12 Star-Crossed Facts About Romeo + Juliet

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When adapting William Shakespeare, most movie directors spend a lot of time fussing over Elizabethan gowns and crumbling castles. Baz Luhrmann was more concerned with guns, slang, and Ecstasy trips. For his 1996 take on Romeo and Juliet, the Australian director dropped those famously star-crossed lovers into a contemporary city with contemporary problems. The resulting Romeo + Juliet was a bombastic update that struck a chord with teens, who turned it into a major hit. Here are a few interesting details about the hurricanes and kidnappings that plagued the set.

1. BAZ LUHRMANN WANTED TO PROVE THAT SHAKESPEARE WASN’T FOR SNOBS.

In retelling Romeo and Juliet as a modern story, Baz Luhrmann hoped to shake up Shakespeare’s accessibility. “The thing I really set out to do was to smash what I call ‘club Shakespeare,’” Luhrmann told ScreenSlam. “[The idea that] you have to be a member of the club to understand it. This 26-year-old writer wrote this fantastic play so that everybody could understand it, so that everybody could be affected by it.” Luhrmann was especially committed to this goal because he was intimidated by Shakespeare as a school kid. It took a psychedelic performance of Twelfth Night to bring him over to the Bard's side, and he hoped to do the same for moviegoers with his equally brazen vision.

2. LEONARDO DICAPRIO FLEW TO AUSTRALIA ON HIS OWN DIME TO GET THE MOVIE MADE.

Romeo + Juliet came out a year before Titanic, long before "Leo Mania" had struck. Without that star power behind him, Leonardo DiCaprio had to fight hard to get the movie made. Luhrmann told SFGate that when 20th Century Fox was still on the fence, DiCaprio flew down to Australia to help Luhrmann convince the studio of the project's viability. "He cashed in his business-class tickets so he could bring his friends, and he stayed in Australia for no money at all," Luhrmann explained. "He did a video workshop, so we could persuade the studio to do it. He was extremely passionate about it." Clearly, that passion paid off.

3. NATALIE PORTMAN ALMOST PLAYED JULIET.

Luhrmann claims many now-famous actresses read for the role of Juliet, but only one has been confirmed: Natalie Portman. She made it all the way to rehearsals, but the studio execs found her pairing with DiCaprio problematic. “Fox said it looked like Leonardo DiCaprio was molesting me when we kissed,” Portman told The New York Times. That’s probably because she was the actual age of Juliet in the text (14) while DiCaprio was already 21.

4. JANE CAMPION SUGGESTED CLAIRE DANES FOR THE MOVIE.

When Luhrmann was still struggling to find a suitable replacement for Portman, a fellow Aussie director helped him out. Jane Campion, the Oscar-winning writer/director of The Piano, asked Luhrmann if he had seen the TV show My So-Called Life. She suggested he check out the series' young star, Claire Danes, because she was “so mature for her age.” Luhrmann set a meeting with Danes and pretty soon, the role was hers.

5. DANES WASN’T IMPRESSED WITH DICAPRIO.

Luhrmann was dazzled by Danes’ maturity, but there was another quality that helped her land the job: DiCaprio said she was the only actress who looked him in the eye during auditions—which was no mean feat, considering how many women were smitten with the teenage heartthrob. “Claire just came in and was just so in the moment, so there, and so not trying to do this little angelic flower [version of] Juliet,” DiCaprio told ScreenSlam. “When we were doing the scene where we were supposed to be together, she came right up to me and looked me right in the eye and starting doing her lines.”

6. MARLON BRANDO NEARLY JOINED THE CAST.

Pete Postlethwaite ended up playing Father Laurence, the priest who marries Romeo and Juliet. But Marlon Brando was initially interested in the role. Luhrmann said that Brando sent him letters about the part, but took himself out of the running due to “personal family problems” surrounding his son, Christian. (Christian spent five years in prison for killing Dag Drollet, his half-sister’s boyfriend.) Even before Brando exited, though, he had some reservations—mainly because DiCaprio was too convincing in a previous film. “He said he saw Leonardo in [What’s Eating] Gilbert Grape,” Luhrmann recalled. “[He asked,] ‘Why is it you are going to cast a young man who’s not entirely in control of his mental facilities?’ So Leonardo had him believing that he wasn’t all that balanced.”

7. A HURRICANE HIT THE SET DURING FILMING.

Mercutio’s famous line, “A plague on both your houses!” gets some extra gravitas in this movie, thanks to the thundering skies behind him. That wasn’t CGI; it was a real hurricane. As Luhrmann explained to The Guardian, the cast and crew decided to capitalize on an actual storm rolling through their set in Mexico. They only had time to get two shots (one wide and one reverse) before things turned dangerous. “All the crew had goggles on, and the guys had stinging sand in their eyes, and then, after those two shots, the sets were completely blown away by the hurricane,” Luhrmann said. The crew returned four days later to film close-ups and had to use fans to recreate the effect.

8. THE HAIR STYLIST GOT KIDNAPPED.

That hurricane wasn’t the only disaster the production weathered. At one point, its key hair stylist, Aldo Signoretti, was kidnapped and held for ransom. “The bandidos rang up and said, ‘For $300 you can have him back,’” Luhrmann told Cinema Papers. “So Maurizio [Silvi, the key make-up artist] goes down clutching the money outside the hotel, holds it up, chucks them the bag and they threw Aldo out of the car and broke his leg.”

9. THE BILLBOARDS HAVE SECRET SHAKESPEARE QUOTES.

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Basically every billboard, sign, and scrap of paper seen onscreen contains a Shakespeare reference. Just look at the opening gas station fight alone. You’ll immediately see signs for Montague Construction and Phoenix Gas. The motto for Montague Construction is “retail’d to prosperity,” which is a reference to Richard III. Meanwhile the slogan for Phoenix Gas is “add more fuel to your fire,” a fragment from Henry VI, Part 3. Next to the gas station is Shylock Bank, named for the character in The Merchant of Venice. Look closely at the newspaper in the display rack and you’ll see the headline, “A rash fierce blaze of riot.” This comes from Richard II. And that’s all in the first eight minutes. Keep your eyes peeled and you’re bound to catch dozens more.

10. ALL THE GUNS ARE NAMED AFTER SWORDS.

Romeo, Mercutio, Tybalt, and their friends have shoot-outs in this film, as opposed to the sword duels that take place in the Shakespeare play. But Luhrmann alluded to the original weapons by stamping all of the guns with names of swords. Some characters carry a “Dagger” 9mm, while others have a “Rapier.” Benvolio got stuck with a more generic “Sword Series S” handgun. See if you can catch the “Rapier” text on Tybalt’s pistol in the clip above.

11. THE FINAL SCENE REFERENCES ANOTHER PAIR OF STAR-CROSSED LOVERS.

For the famous double-suicide finale, Luhrmann chose a classical composition. It’s called “Liebestod” (or “love death”) and it comes from the Richard Wagner opera Tristan und Isolde. That medieval story also concerns a doomed couple who die in the final act—but with more love potions and maritime mishaps.

12. THE SOUNDTRACK WENT PLATINUM.

Romeo + Juliet featured a famously anachronistic soundtrack stacked with singles by Garbage, The Cardigans, and Des’ree. People apparently loved the dissonance. The album went multi-platinum and led to a second, gold-certified volume. But both albums were missing a song written specifically for the movie: Radiohead’s “Exit Music (for a Film).” The British band had composed the song for the Romeo + Juliet end credits at Luhrmann’s request, but didn’t formally release it until their album OK Computer dropped the following year. However, their song "Talk Show Host" does appear on the soundtrack.

10 Fast Facts About Jimi Hendrix

AFP/Getty Images
AFP/Getty Images

Though he’s widely considered one of the most iconic musicians of the 20th century, Jimi Hendrix passed away as his career was really just getting started. Still, he managed to accomplish a lot in the approximately four years he spent in the spotlight, and leave this world a legend when he died on September 18, 1970, at the age of 27. Here are 10 things you might not have known about the musical legend.

1. Jimi Hendrix didn't become "Jimi" until 1966.

Jimi Hendrix was born in Seattle on November 27, 1942 as John Allen Hendrix. He was initially raised by his mother while his father, James “Al” Hendrix, was in Europe fighting in World War II. When Al returned to the United States in 1945, he collected his son and renamed him James Marshall Hendrix.

In 1966, Chas Chandler—the bassist for The Animals, who would go on to become Jimi’s manager—saw the musician playing at Cafe Wha? in New York City. "This guy didn't seem anything special, then all of a sudden he started playing with his teeth," roadie James "Tappy" Wright, who was there, told the BBC in 2016. "People were saying, 'What the hell?' and Chas thought, 'I could do something with this kid.’”

Though Hendrix was performing as Jimmy James at the time, it was Chandler who suggested he use the name “Jimi.”

2. Muddy Waters turned Jimi Hendrix on to the guitar—and scared the hell out of him.

When asked about the guitarists who inspired him, Hendrix cited Buddy Holly, Eddie Cochran, Elmore James, and B.B. King. But Muddy Waters was the first musician who truly made him aware of the instrument. “The first guitarist I was aware of was Muddy Waters,” Hendrix said. “I heard one of his old records when I was a little boy and it scared me to death because I heard all these sounds.”

3. Jimi Hendrix could not read music.


George Stroud/Express/Getty Images

In 1969, Dick Cavett asked the musician whether he could read music: “No, not at all,” the self-taught musician replied. He learned to play by ear and would often use words or colors to express what he wanted to communicate. “[S]ome feelings make you think of different colors,” he said in an interview with Crawdaddy! magazine. “Jealousy is purple—‘I'm purple with rage’ or purple with anger—and green is envy, and all this.”

4. Jimi Hendrix used his dreams as inspiration for his songwriting.

Hendrix drew inspiration for his music from a lot of places, including his dreams. “I dreamt a lot and I put a lot of my dreams down as songs,” he explained in a 1967 interview with New Musical Express. “I wrote one called ‘First Look’ and another called ‘The Purple Haze,’ which was all about a dream I had that I was walking under the sea.” (In another interview, he said the idea for “Purple Haze” came to him in a dream after reading a sci-fi novel, believed to be Philip José Farmer’s Night of Light.)

5. "Purple Haze" features one of music's most famous mondegreens.

In the same interview with New Musical Express, it's noted that the “Purple Haze” lyric “‘scuse me while I kiss the sky” was in reference to a drowning man Hendrix saw in his dream. Which makes the fact that many fans often mishear the line as “‘Scuse me, while I kiss this guy” even more appropriate. It was such a common mistake that Hendrix himself was known to have some fun with it, often singing the incorrect lyrics on stage—occasionally even accompanied by a mock make-out session. There’s even a Website, KissThisGuy.com, dedicated to collecting user-generated stories of misheard lyrics.

6. Jimi Hendrix played his guitar upside-down.

Ever the showman, Hendrix’s many guitar-playing quirks became part of his legend: In addition to playing with his teeth, behind his back, or without touching the instrument’s strings, he also played his guitar upside-down—though there was a very simple reason for that. He was left-handed. (His father tried to get him to play right-handed, as he considered left-handed playing a sign of the devil.)

7. Jimi Hendrix played backup for a number of big names.

Though Hendrix’s name would eventually eclipse most of those he played with in his early days, he played backup guitar for a number of big names under the name Jimmy James, including Sam Cooke, Little Richard, Wilson Pickett, Ike and Tina Turner, and The Isley Brothers.

In addition to the aforementioned musical legends, Hendrix also helped actress Jayne Mansfield in her musical career. In 1965, he played lead and bass guitar on “Suey,” the B-side to her single “As The Clouds Drift By.”

8. Jimi Hendrix was once kidnapped after a show.

Though the details surrounding Hendrix’s kidnapping are a bit sketchy, in Room Full of Mirrors: A Biography of Jimi Hendrix, Charles R. Cross wrote about how the musician was kidnapped following a show at The Salvation, a club in Greenwich Village:

“He left with a stranger to score cocaine, but was instead held hostage at an apartment in Manhattan. The kidnappers demanded that [Hendrix’s manager] Michael Jeffrey turn over Jimi’s contract in exchange for his release. Rather than agree to the ransom demand, Jeffrey hired his own goons to search out the extorters. Mysteriously, Jeffrey’s thugs found Jimi two days later … unharmed.

“It was such a strange incident that Noel Redding suspected that Jeffrey had arranged the kidnapping to discourage Hendrix from seeking other managers; others … argued the kidnapping was authentic.”

9. Jimi Hendrix opened for The Monkees.

Though it’s funny to imagine such a pairing today, Hendrix warming up The Monkees’s crowd of teenybopper fans actually made sense for both acts back in 1967. For the band, having a serious talent like Hendrix open for them would help lend them some credibility among serious music fans and critics. Though Hendrix thought The Monkees’s music was “dishwater,” he wasn’t well known in America and his manager convinced him that partnering with the band would help raise his profile. One thing they didn’t take into account: the young girls who were in the midst of Monkeemania.

The Monkees’s tween fans were confused by Hendrix’s overtly sexual stage antics. On July 16, 1967, after playing just eight of their 29 scheduled tour dates, Hendrix flipped off an audience in Queens, New York, threw down his guitar, and walked off the stage.

10. You can visit Jimi Hendrix's London apartment.

In 2016, the London flat where Hendrix really began his career was restored to what it would have looked like when Jimi lived there from 1968 to 1969 and reopened as a museum. The living room that doubled as his bedroom is decked out in bohemian décor, and a pack of Benson & Hedges cigarettes sits on the bedside table. There’s also space dedicated to his record collection.

Amazingly, the same apartment building—which is located in the city’s Mayfair neighborhood—was also home to George Handel from 1723 until his death in 1759; the rest of the building serves as a museum to the famed composer’s life and work.

John Carpenter’s Original Halloween Is Coming Back to Theaters This Month

Anchor Bay Entertainment
Anchor Bay Entertainment

From September 27 through October 31, the original 1978 Halloween—directed by John Carpenter and produced by Debra Hill—will be returning to theaters, though it will look a little different. Hypebeast reports that the film’s cinematographer, Dean Cundey, helped remaster and restore a copy of the original film, giving this updated version better lighting and effects.

Upon its release on October 25, 1978, Halloween became one of the highest-grossing independent films of all time (it grossed $47 million domestically on a $325,000 budget), and kicked off a decade of copycat slasher films. In 2006, the Library of Congress chose to preserve Halloween in the U.S. National Film Registry. Last year, David Gordon Green directed Halloween, a “sequel” to the original. (Basically, the new Halloween ignored plots from 37 years of Halloween sequels and remakes.)

In 2020 and 2021, two more Halloweens, both starring Jamie Lee Curtis and directed by Green, will hit theaters worldwide. But between the end of September and Halloween, you’ll have a chance to see one of the greatest horror films of all time in theaters. (While watching you can look out for these Halloween goofs.)

Unlike a lot of classic movie re-releases, however, Halloween will not be shown at big chains like AMC. And the dates, times, and ticket costs will vary among venues, which will include select art house theaters, Rooftop Cinema Clubs, and event centers across North America. To find out if Halloween will be screening at a theater near you, go to CineLife’s site and type in your zip code.

[h/t Hypebeast]

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