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Larry Itliong, Leader of One of the Nation’s Most Successful Strikes

On September 8, 1965, about 1500 Filipino workers walked off the wine and table grape fields of Delano, California. The Delano grape strike, as it would become known, has been heralded as one of the nation’s most important labor struggles, thrusting the fight for Latino civil rights into the national spotlight—but the Filipinos who started the strike, especially leader Larry Itliong, have long been overlooked.

Larry Itliong was born in Pangasinan, the Philippines on October 25, 1913, one of six children of Artemio and Francesca Itliong. At the time, the archipelago was a territory of the United States, meaning Itliong didn’t have to go through immigration when he arrived in America in 1929. His timing, however, could scarcely have been worse—the United States was entering the Great Depression, and jobs were scarce.

Like many other Filipino-Americans, Itliong turned to seasonal farm work to survive. Filipinos traveled from salmon canneries in Alaska to farm fields in Washington, Oregon, and California, following the often difficult and low-paying jobs. Itliong learned quickly how dangerous the work could be—he earned the nickname "Seven Fingers" after losing three of his digits in an on-the-job accident (there are conflicting stories of whether the injury occurred while harvesting lettuce, canning salmon, or working on the railroad).

It was with the lettuce workers that he got his first taste of labor organizing, when he joined a strike in Washington state. In the salmon canneries of Alaska, he helped to organize the Alaska Cannery Workers Union. He was also involved in a failed asparagus strike in Stockton, California, in 1948, but by 1953 he was vice president of the Local 37 of the International Longshoremen’s and Warehouse Workers Union, which was based in Seattle.

Like other effective Filipino labor organizers, Itliong had a useful tool: a grasp of several languages. Filipino-Americans came from all over the Philippines, and spoke dozens of different languages and dialects. Itliong himself spoke Tagalog, Ilocano, and several Visayan dialects, for a total of nine Filipino languages, according to Dawn Bohulano Mabalon in her book Little Manila Is in the Heart; he also spoke Spanish, Japanese, and Cantonese, his son told The New York Times.

Itliong had other strengths, too: He was active in his community outside of the fields, as a member of a local Filipino Masonic organization, as an officer in the Filipino Community Organization of Stockton, and as the president of the Filipino Voters League in Stockton in 1957.

His experience as an organizer and his deep ties to the Filipino community may have been what led the newly formed Agricultural Workers Organizing Committee (AWOC) to recruit him as a paid organizer in 1959. It was there that he met Dolores Huerta, AWOC’s secretary-treasurer and founder of the Stockton chapter of the Community Service Organization, a Latino civil rights organization. Though Huerta left AWOC shortly after its founding after to join Cesar Chavez’s National Farm Workers Association (NFWA), she and Itliong remained friendly—a link that would later prove key in Delano.

Itliong, along with other activists including Philip Vera Cruz and Ben Gines, quickly became key Filipino leaders in AWOC and in the San Joaquin Valley, Matt Garcia writes in his book From the Jaws of Victory. Just five years later, the largely Filipino AWOC and the primarily Hispanic NFWA would join together and become a force to be reckoned with during the Delano grape strike.

"I think Larry probably will always be remembered for his role in the Delano grape strike," Marc Grossman, a spokesman with the United Farm Workers, told mental_floss in a telephone interview. "Many people, when they think of the Delano grape strike, they only think of it as Latino farm workers, and that’s not true. One of the hallmarks that made it so successful, and led to the triumph in the grapes, was the solidarity between the races."

By the time of the Delano strike, Cesar Chavez had already made a name for himself in California as an advocate for Latino rights. The Delano strike thrust Chavez’s union and Latino farm workers into the spotlight, but it was Itliong and the other Delano manongs—an Ilocano term of respect for older male relatives—who actually started the strike.

In 1965, grape growers in the Coachella Valley pushed California legislators to revive the recently ended bracero program, citing fears of a labor shortage. The bracero program had been a series of diplomatic agreements between the U.S. and Mexico allowing U.S. growers to hire and "import" Mexican workers, with supposedly guaranteed rights and a minimum wage. The government complied and restarted the program, with braceros making $1.40 per hour—and Filipino laborers making $1.25 or less.

The Filipino laborers turned to AWOC, Itliong’s union, who permitted a strike; 10 days later, they were given equal wages. But the growers repeated the wage inequality farther north. By the time the fall harvest began in Delano, California, Filipino workers were earning only $1.00 per hour, and this time, the growers refused to reconsider. Workers turned to AWOC again.

"We told them, maybe you’re going to get hungry, maybe you’re going to lose your car, maybe you’re going to lose your house," Itliong recalled in The Fight in the Fields, by Susan Ferriss, Ricardo Sandoval, and Diana Hembree. "They said, 'We don’t care.'"

The Filipino workers voted to go on strike on September 8, 1965, and for a week, they were alone. There was no reason to believe other farm workers would join them. Growers had a history of pitting farm workers against each other on ethnic lines, Grossman says, hiring Latinos as scabs during Filipino strikes and vice versa. But both Itliong and Chavez were very aware of this history, according to Grossman.

Itliong and Dolores Huerta had also continued to communicate after she left AWOC for Chavez’s National Farm Workers Association, and their communication had created a bridge between the two groups. So when Mexican workers began crossing the lines, the Filipino strike leaders knew they needed to reach out to the NFWA.

"Larry Itliong and I decided to take action by seeing Cesar Chavez, the leader of the National Farm Workers Association. We met to come up with a plan that would be beneficial for everyone, including the Mexican workers," strike veteran Andy Imutan wrote on the 40th anniversary of the Delano strike.

At first, Chavez was reluctant; he didn’t think the NFWA was ready for a strike, Grossman says, but he knew that the invitation was a rare opportunity.

"When Larry Itliong and [activists] Pete Velasco and Philip Vera Cruz and Andy Imutan went to the NFWA and said 'Join our picket lines,' I don’t think there was much debate," he said.

By the time the growers began evicting farm workers from grower-owned housing, Chavez and his union’s board offered their support, and called a general meeting in Delano on September 16 to make it official.

Not everyone wanted the unions to work together, Grossman notes. Some of the Latino members of the NFWA didn’t want to share kitchen facilities or strike on the same lines, he says. And Andy Imutan wrote in later correspondence that some of the Filipino strike leaders quit and became scabs after the unions merged. But for others, such as Huerta and Chavez’s wife Helen, there was no question of joining the strike.

"Cesar Chavez, Larry Itliong, and the other Latino and Filipino leaders of the UFW brought together the two races and cultures that growers had historically [pitted] against each other to break strikes," Lorraine Agtang wrote in a column about her experiences as a strike veteran.

In 1966, after a 400-mile march to draw attention to the strike started with 70 farm workers in Delano and ended with more than 10,000 supporters on the steps of the state capitol in Sacramento, leaders decided to merge the two unions, creating the United Farm Workers Organizing Committee (UFWOC).

As assistant director of the UFWOC, Larry Itliong was Chavez’s second-in-command, and he proved an able right-hand man. He personally answered many of the letters and donations that poured in to support the strike, and traveled with other strikers all over the U.S. to spread the word and ask for support. He also took the lead on organizing a boycott of grapes—now considered one of the largest and most successful boycotts in U.S. history.

"The boycott was a way to transfer the battle from the fields, where the odds were stacked against the strikers, to the cities, where the strikers had a chance," Grossman says.

Itliong also sometimes served as a stand-in for Chavez at rallies and with the press. In this role, he rebutted growers’ claims that strikers were negotiating in bad faith, as well as their request for federal intervention. He and Chavez were also able to help secure an anti-poverty grant for the California Rural Legal Assistance Association to help picketers.

The strike even spread to college campuses. "If you were on a university campus in '60s or '70s, you were boycotting on behalf of farm workers," Grossman says. Car caravans traveled to Delano to join the picket lines on weekends. Itliong and other leaders helped to secure students’ support, speaking at Filipino and student conferences and teaching organizing tactics to the next generation.

The strike and grape boycott lasted five years. In June 1969, grape growers reached out to the United Farm Workers Organizing Committee, indicating that they would consider negotiations, and in 1970, the strike finally ended. Itliong sat at the table beside Cesar Chavez as the union and growers signed the first contracts, according to Grossman.

In the wake of the victory, the United Farm Workers worked to ensure better conditions for farm laborers throughout California and beyond. The union created a standard contract that it presented to growers, with the threat of a strike or boycott should growers not accept it.

"We, as Filipinos, are not alone anymore," Itliong said at a rally in 1971. "We have brothers among the Mexicans and the Blacks and in the conscience of the American people."

But the solidarity that sustained the strike didn’t last for everyone once it was over.

According to Mabalon, the UFW focus on nonviolence ran against the Filipino farm workers’ pragmatic sense of self-preservation. They had faced violent racism in the fields and in beatings and bombings in Watsonville, Stockton, and elsewhere, and had no qualms about defending themselves. In other words, Itliong wasn’t shy about being militant when needed. "I have the ability to make that white man know I am just as mean as anybody in this world," Itliong once said. "... I feel we have the same rights as any of them. Because in that Constitution, it said that everybody has equal rights and justice. You've got to make that come about. They are not going to give it to you."

The UFW also did away with the labor contractor system the Filipino farm workers had used for decades, and with Latinos outnumbering Filipinos in the new union, many Filipinos worried they would be ignored. Many of the Filipino AWOC members eventually left for the Teamsters or other trade unions.

Itliong left the UFW in October 1971, when he began to question the direction of the union. "I left at my own accord for many reasons," Itliong told fellow organizer Bill Kircher [PDF]. "But my biggest disappointment is that the Organization I participated in to fight for Justice and Dignity is not turning [out] as planned."

Itliong used his new free time to found the Filipino American Political Association. He also focused on improving life for aging Filipinos. The law that gave the Philippines its independence in the early part of the 20th century also capped the number of Filipinos coming into the country, and most of those who immigrated were young, single men looking for work. A lack of Filipinas living in the U.S. might not necessarily have stopped these men from starting families, except that state anti-miscegenation laws barred whites (including Mexican-Americans) from marrying African-Americans or Asians. It wasn’t until 1967, mid-way through the Delano strike, when the U.S. Supreme Court ruled all anti-miscegenation laws illegal in Loving v. Virginia.

According to Grossman, by the time the grape strike began, many of the farm workers were older men and childless. Many were also homeless by 1970, because they had lived in housing provided by the grape growers before the strike and were evicted. They were too old to go back into the fields.

"You don’t see a lot of older farm workers," Grossman says, pointing out the poor pay and hard work. "That was really the impetus for the Agbayani Village."

Itliong and others had dreamed of a home where these men could live comfortably in retirement. Before he left the UFW, Itliong had left behind plans for a retirement home. The union took these plans and turned them into Paolo Agbayani Village, named after a farm worker who suffered a heart attack and died on the picket line. When finished—construction was overseen by Cesar Chavez’s brother Richard and included 1000 volunteers from all walks of life—the Agbayani Village had 60 apartments, a communal kitchen serving Filipino meals three times a day, a garden, an arcade, and more.

"It was a godsend for the residents," Grossman says. Agbayani Village still stands today at the Forty Acres in Delano, the original headquarters of the UFW, though it no longer has residents. The Forty Acres, including Agbayani Village and other buildings at the site, is now a National Historic Landmark and can be visited year-round.

Larry Itliong died of amyotrophic lateral sclerosis, better known as Lou Gehrig’s disease, in 1977. He was 63.

In 2015, California Governor Jerry Brown signed a bill declaring October 25 to be Larry Itliong Day in the state. It’s an honor the bill’s author, Assemblyman Rob Bonta, hopes will spread beyond the state’s borders.

"Larry Itliong deserves a national day in his honor," he said. "We're proud to have started with a California day in his honor and there will be celebrations up and down the state—not just this year, but for many years to come."

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13 Fascinating Facts About Nina Simone
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Nina Simone, who would’ve celebrated her 85th birthday today, was known for using her musical platform to speak out. “I think women play a major part in opening the doors for better understanding around the world,” the “Strange Fruit” songstress once said. Though she chose to keep her personal life shrouded in secrecy, these facts grant VIP access into a life well-lived and the music that still lives on.

1. NINA SIMONE WAS HER STAGE NAME.

The singer was born as Eunice Waymon on February 21, 1933. But by age 21, the North Carolina native was going by a different name at her nightly Atlantic City gig: Nina Simone. She hoped that adopting a different name would keep her mother from finding out about her performances. “Nina” was her boyfriend’s nickname for her at the time. “Simone” was inspired by Simone Signoret, an actress that the singer admired.

2. SHE HAD HUMBLE BEGINNINGS.


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There's a reason that much of the singer's music had gospel-like sounds. Simone—the daughter of a Methodist minister and a handyman—was raised in the church and started playing the piano by ear at age 3. She got her start in her hometown of Tryon, North Carolina, where she played gospel hymns and classical music at Old St. Luke’s CME, the church where her mother ministered. After Simone died on April 21, 2003, she was memorialized at the same sanctuary.

3. SHE WAS BOOK SMART...

Simone, who graduated valedictorian of her high school class, studied at the prestigious Julliard School of Music for a brief period of time before applying to Philadelphia’s Curtis Institute of Music. Unfortunately, Simone was denied admission. For years, she maintained that her race was the reason behind the rejection. But a Curtis faculty member, Vladimir Sokoloff, has gone on record to say that her skin color wasn’t a factor. “It had nothing to do with her…background,” he said in 1992. But Simone ended up getting the last laugh: Two days before her death, the school awarded her an honorary degree.

4. ... WITH DEGREES TO PROVE IT.

Simone—who preferred to be called “doctor Nina Simone”—was also awarded two other honorary degrees, from the University of Massachusetts Amherst and Malcolm X College.

5. HER CAREER WAS ROOTED IN ACTIVISM.

A photo of Nina Simone circa 1969

Gerrit de Bruin

At the age of 12, Simone refused to play at a church revival because her parents had to sit at the back of the hall. From then on, Simone used her art to take a stand. Many of her songs in the '60s, including “Mississippi Goddamn,” “Why (The King of Love Is Dead),” and “Young, Gifted and Black,” addressed the rampant racial injustices of that era.

Unfortunately, her activism wasn't always welcome. Her popularity diminished; venues didn’t invite her to perform, and radio stations didn’t play her songs. But she pressed on—even after the Civil Rights Movement. In 1997, Simone told Interview Magazine that she addressed her songs to the third world. In her own words: “I’m a real rebel with a cause.”

6. ONE OF HER MOST FAMOUS SONGS WAS BANNED.

Mississippi Goddam,” her 1964 anthem, only took her 20 minutes to an hour to write, according to legend—but it made an impact that still stands the test of time. When she wrote it, Simone had been fed up with the country’s racial unrest. Medger Evers, a Mississippi-born civil rights activist, was assassinated in his home state in 1963. That same year, the Ku Klux Klan bombed a Birmingham Baptist church and as a result, four young black girls were killed. Simone took to her notebook and piano to express her sentiments.

“Alabama's gotten me so upset/Tennessee made me lose my rest/And everybody knows about Mississippi Goddam,” she sang.

Some say that the song was banned in Southern radio stations because “goddam” was in the title. But others argue that the subject matter is what caused the stations to return the records cracked in half.

7. SHE NEVER HAD A NUMBER ONE HIT.

Nina Simone released over 40 albums during her decades-spanning career including studio albums, live versions, and compilations, and scored 15 Grammy nominations. But her highest-charting (and her first) hit, “I Loves You, Porgy,” peaked at #2 on the U.S. R&B charts in 1959. Still, her music would go on to influence legendary singers like Roberta Flack and Aretha Franklin.

8. SHE USED HER STYLE TO MAKE A STATEMENT.

Head wraps, bold jewelry, and floor-skimming sheaths were all part of Simone’s stylish rotation. In 1967, she wore the same black crochet fishnet jumpsuit with flesh-colored lining for the entire year. Not only did it give off the illusion of her being naked, but “I wanted people to remember me looking a certain way,” she said. “It made it easier for me.”

9. SHE HAD MANY HOMES.

New York City, Liberia, Barbados, England, Belgium, France, Switzerland, and the Netherlands were all places that Simone called home. She died at her home in Southern France, and her ashes were scattered in several African countries.

10. SHE HAD A FAMOUS INNER CIRCLE.

During the late '60s, Simone and her second husband Andrew Stroud lived next to Malcolm X and his family in Mount Vernon, New York. He wasn't her only famous pal. Simone was very close with playwright Lorraine Hansberry. After Hansberry’s death, Simone penned “To Be Young, Gifted and Black” in her honor, a tribute to Hansberry's play of the same title. Simone even struck up a brief friendship with David Bowie in the mid-1970s, who called her every night for a month to offer his advice and support.

11. YOU CAN STILL VISIT SIMONE IN HER HOMETOWN.

Photo of Nina Simone
Amazing Nina Documentary Film, LLC, CC BY-SA 4.0, Wikimedia Commons

In 2010, an 8-foot sculpture of Eunice Waymon was erected in her hometown of Tryon, North Carolina. Her likeness stands tall in Nina Simone Plaza, where she’s seated and playing an eternal song on a keyboard that floats in midair. Her daughter, Lisa Simone Kelly, gave sculptor Zenos Frudakis some of Simone’s ashes to weld into the sculpture’s bronze heart. "It's not something very often done, but I thought it was part of the idea of bringing her home," Frudakis said.

12. YOU'VE PROBABLY HEARD HER MUSIC IN RECENT HITS.

Rihanna sang a few verses of Simone’s “Do What You Gotta Do” on Kanye West’s The Life of Pablo. He’s clearly a superfan: “Blood on the Leaves” and his duet with Jay Z, “New Day,” feature Simone samples as well, along with Lil’ Wayne’s “Dontgetit,” Common’s “Misunderstood” and a host of other tracks.

13. HER MUSIC IS STILL BEING PERFORMED.

Nina Revisited… A Tribute to Nina Simone was released along with the Netflix documentary in 2015. On the album, Lauryn Hill, Jazmine Sullivan, Usher, Alice Smith, and more paid tribute to the legend by performing covers of 16 of her most famous tracks.

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13 Secrets From the Guinness Archives
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Leon Neal/AFP/Getty Images

Guinness has been a staple in Irish pubs for nearly 260 years. With so much history, it's no surprise that the Guinness Storehouse Archives—which are open to the public—are stuffed with intriguing artifacts that tell some pretty wild stories. Here are a few.

1. THE LEASE TO THE DUBLIN BREWERY WAS INTENDED TO LAST 9000 YEARS.

In 1759, founder Arthur Guinness signed a lease for a four-acre property at St. James’s Gate in Dublin. The lease required a down payment of £100, an annual rent of £45, and a term of 9000 years (not a typo). Such lengthy leases were relatively common back then: “At the time in Ireland, there was a lot of instability to do with land tenure,” explains Fergus Brady, Archives Manager at Guinness. Centuries earlier, the British had begun confiscating land from native Irish in an effort to build plantations, and extra-long leases were a means of avoiding this fate. As Brady explains, “You see these really long leases: 99-year or 999-year leases. It seemed to be a legal custom at the time that they used the number nine.”

2. ARTHUR GUINNESS WAS NOT AFRAID TO DEFEND HIS PROPERTY WITH A PICKAXE.

In 1775, the Dublin Corporation—that is, the city government—demanded that Arthur Guinness pay for the spring water flowing to his brewery. When Guinness argued that he was already paying for water rights through his 9000-year rental agreement, the Dublin Corporation sent a sheriff and a committee to his brewery to cut off the water supply. Guinness was livid. He seized a pickaxe and unleashed a torrent of obscenities so colorful that the Dublin Corporation’s goons eventually retreated.

3. GUINNESS ONCE DEPLOYED FIELD AGENTS TO CATCH COUNTERFEITERS.

Guinness Apology
Guinness Archive, Diageo Ireland

In the 19th century, there was no such thing as brand consistency. Guinness did not bottle its own beer; instead, it shipped the suds in wooden casks to publicans who supplied their own bottles and applied their own personalized labels. Occasionally, these publicans sold fake or adulterated Guinness. To prevent such sales, the company sent special agents called “travellers” into the field to collect beer samples, which it tested in a laboratory. “If a publican was found to be serving adulterated or counterfeit Guinness, they had to give a public apology in their local newspaper—and even the national newspapers,” archivist Jessica Handy says.

4. FOR 21 YEARS, THE COMPANY HIRED A GUY TO TRAVEL THE WORLD AND DRINK BEER.

In 1899, Guinness hired an American ex-brewer named Arthur T. Shand to be a “Guinness World Traveller.” It was arguably the coolest job in the world. For 21 years, Shand traveled the world taste-testing beer. According to Brady, “His job was to travel the world and taste Guinness, say whether it was good or bad, who our bottlers in the market were, who our major competition was, what kind of people were drinking our product.” Shand traveled to Australia and New Zealand, to Southeast Asia and Egypt. “He was sort of a Guinness sommelier,” Brady says.

5. THE COMPANY'S HARP LOGO CAUSED TROUBLE WITH THE IRISH GOVERNMENT.

The Celtic harp—based on the 14th century “Brian Boru Harp” preserved at Trinity College—became a trademarked Guinness logo in 1876. Forty-five years later, when Ireland gained independence from England, the Irish Free State decided to use the same Celtic harp as its official state emblem. This became awkward. Guinness owned the trademark, and the Irish government was forced to search for a workaround. You can find their solution on an Irish Euro coin. Look at the coin, and you’ll notice that the harp’s straight edge faces the right; meanwhile, the harp on a glass of Guinness shows the straight edge facing left [PDF].

6. GUINNESS REPORTEDLY SAVED LIVES ON THE BATTLEFIELD.

The old slogan “Guinness is good for you” sounds like a marketing gimmick, but it was born out of a genuine belief that the beer was, in fact, a restorative tonic. The health claim dates back to 1815, when an ailing cavalry officer wounded at the Battle of Waterloo reportedly credited Guinness for his recovery. For decades, the medical community widely claimed that the dark beer possessed real health benefits—and they weren’t necessarily wrong. “There was little safe drinking water at the time,” Handy says. “But with brewing, consumers knew they were getting a safe beverage.”

7. THE COMPANY CREATED A SPECIAL RECIPE FOR CONVALESCENTS.

A label for Guinness invalid stout
Guinness Archive, Diageo Ireland

From the 1880s to the 1920s, Guinness produced a special “Nourishing Export Stout”—a.k.a. “Invalid Stout”—that contained extra sugars, alcohol, and solids and came in cute one-third pint bottles. “It was very common practice for people to buy a couple bottles and keep them as a tonic, even if it was just a glass or half a glass,” Handy says. In fact, Guinness went as far as asking general practitioners for testimonials attesting to the beer’s medical benefits. According to Brady, “Many of them wrote back and said yes, we prescribe this for various ailments.” One doctor even claimed a pint was “as nourishing as a glass of milk.”

8. DOCTORS REGULARLY PRESCRIBED THE BEER TO NURSING MOTHERS.

From the 1880s to the 1930s, many physicians believed Guinness was an effective galactagogue—that is, a lactation aid. The company sent bottles to hospitals as well as wax cartons of yeast (which supposedly helped skin problems and migraines). Hundreds, possibly thousands, of doctors prescribed the beer for ailments such as influenza, insomnia, and anxiety, David Hughes writes in A Bottle of Guinness Please: The Colourful History of Guinness. According to Brady, the company was sending beer to hospitals as late as the 1970s.

9. THE COMPANY ONCE DROPPED 200,000 MESSAGES-IN-A-BOTTLE INTO THE OCEAN.

A Guinness message in a bottle
The message within every bottle dropped in the Atlantic Ocean in 1959.
Guinness Archive, Diageo Ireland

In 1954, Guinness dumped 50,000 messages-in-a-bottle in the Atlantic, Pacific, and Indian Oceans. In 1959, they repeated the stunt again, with 38 ships dropping 150,000 bottles in the Atlantic. The first bottle was discovered in the Azores off Portugal just three months after the initial drop [PDF]. Since then, the bottles have turned up in California, New Zealand, and South Africa. Just last year, a bottle was discovered in Nova Scotia. (If you find one, you just might be offered a trip to the Guinness Storehouse in Dublin.)

10. THE PERSONNEL FILES IN THE GUINNESS ARCHIVES CONTAIN SOME DOOZIES.

The Guinness corporate archives are open to the public. According to Handy, “Some of the stories you get in there are amazing, because you get accident reports and you get crazy stories of people bouncing on bags of hops outside the brewery." This may sound less surprising considering that, back in the day, Guinness employees were given an allowance of two pints of beer every day [PDF].

11. A GUINNESS SCIENTIST MADE A STATISTICALLY SIGNIFICANT MARK IN THE FIELD OF STATISTICS.

If you’ve taken a statistics class, you might be familiar with the Student’s t-test or the t-statistic. (It’s a method of working with a small sample size when the standard deviation is unknown.) The t-test was first described by William S. Gosset, a brewer and statistician at Guinness who was attempting to analyze a small sample of malt extract. Gosset’s discovery not only helped Guinness create a more consistent-tasting beer, it would lay the bedrock for one of the most important concepts in statistics: statistical significance.

12. GUINNESS IS SO BIG IN AFRICA, IT LAUNCHED A SUCCESSFUL FEATURE-LENGTH FILM.

Guinness began exporting beer to Africa in 1827. In the 1960s, it opened a brewery in Nigeria—followed by Cameroon and Ghana. Today, there are reportedly more Guinness drinkers in Nigeria than there are in Ireland. “In Ireland, England, and the United States, everybody thinks that Guinness is synonymous with Ireland,” Brady says. “But in Nigeria, there’s a very very low conception of that.” The beer is such a cultural staple that a fictional character who advertised the product named Michael Power—a James Bond-like, crime-fighting journalist—became the star of a feature film in 2003 called Critical Assignment, which was a box office smash. (Of course, there’s some branding built into the script. As Brady explains, “There are definitely scenes where Michael Power is enjoying a pint of Guinness.”)

13. DISPENSING BEER WITH NITROGEN WAS ORIGINALLY CONSIDERED LAUGHABLE.

In the 1950s, Guinness scientist Michael Ash was tasked with solving the “draft problem.” At the time, dispensing a draft pint of Guinness was ridiculously complicated, and the company was losing market share to draft lagers in Britain that could be easily dispensed with CO2. “The stout was too lively to be dispensed with CO2 only,” Brady says. “Ash worked on the problem for four years, working long hours day or night, and became a bit of a recluse apparently. A lot of doubters at the brewery called the project ‘daft Guinness.’” But then Ash attempted dispensing the beer with plain air. It worked. The secret ingredient, Ash discovered, was nitrogen. The air we breathe is 78 percent nitrogen. Today, a Guinness draft contains 75 percent nitrogen. Not only did the discovery make dispensing the beer easier, it created a creamy mouthfeel that’s been the signature of Irish stouts since.

Full disclosure: Guinness paid for the author to attend an International Stout Day festival in 2017, which provided the opportunity to speak to their archivists.

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