13 Facts About the Tooth Fairy

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Losing a tooth can be a scary experience, so it’s no surprise that parents throughout history have created rituals to celebrate this rite of passage. In the United States, children who leave a newly lost tooth under their pillow know to expect a nocturnal visit from the Tooth Fairy, who might leave a shiny quarter, a new toothbrush, or perhaps even a crisp $20 bill! But how did this tradition begin, and what is a tooth really worth? Here are 13 bite-sized facts about our favorite dainty dental dealer.

1. THE TOOTH FAIRY IS YOUNGER THAN YOU MIGHT EXPECT.

Compared to the two other main figures in modern American mythology, the Tooth Fairy is the new kid on the block. Santa Claus can be traced back to Saint Nicholas, born around 280 CE, and the Easter Bunny arrived in the United States with German immigrants during the 1700s, but the very earliest reference to the Tooth Fairy appears in a Chicago Daily Tribune "Household Hints" column from September 1908. Tribune reader Lillian Brown wrote in to suggest that "Many a refractory child will allow a loose tooth to be removed if he knows about the tooth fairy. If he takes his little tooth and puts it under the pillow when he goes to bed the tooth fairy will come in the night and take it away, and in its place will leave some little gift." The story was further popularized by Esther Watkins Arnold’s 1927 play for children, The Tooth Fairy.

2. BUT CELEBRATING A LOST TOOTH IS A LONGSTANDING UNIVERSAL TRADITION.

While the specific concept of a fairy is recent, cultures around the world have been commemorating lost baby teeth for hundreds of years. In the 13th century, Islamic scholar Ibn Abi el-Hadid referenced the Middle Eastern tradition of throwing a baby tooth into the sky (or "to the sun") and praying for a better tooth to replace it. Throwing teeth is a common practice: In Turkey, Mexico, and Greece, children traditionally toss their baby teeth onto the roof of their house. In India, Korea, Vietnam, and the Philippines, lower teeth are thrown upward but teeth from the upper jaw are thrown to the floor, to encourage the new adult teeth to grow straight. Traditions aren't always sunny, though—Norwegian and Finnish children are warned of Hammaspeikko, the "tooth troll" who comes for children who don’t brush.

3. EVEN THE VIKINGS PRIZED BABY TEETH.

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Think the Vikings were too busy pillaging to celebrate baby teeth? In fact, the Norse Eddas—myths, verse, and poetry from 13th century Scandinavia—make reference to the tand-fé ("tooth fee"), a small payment from parent to child to recognize the other side of the milestone—when an infant's first tooth came in. The ancient poem "Grimnismal" even notes that Alfheim, the "fairy world" in Norse mythology, was given to their god Frey as a "tooth gift" in his youth. According to various sources, some Viking warriors would later wear their children’s teeth as talismans, believing they’d bestow luck and protection in battle.

4. SOMETIMES THE FAIRY IS A MOUSE.

Many global baby-tooth traditions are tied to rodents. Psychiatrist and physician Leo Kanner’s 1928 study "Folklore of the Teeth" references children offering their lost baby teeth to mice, rats, squirrels, or other animals known to have sturdy teeth. In Spain, author Luis Coloma developed the character El Ratoncito Pérez as a Tooth Fairy analog for the boy-king Alfonso XIII. El Ratoncito Pérez is still popular in most Spanish-speaking countries today, and has even appeared in modern marketing campaigns for Colgate toothpaste. Likewise, in France and Belgium, children wait for La Petite Souris ("the little mouse") and leave him not only baby teeth, but morsels of cheese as well.

5. THE AVERAGE AMERICAN TOOTH IS CURRENTLY WORTH AROUND $3.19.

What’s a tooth worth? According to an annual survey conducted by Visa, 32 percent of children receive a single dollar, which is by far the most common amount. But 5 percent of children received $20 or more, bringing the nationwide average to $3.40 in 2014. Unsurprisingly, the value of a tooth is tied not only to family income level, but geographic region—the Tooth Fairy tends to be more generous in the Northeast and stingier in the South and West. Confused about how much to give your sweet dreamer? Visa now provides a helpful calculator to check what other children in their demographic are receiving.

6. THE VALUE OF TEETH FLUCTUATES WITH THE MARKET.

Insurance group Delta Dental has also been tracking average Tooth Fairy rewards since 1998, and comparing their results to stock market activity. They've found that in at least 12 of the past 15 years, trends in Tooth Fairy payouts have correlated to movement in the S&P 500. Their study also notes that in 2015, the Tooth Fairy gave out a total of $256 million dollars—that’s a lot of teeth!

7. ROSEMARY WELLS WAS AMERICA’S FOREMOST TOOTH FAIRY EXPERT …

In the 1970s, Northwestern University professor Rosemary Wells realized that while the practice of replacing baby teeth with money was extremely popular, little was known about the origins of the Tooth Fairy. Wells took it upon herself to interview anthropologists, parents, and children; write a series of magazine articles exploring the roots of the character; and conduct a national survey of 2000 parents to learn more about families’ various traditions and interpretations. Her fascination with the topic even led to an appearance on The Oprah Winfrey Show, and she had her business cards labeled with "Tooth Fairy Consultant."

8. … AND SHE FOUNDED THE TOOTH FAIRY MUSEUM IN DEERFIELD, ILLINOIS.

Dr. Wells's Tooth Fairy research led to her amassing a sizable collection of memorabilia, and in 1993 she turned her split-level suburban home in Deerfield, IL into the Tooth Fairy Museum. A popular choice for local elementary school field trips, the museum contained art, dolls, books, and other memorabilia celebrating depictions of the Tooth Fairy across various cultures. The museum closed following Dr. Wells's death in 2000.

9. THE FAIRY CAN HELP PROMOTE HEALTHY HABITS.

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In addition to commemorating a milestone, many parents now use the Tooth Fairy as a means of promoting good dental hygiene from a young age. Vicki Lansky, author of more than two dozen parenting and household books, cleverly suggests, "Let your child know early on that the tooth fairy pays more for a perfect [tooth] than for a decayed one." Other parents have gotten creative with conditional gifts—like a note promising an extra $20 if the child brushed her teeth every day after lunch for a month.

10. NO ONE’S QUITE SURE WHAT THE TOOTH FAIRY LOOKS LIKE …

Unlike Santa, there isn’t a widely-held consensus on the Fairy’s appearance. Most cartoons and books depict a winged female sprite or pixie, much like Tinkerbell, bearing a wand and trailing sparkles in her wake. But Dr. Wells's 1984 survey found that while 74 percent of Americans viewed the Tooth Fairy as female, another 12 percent envisioned the Fairy as neither male nor female. Other responders gave less traditional answers: Some imagined the Tooth Fairy as a bear, a bat, a dragon, or even "a potbellied, cigar smoking, jeans clad tiny flying male."

11. … WHICH MIGHT EXPLAIN A WIDE VARIETY OF CASTING CHOICES.

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The Tooth Fairy is a recurring character in modern cinema, and has been portrayed by a diverse assortment of actors and actresses. The 2010 comedy Tooth Fairy cast former wrestler Dwayne "The Rock" Johnson as a bruising hockey star who is pressed into Fairy-duty; the 2012 straight-to-video sequel re-used the concept with comedian Larry the Cable Guy in the title role. Veteran actor Art LaFleur donned the wings for both The Santa Clause 2 and The Santa Clause 3. Meanwhile, actress Isla Fisher voiced an animated (and extremely birdlike) version of the Tooth Fairy for the 2012 Golden-Globe nominated film Rise of the Guardians, while Amy Sedaris played a delightfully deranged version on the kiddie show Yo Gabba Gabba!

12. THE TOOTH FAIRY INSPIRED A PROMINENT SKEPTIC.

As a fictional character, you wouldn’t expect the Tooth Fairy to appear in many serious publications. But Dr. Harriet Hall, an Air Force flight surgeon, skeptic, and critic of alternative medicine, has coined the term "Tooth Fairy Science" to describe the importance of ensuring a phenomenon actually exists before studying it. Dr. Hall offers this fantastic example of how a carefully crafted experiment may still yield an invalid result:

If you don’t consider prior probability, you can end up doing what I call Tooth Fairy Science. You can study whether leaving the tooth in a baggie generates more Tooth Fairy money than leaving it wrapped in Kleenex. You can study the average money left for the first tooth versus the last tooth. You can correlate Tooth Fairy proceeds with parental income. You can get reliable data that are reproducible, consistent, and statistically significant. You think you have learned something about the Tooth Fairy. But you haven’t. Your data has another explanation, parental behavior, that you haven’t even considered. You have deceived yourself by trying to do research on something that doesn’t exist.

13. NATIONAL TOOTH FAIRY DAY IS FEBRUARY 28 (OR MAYBE AUGUST 22?)

According to no less an authority than www.toothfairy.org, National Tooth Fairy Day is celebrated annually on February 28. However, other sources and calendars also list the holiday on August 22. (With such a busy schedule, the Fairy surely deserves two days, right?) The second week of August is also recognized as National Smile Week (to promote dental health) so a follow-up celebration for the Tooth Fairy seems appropriate. (But the cynics among us might note that February 27 is Sword Swallower's Day [PDF], so perhaps the Fairy has some extra work to do.)

15 Surprising Facts About Scarface

Universal Home Video
Universal Home Video

Say hello to our little list. Here are a few facts to break out at your next screening of Scarface, Brian De Palma’s gangsters-and-cocaine classic, which arrived in theaters on this day in 1983.

1. IT WASN'T THE FIRST SCARFACE.

Brian De Palma's Scarface is a loose remake of the 1932 movie of the same name, which is also about the rise and fall of an American immigrant gangster. The producer of the 1983 version, Martin Bregman, saw the original on late night TV and thought the idea could be modernized—though it still pays respect to the original film. De Palma's flick is dedicated to the original film’s director, Howard Hawks, and screenwriter, Ben Hecht.

2. IT COULD HAVE BEEN A SIDNEY LUMET FILM.

At one point in the film's production, Sidney Lumet—the socially conscious director of such classics as Dog Day Afternoon and 12 Angry Men—was brought on as its director. "Sidney Lumet came up with the idea of what's happening today in Miami, and it inspired Bregman," Pacino told Empire Magazine. "He and Oliver Stone got together and produced a script that had a lot of energy and was very well written. Oliver Stone was writing about stuff that was touching on things that were going on in the world, he was in touch with that energy and that rage and that underbelly."

3. OLIVER STONE WASN'T INTERESTED IN WRITING THE SCRIPT, UNTIL LUMET GOT INVOLVED.


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Producer Bregman—who passed away on June 16, 2018—offered relative newcomer Oliver Stone a chance to overhaul the screenplay. But Stone, who was still reeling from the box office disappointment of his film, The Hand, wasn't interested. "I didn’t like the original movie that much," Stone told Creative Screenwriting. "It didn’t really hit me at all and I had no desire to make another Italian gangster picture because so many had been done so well, there would be no point to it. The origin of it, according to Marty Bregman, [was that] Al had seen the '30s version on television, he loved it and expressed to Marty as his long time mentor/partner that he’d like to do a role like that. So Marty presented it to me and I had no interest in doing a period piece."

But when Bregman contacted Stone again about the project later, his opinion changed. "Sidney Lumet had stepped into the deal," Stone said. "Sidney had a great idea to take the 1930s American prohibition gangster movie and make it into a modern immigrant gangster movie dealing with the same problems that we had then, that we’re prohibiting drugs instead of alcohol. There’s a prohibition against drugs that’s created the same criminal class as (prohibition of alcohol) created the Mafia. It was a remarkable idea."

4. UNFORTUNATELY, ACCORDING TO STONE, LUMET HATED HIS SCRIPT.

While the chance to work with Lumet was part of what lured Stone to the project, it was his script that ultimately led to the director's departure from the film. According to Stone: "Sidney Lumet hated my script. I don’t know if he’d say that in public himself, I sound like a petulant screenwriter saying that, I’d rather not say that word. Let me say that Sidney did not understand my script, whereas Bregman wanted to continue in that direction with Al."

5. STONE HAD FIRSTHAND EXPERIENCE WITH THE SUBJECT MATTER.

In order to create the most accurate picture possible, Stone spent time in Florida and the Caribbean interviewing people on both sides of the law for research. "It got hairy," Stone admitted of the research process. "It gave me all this color. I wanted to do a sun-drenched, tropical Third World gangster, cigar, sexy Miami movie."

Unfortunately, while penning the screenplay, Stone was also dealing with his own cocaine habit, which gave him an insight into what the drug can do to users. Stone actually tried to kick his habit by leaving the country to complete the script so he could be far away from his access to the drug.

"I moved to Paris and got out of the cocaine world too because that was another problem for me," he said. "I was doing coke at the time, and I really regretted it. I got into a habit of it and I was an addictive personality. I did it, not to an extreme or to a place where I was as destructive as some people, but certainly to where I was going stale mentally. I moved out of L.A. with my wife at the time and moved back to France to try and get into another world and see the world differently. And I wrote the script totally f***ing cold sober."

6. BRIAN DE PALMA DIDN'T WANT TO AUDITION MICHELLE PFEIFFER.


Universal Home Video

De Palma was hesitant to audition the relatively untested Pfeiffer because at the time she was best known for the box office bomb Grease 2. Glenn Close, Geena Davis, Carrie Fisher, Kelly McGillis, Sharon Stone and Sigourney Weaver were all considered for the role of Elvira, but Bregman pushed for Pfeiffer to audition and she got the part.

7. YES, THERE IS A LOT OF SWEARING.

According to the Family Media Guide, which monitors profanity, sexual content, and violence in movies, Scarface features 207 uses of the “F” word, which works out to about 1.21 F-bombs per minute. In 2014, Martin Scorsese more than doubled that with a record-setting 506 F-bombs thrown in The Wolf of Wall Street.

8. TONY MONTANA WAS NAMED FOR A FOOTBALL STAR.

Stone, who was a San Francisco 49ers fan, named the character of Tony Montana after Joe Montana, his favorite football player.

9. TONY IS ONLY REFERRED TO AS "SCARFACE" ONCE, AND IT'S IN SPANISH.

Hector, the Colombian gangster who threatens Tony with the chainsaw, refers to Tony as “cara cicatriz,” meaning “scar face” in Spanish.

That chainsaw scene, by the way, was based on a real incident. To research the movie, Stone embedded himself with Miami law enforcement and based the infamous chainsaw sequence on a gangland story he heard from the Miami-Dade County police.

10. VERY LITTLE OF THE FILM WAS ACTUALLY SHOT IN MIAMI.

The film was originally going to be shot entirely on location in Miami, but protests by the local Cuban-American community forced the movie to leave Miami two weeks into production. Besides footage from those two weeks, the rest of the movie was shot in Los Angeles, New York, and Santa Barbara.

11. ALL THAT "COCAINE" LED TO PROBLEMS WITH PACINO'S NASAL PASSAGES.

Though there has long been a myth that Pacino snorted real cocaine on camera for Scarface, the "cocaine" used in the movie was supposedly powdered milk (even if De Palma has never officially stated what the crew used as a drug stand-in). But just because it wasn't real doesn't mean that it didn't create problems for Pacino's nasal passages. "For years after, I have had things up in there," Pacino said in 2015. "I don't know what happened to my nose, but it's changed."

12. PACINO'S NOSE WASN'T HIS ONLY BODY PART TO SUFFER DAMAGE.

Still of Al Pacino as Tony Montana in 'Scarface' (1983)
Universal Home Video

In the film's very bloody conclusion, Montana famously asks the assailants who've invaded his home to "say hello to my little friend," which happens to be a very large gun. That gun took a beating from all the blanks it had to fire, so much so that Pacino ended up burning his hand on its barrel. "My hand stuck to that sucker," he said. Ultimately, the actor—and his bandaged hands—had to sit out some of the action in the last few weeks of production.

13. STEVEN SPIELBERG DIRECTED A SINGLE SHOT.

De Palma and Spielberg had been friends since the two began making studio movies in the mid-1970s, and they made a habit of visiting each other’s sets. Spielberg was on hand for one of the days of shooting the Colombians’ initial attack on Tony Montana’s house at the end of the movie, so De Palma let Spielberg direct the low-angle shot where the attackers first enter the house.

14. SOME COOL TECHNOLOGY WENT INTO THE GUN MUZZLE FLASHES.

In order to heighten the severity of the gunfire, De Palma and the special effects coordinators created a mechanism to synchronize the gunfire with the open shutter on the movie camera to show the huge muzzle flash coming from the guns in the final shootout.

15. SADDAM HUSSEIN WAS A FAN OF THE FILM.

The trust fund the former Iraqi dictator set up to launder money was called “Montana Management,” a nod to the company Tony uses to launder money in the movie.

11 Things You May Not Know About John Lennon

Hulton Archive/Getty Images
Hulton Archive/Getty Images

Before he was one of the world's most iconic musicians, John Lennon was a choir boy and a Boy Scout. Let's take a look at a few facts you might not have known about the leader and founding member of The Beatles

1. HE WAS A CHOIR BOY AND A BOY SCOUT.

Yes, John Lennon, the great rock 'n' roll rebel and iconoclast, was once a choir boy and a Boy Scout. Lennon began his singing career as a choir boy at St. Peter's Church in Liverpool, England and was a member of the 3rd Allerton Boy Scout troop.

2. HE HATED HIS OWN VOICE.

Incredibly, one of the greatest singers in the history of rock music hated his own voice. Lennon did not like the sound of his voice and loved to double-track his records. He would often ask the band's producer, George Martin, to cover the sound of his voice: "Can't you smother it with tomato ketchup or something?"

3. HE WAS DISSATISFIED WITH ALL OF THE BEATLES'S RECORDS.

Dining with his former producer, George Martin, one night years after the band had split up, Lennon revealed that he'd like to re-record every Beatles song. Completely amazed, Martin asked him, "Even 'Strawberry Fields'?" "Especially 'Strawberry Fields,'" answered Lennon.

4. HE WAS THE ONLY BEATLE WHO DIDN'T BECOME A FULL-TIME VEGETARIAN.

John Lennon (1940 - 1980) of the Beatles plays the guitar in a hotel room in Paris, 16th January 1964
Harry Benson, Express/Hulton Archive/Getty Images

George Harrison was the first Beatle to go vegetarian; according to most sources, he officially became a vegetarian in 1965. Paul McCartney joined the "veggie" ranks a few years later. Ringo became a vegetarian not so much for spiritual reasons, like Paul and George, but because of health problems. Lennon had toyed with vegetarianism in the 1960s, but he always ended up eating meat, one way or another.

5. HE LOVED TO PLAY MONOPOLY.

During his Beatles days, Lennon was a devout Monopoly player. He had his own Monopoly set and often played in his hotel room or on planes. He liked to stand up when he threw the dice, and he was crazy about the properties Boardwalk and Park Place. He didn't even care if he lost the game, as long as he had Boardwalk and Park Place in his possession.

6. HE WAS THE LAST BEATLE TO LEARN HOW TO DRIVE.

Lennon got his driver's license at the age of 24 (on February 15, 1965). He was regarded as a terrible driver by all who knew him. He finally gave up driving after he totaled his Aston-Martin in 1969 on a trip to Scotland with his wife, Yoko Ono; his son, Julian; and Kyoko, Ono's daughter. Lennon needed 17 stitches after the accident.

When they returned to England, Lennon and Ono mounted the wrecked car on a pillar at their home. From then on, Lennon always used a chauffeur or driver.

7. HE REPORTEDLY USED TO SLEEP IN A COFFIN.

According to Allan Williams, an early manager for The Beatles, Lennon liked to sleep in an old coffin. Williams had an old, abandoned coffin on the premises of his coffee bar, The Jacaranda. As a gag, Lennon would sometimes nap in it.

8. THE LAST TIME HE SAW PAUL MCCARTNEY WAS ON APRIL 24, 1976. 

Paul McCartney (left) and John Lennon (1940-1980) of the Beatles pictured together during production and filming of the British musical comedy film Help! on New Providence Island in the Bahamas on 2nd March 1965
William Lovelace, Daily Express/Hulton Archive/Getty Images

McCartney was visiting Lennon at his New York apartment. They were watching Saturday Night Live together when producer Lorne Michaels, as a gag, offered the Beatles $3000 to come on the show. Lennon and McCartney almost took a cab to the show as a joke, but decided against it, as they were just too tired. (Too bad! It would have been one of the great moments in television history.)

9. HE WAS ORIGINALLY SUPPOSED TO SING LEAD ON THE BEATLES'S FIRST SINGLE, 1962'S "LOVE ME DO."

Lennon sang lead on a great majority of the early Beatles songs, but Paul McCartney took the lead on their very first one. The lead was originally supposed to be Lennon, but because he had to play the harmonica, the lead was given to McCartney instead.

10. "ALL YOU NEED IS LOVE" WAS THE BEST LYRIC HE EVER WROTE.

A friend once asked Lennon what was the best lyric he ever wrote. "That's easy," replied Lennon, "All you need is love."

11. THE LAST PHOTOGRAPHER TO SNAP HIS PICTURE WAS PAUL GORESH.

Ironically (and sadly), Lennon was signing an album for the person who was to assassinate him a few hours later when he was snapped by amateur photographer Paul Goresh on December 8, 1980.

Lennon obligingly signed a copy of his latest album, Double Fantasy, for Mark David Chapman. Later that same day, Lennon returned from the recording studio and was gunned down by Chapman, the same person for whom he had so kindly signed his autograph.

Morbidly, a photographer sneaked into the morgue and snapped a photo of Lennon's body before it was cremated the day after his assassination. Yoko Ono has never revealed the whereabouts of his ashes or what happened to them.

This post originally appeared in 2012.

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