12 Facts About Shirley Chisholm, The First African-American to Run For President

Library of Congress
Library of Congress

Being the first black woman to serve on Congress would be a significant enough accomplishment for a lifetime, but it wasn’t good enough for Shirley Chisholm. Three years after she arrived in Washington, D.C., Chisholm became the first woman to run for president for the Democratic party. When announcing her intention to seek the nomination on January 25, 1972, Chisholm stated, “I’m a revolutionary at heart now and I’ve got to run, even though it might be the downfall of my career.”

Though her campaign was controversial at times, it wasn’t the downfall of her long and noteworthy career. And she's still making headlines. In late 2018, Oscar-winner Viola Davis announced that she would be producing and starring in The Fighting Shirley Chisholm, a biopic chronicling Chisholm's amazing life. On January 21, 2019—nearly 50 years after Chisholm announced her presidential run—California senator Kamala Harris announced her own 2020 presidential run and unveiled her campaign logo, which pays tribute to Chisholm.

Here are a few things to know about this bold educator-turned-politician.

1. She had international roots.

On November 30, 1924, Shirley Anita St. Hill was born in Brooklyn, New York to Ruby Seale and Charles St. Hill. Her mother was a domestic worker who immigrated to the U.S. from Barbados; her father, a factory worker, was originally from Guyana.

2. She was born in Brooklyn, but had a slight English accent.

In 1928, Chisholm and her two sisters were sent to live with their grandmother in Barbados, while her parents stayed in New York and worked through the Great Depression. Chisholm attended a one-room schoolhouse on this island in the West Indies. In addition to receiving a British education, she picked up an accent, which remained slight but noticeable throughout her life.

3. Education had a significant impact on her life.


Library of Congress

Chisholm returned to the U.S. in March 1934 at age 9 and resumed with a public-school education. Following high school, she studied sociology at Brooklyn College and earned her BA in 1946. (She was a prize-winning debater in college, a skill that would serve her well throughout her political career.) She continued her education at Columbia University and earned an MA in early childhood education in 1952. While she was still a student at Columbia, she began teaching at a nursery school and married Conrad Chisholm in 1949. They would later divorce in 1977.

4. Her first career was as an educator.

After working at the nursery school, Chisholm worked her way through the teaching ranks and by 1953 was the director of two day care centers, a position she held until 1959. Her expertise and experience led to her role as an educational consultant for New York City’s Division of Day Care from 1959 through 1964.

5. Her political career was revolutionary from the beginning.

Chisholm was a member of the League of Women Voters and the Bedford-Stuyvesant Political League before she ran for the New York State Assembly in 1964. When she won, Chisholm became the second African-American woman to serve on the state legislature. From 1965 to 1968, Chisholm served as a Democratic member and focused on unemployment benefits for domestic workers and education initiatives.

6. Redistricting inspired her run for Congress.

Chisholm with Rosa Parks (L) between 1960 and 1970.
Chisholm with Rosa Parks (L)
Library of Congress

Chisholm set her sights on Congress when redistricting efforts gave Brooklyn a new congressional district. Not one to shy away from the public, Chisholm used to drive through neighborhoods while announcing, “This is fighting Shirley Chisholm coming through.” She defeated three candidates in the primary election, including a state senator, before defeating well-known civil rights activist James Farmer in the general election. This victory made her the first African-American woman elected to Congress, and she would go on to serve seven terms.

7. She had a way with words and established herself as outspoken and ready for change early in her first term.

She was known for her bold declarations. After her upset victory in the congressional election, she boasted, "Just wait, there may be some fireworks." And she delivered on that promise. Given her campaign slogan “Unbought and unbossed,” it should come as no surprise that Chisholm quickly made her presence known in Congress. She spoke out against the Vietnam War within the first few months of her arrival and said she would vote against military spending. When she was initially relegated to the House Agricultural Committee, she requested a new assignment, claiming that she didn’t think she could best serve her Brooklyn constituents from that position.

After directly addressing House Speaker John McCormack on the matter, she was reassigned to Veterans’ Affairs, and then moved to the Education and Labor Committee in 1971. True to her desire to bring about change, Chisholm hired all women for her office, half of whom were African-American. She was also a founding member of the Congressional Black Caucus as well as the National Women’s Political Caucus.

8. Her presidential campaign was unexpected and historic.

Chisholm formally announced her intention to seek the Democratic presidential nomination in January 1972, making her the first African-American to run for a major party and the first woman to vie for the Democratic nomination. During her speech, which she delivered in her hometown of Brooklyn, Chisholm said, "I am not the candidate of black America, although I am black and proud. I am not the candidate of the women's movement of this country, although I am a woman and I am equally proud of that...I am the candidate of the people of America, and my presence before you now symbolizes a new era in American political history."

Although her campaign wasn’t as well-funded as her competitors’, Chisholm did get her name on the primary ballot in 12 states and won 28 delegates in primary elections. She received about 152 delegates at the Democratic National Convention, coming in fourth place for the party.

9. The campaign trail was full of challenges.

Political buttons from the collection of Alix Kates Shulman
Political buttons from the collection of Alix Kates Shulman
Polly Shulman

Chisholm likely expected challenges during her campaign, and she certainly encountered a fair amount. She received multiple threats against her life, including assassination attempts, and was granted Secret Service protection to ensure her safety. Chisholm also had to sue to be included in televised debates.

There was even controversy where there could have been encouragement. Her decision to run for the Democratic nomination caught many members of the Congressional Black Caucus (CBC) off-guard, and they weren’t happy that she acted before a formal and unified decision could be made. But Chisholm was done with waiting; when the subject of the CBC came up on the night she announced her campaign, she told the crowd, “While they’re rapping and snapping, I’m mapping.”

10. She had an unlikely supporter in George Wallace.

Chisholm was well aware that her biggest source of support came from women and minorities and often advocated on their behalf, so it shocked many of her supporters and constituents when she visited political rival George Wallace after an assassination attempt sent him to the hospital—and ultimately left him paralyzed—in 1972. Wallace, who was governor of Alabama, was known for his racist comments and segregationist views, but Chisholm checked on him. She said she never wanted what happened to him to happen to anybody else.

Ultimately, their friendship benefited the public when Wallace came through for Chisholm on an important piece of legislation in 1974. She was working on a bill that would give domestic workers the right to a minimum wage. Wallace convinced enough of his fellow Southern congressmen to vote in favor of the bill, moving it through the House.

11. Following retirement, Chisholm didn’t slow down.

Chisholm retired from Congress in 1982, but leaving the political arena didn’t mean she was done making a difference. Although she planned on spending more time with her second husband, Arthur Hardwick Jr., she also returned to teaching at Mount Holyoke College in Massachusetts and continued to speak at colleges across the country.

Chisholm passed away on January 1, 2005 at age 80 in Ormond Beach, Florida. She is buried in Buffalo, New York, and the inscription on the mausoleum vault in which she is buried reads “Unbought and Unbossed.”

12. She continues to garner accolades for her trailblazing work.

Chisholm was inducted into the National Women’s Hall of Fame in 1993. In 2014, the U.S. Postal Service debuted the Shirley Chisholm Forever Stamp as part of the Black Heritage Series. A year later, President Barack Obama posthumously awarded her the Presidential Medal of Freedom, and now Viola Davis will star in a movie about her life. But Chisholm never doubted what legacy she wanted to leave behind, once saying, “I want history to remember me ... not as the first black woman to have made a bid for the presidency of the United States, but as a black woman who lived in the 20th century and who dared to be herself. I want to be remembered as a catalyst for change in America.”

An earlier version of this article ran in 2017.

13 Fascinating Facts About Nina Simone

Hulton Archive/Getty Images
Hulton Archive/Getty Images

Nina Simone, who would’ve celebrated her 86th birthday today, was known for using her musical platform to speak out. “I think women play a major part in opening the doors for better understanding around the world,” the “Strange Fruit” songstress once said. Though she chose to keep her personal life shrouded in secrecy, these facts grant VIP access into a life well-lived and the music that still lives on.

1. Nina Simone was her stage name.

The singer was born as Eunice Waymon on February 21, 1933. But by age 21, the North Carolina native was going by a different name at her nightly Atlantic City gig: Nina Simone. She hoped that adopting a different name would keep her mother from finding out about her performances. “Nina” was her boyfriend’s nickname for her at the time. “Simone” was inspired by Simone Signoret, an actress that the singer admired.

2. She had humble beginnings.


Getty Images

There's a reason that much of the singer's music had gospel-like sounds. Simone—the daughter of a Methodist minister and a handyman—was raised in the church and started playing the piano by ear at age 3. She got her start in her hometown of Tryon, North Carolina, where she played gospel hymns and classical music at Old St. Luke’s CME, the church where her mother ministered. After Simone died on April 21, 2003, she was memorialized at the same sanctuary.

3. She was book smart ...

Simone, who graduated valedictorian of her high school class, studied at the prestigious Julliard School of Music for a brief period of time before applying to Philadelphia’s Curtis Institute of Music. Unfortunately, Simone was denied admission. For years, she maintained that her race was the reason behind the rejection. But a Curtis faculty member, Vladimir Sokoloff, has gone on record to say that her skin color wasn’t a factor. “It had nothing to do with her…background,” he said in 1992. But Simone ended up getting the last laugh: Two days before her death, the school awarded her an honorary degree.

4. ... with the degrees to prove it.

Simone—who preferred to be called “doctor Nina Simone”—was also awarded two other honorary degrees, from the University of Massachusetts Amherst and Malcolm X College.

5. Her career was rooted in activism.

A photo of Nina Simone circa 1969

Gerrit de Bruin

At the age of 12, Simone refused to play at a church revival because her parents had to sit at the back of the hall. From then on, Simone used her art to take a stand. Many of her songs in the '60s, including “Mississippi Goddamn,” “Why (The King of Love Is Dead),” and “Young, Gifted and Black,” addressed the rampant racial injustices of that era.

Unfortunately, her activism wasn't always welcome. Her popularity diminished; venues didn’t invite her to perform, and radio stations didn’t play her songs. But she pressed on—even after the Civil Rights Movement. In 1997, Simone told Interview Magazine that she addressed her songs to the third world. In her own words: “I’m a real rebel with a cause.”

6. One of her most famous songs was banned.

Mississippi Goddam,” her 1964 anthem, only took her 20 minutes to an hour to write, according to legend—but it made an impact that still stands the test of time. When she wrote it, Simone had been fed up with the country’s racial unrest. Medger Evers, a Mississippi-born civil rights activist, was assassinated in his home state in 1963. That same year, the Ku Klux Klan bombed a Birmingham Baptist church and as a result, four young black girls were killed. Simone took to her notebook and piano to express her sentiments.

“Alabama's gotten me so upset/Tennessee made me lose my rest/And everybody knows about Mississippi Goddam,” she sang.

Some say that the song was banned in Southern radio stations because “goddam” was in the title. But others argue that the subject matter is what caused the stations to return the records cracked in half.

7. She never had a number one hit.

Nina Simone released over 40 albums during her decades-spanning career including studio albums, live versions, and compilations, and scored 15 Grammy nominations. But her highest-charting (and her first) hit, “I Loves You, Porgy,” peaked at #2 on the U.S. R&B charts in 1959. Still, her music would go on to influence legendary singers like Roberta Flack and Aretha Franklin.

8. She used her style to make a statement.

Head wraps, bold jewelry, and floor-skimming sheaths were all part of Simone’s stylish rotation. In 1967, she wore the same black crochet fishnet jumpsuit with flesh-colored lining for the entire year. Not only did it give off the illusion of her being naked, but “I wanted people to remember me looking a certain way,” she said. “It made it easier for me.”

9. She had many homes.

New York City, Liberia, Barbados, England, Belgium, France, Switzerland, and the Netherlands were all places that Simone called home. She died at her home in Southern France, and her ashes were scattered in several African countries.

10. She had a famous inner circle.

During the late '60s, Simone and her second husband Andrew Stroud lived next to Malcolm X and his family in Mount Vernon, New York. He wasn't her only famous pal. Simone was very close with playwright Lorraine Hansberry. After Hansberry’s death, Simone penned “To Be Young, Gifted and Black” in her honor, a tribute to Hansberry's play of the same title. Simone even struck up a brief friendship with David Bowie in the mid-1970s, who called her every night for a month to offer his advice and support.

11. You can still visit Simone in her hometown.

Photo of Nina Simone
Amazing Nina Documentary Film, LLC, CC BY-SA 4.0, Wikimedia Commons

In 2010, an 8-foot sculpture of Eunice Waymon was erected in her hometown of Tryon, North Carolina. Her likeness stands tall in Nina Simone Plaza, where she’s seated and playing an eternal song on a keyboard that floats in midair. Her daughter, Lisa Simone Kelly, gave sculptor Zenos Frudakis some of Simone’s ashes to weld into the sculpture’s bronze heart. "It's not something very often done, but I thought it was part of the idea of bringing her home," Frudakis said.

12. You've probably heard her music in recent hits.

Rihanna sang a few verses of Simone’s “Do What You Gotta Do” on Kanye West’s The Life of Pablo. He’s clearly a superfan: “Blood on the Leaves” and his duet with Jay Z, “New Day,” feature Simone samples as well, along with Lil’ Wayne’s “Dontgetit,” Common’s “Misunderstood” and a host of other tracks.

13. Her music is still being performed.

Nina Revisited… A Tribute to Nina Simone was released along with the Netflix documentary in 2015. On the album, Lauryn Hill, Jazmine Sullivan, Usher, Alice Smith, and more paid tribute to the legend by performing covers of 16 of her most famous tracks.

This article originally ran in 2018.

Beyond Kellerman's: Inside the Real Catskill Resorts That Inspired Dirty Dancing

When you think of Dirty Dancing, or even just hear the first strains of "(I've Had) The Time of My Life," you probably think of a single image: Jennifer Grey, in her diaphanous pink dress, being triumphantly lifted toward the heavens by the Adonis-like dance instructor played by the late Patrick Swayze.

Since its release in 1987, Dirty Dancing has remained a beloved mainstay for scores of fans, earning it a place in the popular film canon and endless re-showings on basic cable. Even dedicated fans, however, may be missing out on a fundamental aspect of the film that’s never directly addressed: its Jewish roots.

The movie’s setting, Kellerman's, is based on the numerous all-inclusive vacation spots aimed at Jewish travelers that dotted the upstate New York landscape throughout much of the 20th century—a constellation of resorts commonly known as the Borscht Belt. (The term was coined by Variety writer Abel Green as a reference to the hearty Eastern European soup that was ubiquitous on these hotels' menus.)

For the purposes of appealing to a broader audience, most references to the Jewish identity of resorts like Kellerman's were expunged from the movie. Still, even without many explicit references to Jewish life, Dirty Dancing—written by seasoned resort-goer Eleanor Bergstein—managed to get a lot of things right about the Borscht Belt. While the average viewer might not notice them, there are numerous nods to this resort culture embedded in the film.

 

Before grandiose resorts like the ones that inspired Kellerman's existed, enterprising Jewish families opened boarding houses in the Catskill Mountains during the early 20th century. Known as kucheleins, these bucolic locations were moderately priced respites for tenement-dwelling New Yorkers looking to beat the heat. The houses had communal kitchens, where fresh milk was the beverage of the day, thanks to the dairy farms prevalent in the area. (We'll come back to that later.)

Eventually, as Jewish families became more affluent—and these boarding houses became more successful—many of them expanded into sprawling resorts. And word got around that these sumptuous hotels were the places to see and be seen. The best known of them, including Grossinger's, Kutsher's, and the Concord, became institutions. Grossinger's alone counted Eleanor Roosevelt, Judy Garland, Jayne Mansfield, and Milton Berle among its guests. Debbie Reynolds married Eddie Fisher at the hotel in 1955 (Fisher had been discovered there). Meanwhile, Kutsher's Country Club once welcomed stand-up comedians like Joan Rivers, Andy Kaufman, and Jerry Seinfeld (and employed a pre-NBA Wilt Chamberlain as a bellhop).

A vintage postcard shows a grand hotel in the middle of the wilderness.
Hotel Kaaterskill, 1903-1904
New York Public Library, Flickr // Public Domain

But there was a darker reason these elegant, upstate New York hotels were so popular with Jewish travelers beyond their boundless kosher meals. Anti-Semitism in the United States was an unfortunate, widespread fact of life for the first half of the 20th century, and many vacation spots throughout the country were "restricted," meaning Jews were not welcome. The Catskills resorts of the Borscht Belt offered an upscale experience without the risk of being turned away.

In the world of Dirty Dancing, outright mentions of Jewish culture are almost nonexistent. At best, several of the characters are reduced to borderline-lazy tropes in order to get the point across that they are Jewish without having to explicitly say it. Marjorie Houseman (Kelly Bishop) is a stereotypical Jewish mother, and Lisa Houseman (Jane Brucker) is a stereotypical a "Jewish American Princess."

And yet, even without mentioning religion, Dirty Dancing hits many aspects of the Borscht Belt experience spot-on.

Take, for instance, the mambo obsession that sweeps through Kellerman's in the movie, which takes place during the summer of 1963. It's not fictional in the slightest. In It Happened in the Catskills, an oral history of Borscht Belt culture, there are multiple descriptions of the mambo craze that prevailed in the 1950s and early 1960s.

One of the best accounts of the time comes from Jackie Horner, who served as a consultant on Dirty Dancing. Like the film's character Penny Johnson (Cynthia Rhodes), Horner was a Rockette for a time, and from 1954 to 1986, she taught dancing at Grossinger's. "All of us could do the routines that Patrick Swayze and Jennifer Grey did in Dirty Dancing," she said. "In fact, I used to bring the watermelon plugged with vodka to our staff parties just like in the movie."

As she explained, "every hotel, big or small, had a resident dance team" whose schedules were jam-packed with lessons and performances from sunup to sundown: "At 9:30 we started teaching, and we kept going until 6 o'clock, when we'd break for dinner. At 7, on a full stomach, we'd go right into dance rehearsal. At 9, we'd change into costumes for our 10 o'clock show. Then we'd dance with our pupils from 11 to 1."

Some of those pupils were indeed the "bungalow bunnies," like Dirty Dancing's bored housewife Vivian Pressman (Miranda Garrison). "The husbands only came up on weekends, so it was party time for them Monday through Friday," said Horner. "They took dance lessons from the male instructors during the day. At night, after the show, the male instructors came back to dance with the pupils. They kept themselves busy around the clock."

 

Another thing Dirty Dancing got right? The resorts' practice of hiring college students for summer and holiday gigs. He may have been the "villain" of the movie, but medical students like the weaselly waiter Robbie Gould (Max Cantor) were commonplace around the Borscht Belt. It was a win-win situation for many of these part-time workers. As Tania Grossinger wrote in her book Growing Up at Grossinger's, "In the summer, many college students applied for jobs as busboys, waitresses, or bellhops, where they could conceivably make $1500 a season in tips and salary, have virtually no expenses, and have a heck of a good time to boot."

And the film's love story is realistic, too. Those hotels were great places for matchmaking. My existence can attest to that. My parents met at the Raleigh Hotel in South Fallsburg, New York, over the Passover holiday in 1967. In a story that vaguely echoes that of Frances "Baby" Houseman (Grey) and Johnny Castle (Swayze), my father was working his way through college as a busboy and my mother was a high school junior, vacationing at the resort with her family. Years later, my extended family started a 15-year tradition of spending Passover in the mountains.

The exterior of a resort
Grossinger's, 1976
John Margolies, Library of Congress // Public Domain

Unfortunately, the film also accurately alluded to the Borscht Belt's decline. Though some families—my own included—kept frequenting these resorts, even by the 1960s, these destinations were starting to lose their luster.

At the end of Dirty Dancing, resort owner Max Kellerman (Jack Weston) laments to bandleader Tito Suarez (Charles "Honi" Coles) that times are changing. The exchange is easy to overlook because it takes place mere seconds before Swayze's immortal "nobody puts Baby in a corner" line. But if you listen carefully, it becomes clear that Kellerman is the voice of a dying generation—and of a dying culture.

Max Kellerman: "You and me, Tito. We've seen it all. Bubba and Zeyda [ed. note: Yiddish for grandmother and grandfather] serving the first pasteurized milk to the boarders. Through the war years when we didn't have any meat, through the Depression when we didn't have anything."

Tito Suarez: "Lots of changes, Max. Lots of changes."

Max Kellerman: "It's not the changes so much this time, Tito. It's that it all seems to be ending. You think kids want to come up here with their parents to take foxtrot lessons? Trips to Europe, that's what the kids want. Twenty-two countries in three days. It feels like it's all slipping away.”

Max Kellerman's realization that his resort is no longer the hotspot it was a decade or two earlier is on-point. (As is his reference to the ubiquity of milk at those boarding houses.) By the 1960s, air travel had become more reasonably priced, and restricted vacation locales were becoming a non-issue, especially after the Civil Rights Act passed in 1964.

And with the culture shift of the late '60s hovering over these Borscht Belt resorts like an ominous cloud, it would become less and less likely that kids would be interested in coming up to the Catskills to take foxtrot lessons alongside their parents. Listen, Baby may have been all-in when it came to doing the mambo or grinding up on Johnny to "Cry to Me," but who's to say she'd still want to cha-cha-cha with him once she got a whiff of what John, Paul, George, and Ringo had to offer when Beatlemania hit the U.S. a few months later?

 

Max's melancholy observation was a harbinger of what was to come. Nowadays, these palatial hotels are nonexistent. The ones that still stand either cater to an ultra-Orthodox clientele (as in the case of the Raleigh) or, like Grossinger's, exist in a state of perpetual ruin.

Dirty Dancing may live on in our hearts and our memories (or rather, "voices, hearts, and hands") through streaming services like Netflix and endless cable reruns. But without some effort, the history of hotels like Kellerman's might be forgotten.

People rowing boats across a lake in front of a resort
Kutsher’s in Thompson, New York, 1977
John Margolies, Library of Congress // Public Domain

So maybe next time Dirty Dancing has its 5785th airing on TBS, before Baby and Johnny take the stage for the time of their lives once again, have a little sympathy for Max Kellerman's kvetching. Because believe it or not, there was a time, to quote Miss Frances Houseman, "before President Kennedy was shot, before the Beatles came," when a joint like Kellerman's was a pretty cool place to hang.

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