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Romania Joins Allies, Fall Of Falkenhayn

Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 248th installment in the series. 

August 27-29, 1916: Romania Joins Allies, Fall Of Falkenhayn 

By the late summer of 1916, it looked like the tides of war had shifted decisively in favor of the Allies. The German offensive against Verdun had been thwarted and was now being slowly rolled back; the Allied offensive at the Somme was grinding forward, sucking in more and more German divisions (contributing to the failure at Verdun); the Italians had scored their biggest, or indeed only, victory to date at the Sixth Battle of the Isonzo; and most dramatically, the Russians had achieved a massive breakthrough on the Eastern Front with the Brusilov Offensive, shattering entire Austro-Hungarian armies and forcing the Germans to pull even more troops from the Western Front to shore up their beleaguered ally. 

Things were about to get even worse for the Central Powers – or so it seemed – as Romania declared war on Austria-Hungary and launched an invasion of her erstwhile Triple Alliance partner on August 27, 1916. Like Italy and Serbia, Romania’s antagonism against the Habsburg realm was fueled by her nationalist aspirations to “redeem” its ethnic Romanian population by breaking up the Dual Monarchy and uniting them with a new, expanded Kingdom of Romania. After months of indecision, with the war apparently turning against the Central Powers Romania’s government – fearing they might miss out on the division of spoils – finally threw its lot in with the Allies in a secret military convention signed in July 1916. 

On August 28, 1916, Romanian Prime Minister Ion Bratianu delivered a declaration of war to the Austro-Hungarian ambassador, citing the Central Powers’ evident ambition to redraw the map of the Balkan Peninsula and Eastern Europe and Austria-Hungary’s long mistreatment of its ethnic Romanian population as justifications for this intervention: 

Today we are confronted by a situation de facto threatening great territorial transformations and political changes of a nature constituting a grave menace to the future of Rumania… For a period of thirty years the Rumanians of Austria-Hungary not only never saw a reform introduced, but, instead, were treated as an inferior race and condemned to suffer the oppression of a foreign element which constitutes only a minority amid the diverse nationalities constituting the Austro-Hungarian States… Rumania, from a desire to hasten the end of the conflict and to safeguard her racial interests, sees herself forced to enter into line by the side of those who are able to assure her realization of her national unity.  For these reasons Rumania considers herself, from this moment, in a state of war with Austria-Hungary.

On paper Romania was a formidable force, with an army of 800,000 men – but there was only enough equipment for about 550,000 of these, and many had received scarcely any training, while their officers had no experience with the grim realities of modern trench warfare. True, the Allies promised to supply Romania with weapons, ammunition and other necessities, but the only route left open to the isolated eastern Balkan nation lay through some of the most primitive parts of Europe, in what is now Moldova. Russia was also supposed to send an army to Romania’s aid, but by the time this improvised force made it to the combat zone the situation was already desperate; just as importantly, the Brusilov Offensive had finally ground to a halt, thanks in part to the arrival of German reinforcements. 

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On the other side, the Habsburg Army was indeed stretched to the breaking point, leaving Hungary’s vast Transylvanian hinterland more or less unprotected – but Austria-Hungary’s powerful partner Germany was hardly going to sit by and let her only ally be dismembered by a second-tier Balkan state. And Germany wasn’t the only one Romania had to worry about: Bulgaria was still nursing a major grudge over Romania’s “stab in the back” in the Second Balkan War of 1913, when the Romanians seized the Danube province of Dobruja while Bulgaria was embroiled in a disastrous struggle (admittedly, almost entirely her own fault) with Serbia, Greece, and Turkey.

Despite all this the Romanians made considerable progress at first, benefiting from Austria-Hungary’s inability to mount a concerted defense against the three invading Romanian armies (a fourth Romanian army stood guard against the Bulgarians in the south). The invaders received support from sympathetic Romanian peasants as well, and by September 1, 1916 they had occupied a number of key towns along the Hungarian frontier, including Kronstadt, Petroseni, Kezdiasarhely, Brasov, and Sibiu. But the Romanian honeymoon would be short-lived. 

The Fall of Falkenhayn 

On August 28-29, 1916, the First World War claimed yet another political casualty: this time it was the turn of the cold, imperious chief of the German general staff, Erich von Falkenhayn. 

A relatively junior officer when he was promoted to the top spot following Helmuth von Moltke’s nervous breakdown at the beginning of the war, Falkenhayn owed his quick ascent to the personal favor of Kaiser Wilhelm II, which also helped protect him from his growing army of critics in the senior echelons of the German Army – for a time. 

But by the second half of 1916 multiple mistakes and miscalculations were finally catching up with him. The most glaring was the debacle at Verdun, which Falkenhayn had planned to be a carefully calibrated battle of attrition to bleed France white – but which quickly spun out of control, as German field commanders pressed forward regardless of casualties, resulting in almost as many German losses as French. Falkenhayn also paid the price for failing to anticipate the size and intensity of the British onslaught at the Somme, and for discounting Russia’s continued war-making ability, demonstrated in the Brusilov Offensive. Romania’s decision to join the Allies was the last straw – the German Army needed new leadership.

Falkenhayn’s successor, announced on August 29, 1916, would be none other than Paul von Hindenburg, assisted as always by his brilliant younger aide de camp Erich Ludendorff, who had become national heroes with the victory at Tannenberg in August 1914 and earned more plaudits for the Central Powers’ victorious campaign on the Eastern Front in the summer of 1915. As “Easterners,” Hindenburg and Ludendorff believed that the Central Powers should try to achieve victory by knocking Russia out of the war, while assuming a defensive posture on the Western Front – foreshadowing another major change in German strategy in 1917. 

For his part Falkenhayn would have a successful “second act” as commander of the Central Powers counterattack against Romania, earning praise for his skillful handling of the hybrid force composed of German, Habsburg and Bulgarian armies (along with his subordinate August von Mackensen, who had previously orchestrated the successful assault on Serbia in the fall of 1915).

See the previous installment or all entries.

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20 Things You Might Not Know About Mr. Show
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You never need an excuse to look back at Mr. Show with Bob and David, but given that today is co-creator Bob Odenkirk's 55th birthday, now seems to be as good a time as any.

1. BOB ODENKIRK AND DAVID CROSS’S FIRST MEETING DID NOT GO VERY WELL.

Following four years of writing on Saturday Night Live, Odenkirk was in Los Angeles in 1992 as a writer for the Chris Elliott Fox cult classic Get a Life. David Cross was a comedian in L.A. after performing for years in Boston. One boring afternoon, Cross asked friend and fellow stand-up Janeane Garofalo if she knew anybody that played basketball. The two went to Odenkirk’s house, and Garofalo introduced David to Bob and then asked if he wanted to play basketball. He said no.

2. ODENKIRK AND CROSS FIRST WORKED TOGETHER ON THE BEN STILLER SHOW.

Despite their inauspicious beginning, the two ended up having numerous fruitful collaborations, starting with their work on The Ben Stiller Show. Odenkirk was a writer/performer on the short-lived but Emmy award-winning sketch show with Garofalo, Stiller, and Andy Dick. Cross was brought in in the middle of the show’s 13-episode run as a writer.

3. THE CO-STARS FIRST PERFORMED ON STAGE TOGETHER AS "THE THREE GOOFBALLZ."

Odenkirk and Cross performed sketch comedy together at the Diamond Club in Los Angeles, with a third improviser that, the joke went, would either be deceased or out elsewhere getting high.

4. "THE THREE GOOFBALLZ' WAS ALMOST THE TITLE OF MR. SHOW

Odenkirk also pitched the title Grand National Championships, but David Cross was never a fan of it.

5. JACK BLACK, SARAH SILVERMAN, AND OTHER FUTURE STARS APPEARED ON THE SHOW BEFORE THEY WERE FAMOUS.

Black was in four episodes of Mr. Show, starring in the classic Jesus Christ Superstar parody “Jeepers Creepers.” Silverman was a performer in 10 episodes. Mary Lynn Rajskub, best known as Chloe on 24, was a featured actress in the first two years. Tom Kenny, the voice of SpongeBob SquarePants, was a series regular for a majority of the run. Scott Adsit, a.k.a. 30 Rock’s Pete Hornberger, was in six episodes.

6. PATTON OSWALT WARMED UP THE MR. SHOW CROWD.

In addition to performing stand-up before tapings and keeping the studio audience interested in between scenes, Oswalt played Famous Mortimer in the episode “Operation: Hell on Earth” (but was credited as “Patton Oswald.”)

7. HOMELESS PEOPLE WERE NOT KIND TO THE ORIGINAL SETS.

Because the pilot episode was shot at a “down and dirty,” small Central Hollywood club, the sets had to be placed outside, where homeless people defecated on them.

8. YOU MIGHT ALSO RECOGNIZE SOME OF THE WRITING STAFF.

Dino Stamatopoulos was already on the original writing staff of Late Night with Conan O’Brien and had written for David Letterman before writing for Cross and Odenkirk. He would later create three shows and play Starburns on Community. Writer/performer Scott Aukerman co-created and executive produces Between Two Ferns, and created and stars on Comedy Bang! Bang!. Writer/performer Paul F. Tompkins hosted VH-1’s Best Week Ever! and currently hosts the satirical debate show No, You Shut Up!, where he moderates discussions by a panel full of puppets. Bob Odenkirk’s brother Bill has written ten episodes of The Simpsons.

9. THE DIRECTORS OF LITTLE MISS SUNSHINE LEARNED HOW TO DIRECT COMEDY FROM MR. SHOW.

Valerie Faris and Jonathan Dayton were known for directing music videos like The Smashing Pumpkins’ “Tonight, Tonight” and Jane’s Addiction’s “Been Caught Stealing,” and decided to direct two Mr. Show episodes to expand their filming vocabulary. The husband and wife team were behind the camera for the classic sketch “Monk Academy.”

10. ONE SKETCH WAS INFLUENCED BY LOUIS C.K.

One of the first sketches in the show’s history involved Odenkirk playing a priest forced to do rather unpleasant and un-priestly things. The idea sprang from a conversation David Cross had with fellow young Boston comic Louis C.K., where Louis talked about annoying people that try to claim a prize on a bet that their friends never agreed to in the first place.

11. HBO ONLY CENSORED THE SHOW ONCE.

Throughout four years and 30 episodes, the lone note Odenkirk and Cross got from HBO was to get rid of a line where one character tells another to have sex with a baby. Odenkirk admitted that being told to edit it out “wasn’t too much to ask.”

12. THEY ONLY RECEIVED ONE VIEWER COMPLAINT.

The only angry letter that Odenkirk and Cross were ever made aware of was from a military veteran who was offended by the sketch in “Who Let You In?” where Cross’s performance artist character attempts to defecate on the American flag. The two stars actually called the viewer and discovered that he didn’t watch the entire sketch, and therefore never realized that Cross’ character was never able to actually go through with it.

13. ONE SKETCH WAS CUT FROM THE SHOW SIX TIMES AND NEVER MADE IT TO AIR.

A sketch called “Party Car,” a joke on old, low-quality shows filled with '70s celebrities was cut from half a dozen scripts and never filmed. It would have featured Nipsey Russell, Zsa Zsa Gabor, (or reasonable facsimiles), and a baby in a balloon-filled car.

14. BOB ODENKIRK GOT IN TROUBLE FOR USING A PICTURE OF HIS DEAD GRANDFATHER.

Because the sketch “Old Man In House” needed a photo of an old man, and the elderly gentleman was not the butt of the joke, Odenkirk thought it would be fine. Instead, some Odenkirks were “very upset.”

15. CROSS WAS PAYING OFF HIS STUDENT LOAN DEBTS THROUGHOUT MOST OF THE SERIES.

David Cross and Amber Tamblyn
Frazer Harrison/Getty Images

Despite executive producing and co-creating a series on television, Cross had trouble paying off his student loan debts from his time at Emerson College. Figuring that the person calling from the bill collection agency wouldn’t believe that he couldn’t pay if he knew his job status, Cross pretended that he worked at Mr. Show as a messenger.

16. ONE PERSON WAS GIVEN A "SPECIAL THANKS" IN THE CLOSING CREDITS OF EVERY EPISODE AS A JOKE.

As Cross once explained, Rick Dees was thanked in the credits of the pilot episode, even though he was “certainly nobody we would ever thank, or be in a position to thank.” Some personalities that were thanked for no discernable reason were Greg Maddux, Rodion Romanovich Raskolnikov, Gabe Kaplan, and Howard Zinn.

17. HBO CHANGED THE TIME SLOT FOR ITS FINAL SEASON, AND IT WAS "DEMORALIZING."

After airing Fridays at midnight for the first three seasons, HBO moved the show to Mondays at the same time, confusing some loyal viewers, and the ratings decreased as a result. Bob Odenkirk told a reporter that, after 30 episodes, HBO was still treating the cast and crew as “second-class citizens,” and that they were “demoralized” by the slot shift.

18. BOB AND DAVID TOLD A STUDIO AUDIENCE THAT THEY HAD JUST WITNESSED THE FINAL EPISODE, AND THEY WEREN'T JOKING.

“Patriotism, Pepper, and Professionalism,” the 40th and final episode of Mr. Show, was taped on November 21, 1998. After the final sketch was filmed, Odenkirk and Cross made their announcement, although the show’s cancellation wasn’t made official for another few months.

19. THERE WAS A MR. SHOW MOVIE THAT WENT STRAIGHT TO VIDEO.

Run Ronnie Run focused on David Cross’s redneck criminal character Ronnie Dobbs. It was filmed in 2001, but never made it to theaters. Bob Odenkirk admitted that the movie wasn’t perfect, but he blamed the poor quality on director Troy Miller, for not allowing himself and Cross to edit the movie.

20. THE TWO HAVE REUNITED A FEW OTHER TIMES.

David Cross and Bob Odenkirk star in 'W/ Bob and David'
Saeed Adyani/Netflix

In 2002, Bob, David, and Mr. Show writer/performers Brian Posehn, John Ennis, and Stephanie Courtney (Flo in the Progressive commercials) toured the country to perform some of the show’s sketches and material from their unproduced screenplay Mr. Show: Hooray For America! The next year, Odenkirk guest starred as Dr. Phil Gunty on a season one episode of Arrested Development, alongside Cross’ character Tobias Fünke.

In 2012, Odenkirk, Cross, and Posehn went on a six-city tour to promote their book filled with more unproduced material. Bob and David appeared briefly together the next year on an episode of Aukerman’s Comedy Bang! Bang! In 2015, 20 years after Mr. Show's debut, Netflix premiered W/ Bob and David, a five-episode sketch comedy show created by and starring the duo.

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30 Memorable Quotes from Carrie Fisher
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Just days after suffering a heart attack aboard a flight en route to Los Angeles, beloved actress, author, and screenwriter Carrie Fisher passed away at the age of 60 on December 27, 2016. Though she’ll always be most closely associated with her role as Princess Leia in Star Wars, Fisher’s life was like something out of its own Hollywood movie. Born in Beverly Hills on this day in 1956, Fisher was born into show business royalty as the daughter of singer Eddie Fisher and actress Debbie Reynolds.

In addition to her work in front of the camera, Fisher built up an impressive resume behind the scenes, too, most notably as a writer; in addition to several memoirs and semi-autobiographical novels, including Wishful Drinking, Surrender the Pink, Delusions of Grandma, The Best Awful, Postcards from the Edge, and The Princess Diarist (which was released last month), she was also an in-demand script doctor who counted Sister Act, Hook, Lethal Weapon 3, and The Wedding Singer among her credits.

Though she struggled with alcoholism, drug addiction, and mental illness, Fisher always maintained a sense of humor—as evidenced by the 30 memorable quotes below.

ON GROWING UP IN HOLLYWOOD

“I am truly a product of Hollywood in-breeding. When two celebrities mate, someone like me is the result.”

“I was born into big celebrity. It could only diminish.”

“At a certain point in my early twenties, my mother started to become worried about my obviously ever-increasing drug ingestion. So she ended up doing what any concerned parent would do. She called Cary Grant.”

“I was street smart, but unfortunately the street was Rodeo Drive.”

“If anything, my mother taught me how to sur-thrive. That's my word for it.”

ON AGING

“As you get older, the pickings get slimmer, but the people don't.”

ON INSTANT GRATIFICATION

“Instant gratification takes too long.”

ON THE LEGACY OF STAR WARS

“People are still asking me if I knew Star Wars was going to be that big of a hit. Yes, we all knew. The only one who didn't know was George.”

“Leia follows me like a vague smell.”

“I signed my likeness away. Every time I look in the mirror, I have to send Lucas a couple of bucks.”

“People see me and they squeal like tropical birds or seals stranded on the beach.”

“You're not really famous until you’re a Pez dispenser.”

ON THE FLEETING NATURE OF SUCCESS

“There is no point at which you can say, 'Well, I'm successful now. I might as well take a nap.'”

ON DEALING WITH MENTAL ILLNESS

“I'm very sane about how crazy I am.”

ON RESENTMENT

“Resentment is like drinking poison and waiting for the other person to die."

ON LOVE

“Someone has to stand still for you to love them. My choices are always on the run.”

“I've got to stop getting obsessed with human beings and fall in love with a chair. Chairs have everything human beings have to offer, and less, which is obviously what I need. Less emotional feedback, less warmth, less approval, less patience, and less response. The less the merrier. Chairs it is. I must furnish my heart with feelings for furniture.”

“I don’t hate hardly ever, and when I love, I love for miles and miles. A love so big it should either be outlawed or it should have a capital and its own currency.”

ON EMOTIONS

“The only thing worse than being hurt is everyone knowing that you're hurt.”

ON RELATIONSHIPS

“I envy people who have the capacity to sit with another human being and find them endlessly interesting, I would rather watch TV. Of course this becomes eventually known to the other person.”

ON HOLLYWOOD

“Acting engenders and harbors qualities that are best left way behind in adolescence.”

“You can't find any true closeness in Hollywood, because everybody does the fake closeness so well.”

“It's a man's world and show business is a man's meal, with women generously sprinkled through it like overqualified spice.”

ON FEAR

“Stay afraid, but do it anyway. What’s important is the action. You don’t have to wait to be confident. Just do it and eventually the confidence will follow.”

ON LIFE

“I don’t want life to imitate art. I want life to be art.”

“No motive is pure. No one is good or bad-but a hearty mix of both. And sometimes life actually gives to you by taking away.”

“If my life wasn't funny it would just be true, and that is unacceptable.”

“I shot through my twenties like a luminous thread through a dark needle, blazing toward my destination: Nowhere.”

“My life is like a lone, forgotten Q-Tip in the second-to-last drawer.”

ON DEATH

“You know what's funny about death? I mean other than absolutely nothing at all? You'd think we could remember finding out we weren't immortal. Sometimes I see children sobbing at airports and I think, 'Aww. They've just been told.'”

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