Russians Resume Brusilov Offensive

Erik Sass is covering the events of the war exactly 100 years after they happened. This is the 245th installment in the series.

July 28, 1916: Russians Resume Brusilov Offensive 

Perhaps the most stunning development of 1916, surpassing even Verdun and the Somme, was the massive success of the Russian offensive on the Eastern Front launched by General Alexei Brusilov, widely regarded as one of the most talented commanders of the First World War. A pioneer of “combined arms” tactics – in which artillery, shock troops, regular infantry, and aerial reconnaissance worked in close coordination to overwhelm enemy defenses – in June 1916 Brusilov was given authority over the entire Russian Southwest Front, with four armies under his command, and stunned the world by breaking through the Austrian defenses and pushing the demoralized Habsburg armies back over a hundred miles in places. After a pause to regroup and redeploy his forces (including the addition of the Third Army and a special Guards Army, drawn from elements drawn from other Russian armies, the latter not shown on the map below), on July 28, 1916, Brusilov resumed the offensive – but this time with only limited success.

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Simply bringing Brusilov’s armies to a state of readiness again was an impressive feat, given the incredible logistical difficulties the Russians faced in Galicia, Bukovina, and southeast Poland (now western Ukraine), served by some of the most primitive infrastructure in Europe, including narrow, unpaved roads – or no roads at all – and a glaring deficiency in motorized transport. Stanley Washburn, a war correspondent following the Russian armies, described the achingly slow progress of supply columns and reinforcements moving to the front in July: 

Miles and miles of peasants’ carts bearing food, provender, huge loaves of bread, were succeeded by four-horse wagons piled high with regimental and staff baggage. These, in turn, turned aside to let the field telegraph outfit pass, with its innumerable little two-wheeled carts loaded with poles and coils of wire for communications. Perhaps behind them a long column of the two-wheeled, two-horse carts holding the small-arm ammunition for the infantry passed tumultuously over the rough cobbled stones… Wagons loaded with barbed wire wound on great spools were conspicuous in the procession… A dozen times a day the traffic must pull aside to permit the passage of troops going to the front. These came through, battalion after battalion, their copper-tinged faces now gray with the fine, white dust of the road.

Violent thunderstorms didn’t help matters much, although they did make for some surreally picturesque nighttime vignettes, as recorded by Washburn, who at least got to travel in one of the scarce automobiles: 

… in two minutes we were wallowing through mud six inches deep, with wheels spinning and smoking tires filling the air with the smell of superheated rubber. One instant the entire landscape would be thrown into vivid relief by the flash of the lightning, and the next, with eyes half blinded by the glare, we would be staring into blackness... With the coming of the flashing lightning, with its illumination of the country for miles about, we could see that we were in the midst of the seething life of the army… For one instant one sees them stretching away ahead and behind on the road as far as the eye can reach, and then the return of the darkness shuts them out as utterly as the putting of a cap on the lens of a camera.

After several false starts, by late July Brusilov’s forces were ready to launch the next phase of the offensive. At 4 a.m. on July 28 the Russian artillery opened up along the entire front, stretching from near Czernowitz to the southern reaches of the Pripet marshes, followed just an hour later by the first infantry attacks by the Russian Eleventh Army against the hybrid Austro-German Südarmee (South Army). Although the Eleventh Army failed to make much progress here, it did succeed in pinning down the Südarmee, preventing the Germans and Austrians from sending reinforcements elsewhere. 

This set the stage for more successful attacks further south, where the Russian Ninth Army’s artillery pounded the Austro-Hungarian Third Army and forced it to retreat towards the town of Stanislau (today Ivano-Frankivsk in western Ukraine) and threatened to breach the juncture with the Südarmee, forcing the latter to pull back as well. Meanwhile further north the Russian Eighth Army inflicted a shattering defeat on the beleaguered Habsburg Fourth Army, led by swarms of Russian shock troops, who overwhelmed the first line of Austro-Hungarian defenses and captured the second line so quickly there was basically no time to react. 

These breakthroughs were exploited by bands of Russian Cossacks, who excelled at their traditional mission of sowing chaos behind the lines and generally striking terror into the enemy, often armed with weapons that wouldn’t have looked out of place in the medieval period (top, Cossacks in Galicia). Malcolm Grow, an American surgeon volunteering with the Russian Army, described seeing a Cossack unit in action around this time: 

Each man was armed with a fourteen-foot lance with a knife-like steel point, a great curved sabre at his side with a blade like that of a razor, a short dagger with a nasty two-edge blade in the belt, and a carbine on a leather strap slung across the shoulder… After running the Austrians through with their long lances, the Cossacks would ride by and disengage their weapons with a strong pull. Occasionally, however, the lance would be torn from their grasp, and then out would flash their long keen sabres. I attended a number of Germans after this fight, which showed the deadly power of the Cossack cutting stroke… One man I attended had his entire arm and shoulder carried away by a single blow from a sabre. Another poor devil had been struck in the top of the head and he was split through to his breast-bone, the skull cut as clean as though the work had been done with a saw. 

By the end of July 28 the Habsburg Fourth Army had lost 15,000 men, most of these taken prisoner after surrendering with little resistance.

However Brusilov’s main push, towards the town of Kovel, met with less success. After some initial victories by the Russian Third and Guards Armies, the German and Austrian commanders wisely withdrew a relatively short distance to safe defensive positions behind the Stokhod River, a tributary of the Pripet River (for which the Pripet Marshes are named). The Russians found it impossible to even reach the Stokhod, as thousands upon thousands of troops were mowed down by Central Powers artillery while approaching through the mud of the broad, open marshes lining the river (below, the Stokhod River today). 

Despite very heavy losses, the Russians continued the offensive in the days that followed, keeping the pressure on the Austrians but making only gradual progress, in large part due to a lack of coordination between Brusilov’s army commanders. On July 30, Washburn described the strangely dispassionate attitude of Russian artillerymen shelling enemy positions behind the Stokhod: 

As we came up, the whole operation was proceeding as methodically as a drill. An officer sitting on a stump, with a notebook, was directing the fire from instructions received every few minutes from an orderly at a telephone in a near-by bomb proof. All the directions were in figures denoting changes in elevation and deviation from the target, and not a man in the battery, the officer not excepted, knew what their target was. Their aiming point was a tree in the rear, and as long as the gunner had his sights on that he cared not whether he was shooting at a village, a trench, or an enemy battery. The man at the breech sat at his post with as little concern as though working a lathe in a machine shop. The war has become absolutely casual, as a matter of fact, and these people go about their work without excitement or confusion. 

In early August Brusilov regrouped before mounting a new wave of attacks, which again achieved some notable successes – but the balance of forces was gradually beginning to turn against the Russians, as supply lines stretched out and artillery started to run low on ammunition, while the Germans rushed more divisions to shore up their helpless Austrian allies. 

Overall the Brusilov Offensive had a major impact on the course of the war, but its effects were ambiguous. On one hand, along with the British and French attack at the Somme, it forced German chief of the general staff Erich von Falkenhayn to withdraw troops from Verdun, ending the great German offensive of 1916 and leading to Falkenhayn’s removal and replacement by Paul von Hindenburg, the hero of Tannenberg. It also persuaded Romania to join the war on the side of the Allies (though this proved a mixed blessing, at best). 

But Brusilov’s victories also came at an astronomical cost: from June to September 1916, when the offensive ended, Russia suffered an incredible 1.4 million casualties, bringing its total losses for the war to date to around eight million, including killed, wounded, prisoners, and missing.  By the second half of 1916 it was becoming increasingly clear that Russia could no longer sustain these losses while maintaining loyalty to the autocratic and ever-more dysfunctional monarchy of Tsar Nicholas II. Something had to give. 

See the previous installment or all entries.

Netflix Is Testing Commercials, and Subscribers Aren't Happy

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iStock

Save the occasional "Are you still watching?" message popping up between episodes, it's possible to watch an entire Netflix series in one sitting with little to no distractions. Now, the streaming service is testing something that could upend that: As CNN reports, Netflix has quietly started sprinkling advertisements into its programming, something the subscription-based service has been able to avoid up to this point.

The promotional content Netflix is experimenting with differs from conventional cable commercials in some fundamental ways. The promos won't be advertising third-party brands, Netflix promises: Rather, they'll exclusively show off Netflix original content, like seriesGlow and Stranger Things (though one Reddit user did report seeing an ad for Better Call Saul, which Netflix licenses from AMC). And instead of inserting ads throughout the program, as some non-subscription streaming services do, Netflix will only include them at the end of some episodes with a "skip" button similar to the one that allows viewers to bypass a show's opening credits. And each promo subscribers see will be personalized based on their viewing habits, hopefully turning them on to new shows and not just annoying them in the middle of their binge-watching sessions.

Despite these assurances from Netflix, viewers aren't happy. Many customers have taken to social media threatening to cancel their service if the promos become the norm, which likely may not happen: They've only been shown to a select number of test viewers so far, and based on user response, Netflix may decide to pull the plug on the experiment.

The good news is that as long as the ads are still in the test phase, you can choose to opt out of them. Just go to Netflix.com/DoNotTest and toggle off the switch next to the words "Include me in tests and previews." Now you're ready to resume your binge-watching marathon without interruption.

[h/t CNN]

10 Things You Might Not Know About Columbo

Universal Pictures Home Entertainment
Universal Pictures Home Entertainment

For more than 40 years, Peter Falk entered living rooms around the world as Lieutenant Columbo, an unconventional L.A. homicide detective known for his ruffled raincoat and trademark cigar. The actor would go on to win four Emmys for the role, while the series itself remains a benchmark for television crime dramas. But if series creators William Link and Richard Levinson went with their initial choice, the iconic role of Columbo would have gone to a syrupy-smooth crooner rather than the inelegant Falk. Get familiar with one of TV's most unique heroes with facts about Columbo.

1. BING CROSBY WAS ORIGINALLY EYED FOR THE ROLE.

Columbo creators Richard Levinson and William Link's first choice to play their low-key detective was crooner Bing Crosby. Der Bingle loved the script and the character, but he feared that a TV series commitment would interfere with his true passion—golf. It was probably providential that Crosby turned the role down, since his death in 1977 occurred while the series was still a solid hit on NBC. 

2. PETER FALK WAS AN UNEXPECTED SEX SYMBOL.

Peter Falk in 'Columbo'
Universal Pictures Home Entertainment

Character actor Lee J. Cobb was also considered for the role, until Peter Falk phoned co-creator William Link. Falk had gotten a copy of the script from his agents at William Morris and told Link that he’d “kill to play that cop.” Link and Levinson knew the actor back from their days of working in New York, and even though he was the opposite of everything they’d originally pictured for Lt. Columbo, they had to admit that Falk had a certain likeability that translated to both men and women. Falk was described by a certain female demographic as “sexy,” and males liked him because he was an unthreatening, humble, blue-collar underdog who was smarter than the wealthy perps he encountered.

3. FALK WAS A GOVERNMENT WORKER BEFORE BECOMING AN ACTOR.

Peter Falk wasn’t too far removed from the character he played. In real life he tended to be rumpled and disheveled and was forever misplacing things (he was famous for losing his car keys and having to be driven home from the studio by someone else). He was also intelligent, having earned a master’s degree in Public Administration from Syracuse University, which led to him working for the State of Connecticut’s Budget Bureau as an efficiency expert until the acting bug bit him. He was also used to being underestimated due to his appearance; he’d lost his right eye to cancer at age three, and many of his drama teachers in college warned him of his limited chances in film due to his cockeyed stare. Indeed, after a screen test at Columbia Pictures Harry Cohn dismissed him by saying, “For the same price I can get an actor with two eyes.”

4. COLUMBO'S DOG WASN'T A WELCOME SIGHT AT FIRST.

Columbo's dog
Universal Pictures Home Entertainment

When Columbo was renewed for a second season, NBC brass had a request: they wanted the lieutenant to have a sidekick. Perhaps a young rookie detective just learning the ropes. Link and Levinson were resistant to the idea, but the network was pressuring them. They conferred with Steven Bochco, who was writing the script for the season opener, “Etude in Black,” and together they hatched the idea of giving Lt. Columbo a dog as a “partner.” Falk was against the idea at first; he felt that between the raincoat, cigar, and Peugeot his character had enough gimmicks. But when he met the lethargic, drooling Basset Hound that had been plucked from a pound, Falk knew it was perfect for Columbo's dog.

The original dog passed away in between the end of the original NBC run of the series and its renewal on ABC, so a replacement was necessary. The new pup was visibly younger than the original dog, and as a result spent more time in the makeup chair to make him look older.

5. FALK'S REAL-LIFE WIFE PLAYED A ROLE IN THE SERIES.

Falk first met Shera Danese, the woman who would become his second wife, on the set of his 1976 film Mikey & Nicky. The movie was being filmed in Danese’s hometown of Philadelphia, and the aspiring actress had landed work as an extra. They were married in 1977, and she was able to pad out her resume by appearing on several episodes of Columbo. Her first few appearances were limited to small walk-on parts—secretaries, sexy assistants, etc. By the time the series was resurrected on ABC in the early 1990s, she was awarded larger roles.

She originally auditioned for the role of the titular rock star in 1991’s “Columbo and the Murder of a Rock Star,” but her husband adamantly refused, since the role included a scene of her in bed making love to a much younger man. She instead played the role of a co-conspiring attorney, and was also allowed to sing the song that was the major hit for the murdered star.

6. THE CHARACTER'S TRADEMARK RAINCOAT CAME FROM FALK'S CLOSET.

The initial wardrobe proposed for Columbo struck Peter Falk as completely wrong for the character. To get closer to what he wanted for Columbo, the actor went into his closet and found a beat-up coat he had bought years earlier when caught in a rainstorm on 57th Street. And he ordered one of the blue suits chosen for him to be dyed brown. The drab outfit would become one of the trademarks of the character for decades.

7. STEVEN SPIELBERG GOT AN EARLY BREAK ON COLUMBO.

“Murder by the Book” was the second Columbo episode filmed, but it was the first one to air after the show was picked up as a series. Filming was delayed for a month, though, when Falk refused to sign off on this “kid”—a 25-year-old named Steven Spielberg—to direct the episode. Finally he watched a few of Spielberg’s previous credits (all of them TV episodes) and was impressed by his work on the short-lived NBC series called The Psychiatrist. Once filming was underway, Falk was impressed by many of the techniques employed by the young director, such as filming a street scene with a long lens from a building across the road. “That wasn’t common 20 years ago,” Falk said. He went on to tell producers Link and Levinson that “this guy is too good for Columbo."

8. COLUMBO'S FIRST NAME WOUND UP THE SUBJECT OF A LAWSUIT.

Fred L. Worth, author of several books of trivia facts, had a sneaking feeling that other folks were using his meticulously researched facts without crediting him. He set a “copyright trap” and mentioned in one of his books that Lt. Columbo’s first name was “Philip,” although he had completely fabricated that so-called fact. Sure enough, a 1984 edition of the Trivial Pursuit board game listed the “Philip” Columbo name as an answer on one of their cards, which led to a $300 million lawsuit filed by Mr. Worth.

The board game creators admitted in court that they’d garnered their Columbo fact from Worth’s book, but the judge ultimately determined that it was not an actionable offense. By the way, years later when Columbo was available in syndicated reruns and HD TV was an option, alert viewers were able to freeze-frame a scene where the rumpled lieutenant extended his badge for identification purposes in the season one episode “Dead Weight” and determine that his first name was, in fact, “Frank.”

9. THE SERIES DIDN'T FOLLOW A STANDARD MYSTERY FORMAT.

The premise of Columbo was the “inverted mystery,” or a “HowCatchEm” instead of a “WhoDunIt.” Every episode began with the actual crime being played out in full view of the audience, meaning viewers already knew “WhodunIt.” What they wanted to know is how Lt. Columbo would slowly zero in on the perpetrator. This sort of story was particularly challenging for the series’s writers, and they sometimes found inspiration in the most unlikely places. Like the Yellow Pages, for example. One of Peter Falk’s personal favorite episodes, “Now You See Him,” had its genesis when the writers were flipping through the telephone book looking for a possible profession for a Columbo murderer (keep in mind that all of Columbo’s victims and perps were of the Beverly Hills elite variety, not your typical Starsky and Hutch-type thug).

A page listing professional magicians caught their eye, and that led to a classic episode featuring the ever-suave Jack Cassidy playing the role of the former SS Nazi officer who worked as a nightclub magician. When the Jewish nightclub owner recognized him and threatened to expose him, well, you can guess what happened. But the challenge is to guess how Lt. Columbo ultimately caught him. 

10. THERE WAS A SPINOFF THAT KIND OF WAS BUT THEN WASN'T.

The 1979 TV series entitled Mrs. Columbo was not technically related to the original Peter Falk series. In fact, Levinson and Link opposed the entire concept of the series; it was NBC honcho Fred Silverman who gave the OK to use the Columbo name and imply that Kate Mulgrew was the widowed/divorced wife (the series changed names and backstories several times during its short run) of the famed homicide detective. The “real” Mrs. Columbo was never mentioned by her first name during the original series, but actor Peter Falk possibly slipped and revealed that her name was “Rose” when he appeared at this Dean Martin Roast saluting Frank Sinatra and asked for an autograph.

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