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How a 1928 Silent Film Influenced the Creation of the Joker

The shock of green hair. The sickly pale skin. The frozen, Cheshire grin. Everyone knows the trademarks of Batman's greatest foe, the Joker. The king of the comic book villain heap may look like a hellish circus attraction, but the origin of the character doesn't have its roots in some deep-seated fear of clowns shared by creators Bob Kane, Bill Finger, and Jerry Robinson. No, the story behind that nightmarish crimson rictus actually began with a silent German Expressionist film called The Man Who Laughs.

Based on the Victor Hugo novel of the same, the movie is about a young man named Gwynplaine (played by Conrad Veidt), whose father is sentenced to death after offending King James II. But the family's torture didn't end there; the king also ordered Gwynplaine's face be permanently disfigured into a grotesque grin, courtesy of Dr. Hardquanonne. Gwynplaine eventually grows into becoming a traveling actor, who makes money by showcasing his disfigurement to a curious public, all while falling in love with a blind woman named Dea.

Gwynplaine isn't the same homicidal lunatic that his comic book doppelgänger is, but take one look at Veidt's makeup and it's easy to see where the idea for the Clown Prince of Crime started to form. The way Batman creator Bob Kane tells it, the Veidt inspiration was there from the very beginning:

"Bill Finger and I created the Joker. Bill was the writer. Jerry Robinson came to me with a playing card of the Joker. That's the way I sum it up. But he looks like Conrad Veidt — you know, the actor in The Man Who Laughs, [the 1928 movie based on the novel] by Victor Hugo. There's a photo of Conrad Veidt in my biography, Batman & Me. So Bill Finger had a book with a photograph of Conrad Veidt and showed it to me and said, 'Here's the Joker.'"

Well that's Kane's recollection of the Joker's creation, anyway. However, there's some debate over how much of a contribution each man made to the character's first appearance in Batman #1. Robinson has gone on record saying he created the character almost from the ground up before it was tweaked to look more like Gwynplaine only after Finger showed him an image of Veidt in costume. Until his dying day, Kane insisted Robinson's main contribution was the character's namesake calling card design and little else. In the early days of comics, you'd be hard-pressed to find any two creators agree on who came up with which character, but the influence The Man Who Laughs had on the Joker's origin can't be questioned.

How intertwined is the character of Gwynplaine in the Joker's history? Sixty-five years after the Joker's debut, DC Comics released a graphic novel depicting the character's first run-in with the Dark Knight. The book's title? Batman: The Man Who Laughs. In the book, writer Ed Brubaker and artist Doug Mahnke took the Joker back to his roots, with a visual depiction of the character that is almost indistinguishable from Gwynplaine. Even Heath Ledger's take on Joker from The Dark Knight took a note from Hugo's creation by portraying his frozen smile as the result of scarred disfigurement, rather than simply being the byproduct of his unhinged temperament, like it has been in the comics in the past.

Though the Joker has evolved, in the nearly 80 years since his debut, the character still owes his very existence to the ghoulish grin Veidt brought to the screen back in 1928.

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History
Scientists Reveal Long-Hidden Text in Alexander Hamilton Letter
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Age, deterioration, and water damage are just a few of the reasons historians can be short on information that was once readily available on paper. Sometimes, it’s simply a case of missing pages. Other times, researchers can see “lost” text right under their noses.

One example: a letter written by Alexander Hamilton to his future wife, Elizabeth Schuyler, on September 6, 1780. On the surface, it looked very much like a rant about a Revolutionary War skirmish in Camden, South Carolina. But Hamilton scholars were excited by the 14 lines of writing in the first paragraph that had been crossed out. If they could be read, they might reveal some new dimension to one of the better-known Founding Fathers.

Using the practice of multispectral imaging—sometimes called hyperspectral imaging—conservationists at the Library of Congress were recently able to shine a new light on what someone had attempted to scrub out. In multispectral imaging, different wavelengths of light are “bounced” off the paper to reveal (or hide) different ink pigments. By examining a document through these different wavelengths, investigators can tune in to faded or obscured handwriting and make it visible to the naked eye.

A hyperspectral image of Alexander Hamilton's handwriting
Hyperspectral imaging of Hamilton's handwriting, from being obscured (top) to isolated and revealed (bottom).
Library of Congress

The text revealed a more emotional and romantic side to Hamilton, who had used the lines to woo Elizabeth. Technicians uncovered most of what he had written, with words in brackets still obscured and inferred:

Do you know my sensations when I see the
sweet characters from your hand? Yes you do,
by comparing [them] with your [own]
for my Betsey [loves] me and is [acquainted]
with all the joys of fondness. [Would] you
[exchange] them my dear for any other worthy
blessings? Is there any thing you would put
in competition[,] with one glowing [kiss] of
[unreadable], anticipate the delights we [unreadable]
in the unrestrained intercourses of wedded love,
and bet your heart joins mine in [fervent]
[wishes] to heaven that [all obstacles] and [interruptions]
May [be] speedily [removed].

Hamilton and Elizabeth Schuyler married on December 14, 1780. So why did Hamilton try and hide such romantic words during or after their courtship? He probably didn’t. Historians believe that his son, John Church Hamilton, crossed them out before publishing the letter as a part of a book of his father’s correspondence. He may have considered the passage a little too sexy for mass consumption.

[h/t Library of Congress]

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7 of History’s Most Unusual Riots
Scott Barbour/Getty Images
Scott Barbour/Getty Images

Some sociologists theorize that most rioters only join a crowd because the crowd is big enough to justify joining. But there’s always that one person who sparks the violence, and sometimes the reason for doing so can seem pretty baffling. Maybe a work of art scandalizes its audience, like the famous premiere of Igor Stravinsky’s The Rite of Spring. Or maybe it’s simply a notable act of disrespect, like history’s first recorded mooning (in Jerusalem in the first century CE). From balloonists to brown dogs to daylight saving time, here are seven weird reasons things just got out of hand.

1. THE MELBOURNE DART RIOT

The Darts Invitational Challenge, an international tournament held in Melbourne, attracted international gawking in January 2015 during the finals match between Michael "Mighty Mike" van Gerwen and Simon "The Wizard" Whitlock. The dart players weren’t making a scene, though: Rather, hundreds of spectators, many of them drunk and in costume, began throwing plastic chairs as they watched (pictured above). The reasons for the fight remain unclear; footage and photos show police trying to control adults dressed as Oompa-Loompas, numerous superheroes, and, in one instance, in a ghillie suit (heavy camouflage meant to resemble foliage).

2. THE LEICESTER BALLOON RIOT

In 1864, balloonists were the great daredevils of their time, and a major draw for eager audiences. That summer, Henry Coxwell, a famous professional aeronaut, was set to make an appearance for 50,000 paying ticketholders in Leicester, England. Unfortunately, a rumor spread that he hadn’t brought his biggest and best balloon to the event. After heckling from the crowd, Coxwell deflated his balloon, and attendees rushed it, ripping it to shreds, setting it on fire, and threatening to visit the same fate on Coxwell. Rioters even paraded the remains of the balloon through the streets of town, which briefly brought residents a new nickname: Balloonatics.

3. THE TORONTO CLOWN AND FIREFIGHTER RIOT

Toronto was still a pretty rough place in the 1850s, but not so rough that the circus wouldn’t come to town. As it turns out, circus entertainers were also a tough lot back then, so when a group of off-duty clowns spent an evening at a brothel popular with the city’s firefighters on July 12, 1855, tensions came to a head. Accounts differ as to who started the fight, but after one firefighter knocked the hat off a clown things escalated into a full-on rabble intent on chasing the circus out of town. Only the mayor calling in the militia put an end to the uproar, an incident Torontonians credit with kicking off much-needed local police reforms.

4. THE BELGIAN NIGHT AT THE OPERA RIOT

A painting by Charles Soubre of the Belgian Revolution
Charles Soubre, Wikimedia Commons // Public Domain

Not many nations can claim their independence started with an aria, but for 19th-century Belgians sick of living under Dutch rule, an opera was just the right fuse for a revolution. To honor the birthday of King William I of the Netherlands, a theater in Brussels put on La Muette de Portici, about an uprising in Naples against Spanish rule. One song, "Amour Sacre de la Patrie" ("Sacred Love of the Fatherland"), aroused nationalistic passions so much that after the opera ended, the crowd began destroying factories and occupying government buildings. That was August 25, 1830; Belgium declared independence on October 4.

5. THE NEW YORK DOCTORS' RIOT

Hamilton fans, take note: Everyone’s favorite Founding Father once tried to quiet a mob bent on burning corpses. For centuries, anatomists and medical students relied on gruesome means to learn about the human body. Cadavers for dissection class often came from grave robbers, since the corpses of executed criminals were the only legal source—and they were in limited supply. In New York in 1788, rumors abounded that medical students were digging up paupers’ graves and black cemeteries. When one mob came after the doctors responsible, Alexander Hamilton tried, and failed, to restore the peace. The crowd swelled to about 5000 before militiamen intervened, leading to up to about 20 deaths.

6. THE BROWN DOG RIOTS

Photo of an anti-vivisection demonstration in Trafalgar Square, London, to protest the removal from Battersea Park of the Brown Dog statue
The Anti-Vivisection Review, Wikimedia Commons // Public Domain

Riots against the dissection of dead human bodies were not rare in the United States at one time. But on December 10, 1907, a thousand Britons marched in support of vivisection, or surgery on live animals. At the center of the controversy was a small terrier allegedly vivisected without anesthetic in 1903 during a class at London’s University College. Animal rights activists erected a statue to the dog in 1906, which enraged area medical students, and protesters tried to destroy the statue using crowbars and hammers. For the 1907 march, 400 mounted police were deployed to contain marchers. The statue became such a flashpoint (and an expense to local authorities) that in 1910, it was removed and melted down.

7. THE EEL-PULLING RIOT

Palingtrekken (eel-pulling) was once a popular contest in Amsterdam, in which a writhing eel was suspended over a canal and hopefuls on boats would leap to snatch it as they passed beneath (usually landing in the water instead). However, “eel-pulling” was also illegal—the government deemed it a “cruel popular entertainment”—and in July 1886, police intervened at a particularly large gathering in the city’s Jordaan district. Civilians threw stones and bricks at police, and when some nearby socialist protestors joined them, a riot broke out that lasted for several days. The army finally intervened and opened fire on the protestors. All in all, 26 people died and 136 were wounded, but somehow, the eel itself at the center of the riots was allegedly saved and auctioned off in 1913.

A version of this story originally ran in 2015.

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