, showrunner Russell Davies broached the idea yet again, citing Catherine Zeta-Jones as his top pick to replace Tennant.

15. BENEDICT CUMBERBATCH AND HUGH GRANT BOTH TURNED DOWN THE CHANCE TO PLAY THE DOCTOR.

Catherine Zeta-Jones isn’t the only famous could’ve-been Doctor: Hugh Grant was offered the role of The Doctor when the show was being revitalized, but reportedly turned it down because he worried it wouldn’t be a hit. Sherlock star Benedict Cumberbatch also said no. “David and I talked about it but I thought it would have to be radically different,” Cumberbatch said.

16. MATT SMITH AUDITIONED FOR SHERLOCK A WEEK BEFORE AUDITIONING FOR DOCTOR WHO.


Kevin Winter/Getty Images

Though Benedict Cumberbatch was always the first and only choice for Sherlock’s lead role, a number of actors—including Matt Smith—auditioned to play his sidekick, Dr. John Watson. Smith auditioned for the role just about a week before he went in and read for the Eleventh Doctor. Fortunately, the latter worked out for him. (Steven Moffat was the showrunner on both Doctor Who and Sherlock, though Broadchurch creator Chris Chibnall will take over those duties on Doctor Who beginning with the next season.)

17. A 2008 EPISODE FEATURED A FUTURE DOCTOR AND A FUTURE COMPANION.

The 2008 episode “The Fires of Pompeii,” which recreated the eruption of Mount Vesuvius, was notable for two of its guest stars: Peter Capaldi played a sculptor named Caecilius while his future companion, Karen Gillan, was cast as a soothsayer.

18. THE TENTH DOCTOR MARRIED THE FIFTH DOCTOR’S DAUGHTER, WHO PLAYED THE TENTH DOCTOR’S DAUGHTER.

Confused? In 2011, David Tennant married Georgia Moffett, who played his artificially created daughter, Jenny, in the 2008 episode “The Doctor’s Daughter.” In real life, Moffett really is The Doctor’s daughter; her father is Peter Davison, who played the Fifth Doctor from 1981 to 1984.

19. A PROPOSED MOVIE, STARRING MICHAEL JACKSON, WAS ABANDONED.

In the late 1980s, at the height of Michael Jackson mania, Paramount Pictures proposed a Doctor Who movie that would see The King of Pop play a Time Lord. Obviously, and unfortunately, this never happened.

20. MORE THAN 100 EPISODES ARE LOST.

Back in the 1960s and 1970s, archiving media was a much more difficult—and physical—process. As a result, more than 100 episodes of the show’s original incarnation were deleted, destroyed, or otherwise lost. Fortunately, the series’ fan base has been able to step in and help, providing the network with their own personal copies to help rebuild the Doctor Who library.

One episode in particular, “The Power of the Daleks,” saw new life in November 2016. More than 40 years after it was destroyed in 1974, the episode was recreated as a BBC-approved animated special. It screened in U.S. theaters courtesy of Fathom Events.

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12 Things You Might Not Know About MAD Magazine
Mad Magazine
Mad Magazine

As fast as popular culture could erect wholesome depictions of American life in comics, television, or movies, MAD Magazine was there to tear them all down. A near-instant success for EC Comics upon its debut in 1952, the magazine has inspired generations of comedians for its pioneering satirical attitude and tasteful booger jokes. This month, DC Entertainment is relaunching an "all new" MAD, skewering pop culture on a bimonthly basis and in full color. To fill the gaps in your knowledge, take a look at these facts about the Usual Gang of Idiots.

1. NO ONE KNOWS WHO CAME UP WITH ALFRED E. NEUMAN.


Jamie, Flickr (L) // Boston Public Library, Flickr (R) // CC BY 2.0

MAD creator Harvey Kurtzman was in the offices of a Ballantine Books editor discussing reprints for the fledging publication when he noticed a grinning, gap-toothed imbecile staring back at him from a bulletin board. The unnamed figure was ubiquitous in the early 20th century, appearing in everything from dentistry ads to depictions of diseases. A charmed Kurtzman adopted him as MAD’s mascot beginning in 1954. Neuman later become so recognizable that a letter was delivered from New Zealand to MAD’s New York offices without an address: the envelope simply had a drawing of Alfred.  

2. THEY HAD TO APOLOGIZE ALMOST IMMEDIATELY.

MAD was conceived during a particularly sensitive time for the comics industry, with parents and watchdog groups concerned over content. (It didn't switch to a magazine format until issue #24.) Kurtzman usually knew where the line was, but when he was laid up with acute hepatitis in 1952, publisher William Gaines and others had to step in for him. Gaines thought it would be funny to offer a fictional biography of himself that detailed his father’s Communist leanings, his past as a dope dealer “near nursery schools,” and bouts of pyromania. When wholesalers were shocked at the content and threatened to boycott all of his titles, Gaines was forced to write a letter of apology.  

3. THEY PREDICTED JOHN F. KENNEDY'S ELECTION IN 1960.

But it was a cheat. In the run-up to the 1960 Presidential election, MAD printed a cover that featured Neuman congratulating Kennedy on his victory with a caption that read, “We were with you all the way, Jack!” But the issue was shipped long before votes had been tabulated. The secret? It was a dual cover. Flip it over and Neuman is celebrating Richard Nixon’s appointment to office. Stores were told to display the “right” side of the magazine depending on the outcome.

4. ALFRED BRIEFLY HAD A GIRLFRIEND.


MAD Magazine

A character named Moxie Cowznofski was introduced in the late 1950s as a female companion for Alfred. She made only a handful of cover appearances, possibly due to the fact she looked alarmingly like her significant other.

5. THEY DIDN'T RUN ANY (REAL) ADS FOR 44 YEARS.

From the beginning, Gaines felt that printing actual advertisements next to the products they were lampooning would not only dilute their edge but seem more than a little hypocritical. After some back-and-forth, MAD cut ads starting in 1957. The decision was a costly one—most print publications survive on such revenue—but led to the magazine’s keeping a sharp knife against the throat of seductive advertising, including cigarettes. Faced with dwindling circulation in 2001, Mad finally relented and began taking ads to help pay for a switch to color printing.

6. "SPY VS. SPY" WAS CREATED BY A SUSPECTED SPY.

Cuban cartoonist Antonio Prohias was disenchanted with the regime under Fidel Castro when he began working on what would become “Spy vs. Spy.” Because Prohias’ other newspaper illustrations were critical of Castro, the Cuban government suspected him of working for the CIA. He wasn’t, but the perception had him worried harm might come to his co-workers. To get out of the situation, Prohias came to America in 1960. With his daughter helping translate, he stopped by Mad’s New York offices and submitted his work: his sneaky, triangle-headed spies became regulars.

7. THERE WAS ONE FOLD-IN THEY WOULDN'T RUN.

Artist Al Jaffee, now 94, has been with Mad almost from the beginning. He created the famous Fold-In—the back cover that reveals a new picture when doubled over—in 1964 after seeing the fold-outs in magazines like National Geographic, Playboy, and Life. Jaffee has rarely missed an issue since—but editors backtracked on one of Jaffee’s works that referenced a mass shooting in 2013. Citing poor taste, they destroyed over 600,000 copies.  

8. THEIR MOVIE WAS A DISASTER.

With the exception of Fox’s successful sketch series, 1994’s MAD TV, attempts to translate the MAD brand into other media have been underwhelming: a 1974 animated special didn’t even make it on air. But a 1980 film venture, a military school spoof directed by Robert Downey, Sr. titled Mad Presents Up the Academy, was so awful William Gaines demanded to have their name taken off of it. (Renamed Up the Academy, the DVD release of the movie still features someone sporting an Alfred E. Neuman mask; Mad parodied it in a spoof titled “Throw Up the Academy.”)

9. THE APRIL 1974 COVER HAD PEOPLE FLIPPING.


MAD Magazine

MAD has never made a habit of good taste, but a depiction of a raised middle finger for one issue in the mid-’70s caused a huge stir. Many stores wouldn’t stock it for fear of offending customers, and the company ended up accepting an irregular number of returns. Gaines took to his typewriter to write a letter of apology. Again. The relaunched #1, out in April 2018, pays homage to this cover, though it's slightly more tasteful: Neuman is picking his nose with his middle finger.

10. THEY INVENTED A SPORT.

MAD writer Tom Koch was amused by the convoluted rules of sports and attempted to one-up them in 43-Man Squamish, a game he invented for the April 1965 issue. Koch and artist George Woodbridge (“MAD’s Athletic Council”) prepared a guide that was utterly incomprehensible—the field was to have five sides, positions included Deep Brooders and Dummies, “interfering with the Wicket Men” constituted a penalty—but it amused high school and college readers enough to try and mount their own games. (Short on players? Try 2-Man Squamish: “The rules are identical,” Koch wrote, “except the object of the game is to lose.”) For the less physically inclined, Mad also issued a board game in which the goal is to lose all of your money.  

11. WEIRD AL WAS A GUEST EDITOR.

In what must be some kind of fulfilled prophecy, lyrical satirist “Weird” Al Yankovic was named as a guest editor—their first—for the magazine’s May 2015 issue. Yankovic told Entertainment Weekly that MAD had put him on “the dark, twisted path to becoming who I am today … I needed to pollute my mind with that kind of stuff.” In addition to his collaborations with the staff, Yankovic enlisted Patton Oswalt, Seth Green, and Chris Hardwick to contribute.

12. FRED ASTAIRE ONCE DANCED AS ALFRED E. NEUMAN.

In a scene so surreal even MAD’s irreverent editors would have had trouble dreaming it up, Fred Astaire decided to sport an Alfred E. Neuman mask for a dance number in his 1959 television special, Another Evening with Fred Astaire. No one seems to recall why exactly Astaire would do this—he may have just wanted to include a popular cultural reference—but it was no off-the-cuff decision. Astaire hired movie make-up veteran John Chambers (Planet of the Apes) to craft a credible mask of Neuman. The result is … well, kind of disturbing. But it’s a fitting addition to a long tradition of people going completely MAD.

Additional Sources:
Harvey Kurtzman: The Man Who Created Mad and Revolutionized Humor in America.

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10 Tantalizing Tidbits About Star Trek: The Next Generation
Paramount Pictures
Paramount Pictures

by Kirsten Howard

When Star Trek: The Next Generation debuted in September 1987, no one was quite sure what to expect. After all, this was a new Enterprise with a new crew trying to revitalize a franchise that had only lasted three seasons the last time it was on television. And while the movie series was still bringing in solid box office returns, William Shatner and Leonard Nimoy would play no part in this new Trek.

The Next Generation was a gamble for Paramount, and for the first few seasons, it looked like one the studio was going to lose. But once the series got over some initial behind-the-scenes chaos, it blossomed into one of the most popular sci-fi TV shows of all time. Even as bigger and shinier installments in the franchise continue to come out, this is the definitive Star Trek for countless fans. So lean back in your captain's chair and enjoy 10 facts about Star Trek: The Next Generation.

1. THE SHOW GOT OFF TO A ROCKY START.

Things were tumultuous at best behind the scenes during the first season of the show, as writers and producers clashed with creator Gene Roddenberry over themes, characters, and ideas on a weekly basis. The in-fighting and drama became such a part of the show's legacy that William Shatner himself chronicled all of it in a 2014 documentary called Chaos on the Bridge (which is currently streaming on Netflix). In it, producers, writers, and actors recounted anecdotes about the difficulties they had dealing with Roddenberry's somewhat overbearing mandates, including his infamous rule that there never be any direct conflict between the Enterprise crew members (unless one was possessed by an alien, of course) and his habit of throwing out scripts at the last minute. This led to 30 writers leaving the show within the first season, according to story editor and program consultant David Gerrold.

As Roddenberry’s health began to deteriorate after the first season, his influence over the writers waned, freeing up ideas that were departures from the creator's original vision. He would pass away in 1991, but his presence would never completely leave the series. For years, a small bust of Roddenberry sat on executive producer Rick Berman's desk with a blindfold wrapped over its eyes. "Whenever they come up with a story I don't think Gene would like," Berman said, "I blindfold him when we discuss the story."

2. GENE RODDENBERRY REALLY DIDN’T WANT A BALD CAPTAIN.

'Star Trek' creator Gene Roddenberry
Public Domain, Wikimedia Commons

For years, William Shatner had cast the mold by which all future Star Trek captains would be judged. And it was that image of the confident, swashbuckling James T. Kirk that Roddenberry wanted to preserve when bringing a new captain in for The Next Generation. So when Berman wanted to cast Patrick Stewart as Captain Jean-Luc Picard, the issue was clear: he was no Shatner.

Roddenberry was completely unconvinced that Stewart was right for the role, with Berman saying the Trek creator didn’t like the idea of “a bald English guy taking over.” But after countless auditions with other actors, Berman continued to bring Stewart up to Roddenberry, who eventually caved and agreed to bring him in for a final audition under one condition: he wear a wig. So Stewart had a wig Fed-Exed from London and auditioned for Roddenberry and Paramount Television head John Pike one final time. 

That audition was enough to win Roddenberry over, and Stewart was finally brought aboard as Picard with the wig cast aside. Roddenberry would eventually go on to fully embrace Picard’s follicular shortcomings, and according to Stewart, when a reporter at a press conference once asked him why there wouldn’t be a cure for baldness in the 24th century, Roddenberry responded by saying, “No, by the 24th century, no one will care."

3. ONLY ONE PERSON HAS EVER PLAYED HIMSELF IN STAR TREK HISTORY.

Stephen Hawking was visiting the Paramount lot during the video release of the film A Brief History of Time when he requested a tour of the Next Generation set. After making his way onto the iconic Enterprise bridge, he stopped and began typing into his computer. Suddenly, his voice synthesizer spoke: “Would you lift me out of my chair and put me into the captain's seat?"

Hawking asking to be removed from his chair was basically unheard of, so his wishes were granted immediately. Later, with writers having become aware that he was such a huge Trekkie, Hawking himself was written into the sixth season finale episode “Descent – Part I” by Ronald D. Moore, who would later go on to reimagine the Battlestar Galactica universe.

4. A WHOLE EPISODE WAS WRITTEN FOR ROBIN WILLIAMS.

Late actor and comedian Robin Williams was also a huge fan of the show and was desperate to appear in it, so an episode of the fifth season—"A Matter of Time"—was drawn up by Berman to allow Williams to shine at the center of a mystery about Professor Berlinghoff Rasmussen, a time-traveling historian from the future visiting the past to observe the Enterprise crew completing an historic mission.

Unfortunately, when it came time to shoot the episode, Williams found himself unavailable to appear in the episode. So Max Headroom star Matt Frewer was cast as Professor Rasmussen instead.

5. PATRICK STEWART APPROACHED BEING TORTURED ON SCREEN VERY SERIOUSLY.

In the episode “Chain of Command, Part II,” Picard has been captured by Cardassians and is subjected to a variety of torture methods by his interrogators. As a member of the human rights organization Amnesty International, Stewart did not want to shy away from the realities of torture, so he watched tapes sent to him that included statements from people who had been tortured and a long interview with a torturer explaining what it was like to be the one inflicting pain on others. Stewart also insisted on being completely nude during the first torture scene, so as not to betray the experiences of those who had undergone similar horrors.

6. THEY USED SOME PRACTICAL EFFECTS.

The transporter effect on the show may look completely computer generated, but in fact it’s all done quite organically. First, a canister is filled with water and glitter and then a light is shone through it. After stirring the liquid briskly, the resulting few seconds of swirling glitter are filmed and then superimposed over footage of the actor standing in the transporter area, with an added “streak down” effect to blur the glitter further.

7. LORE WAS SUPPOSED TO BE A WOMAN.

Android Lieutenant Commander Data had many adventures during the series, on and off the Enterprise, but his evil twin brother, Lore, stands out for many fans as one of the show’s greatest antagonists. Surprisingly, Lore was originally created as a female android character for the show, but the actor who plays Data, Brent Spiner, came up with a different idea: an evil twin nemesis in the shape of a long-lost brother.

8. THERE WAS AN OPEN SUBMISSION POLICY ON SCRIPTS.

When Michael Piller took over as head writer on the show in 1989, an open submission policy was launched where absolutely anyone could submit up to two unsolicited scripts for consideration. Opening up the possibility of writing for TV to people outside of the Writers Guild of America and talent agency pool was unheard of at the time, and over 5000 spec scripts were received a year at one point. "Yesterday’s Enterprise," one of the show’s most popular episodes, was based off a spec script from the open submission policy.

9. SOME SCRIPTS WERE RECYCLED FROM THE SCRAPPED PHASE II.

A still from 'Star Trek: The Next Generation'
Paramount Pictures

A decade before The Next Generation debuted, there was a failed attempt at a revival called Star Trek: Phase II. Though a first season was mapped out, it never saw the light of day, and the movie series was produced in its place. However, the scrapped scripts and concepts lived on in various Trek projects over the years. For the second season premiere of The Next Generation, producers reclaimed the script for "The Child" as a way to get a story quickly into production during the 1988 writer's strike. The season four episode "Devil's Due" was also taken from the backlog of Phase II scripts. 

More elements from Phase II would influence Trek for years, such as the pilot being reworked into Star Trek: The Motion Picture and the now-familiar elements of the Japanese-inspired Klingon culture being introduced in the shelved episode “Kitumba.”

10. THE TRANSPORTER IS THE BEST OF BOTH WORLDS.

In what was either a cost-cutting move or a sly Easter egg (or both), the ceiling of the Enterprise's transporter room in The Next Generation is actually the floor of the transporter room from the original series. That's far from the only recycling that went on between the Trek series. The orbital office complex from Star Trek: The Motion Picture was reused as the Regula I station in The Wrath of Khan, which was then itself reused as a number of different space stations on The Next Generation (plus Deep Space Nine and Voyager).

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