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15 Facts About 'Scent of a Woman'

A loose adaption of the Giovanni Arpino novel Il buio e il miele and the 1974 movie Profumo di Donna, Scent of a Woman (1992) stars Al Pacino as the bitter, angry, depressed, and blind Lt. Col. Frank Slade in a role that would earn him his first Oscar win. Chris O'Donnell plays prep school student Charlie Simms, who is tasked with babysitting Slade in New York City over a Thanksgiving weekend. Here are some facts about the movie—the first to ever air on the Starz Network—to read before you get tangled up and tango on.

1. JACK NICHOLSON SAID NO.

Nicholson was initially approached to play the blind lieutenant colonel, but after he read the script, he passed. He made up for it with a big 1992, appearing in Man Trouble, Hoffa, and A Few Good Men.

2. MATT DAMON, BEN AFFLECK, BRENDAN FRASER, AND O'DONNELL'S CASTMATES IN SCHOOL TIES ALL AUDITIONED FOR CHARLIE.

"The whole cast went down to audition for it,” Matt Damon remembered in a 1997 Vanity Fair profile. “So the way I found out about the part is, I’m checking in with my agent, to see if anything good has come in, and my agent says, ‘Here’s one with a young role, and . . . Oh my God, it’s got Al Pacino in it!’ So I go up to Chris and say, ‘Have you heard about this movie?’ and he says [curtly] ‘Yeah.’ So I say, ‘Do you have the script?’ ‘Yeah.’ ‘Can I see it?’ ‘No—I kinda need it.’ Chris wouldn’t give it to anybody." Stephen Dorff also auditioned.

3. O'DONNELL WAS VERY CONFIDENT HE GOT THE ROLE, BUT WAS VERY NERVOUS AT HIS AUDITION.

While Damon, Affleck, Fraser, Randall Batinkoff, and Anthony Rapp all felt their auditions didn't go well, O'Donnell felt good about his. "Chris used to play things close to the vest," Damon said. "We asked him how his audition went, and he just said [highpitched, Hibernian singsong], ‘Ohhh, it was all right.’ And we were like ‘Dude! Just tell us how it went!’ And he would say [singsong again], ‘Ohhh, I don’t know.’”

As O'Donnell later admitted, it wasn't easy. “I really wanted it, I really prepared hard for it," he recalled. "Al Pacino was a no-brainer. But when I got in there, Al is such an intimidating presence and the character is supposed to be intimidated by him. I was able to play on that natural nervousness that I had around him in the audition process that helped me to win the role.”

4. CHRIS ROCK AUDITIONED FOR CHARLIE, TOO.

"There was a little bit of talk about me playing the Chris O'Donnell part in Scent of a Woman, which actually would've been a better movie," the comedian told Rolling Stone in 2014. "Not 'cause of me—it just would've been a better movie with a black kid playing that part."

5. DIRECTOR MARTIN BREST WANTED PACINO AND O'DONNELL SEPARATED.

Brest wanted to split the two up so he could create tension, but Pacino and O'Donnell actually wound up bonding off-screen, putting a halt to any separation plans.

"It was just the most nerve wracking experience of my life, and being that nervous around Al Pacino for the majority of the film as well," O'Donnell later said. "I knew at the time I was doing it that this is going to be the greatest single acting experience of my life that I'll ever have." Pacino gave the then 21-year-old actor some life advice while on set. "He always told me don't ever marry an actress. He said you'll always be second in their life." O'Donnell didn't.

6. LT. COL FRANK SLADE WAS THREE DIFFERENT PEOPLE.

Screenwriter Bo Goldman (One Flew Over the Cuckoo's Nest, The Rose) discovered that his brother was broke and living in a big expensive New York apartment that he was a year behind on rent for. One week later, Brest called him and showed him Profuma di Donna. "I looked at this movie, and this character struck me as being exactly like my brother, who became the character in Scent of a Woman," Goldman said. "The character was crossed with my first sergeant in the Army, a member of the famous 442nd Regimental Combat Team, who was the second man I’ve ever really been afraid of, and the first man I was afraid of—my father. The sergeant was a real soldier…So this character became a hybrid of all these people.”

7. 'HOO-AH' CAME FROM PACINO'S GUN EXPERT.

"I was working with a lieutenant colonel who was teaching me the ways [of the Army]," Pacino recalled. "We worked every day, and he'd teach me how to load and unload a .45 and all this stuff. Every time I did something right, he'd go, 'Hoo-ah!' Finally, I asked, 'Where did you get that from?' And he said, 'When we were on the line, and you turned and snapped the rifle in the right way, [you'd say,] 'Hoo-ah!' So I just started doing it. It's funny where things come from."

8. PACINO WAS FITTED FOR SPECIAL LENSES THAT HE ENDED UP NOT USING.

After spending months getting fitted for special lenses that would make Pacino's blindness more convincing, the actor and Brest opted not to use them. There was concern that Pacino's eyes would get hurt if he used them for too long.

9. PACINO HURT HIS CORNEA FALLING INTO A BUSH.

"You don't focus your eyes. And what happens is, you just go into a state," Pacino told Larry King after King asked how he pretended to be blind. "As a matter of fact, I had an eye injury during the shooting of the film, because I fell into a bush. And the worst kind of eye injury is when plant life gets into your cornea. It stuck into my cornea. As I was falling, my eyes weren't focusing and the thing went into my eye. So it's also dangerous to do that."

10. THAT TANGO SCENE WAS PAINFUL FOR GABRIELLE ANWAR.

Gabrielle Anwar (later Fiona Glenanne on Burn Notice) put herself on tape and flew to New York to meet Pacino for an audition. She was then told she didn't get the role of Donna because she "wasn't quite right," before the powers-that-be changed their mind and asked her to fly back to New York. She spent a week with a tango instructor, but didn't really need to, since she used to dance at a nightclub for teenagers in her England hometown of Laleham.

Anwar claimed in 2013 that Pacino did not attend the tango rehearsals. "It was a bit dodgy. I have a few sort of half-broken toes still," she said. "It was interesting... (but) it's Al Pacino, for God's sake; I couldn't exactly complain. I was afraid... He was incredibly nice to me."

11. THEY WENT TO PLACES THE GODFATHER AND BOTH ARTHUR FILMS HAD GONE BEFORE.

The all-male Baird School was filmed at the all-female Emma Willard School in Troy, New York. (Emma Willard was the first women's higher education institution in the United States.) But the final Baird scene was shot at Hempstead House, one of the four mansions on Sands Point Preserve in Long Island, New York. One of the other mansions was where the movie producer woke up to his horse's head in that other Pacino film.

They also shot in the Oak Room at The Plaza Hotel, where the original Arthur drank with Gloria. The tango was performed in the ballroom of The Pierre Hotel. The luxury penthouse there was used again by Brest when he made it Anthony Hopkins's character's home in Meet Joe Black (1998). The penthouse was also used by the Arthur Bach played by Russell Brand in the 2011 remake.

12. O'DONNELL'S BEST TAKE WAS A CAMERA OPERATOR'S WORST.

“The one scene where Chris O’Donnell cries, the focus puller missed and it was soft," editor Michael Tronick revealed. “Normally, Marty [Brest] wouldn’t consider looking at something that’s imperfect that’s flatly out of focus. But it was the best take and we knew it. It had to be in the movie.”

13. PHILIP SEYMOUR HOFFMAN CREDITED IT AS HIS BIG BREAK.

Hoffman had to audition five times to get the part of George. When he won the role he was living in Brooklyn with just a futon while making ends meet working at a deli. Hoffman admitted to The New York Times in 2008 he sometimes caught Scent of a Woman on TV. “I’ll watch it, and I say, ‘Do less, Phil, less, less!’" he said. "Now, I’m a little mortified by parts of my performance. But back then, it was huge! It was pure joy to get to do the work." Writer/director Paul Thomas Anderson claimed that after he saw Hoffman in the movie, “It was one of those ridiculous moments where you call someone and say, ‘You’re my favorite actor.'" Anderson then wrote the part of Scotty J. in Boogie Nights (1997) for him.

14. BREST THOUGHT THE LENGTH WAS JUST FINE.

Some critics notably said the movie, at two hours and 37 minutes, was too long. The first cut by Brest went 160 minutes long. Brest, Goldman, and Pacino wanted it to be even longer, and Universal wanted it shorter. Brest, Goldman, and Pacino eventually won when test audiences gave a higher score to the longer 157-minute cut. Universal, however, cut the movie down for TV and on airplanes. For those versions, Brest removed his name.

15. CHRIS O'DONNELL HAD MORE WORK TO DO.

O'Donnell was working on his marketing degree at Boston College when he starred in the movie. The day after the movie premiere, he needed to finish a term paper and had three finals to study for.

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15 Things You Might Not Know About Chewbacca
ANTONIN THUILLIER, AFP/Getty Images
ANTONIN THUILLIER, AFP/Getty Images

Even if you don't know the name Peter Mayhew, you surely know about Chewbacca—the seven-foot tall Wookiee he has played onscreen for over three decades. In honor of Mayhew’s birthday, here are 15 things you might not know about Han Solo's BFF.

1. HE WAS INSPIRED BY GEORGE LUCAS'S DOG.

The character of Chewbacca was inspired by George Lucas’s big, hairy Alaskan malamute, Indiana. According to Lucas, the dog would always sit in the passenger seat of his car like a copilot, and people would confuse the dog for an actual person. And in case you're wondering: yes, that same dog was also the inspiration behind the name of one of Lucas’s other creations, Indiana Jones.

2. HIS NAME IS OF RUSSIAN ORIGIN.

The name “Chewbacca” was derived from the Russian word Sobaka (собака), meaning “dog.” The term “Wookiee” came from voice actor Terry McGovern; when he was doing voiceover tracks for Lucas's directorial debut, THX 1138, McGovern randomly improvised the line, “I think I just ran over a Wookiee” during one of the sessions.

3. HE'S REALLY, REALLY OLD.

In Star Wars Episode IV: A New Hope, Chewbacca is 200 years old.

4. PETER MAYHEW'S HEIGHT HELPED HIM LAND THE ROLE.

Peter Mayhew
Getty Images

Mayhew was chosen to play everyone’s favorite Wookiee primarily because of his tremendous height: He's 7 feet 3 inches tall.

5. HIS SUIT IS MADE FROM A MIX OF ANIMAL HAIRS, AND EVENTUALLY INCLUDED A COOLING SYSTEM.

For the original trilogy (and the infamous holiday special), the Chewbacca costume was made with a combination of real yak and rabbit hair knitted into a base of mohair. A slightly altered original Chewie costume was used in 1999's The Phantom Menace for the Wookiee senator character Yarua, and a new costume used during Episode III included a specially made water-cooling system so that Mayhew could wear the suit for long periods of time and not be overheated.

6. ONE OF STANLEY KUBRICK'S CLOSEST CREATORS DESIGNED THE COSTUME.

Chewbacca's costume
Getty Images

To create the original costume for Chewbacca, Lucas hired legendary makeup supervisor Stuart Freeborn, who was recruited because of his work on the apes in the “Dawn of Man” sequence in Stanley Kubrick’s 2001: A Space Odyssey. (Freeborn had also previously worked with Kubrick on Dr. Strangelove to effectively disguise Peter Sellers in each of his three roles in that film.) Freeborn would go on to supervise the creation of Yoda in The Empire Strike Back and Jabba the Hutt and the Ewoks in Return of the Jedi.

Lucas originally wanted Freeborn’s costume for Chewie to be a combination of a monkey, a dog, and a cat. According to Freeborn, the biggest problem during production with the costume was with Mayhew’s eyes. The actor’s body heat in the mask caused his face to detach from the costume's eyes and made them look separate from the mask.

7. FINDING CHEWBACCA'S VOICE WAS BEN BURTT'S FIRST ASSIGNMENT.

The first sound effect that director George Lucas hired now-legendary sound designer Ben Burtt for on Star Wars was Chewbacca’s voice (this was all the way back during the script stage). During the year of preliminary sound recording, Burtt principally used the vocalization of a black bear named Tarik from Happy Hollow Zoo in San Jose, California for Chewbacca. He would eventually synchronize those sounds with further walrus, lion, and badger vocalizations for the complete voice. The name of the language Chewbacca speaks came to be known in the Star Wars universe as “Shyriiwook.”

8. ROGER EBERT WAS NOT A FAN.

Roger Ebert was not a fan of the big guy. In his 1997 review of the Special Edition of The Empire Strikes Back, Ebert basically called Chewbacca the worst character in the series. “This character was thrown into the first film as window dressing, was never thought through, and as a result has been saddled with one facial expression and one mournful yelp," the famed critic wrote. "Much more could have been done. How can you be a space pilot and not be able to communicate in any meaningful way? Does Han Solo really understand Chewie's monotonous noises? Do they have long chats sometimes? Never mind.”

9. HE WAS ORIGINALLY MUCH MORE SCANTILY CLAD.

In the summary for Lucas’s second draft (dated January 28, 1975, when the film was called “Adventures of the Starkiller, Episode I: The Star Wars”), Chewbacca is described as “an eight-foot tall, savage-looking creature resembling a huge gray bushbaby-monkey with fierce ‘baboon’-like fangs. His large yellow eyes dominate a fur-covered face … [and] over his matted, furry body he wears two chrome bandoliers, a flak jacket painted in a bizarre camouflage pattern, brown cloth shorts, and little else.”

10. HIS DESIGN WAS BASED ON RALPH MCQUARRIE'S CONCEPT ART.

Chewbacca’s character design was based on concept art drawn by Ralph McQuarrie. Lucas had originally given McQuarrie a photo of a lemur for inspiration, and McQuarrie proceeded to draw the character as a female—but Chewbacca was soon changed to a male. McQuarrie based his furry design on an illustration by artist John Schoenherr, which was commissioned for Game of Thrones scribe George R.R. Martin’s short story “And Seven Times Never Kill a Man.” Sharp-eyed Chewbacca fans will recognize that Schoenherr’s drawing even includes what resembles the Wookiee’s signature weapon, the Bowcaster.

11. HE WON A LIFETIME ACHIEVEMENT AWARD.

Fans were angry for decades that Chewie didn’t receive a medal of valor like Luke and Han did at the end of A New Hope, so MTV gave him a Lifetime Achievement Award at the 1997 MTV Movie Awards. The medal was given to Mayhew—decked out in full costume—by Princess Leia herself, actress Carrie Fisher. His acceptance speech, made entirely in Wookiee grunts, lasted 16 seconds. When asked why Chewbacca didn’t receive a medal at the end of the first film, Lucas explained, “Medals really don’t mean much to Wookiees. They don’t really put too much credence in them. They have different kinds of ceremonies.”

12. HE HAS A FAMILY BACK HOME.

According to the infamous Star Wars Holiday Special, Chewbacca had a wife named Mallatobuck, a son named Lumpawaroo (a.k.a. “Lumpy”), and a father named Attichitcuk (aka “Itchy”). In the special, Chewie and Han visit the Wookiee home planet of Kashyyyk to celebrate “Life Day,” a celebration of the Wookiee home planet’s diverse ecosystem. The special featured appearances and musical numbers by Jefferson Starship, Diahann Carroll, Art Carney, Harvey Korman, and Bea Arthur, and marked the first appearance of Boba Fett. Lucas hated the special so much that he limited its availability following its original airdate on November 17, 1978.

13. MAYHEW'S BIG FEET ARE WHAT KICKSTARTED HIS CAREER.

Mayhew’s path to playing Chewbacca began with a string of lucky breaks—and his big feet. A local London reporter was doing a story on people with big feet and happened to profile Mayhew. A movie producer saw the article and cast him—in an uncredited role—as Minoton the minotaur in the film Sinbad and the Eye of the Tiger. One of the makeup men on Sinbad was also working on the Wookiee costume with Stuart Freeborn for Star Wars and suggested to the producers that they screen test Mayhew. The rest is Wookiee history.

14. MAYHEW KEPT HIS DAY JOB WHILE SHOOTING STAR WARS.

Peter Mayhew
Getty Images

During the shooting of Star Wars, Mayhew kept working his day job as a deputy head porter in a London hospital. Though he was let go because of his sudden varying shooting schedule at Elstree Studios, he was eventually hired back after production wrapped.

15. DARTH VADER COULD HAVE BEEN CHEWBACCA.

Darth Vader
Getty Images

David Prowse, the 6’5” actor who ended up portraying Darth Vader—in costume only—originally turned down the role of Chewbacca.  When given the choice between portraying the two characters, Prowse said, “I turned down the role of Chewbacca at once. I know that people remember villains longer than heroes. At the time I didn’t know I’d be wearing a mask, and throughout production I thought Vader’s voice would be mine.”

Additional Sources: Star Wars DVD special features
The Making of Star Wars: The definitive Story Behind the Original Film, J.W. Rinzler

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20 Character Actors Who Make Everything They’re in Better
Netflix
Netflix

If the main character in your movie is a straitlaced do-gooder, or really, blandly relatable in any way, you’re going to need some eccentric figures to bring some spice to the party. More than mere sidekicks, these characters either make the world they inhabit feel dangerous and chaotic or bring order to insanity by sheer force of personality. They’re characters that make your ears perk just as the movie starts to lose you.

Character actors are tasked with making movies more interesting, but only the best of them succeed. So here are 20 ultra-talented stars who never fail to make good films great, great films classic, and terrible films almost watchable.

1. PETER STORMARE

Peter Stormare in 'American Gods'
Jan Thijs, Starz Entertainment/FremantleMedia North America

Thank Fargo for this one. Peter Stormare’s magic stems from his range, which runs from Genuinely Kind to Terrifyingly Aggressive. You might expect him to play a growling bad guy every role, but his comic timing and humane sensitivity allow him to play everything from an unlicensed eye doctor in Minority Report to multiple voices on children’s shows to an incompetent nihilist kidnapper in The Big Lebowski.

2. OCTAVIA SPENCER

Octavia Spencer in 'Hidden Figures' (2016)
Twentieth Century Fox Film Corporation

Octavia Spencer is a world-class actor and producer with the hardware to prove it (including an Oscar, a BAFTA, and a Golden Globe). She’s a dynamite talent who offers a Herculean amount of support to everyone she shares scenes with. It’s possible that her trademark is a wry, knowing sense of humor, but she’s not that easily pinned down or pigeonholed, mightily subverting expectations in genre work like Snowpiercer and gut-wrenching dramas like Fruitvale Station.

3. SCOOT MCNAIRY

Scoot McNairy in 'Halt and Catch Fire'
Eric Ogden, AMC

Possessing leading man looks and chops with a character actor’s transformative ability, Scoot McNairy is a deft craftsman who brings meek powder keg Gordon Clark to life on Halt and Catch Fire as well as embodying slimy slave trader Brown in 12 Years a Slave and amateurish holdup man Frankie in the crime drama Killing Them Softly.

4. TILDA SWINTON

Tilda Swinton in 'Only Lovers Left Alive' (2013)
Sandro Kopp, Sony Pictures Classics

Some character actors are in the hall of fame, some have won awards, but Tilda Swinton is on (and possibly from) another planet. She can more than hold her own as a leading performer, delivering searing portrayals in We Need to Talk About Kevin and deathly mystery in The Only Lovers Left Alive. But it’s her bizarre character work that most endures, like having your brain smacked with a rainbow baseball bat. From her toothy despot in Snowpiercer to her thousand-year-old dowager in The Grand Budapest Hotel to her wintry witch in The Chronicles of Narnia to a dozen other deeply strange performances, Swinton is playing a totally different game than everyone else. If Hollywood ever makes a David Bowie biopic, they know who to hire.

5. OLIVER PLATT

Oliver Platt in FX's 'Fargo'
Chris Large, FX Networks

An actor’s actor, Oliver Platt never seems content to play the same role twice, yet he has the peerless ability to make it feel as if we’ve known a character our whole lives. That bone-deep familiarity is a quality that comes from another level of acting talent. Even if he’s only in one scene, Platt never phones it in. He’s never less than fantastic. Whether droll and off-the-cuff or stridently severe, you get the feeling that Platt is in it for the pure, unbridled love of acting.

6. ANN DOWD

Ann Dowd plays Aunt Lydia in 'The Handmaid's Tale'
Hulu

This Emmy-winning, 30-year veteran is in five movies coming out this year alone. That’s on top of a busy slate of guest starring roles on TV shows where she almost always becomes the best thing about the episode. She just finished up a remarkable run as the dead-eyed, chain-smoking Patti in The Leftovers, but her reign of matronly terror as Aunt Lydia on The Handmaid’s Tale has only just begun.

7. GIANCARLO ESPOSITO

Giancarlo Esposito in 'Breaking Bad'
Michele K. Short, AMC/Sony Pictures Television

To offer some perspective on Giancarlo Esposito’s genius: he recently did a single episode of Westworld where he delivered a fiery monologue that shook a character to the core, and the creators of Westworld almost definitely hired him because they knew he’d deliver a fiery monologue that would shake an entire audience to its core. Best known as Gus Fring on Breaking Bad (and Better Call Saul), Esposito has appeared in more than 75 movies and a list of TV episodes no one has time to count (though it's worth a reminder that he played Big Bird's camp counselor on Sesame Street). Unfailingly charismatic, Esposito is a modern marvel who, over four decades of acting, has never failed to astound.

8. CARRIE COON

Carrie Coon stars in HBO's 'The Leftovers'
HBO

Carrie Coon’s acting talent is so outstanding that she often commanded entire sequences in The Leftovers without interacting with anyone else. Her character was marked by isolation, and you could wind up not remembering to blink while watching her complete even the most mundane of tasks with a seemingly infinite pool of sorrow. She brought that concentration of anxiety to Gone Girl, where she played the sister of Ben Affleck’s character, and, most recently, to the third season of the Fargo TV series.

9. MICHAEL STULHBARG

Michael Stuhlbarg in 'A Serious Man' (2009)
Focus Features

Last year, in addition to his starring role in the third season of Fargo, Michael Stulhbarg was in three Best Picture nominees—The Shape of Water, Call Me By Your Name, and The Post—where he played pivotal roles as a modest Soviet spy, a father with a barn-burning monologue of compassionate acceptance, and a cosmopolitan newspaper editor, respectively. Three in one year. That’s incredible, but easy to believe when it comes to a talent like Stuhlbarg, who combines a workmanlike consistency and a stage actor’s perfectionism to create everymen who, far from being boring, are each singularly memorable.

10. MARGO MARTINDALE

Margo Martindale in 'The Americans'
FX Networks

The one. The only. Margo Martindale is so transcendent that BoJack Horseman features a character called “Beloved Character Actress Margo Martindale” (which is voiced by Martindale). Perhaps the most famous character actor currently working, she brings a maternal energy to even her craziest characters, which probably makes them seem even crazier. She also excels in roles that exude a sense of cool confidence, which helps if you’re handling soviet spies on The Americans or leading a weed-dealing family on Justified.

11. WALTON GOGGINS

Walton Goggins in FX's 'Justified'
FX Networks

Speaking of Justified: Walton Goggins earned an Emmy nomination for his portrayal of gritty-yet-charming criminal Boyd Crowder on the show, but he deserves so many more awards (though it's worth noting that he did win an Oscar in 2002, when The Accountant—a short film he produced and starred in—was named Best Live-Action Short Film). He’s got a flare for playing wild-eyed thugs and weirdos blissfully lacking self-awareness, but the scummy majesty he offers isn’t solely used for black hats. Goggins popping up randomly in movies and TV shows is always a delight because he’s a hell of an actor who seems to have time traveled here from the Wild West.

12. CCH POUNDER

CCH Pounder in 'NCIS: New Orleans'
CBS

CCH Pounder’s niche is serious professionals in police stations and emergency rooms, but she’s also brought steely playfulness to the neighborhood witch Madame Dorothea in the Mortal Instruments franchise. She’s consistently fantastic, drawing on years of expertise, natural magnetism, and an amazing number of starring and guest-starring roles on TV.

13. STEPHEN ROOT

Stephen Root in 'Idiotsitter' (2014)
Comedy Central

Stephen Root has portrayed so many outlandish characters that it’s shocking when he turns up in a movie in khakis and a Polo shirt. There are no limits on his range, and you can take your pick from a metric ton of favorites: Office Space, O Brother, Where Art Thou?, Dodgeball, Idiocracy, King of the Hill, NewsRadio, Brooklyn Nine-Nine, and Get Out are just a few. In his TV career, he’s been in over 700 episodes and continues to elevate his game. This is legendary character actor status here.

14. ALLISON JANNEY

Allison Janney in 'I, Tonya' (2017)
Neon

West Wing fans have known about Allison Janney’s ability to command a room either with charm, severity, or by doing "The Jackal" since the late 1990s. But she solidified her place in the Character Actor Hall of Fame with her Oscar-winning turn as Tonya Harding’s abusive, bird enthusiast mother in I, Tonya. With a comic edge that echoes vaudeville (see: Hairspray) and a scary intensity when things get serious, Janney excels in any role you lay at her feet.

15. PAT HEALY

Pat Healy in 'The Innkeepers' (2011)
Magnolia Pictures

Often portraying the disturbing or the disturbed, Pat Healy is willing to push extremes of manic glee while staying grounded. He most notably shines through the grit in Cheap Thrills as the downtrodden mechanic Craig who performs increasingly violent and degrading stunts for a bigger pot of money. He also menaced Ann Dowd and Dreama Walker by phone in Compliance and was menaced by ghosts in The Innkeepers.

16. MICHELLE HURST

Michelle Hurst in 'Orange Is the New Black'
Netflix

If you’re a fan of Law & Order and its 1000 spinoffs, you’ve seen (and likely marveled at) Michelle Hurst a dozen times. She possesses a sharp ferocity, as proven by her portrayal of the acerbic Miss Claudette on the first season of Orange is the New Black. She was sidelined after a 2013 car accident, but she’s back this year in a supporting role in the romantic comedy Permission, so hopefully casting directors will take of this criminally underused powerhouse.

17. MICHAEL PEÑA

Michael Peña in 'CHIPS' (2017)
Peter Iovino, Warner Bros. Entertainment Inc.

If you only know Michael Peña as the fast-talking goof in Ant-Man, you’d be forgiven for not realizing the dangerous dramatic work he has done since Crash. He’s the rare talent who’s at the top of his game whether trying to make us laugh, cry, or wrestle with difficult truths. How else can you explain him stealing scenes in Marvel’s miniature superhero film a year after transforming wholesale into Cesar Chavez for a biopic of the civil rights activist?

18. KATHRYN HAHN

Kathryn Hahn in 'Happyish'
Showtime

Kathryn Hahn has been outshining her leading counterparts for years, but Bad Moms really gave her room to run. She absolutely has the skills to heighten the drama in movies like Revolutionary Road and This Is Where I Leave You, but the sweet spot of her talent is in finding humor by playing an exaggerated version of our funny best friend. Jill Soloway’s Afternoon Delight proved Hahn could shoulder a starring role, but it’s great that she has found her stride as the bar-hopping, sexually adventurous single mother ripping through stereotypes in a budding Bad Moms franchise and continues to command the screen in ensembles.

19. KEITH DAVID

Keith David and Parker Young in 'Enlisted'
Adam Taylor, Fox

This Juilliard graduate got his cinematic start with The Thing and Platoon, then went on to lend his unmistakable, Emmy-worthy voice and stature to a slew of harrowing dramas. But Keith David’s secret weapon is his comic perfection as an exasperated authority figure on display in There’s Something About Mary, Rick and Morty, the short-lived-but-brilliant Enlisted, and later seasons of Community. You can count on the Tony winner for acting perfection on screen or on stage.

20. BETH GRANT

Drew Barrymore and Beth Grant in 'Donnie Darko' (2001)
Newmarket Films

If you need an actor to play a religious zealot or snappy rule-enforcer, Beth Grant is your first and last phone call. She’s the consummate stick in the mud, crafting figures who scold and harangue the main character for having even the tiniest bit of fun. We often love to hate the characters she portrays in movies like Donnie Darko and No Country for Old Men (not to mention her regular role on The Mindy Project), but she always transforms flat antagonists into fully realized humans by carving out space for sympathy.

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