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The 13 Most Interesting Comics of August

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Each month, we’ll round up the most interesting comics, graphic novels, webcomics, digital comics and comic-related Kickstarters that we think you should check out.

1. March: Book Three

By Rep. John Lewis, Andrew Aydin and Nate Powell
Top Shelf

The third and final book in Rep. John Lewis’ autobiographical account of the Civil Rights Movement begins with a horrifying scene inside the 16th Street Baptist Church in Birmingham moments before a bomb set off by white supremacists kills four young girls. It ends with the hope achieved by the march from Selma to Montgomery and the signing of the Voting Rights Act but with the solemn understanding that the struggle will outlive the Movement itself. Each volume of March has seemed to land with the added relevance of today’s racially charged current events. Book 2 was released shortly after the protests in Ferguson, Missouri, and Book 3 comes out amidst an even more pronounced national conversation about race and injustice. It even contains a scene from the 1964 Republican convention that is very reminiscent of this year’s GOP convention.

March is going to go down as one of the greatest books about this period in American history. Lewis, with co-writer Andrew Aydin, has managed to pack as much gut-wrenching emotion into his story as he does informative detail, and artist Nate Powell has shown exactly how to handle real-life material like this. It is a true accomplishment to create a work of such drama and visual grace that feels like it sacrifices none of the historical accuracy that is so crucial to conveying its story. This is a book that will be taught not only in history classes but in art classes as well.

2. Bera the One-Headed Troll

By Eric Orchard
First Second

Eric Orchard’s latest children’s fantasy graphic novel is an adventure about a troll named Bera who finds herself responsible for the care of a human baby that has mysteriously appeared out of nowhere. Bera, a simple pumpkin gardener, is not prone to adventure but realizes that it is up to her to keep this child safe from the dangers that lurk around and that consider this baby’s presence a threat.

Young readers will enjoy Orchard’s matter-of-fact humor and eerie-yet-cute artwork (sort of a cross between Victorian-era children’s books and Tim Burton's Nightmare Before Christmas). Adults will marvel at it as well and may appreciate the book’s subtext, which subtly hints at issues of mental illness. Orchard actually drew part of the book from a hospital while being treated for OCD and anxiety issues. He also modeled the character of Bera’s nearly incomprehensible aunt off his own mother, who suffered from schizophrenia.

3. The Omega Men: The Complete Series

By Tom King, Barnaby Bagenda and Romulo Farjado, Jr.
DC Comics

This book almost did not come to be. Halfway through this planned 12-issue series, DC Comics canceled The Omega Men due to poor sales, only to reverse its decision in the face of fan protest. Now, the critically-acclaimed series (it was on my own Best of 2015 list) hits bookstores with a trade paperback collecting the entire story.

The Omega Men is responsible for launching the career of writer Tom King, who is now writing Batman. A former counterterrorism operations officer for the CIA, King took his real world knowledge and applied it to a story about fundamentalism and insurrection set in the far reaches of space. It has one of the most shocking opening scenes of any comic you’ll read this year, reminiscent of an Al-Qaeda-style video showing a kidnapped former Green Lantern, Kyle Rayner being beheaded. The Omega Men has also made the career of artist Barnaby Bagenda who, along with colorist Romulo Farjado, Jr., has a painterly, Eurocomics style that helps elevate the material above most cosmic superhero fare. With King, the artists make use of a nine-panel grid structure throughout the comic—a format made famous by Alan Moore and Dave Gibbons’ Watchmen—that gives this book a dramatic and unique pacing.

4. Spoiler: On the Campaign Trail with Jill Stein

By Sarah Glidden
The Nib

Politically-focused comics portal The Nib has come back strong from an extended hiatus with lots of coverage centered around the 2016 election. In their longest piece of comics journalism to date, Sarah Glidden traveled around with Green Party candidate Jill Stein to create something we don’t see much from the mainstream news media: an expose on a third party candidate.

Glidden is a cartoonist who specializes in journalistic travelogues like How To Understand Israel in 60 Days or Less and her upcoming Rolling Blackouts: Dispatches from Turkey, Syria and Iraq. In Spoiler, she interviews Stein at her home in Massachusetts and watches her in action on the campaign trail on the west coast, giving one of the fullest and most nuanced accounts of Stein’s campaign as you’re likely to read anywhere.

5. The! Greatest! Of! Marlys!

By Lynda Barry
Drawn & Quarterly

Lynda Barry is one of the most influential comic creators of all time and one of the industry’s most important female cartoonists. A veteran of alt-weekly comics of the 1980s, her funny, observational comics about childhood, starring a freckle-faced little girl with the unusual name of Marlys were originally published as part of her Ernie Pook's Comeek strip. She has inspired many of today’s female YA-comic makers, particularly today’s most popular creator, Raina Telgemeier. Some young fans of Telgemeier’s comics may balk at Barry’s wordy, roughly drawn and decidedly not “cute” Marlys comics collected in this giant book from Drawn & Quarterly, but they will absolutely connect with the cutting humor and the surprising realness that Barry conveys through the eccentric Marlys.

6. All Star Batman #1

By Scott Snyder, John Romita Jr., Declan Shalvey, Danny Miki, Dean White and Jordie Bellaire
DC Comics

There was a lot of trepidation from fans and probably even DC Comics management when it was decided that Scott Snyder and Greg Capullo would no longer be the creative team on Batman. Arguably, their run on the title was the only aspect of DC’s 2011 “New 52" relaunch that will be looked back on as being a success. Snyder is not leaving the character though and instead is using the All-Star Batman title to tell a story he felt that he couldn’t do within his run on Batman proper.

All-Star will see Snyder working with an all-star team of artists beginning with John Romita, Jr., the longtime Marvel veteran. With Dean White’s coloring giving Romita’s art a modern, edgy style, the first issue of this series hints at a more fun and stylish Batman than we’ve seen in recent years. There is also a backup story illustrated by Declan Shalvey with Jordie Bellaire on colors that blends the ‘60s pop color of the Batman TV show with the darker, post-Frank Miller grit of the modern era.

7. This is Not Fine

By KC Green
The Nib

Another big moment for The Nib this month saw cartoonist KC Green revisit a 3-year-old comic that has since become the defining meme of the 2016 election. The first two panels of 2013's “On Fire” from his popular Gunshow webcomic have been shared many times as a meme to represent blind acceptance, but it blew up, so to speak, this year as a symbol for how we’re resigning to the madness of 2016 current events. When the GOP, a frequent target of the “This is Fine” joke, used the cartoon on their official Twitter account in a half-hearted criticism of the Democratic Convention, it seemed to set off a bit of anger in both The Nib and Green, leading to Green creating a sequel for the site called “This is Not Fine,” a perfect reaction to 2016’s normalization of the abnormal.

8. Kill or Be Killed #1

By Ed Brubaker, Sean Philips, and Elizabeth Breitweiser
Image Comics

The protagonist of Kill or Be Killed, whom we first meet as a masked gunman mowing down unidentified “people who deserve it” in a dark apartment building, fits the bill of a stereotypical "lone gunman." We see him pining for a girl who is playing with his emotions, showing weakness when confronted by bullies, and even attempting suicide by jumping off a roof. How he goes from being put upon and suicidal to becoming a violent aggressor seems like a story ripped from the headlines. But when he miraculously survives that fall, we learn it is thanks to a demon who gives him back his life in exchange for his promise to commit murder.

Brubaker, Philips, and Breitweiser return here to the supernatural genre they recently dabbled in with Fatale and while in some respects this feels like a palette cleanser coming off The Fade Out—their astounding and historically grounded tale of old Hollywood and film noir—this team is so on top of their game right now that anything they do is going to be a significant work.

9. Alena

By Kim W. Andersson
Dark Horse

Kim W. Andersson’s 2012 graphic novel Alena was recently adapted into a Swedish-made film that debuted at the Santa Barbara Film Festival this year. Its positive reception has led to Dark Horse Comics bringing the original book to the U.S. this month. Alena is a disturbing story of a teenage girl who transfers to a boarding school after the death of her girlfriend, Josephine. She is haunted both literally and figuratively by Josephine’s death as she tries to make new friends and deal with the bullying of the school’s top mean girl, but the constant visits from Josephine’s inexplicably living corpse are making that impossible for Alena.

Andersson’s story reads like a YA-style drama with some explicit elements of graphic horror and sexual situations, but its strength actually lies in its depiction of loss and bullying which at times is more realistic than you’d expect from a story that at least appears to be about a dead girl taking out her vengeance on the living.

10. Batgirl #1

By Hope Larson, Rafael Albuquerque, and Dave McCaig
DC Comics

DC Comics’ latest line-wide relaunch is aiming to fix some of the tonal mistakes they made during their last attempt to modernize their heroes, but one comic that didn’t need a lot of fixing was Batgirl. The previous creative team of Cameron Stewart, Brendan Fletcher, and Babs Starr went against the grain of DC’s grim and gritty house style to turn Batgirl into a modern, female-positive, and fun comic. With that group moving on to other projects, DC is being smart to keep the momentum going by putting their most interesting new creative team on the job. Hope Larson is the popular writer and artist of young adult graphic novels like Chiggers and the comic adaptation of A Wrinkle in Time. This year has seen her working solely as a writer on multiple books, collaborating with artists like Rebecca Mock on Compass South and Brittney Williams on Goldie Vance. On Batgirl, she is joined by Rafael Albuquerque, an artist of dynamic and moody visuals, known for his run on the Vertigo comic American Vampire.

Larson and Albuquerque begin their new Batgirl series by keeping a lot of the tone that made the last series work but start out by taking Barbara Gordon away from her supporting cast and her hipsterish Gotham City borough, Burnside, for a soul-searching backpacking trip across Japan full of romance and hand-to-hand combat.

11. The Meek

By Der-Shing Helmer
Kickstarter

Der-Shing Helmer began working on her webcomic The Meek back in 2009 when she was still a teenager. Her lush, polished artwork looked more like stills from an animated feature than the typical lo-fi work you’d often see on the web at the time. It was one of the great examples of long form webcomic storytelling from the first half of this decade and Helmer managed to retain a loyal readership even during some lengthy hiatuses. Now, she is rewarding longtime fans and welcoming potential new readers with her first print edition of The Meek, funded via what is looking like a very successful Kickstarter. And as good as Helmer’s art has always been, she’s taking the opportunity of the new book to go back and polish up some of her earlier pages.

The Meek is an adventure that follows Angora, a green-haired young girl from the jungle who is sent by her grandfather on a mission to save the world from something called “The Center.” She has no idea how she is going to do this and hopes to figure it out along the way as her journey takes her to all corners of this fantasy world.

12. Lady Killer 2 #1

By Joelle Jones and Michelle Madsen
Dark Horse Comics

The premise of Joelle Jones’ Lady Killer series is basically: What if Betty Draper was Jason Bourne? In the sequel to the hit 2015 mini-series, prim and proper housewife Josie Schuller and her family have moved to Cocoa Beach, Florida where, in between hosting tupperware parties and avoiding her mother-in-law, she is secretly starting up her own business as a freelance assassin.

While drawn in a modern comics style and rife with gory comics violence, Jones meticulously recreates the fashion and atmosphere of its 1960s setting, taking lots of cues from the advertising and design of that Mad Men era. Jones is known primarily for her stylish artwork but after co-writing the first series with frequent collaborator Jamie S. Rich, she is the solo creator on this new series (along with colorist Michelle Madsen).

13. Fantasy Sports 2: The Bandit of Barbel Bay

By Sam Bosma
Nowbrow Press

The delightful premise of Sam Bosma’s all-ages fantasy series is that a pair of travelers, a young girl named Wiz and her musclebound sidekick Mug, end up challenged to various sporting competitions by the fantasy-world creatures they encounter. After playing basketball with Egyptian mummies in volume 1, the pair is teleported to a beach town and end up in a volleyball tournament with the town’s amphibious residents.

Fantasy Sports 1 was Bosma’s first graphic novel, but, an accomplished illustrator and art professor, he is already a master comics storyteller. Comics about sports are a rarity in the West but have always been big in Japanese manga where Bosma has found a lot of inspiration for this series. This book is sure to be a hit with kids who’ll enjoy seeing their favorite sports played to the extreme by funny-looking monsters.

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25 Things You Should Know About Tucson
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The west is still wild in Tucson. Surrounded by breathtaking mountains, Arizona’s second-largest city attracts artists, astronomers, outdoorsy types and at least one rare cat. Read on for more Tucson trivia.

1) Some of the earliest evidence of corn cultivation in North America comes from Pima County, Arizona, where Tucson is located. Archaeologists have recovered kernels estimated to be 4000 years old within 60 miles of the city.

2) Towering above the downtown area is an iconic mountain called Sentinel Peak. Look at it from a distance and you may notice that the base is darker than the summit. The native Tohono O’odham people called this landmark Ts-iuk-shan—which is a corruption of their word for “black base.” Spaniards later turned Ts-iuk-shan into Tucson.

3) On March 20, 1880, a passenger train rolled into Tucson for the first time. Mayor R.N. Leatherwood sent out telegrams to dignitaries to publicize the occasion, writing to Pope Leo XIII that the railroad now linked "this ancient and honorable pueblo" with the rest of the Christian world. Newspapers began calling Tucson “the A. and H. Pueblo,” which gradually shrunk to its current nickname, “the Old Pueblo.”

4) If you’re a stargazer, Tucson is one of the best spots in the U.S. for astronomy. In 1972, Pima County enacted a “dark sky” code to regulate the brightness and number of outdoor bulbs in an effort to help local observatories like one at Kitt Peak. Now Tucson suffers from far less light pollution than most cities do, allowing stars and planets to shine through the darkness.

5) Above Broadway Boulevard, you can walk through the belly of a giant metal snake. A covered bridge for pedestrians and cyclists, this serpentine structure is designed to look like a diamondback rattlesnake, whose gaping jaw and fangs form the entrance.

6) By day, it looks like a big plastic doughnut. But after sundown, the solar-powered Desert O sculpture lights up in an array of vibrant colors. The ring, owned by the city of Tucson, is 6 feet in diameter and uses LED lights to create a brilliant display with a different color combo for every night of the week.

7) In 1970, then-mayor Jim Corbett called Tucson's East Speedway Boulevard the "ugliest street in America." At the time, it was enveloped by garish billboards that obscured the city's beautiful vistas. Then Life magazine ran a two-page photo of the forest of road signs and advertisements. The embarrassing spotlight led to Tucson's sign code, passed in the 1980s, which gradually limited billboards and tacky signage.

8) According to Guinness World Records, Davis-Monthan Airforce Base in Tucson has the largest aircraft repair shop and storage facility on Earth. Covering 2600 acres, it could house 4200 aircraft and 40 aerospace vehicles at one time, while still leaving room for 350,000 production tools.

9) In 2013, a new species of scorpion was discovered in the Santa Catalina Mountains, which are visible from downtown Tucson. Biologist Rob Bryson Jr. discovered the species in the Santa Catalinas' "sky islands"—isolated mountaintop habitats known for their biodiversity.

10) Cyclists should consider dropping by on the last Saturday before Thanksgiving for El Tour de Tucson, Arizona's largest and longest-running cycling event. The series of races attracts more than 9000 bike enthusiasts per year and usually raises about $2 million for local charities.

11) Hugo O’Conor, an Irish colonel in the Spanish army, is regarded by some as the founder of Tucson. Although a Spanish mission had been operating in present-day Tucson since 1692, and Native American communities before that, O’Conor arranged to have a military base for Spain's army set up on the site in 1775, resulting in a population boom for the city. O'Conor's red hair and courage in battle gave him the nickname “The Red Captain.”

12) The United States Handball Association Hall of Fame is located on North Tucson Boulevard.

13) Five years after peace was declared in the Mexican-American War, the U.S. bought the lower third of Arizona, which included Tucson, from Mexico. The $10 million transaction, known as the Gadsden Purchase, was finalized in 1854 and added a 30,000-square-mile territory to the United States. The expansion allowed Gadsden, a railroad promoter, to build a transcontinental railroad through the new territory.

14) One of the largest rock shows in the country, the Tucson Gem and Mineral Show attracts around 50,000 people annually. In addition to hosting gemstone scholars and dealers, the annual convention has exhibited the most dazzling rocks in existence—like the Hope diamond, lunar rocks collected by NASA astronauts, and the eye-popping Logan sapphire.

15) The Arizona State University Sun Devils and the University of Arizona Wildcats have a longstanding rivalry that dates back to their first meeting in 1889. Each year, the teams compete for the Territorial Cup, the oldest rivalry trophy in college football. The Wildcats play regular home games in their 56,000-seat stadium in midtown Tucson.

16) Speaking of the University of Arizona, it was founded in 1891—21 years before Arizona achieved statehood.

17) Tucson's world-class culinary scene was recognized by the United Nations Educational, Scientific, and Cultural Organization (UNESCO) in 2015 as a “Capital of Gastronomy.” Only 18 cities around the world have been given this title, and no other American city has cracked the list yet. Jonathan Mabry, a historic preservation officer in Tucson, filed the application for the city. “There are more heritage foods grown within 100 miles of Tucson than any other city in North America,” he told Smithsonian.com.

18) The Fourth Avenue Underpass doubles as a one-of-a-kind photo gallery. Roughly 7000 tiles bearing black and white portraits of 21st-century Tucsonans line the walls.

19) Four national flags have flown over the Old Pueblo. Spain ruled Tucson and the rest of Mexico until 1821. Then Mexico itself took over, but sold Tucson and much more territory to the United States in 1854 (see #13). When the Civil War broke out, the city joined the Confederacy and flew the Confederate flag from February to June 1862. Then Union forces, bearing the American flag, took the city back

20) Tucson is the oldest incorporated city in Arizona (and has been since incorporating in 1877).

21) For a few weeks in 1933, radio listeners in Tucson could enjoy a local show hosted by a very young Ray Bradbury. At age 12, he landed a gig at KGAR reciting comic strips on the air every Saturday night. “My pay was free tickets to see King Kong, Murders in the Wax Museum, and The Mummy,” he later reminisced. “You can’t do any better than that.”

22) El Charro Café is the oldest Mexican restaurant in the U.S. continuously operated by the same family. It may also be the birthplace of the chimichanga. As the legend goes, they were invented by Monica Flin, who established El Charro in 1922. She once flipped a burrito right into the fryer, splattering oil everywhere. Since kids were within earshot, she resisted the urge to curse and yelled “chimichanga,” a slang word that means thingamajig, instead.

23) The Mini Time Machine Museum of Miniatures is truly larger than life. A gallery of scale models, it boasts more than 300 tiny room boxes and houses. Some examples predate the Revolutionary War.

24) Downtown, a street known as Calle Carlos Arruza honors one of the greatest bullfighters in history, Mexican-born Carlos Arruza, whose nickname was El Ciclon (The Cyclone). According to historian David Leighton, Calle Carlos Arruza is one of the very few streets—possibly the only street—in the U.S. named after a bullfighter.

25) Only two non-captive jaguars, the largest cats in the New World, are known to reside within the U.S. One of them, nicknamed El Jefe, is a Tucson celebrity. Discovered in 2011, he can be found stalking the Santa Rita Mountains 25 miles south of the city. Jaguars are a near-threatened species: biologists estimate that about 15,000 are left in the wild.

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The Night the Brat Pack Was Born
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If Emilio Estevez had opted to pay for his movie ticket, the Brat Pack might never have been born. It was spring 1985, and Estevez—then the 23-year-old co-star of St. Elmo’s Fire—was being profiled in New York Magazine. The angle was that Estevez had just signed a deal to write, direct, and star in his own feature, That Was Then... This is Now, an opportunity that was rarely afforded to young Hollywood talent. Estevez was two years younger than Orson Welles was when he performed similar duties for 1941’s Citizen Kane.

That youthful exuberance was on display as New York writer David Blum followed Estevez in and around Los Angeles for several days gathering material for the story. With Blum in tow, Estevez decided that he wanted to catch a screening of Ladyhawke, a fantasy film starring Matthew Broderick. For reasons not made entirely clear, he preferred not to have to pay for a ticket. According to Blum, Estevez called the theater and politely asked for free admission before entering an 8 p.m. screening.

It's likely Estevez was just having a little fun with his celebrity. But to Blum, it was indicative of a mischievous, slightly grating sense of entitlement. Blum’s assessment was that Estevez was acting “bratty,” an impression he felt was reinforced when he witnessed a gathering of other young actors at LA’s Hard Rock Cafe for the same story.

What was supposed to be a modest profile of Estevez turned into a cover story declaration: Hollywood’s “Brat Pack” was here, and they had decided to forego the earnest acting study preferred by their predecessors to spend their nights partying instead.

The day the story hit newsstands, Blum received a call from Estevez. “You’ve ruined my life,” he said.

The June 1985 cover of New York magazine
New York, Google Books

Blum’s label had its roots in the Rat Pack of the 1960s, so named for the carousing boys' club led by Frank Sinatra, Dean Martin, and Sammy Davis Jr. Whether it was accurate or not, the performers developed reputations for squeezing every last drink, perk, and joke they could out of their celebrity well into middle age.

That dynamic was on Blum’s mind when New York dispatched him to cover Estevez. After he arrived in California, Blum took note of the fact that a tight cluster of actors seemed to have formed a group, both on- and off-screen. Estevez was close friends with Rob Lowe and Tom Cruise, and all of them appeared in 1983’s The Outsiders; Lowe and Estevez were co-starring in St. Elmo’s Fire, a coming-of-age drama that also featured Andrew McCarthy and Judd Nelson; Estevez and Nelson gained a lot of attention for 1984’s The Breakfast Club.

To Blum, Estevez was more than just a multi-hyphenate; he appeared to be the nucleus of a group that spent a lot of time working and playing together. And in fairness to Blum, Estevez didn’t dissuade the writer from that take: Fearing he was coming off as too serious in the profile, Estevez asked Lowe and Nelson to hang out with him at Los Angeles’s Hard Rock Cafe so Blum could see the actor's lighter side.

Nelson would later recall that he felt uneasy around Blum. “Why is this guy having dinner with us?” he asked Estevez. Lowe, meanwhile, was busy flirting with women approaching their table. The group later went to a "punk rock" club, with a Playboy Playmate tagging along.

As celebrity hedonism goes, it was a tame evening. But Blum walked away with the idea that Estevez was the unofficial president of an exclusive club—attractive actors who were soaking up success while idling late into the night.

Blum returned to New York with a different angle for his editors. He wanted to capture this “Brat Pack,” a “roving band” of performers “on the prowl” for good times. Although the magazine had just run a cover story about a teenage gang dubbed “the wolf pack” and feared repetition, they agreed.

As far as Estevez and the others were concerned, Blum was busy executing a piece on Estevez’s ambitions as a writer and director. When Estevez, Nelson, and Lowe appeared on the cover—taken from a publicity still for St. Elmo’s Fire—with his newly-coined phrase, they were horrified.

Blum began getting calls from angry publicists from each of the actors mentioned in the article—and there had been a lot of them. In addition to Estevez, the de facto leader, and lieutenants Lowe and Nelson, Blum had dubbed go-to John Hughes geek Anthony Michael Hall the “mascot”; Timothy Hutton was said to be on the verge of excommunication for his film “bombs”; Tom Cruise, Sean Penn, Nicolas Cage, and Matt Dillon were also mentioned.

To the actors, the effect was devastating. Independent of how they spent their free time, all of them were pursuing serious careers as performers, with producers, directors, and casting agents mindful of their portrayal in the media. Being a Brat Packer was synonymous with being listless, or not taking their craft seriously.

Nelson recalled the blowback was immediate: Managers told him to stop socializing with his friends for fear he’d be stigmatized as unreliable. “These were people I worked with, who I really liked as people, funny, smart, committed to the work,” he said in 2013. “I mean, no one was professionally irresponsible. And after that article, not only [were] we strongly encouraged not to work with each other again, and for the most part we haven’t, but it was insinuated we might not want to be hanging out with these people.”

Universal Pictures

Some of the actors went on The Phil Donahue Show to criticize the profile, asserting that their remarks to Blum had been off-the-record. (Blum denied this.) Lowe told the media that Blum had “burned bridges” and that he was “no Hunter S. Thompson.” Andrew McCarthy called Blum a “lazy … journalist” and found the idea of an actor “tribe” absurd—he had never even met Anthony Michael Hall.

Unfortunately, the name stuck. “Brat Pack” was infectious—a catch-all for the kind of young performer emerging in the ‘80s who could be seen in multiple ensemble movies. While Blum would later express regret over the label, it’s never quite left the public consciousness. In 2005, Universal released a DVD boxed set—The Breakfast Club, Weird Science, and Sixteen Candles—as The Brat Pack Collection.

Nelson, Estevez, and Lowe never again appeared in a movie together. “Personally, the biggest disappointment about it is that ‘Brat Pack’ will somehow figure in my obituary at [the] hands of every lazy and unoriginal journalist,” Estevez told a reporter in 2011. “Warning: My ghost will come back and haunt them.”

Nelson was slightly less forgiving. In a 2013 podcast, he chastised Blum for his mischaracterization of the group of young actors. “I would have been better served following my gut feeling and knocking him unconscious.”

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